Home » The PARIS Forums » PARIS: Main » Scope FX.... anyone bit into this one yet?
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| Re: Scope FX.... anyone bit into this one yet? [message #77561 is a reply to message #77560] |
Thu, 28 December 2006 23:01   |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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com
chrisl@adkproaudio.comHi Chris,
I know Windows 32 can only by default use up to 2G, but I'm running the /3G
switch to
let the apps access more. Is that what you are referring to, or is there a
board
dependancy with this one that will limit me otherwise?
So as long as I just setup a raid with the silicon image controller I should
be fine?
I'm thinking of going raid for the samples drive.
Thanks!
Dedric
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
news:45b672df@linux...
> Hi Dedric,
> I use it at home with the quad 6700 works like a champ.
> 3x uads pci
> 1x firewire 800
>
> The only issues I have with it are that the JMicron sata controllers don't
> work well for raid but the lintel and silicon images work great.
>
> If you have that many PCI slots filled and you have 4 gigs windows will
> only see 2 gigs of your 4 gigs in 32bit xp.
>
> It will see the 4 gigs in win 64 pro, vista and linux.
>
>
> Chris
>
>
> Dedric Terry wrote:
>> Anyone using the Asus P5W DH Deluxe with a core 2 or quad core? Any
>> problems or issues to watch out for.
>> I'm also considering the P5WDG2 or Intel D975XBX2KR, but would prefer to
>> have 3 PCI slots for 2 UAD-1s and
>> and RME card, for now at least until I upgrade the audio card to PCIe
>> (this is for Nuendo, btw).
>>
>> Feel free to email me offline to since it's ot - dedric at keyofd dot
>> net.
>>
>> Thanks,
>> Dedric
>
> --
> Chris Ludwig
>
> ADK Pro Audio
> (859) 635-5762
> www.adkproaudio.com
> chrisl@adkproaudio.com4GB with a 32 bit OS is like the speed limit. No way to get around it. The
various switches really just allow apps to move around the 2GB (tops) of
physical memory they use.
http://www.brianmadden.com/content/content.asp?ID=69
We've done the benchmarks on (fairly) big iron. It makes a real difference
running a 64 bit OS with large amounts of memory.
TCB
"Dedric Terry" <dedric@echomg.com> wrote:
>Hi Chris,
>
>I know Windows 32 can only by default use up to 2G, but I'm running the
/3G
>switch to
>let the apps access more. Is that what you are referring to, or is there
a
>board
>dependancy with this one that will limit me otherwise?
>
>So as long as I just setup a raid with the silicon image controller I should
>be fine?
>I'm thinking of going raid for the samples drive.
>
>Thanks!
>Dedric
>
>"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
>news:45b672df@linux...
>> Hi Dedric,
>> I use it at home with the quad 6700 works like a champ.
>> 3x uads pci
>> 1x firewire 800
>>
>> The only issues I have with it are that the JMicron sata controllers don't
>> work well for raid but the lintel and silicon images work great.
>>
>> If you have that many PCI slots filled and you have 4 gigs windows will
>> only see 2 gigs of your 4 gigs in 32bit xp.
>>
>> It will see the 4 gigs in win 64 pro, vista and linux.
>>
>>
>> Chris
>>
>>
>> Dedric Terry wrote:
>>> Anyone using the Asus P5W DH Deluxe with a core 2 or quad core? Any
>>> problems or issues to watch out for.
>>> I'm also considering the P5WDG2 or Intel D975XBX2KR, but would prefer
to
>>> have 3 PCI slots for 2 UAD-1s and
>>> and RME card, for now at least until I upgrade the audio card to PCIe
>>> (this is for Nuendo, btw).
>>>
>>> Feel free to email me offline to since it's ot - dedric at keyofd dot
>>> net.
>>>
>>> Thanks,
>>> Dedric
>>
>> --
>> Chris Ludwig
>>
>> ADK Pro Audio
>> (859) 635-5762
>> www.adkproaudio.com
>> chrisl@adkproaudio.com
>
>Hi Dedric,
Dedric Terry wrote:
> Hi Chris,
>
> I know Windows 32 can only by default use up to 2G, but I'm running the /3G
> switch to
> let the apps access more. Is that what you are referring to, or is there a
> board
> dependancy with this one that will limit me otherwise?
With 3 UAD cards in the machine my motherboard will only report 2 gigs
to windows whether or not I have the 3 gig switch or not. Also any of
the BIOS settings that effect that memory hole don't seem to to effect
it. With just the 2 in it may act differently for you.
>
&
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| Re: Scope FX.... anyone bit into this one yet? [message #77562 is a reply to message #77561] |
Fri, 29 December 2006 06:09 |
DJ
Messages: 1124
Registered: July 2005
|
Senior Member |
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gt; So as long as I just setup a raid with the silicon image controller I should
> be fine?
I'm using a IDE OS and DVD drive
2x sata in raid 0 for samples on the Intel controller
1 drive on intel in removable
2x sata internal on silicon image.
Seems to work fine.
> I'm thinking of going raid for the samples drive.
>
> Thanks!
> Dedric
>
> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
> news:45b672df@linux...
>> Hi Dedric,
>> I use it at home with the quad 6700 works like a champ.
>> 3x uads pci
>> 1x firewire 800
>>
>> The only issues I have with it are that the JMicron sata controllers don't
>> work well for raid but the lintel and silicon images work great.
>>
>> If you have that many PCI slots filled and you have 4 gigs windows will
>> only see 2 gigs of your 4 gigs in 32bit xp.
>>
>> It will see the 4 gigs in win 64 pro, vista and linux.
>>
>>
>> Chris
>>
>>
>> Dedric Terry wrote:
>>> Anyone using the Asus P5W DH Deluxe with a core 2 or quad core? Any
>>> problems or issues to watch out for.
>>> I'm also considering the P5WDG2 or Intel D975XBX2KR, but would prefer to
>>> have 3 PCI slots for 2 UAD-1s and
>>> and RME card, for now at least until I upgrade the audio card to PCIe
>>> (this is for Nuendo, btw).
>>>
>>> Feel free to email me offline to since it's ot - dedric at keyofd dot
>>> net.
>>>
>>> Thanks,
>>> Dedric
>> --
>> Chris Ludwig
>>
>> ADK Pro Audio
>> (859) 635-5762
>> www.adkproaudio.com
>> chrisl@adkproaudio.com
>
>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comthis is the best up to date info on the 3/gb deal.
http://blogs.msdn.com/oldnewthing/archive/2004/08/22/218527. aspx
Dedric Terry wrote:
> Hi Chris,
>
> I know Windows 32 can only by default use up to 2G, but I'm running the /3G
> switch to
> let the apps access more. Is that what you are referring to, or is there a
> board
> dependancy with this one that will limit me otherwise?
>
> So as long as I just setup a raid with the silicon image controller I should
> be fine?
> I'm thinking of going raid for the samples drive.
>
> Thanks!
> Dedric
>
> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
> news:45b672df@linux...
>> Hi Dedric,
>> I use it at home with the quad 6700 works like a champ.
>> 3x uads pci
>> 1x firewire 800
>>
>> The only issues I have with it are that the JMicron sata controllers don't
>> work well for raid but the lintel and silicon images work great.
>>
>> If you have that many PCI slots filled and you have 4 gigs windows will
>> only see 2 gigs of your 4 gigs in 32bit xp.
>>
>> It will see the 4 gigs in win 64 pro, vista and linux.
>>
>>
>> Chris
>>
>>
>> Dedric Terry wrote:
>>> Anyone using the Asus P5W DH Deluxe with a core 2 or quad core? Any
>>> problems or issues to watch out for.
>>> I'm also considering the P5WDG2 or Intel D975XBX2KR, but would prefer to
>>> have 3 PCI slots for 2 UAD-1s and
>>> and RME card, for now at least until I upgrade the audio card to PCIe
>>> (this is for Nuendo, btw).
>>>
>>> Feel free to email me offline to since it's ot - dedric at keyofd dot
>>> net.
>>>
>>> Thanks,
>>> Dedric
>> --
>> Chris Ludwig
>>
>> ADK Pro Audio
>> (859) 635-5762
>> www.adkproaudio.com
>> chrisl@adkproaudio.com
>
>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comOn 23 Jan 2007 13:24:30 +1000, "Rod Lincoln" <rlincoln@kc.rr.com>
wrote:
>
>Thanks for the info , but SCREW THAT!!!!! If clients are moving to m4a's
>I need a way to be able to do this a lot with no worry about a "limit" also
>I don't want to waste CD's.
>Rod
Rod,
The only time there is a limit is if you're burning a cd with
protected m4a's bought from the iTunes store. Unprotected m4a's
ripped from your own stuff or something that a client sends do not
incur the copy limit.
pabOn 24 Jan 2007 02:57:37 +1000, "TCB" <nobody@ishere.com> wrote:
>
>As far as educating your clients, as AA suggested, I would go one step further.
>They didn't give you the music in the wrong format, they are using the wrong
>format to start with. A format that denies them rights they have every reason
>to expect to have, including interoperability with other commonly used audio
>software and devices.
>
OK, guys -
m4a is NOT a proprietary standard. It is an open mpeg codec, like
mp3, but better. It is NOT something Apple came up with, like M$ did
with WMA.
The only time it is proprietary is if you buy protected songs from the
iTunes Music Store or someplace similar.
m4a or AAC files that you rip yourself, or that someone else rips
themselves, does not contain the Apple DRM. It is simply another
compressed audio format, like mp3 or OGG.
When the OGG zealots get on their soapbox, the same argument applies -
if you can't find a player to support it, what good is it?
But don't blast m4a all together because it is not, by itself,
DRM-locked.
pabHi Chris,
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
news:45b68dac$1@linux...
> With 3 UAD cards in the machine my motherboard will only report 2 gigs to
> windows whether or not I have the 3 gig switch or not. Also any of the
> BIOS settings that effect that memory hole don't seem to to effect it.
> With just the 2 in it may act differently for you.
Ouch. That could be a problem then. Hopefully that's related to 3 UAD-1s,
and not just UAD-1s, or using all three PCI slots.
I'll have to be sure I have a return policy for that board first.
Thanks,
Dedric
>>
>> So as long as I just setup a raid with the silicon image controller I
>> should be fin
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| Re: Scope FX.... anyone bit into this one yet? [message #77563 is a reply to message #77561] |
Fri, 29 December 2006 07:46 |
Neil
Messages: 1645
Registered: April 2006
|
Senior Member |
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|
e?
>
> I'm using a IDE OS and DVD drive
> 2x sata in raid 0 for samples on the Intel controller
> 1 drive on intel in removable
> 2x sata internal on silicon image.
>
> Seems to work fine.
>
>
>> I'm thinking of going raid for the samples drive.
>>
>> Thanks!
>> Dedric
>>
>> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
>> news:45b672df@linux...
>>> Hi Dedric,
>>> I use it at home with the quad 6700 works like a champ.
>>> 3x uads pci
>>> 1x firewire 800
>>>
>>> The only issues I have with it are that the JMicron sata controllers
>>> don't work well for raid but the lintel and silicon images work great.
>>>
>>> If you have that many PCI slots filled and you have 4 gigs windows will
>>> only see 2 gigs of your 4 gigs in 32bit xp.
>>>
>>> It will see the 4 gigs in win 64 pro, vista and linux.
>>>
>>>
>>> Chris
>>>
>>>
>>> Dedric Terry wrote:
>>>> Anyone using the Asus P5W DH Deluxe with a core 2 or quad core? Any
>>>> problems or issues to watch out for.
>>>> I'm also considering the P5WDG2 or Intel D975XBX2KR, but would prefer
>>>> to have 3 PCI slots for 2 UAD-1s and
>>>> and RME card, for now at least until I upgrade the audio card to PCIe
>>>> (this is for Nuendo, btw).
>>>>
>>>> Feel free to email me offline to since it's ot - dedric at keyofd dot
>>>> net.
>>>>
>>>> Thanks,
>>>> Dedric
>>> --
>>> Chris Ludwig
>>>
>>> ADK Pro Audio
>>> (859) 635-5762
>>> www.adkproaudio.com
>>> chrisl@adkproaudio.com
>>
>>
>
> --
> Chris Ludwig
>
> ADK Pro Audio
> (859) 635-5762
> www.adkproaudio.com
> chrisl@adkproaudio.comHey Dimitrios will my waveforms in the automation editor
be in sync with the audio?If so i'll buy it.
Eugene
"Dimitrios" <musurgio@otenet.gr> wrote:
>
>Hi Aaron,
>How is your pulsar going ?
>http://www.vertexdsp.com/products.html
>
>Regards,
>Dimitrios
>
>"Aaron Allen" <know-spam@not_here.dude> wrote:
>>What was the website again?
>>
>>"Dimitrios" <musurgio@otenet.gr> wrote in message news:45b46e36$1@linux...
>>>
>>> Hi,
>>> You remember Wormhole ?
>>> Although there was a great support for us paris users regarding the update
>>> of wormhole I don't think that more than 3-4 of us ,including me, have
>
>>> bought
>>> wormhole.
>>> I don't wanna be pushy with your money and urge you to spend them towards
>>> anything for that matter but you understand my position and how we Paris
>>> users show our appreciation to this author of Vertex...
>>> We have to decide if we want some people get involved in developing Paris
>>> any further or let eventually Paris fade away...
>>> I formyself I am here for me and all of you to fight till nothing can
>be
>>> done...
>>> I will buy it because ALREADY is a GREAT plugin because you can SOLO
a
>
>>> bunch
>>> of audio tracks along submixes , mute other and finally be able to do
>what
>>> clients sometimes (always ?) ask like can I hear please only the guitars
>>> ? or can I hear only main and backing vocals ?
>>> Now add to the above this Latency compensation thing which was based
on
>a
>>> idea of mine with manually giving the latency of a certain plugin and
>
>>> letting
>>> the rest of audio tracks follow that latency.
>>>
>>> I am signing this:
>>> Dimitrios Bitzenis
>>
>>
>Interesting. Regardless of the actual function of the /3G switch, it makes
a significant difference
with Nuendo and loading sample libraries, even with only 2G of ram, so I
guess that just implies
libraries need more of the user virtual address space, or there isn't as
much of it available for
secondary apps to access normally.
Before adding the switch, Nuendo would at times toss up memory errors when
approaching 1.6G used, and would
at least come to a standstill. But after setting it (with userva=2770 I
believe - for UAD-1s) I can load down memory at will,
though I watch it carefully to be sure I'm not killing Windows n the
process. I've actually had Nuendo run with less than 100M
of free Ram, inadvertantly. It runs fine with a bit over 200M free. With
sample libraries, that last bit can make a significant
difference.
Regards,
Dedric
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
news:45b68e55$1@linux...
> this is the best up to date info on the 3/gb deal.
>
> http://blogs.msdn.com/oldnewthing/archive/2004/08/22/218527. aspx
>
>
> Dedric Terry wrote:
>> Hi Chris,
>>
>> I know Windows 32 can only by default use up to 2G, but I'm running the
>> /3G switch to
>> let the apps access more. Is that what you are referring to, or is there
>> a board
>> dependancy with this one that will limit me otherwise?
>>
>> So as long as I just setup a raid with the silicon image controller I
>> should be fine?
>> I'm thinking of going raid for the samples drive.
>>
>> Thanks!
>> Dedric
>>
>> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
>> news:45b672df@linux...
>>> Hi Dedric,
>>> I use it at home with the quad 6700 works like a champ.
>>> 3x uads pci
>>> 1x firewire 800
>>>
>>> The only issues I have with it are that the JMicron sata controllers
>>> don't work well for raid but the lintel and silicon images work great.
>>>
>>> If you have that many PCI slots filled and you have 4 gigs windows will
>>> only see 2 gigs of your 4 gigs in 32bit xp.
>>>
>>> It will see the 4 gigs in win 64 pro, vista and linux.
>>>
>>>
>>> Chris
>>>
>>>
>>> Dedric Terry wrote:
>>>> Anyone using the Asus P5W DH Deluxe with a core 2 or quad core? Any
>>>> problems or issues to watch out for.
>>>> I'm also considering the P5WDG2 or Intel D975XBX2KR, but would prefer
>>>> to have 3 PCI slots for 2 UAD-1s and
>>>> and RME card, for now at least until I upgrade the audio card to PCIe
>>>> (this is for Nuendo, btw).
>>>>
>>>> Feel free to email me offline to since it's ot - dedric at keyofd dot
>>>> net.
>>>>
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| Re: Scope FX.... anyone bit into this one yet? [message #77587 is a reply to message #77563] |
Fri, 29 December 2006 18:44 |
Neil
Messages: 1645
Registered: April 2006
|
Senior Member |
|
|
96 samples !!
>>> Four times less that UAD1 wrapped by Fxpansion 3.3 .
>>> Now on the above scenario if you DON'T PUT more than on UAD1 plugin on
>>> SAME
>>> audio track, meaning you can put 128 instances of UAD1 plugins if you
>>> have
>>> 4 uad1 cards and are able to load that much on them you STILL DO NOT
PASS
>>> that 4096 total sample latency !!!
>>> Add to that some waves or T-racks and eds effects ADD to that the submix
>>> delay compensatio (12 samples from card1 to card 2 and 2 samples
>>> thereafter)
>>> you will normally not exceed the 5000 samples latency overall on a dense
>>> mix.
>>> That is 113 ms overall.
>>> Now if you don't use UAD1 cards you will normally never get passed the
>>> 300
>>> samples which is 6-7 ms which is VERY VERY low and automation is not
a
>>> problem
>>> at all.
>>> Regarding automation though I have made a test with wormhole 32 audio
>>> tracks
>>> from Cubase to Paris with a latency of 7500 samples and whenever I was
>>> recording
>>> automation in real time the playback was exactly as I recorded it !!
>>> So whats all about that automation thing accoring to audio track's
>>> latency
>>> ???
>>> I would like to know that !
>>> Hope the above will help understand that now someone is willing to build
>>> something we only were dreaming of , DELAY COMPENSATOR , and we are still
>>> skeptical like if ID is making it :)
>>> We ghave to applause this vertex author and give him all the support
>>> needed
>>> BECAUSE we the actual buyers of this vertex will surely ask later for
an
>>> update with some enhanced features and we must show that we are not just
>>> 4,5 or 6 Paris users outr there interested only.
>>> I ask you to forgive me if someone gets offended by this post as this
is
>>> not my intention but things can get better for us Paris users and we
may
>>> survive in keeping Paris up to date !
>>> Regards,
>>> Dimitrios
>>
>>
>
>There's 11 left ? wow Yeah, rough crowd here. Can't anyone play the violin
while the ship sinks ?
"Ed" <AskMe@email.com> wrote:
>Do you know how to spell idiot? Naw, didn't think so....
>
>
>
>"chuck duffy" <c@c.com> wrote in message news:45b152c1$1@linux...
>>
>> Cause they were all in a bunch!
>>
>> Chuck
>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>>How do you know Ed wears panties?
>>>
>>>"chuck duffy" <c@c.com> wrote in message news:45b021f9$1@linux...
>>>>
>>>> Hey I have an idea, why don't all 11 of us remaining paris users get
>>>> together
>>>> and tie eds panties around his ankles?
>>>>
>>>> Whaddya think?
>>>>
>>>>
>>>> "Ed" <AskMe@email.com> wrote:
>>>>>I thought this is why we have a for sale group... I have witnessed
>>>>>others
>>>>
>>>>>getting the "rough over" treatment for posting for sale stuff here.
>>>>>Just
>>>>
>>>>>pointing out... be fair with everyone...
>>>>>
>>>>>
>>>>>
>>>>>"CJG" <cj@grimmark.com> wrote in message news:45ad5b64$1@linux...
>>>>>>
>>>>>> Ok my friends...it's time:(
>>>>>> I may not have been the MOST frequent poster here, but thank You for
>>>>>> all assistance over the past 7 years...wow, thats a long time:)
>>>>>> I'm selling out - here we go:
>>>>>>
>>>>>> 3 MEC's (1 black, 2 blue)
>>>>>> 3 C 16 (1 black, 2 blue)
>>>>>> 4 EDS 1000 + cables for inter-connection.
>>&
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| Re: Scope FX.... anyone bit into this one yet? [message #77588 is a reply to message #77587] |
Fri, 29 December 2006 18:09 |
Aaron Allen
Messages: 1988
Registered: May 2008
|
Senior Member |
|
|
gt;>>> 3 A8oT-24 output cards
>>>>>> 2 A8iT-24 Input cards
>>>>>> 1 ADAT card
>>>>>> 1 Alesis AI3
>>>>>>
>>>>>> (2 of those MEC's have NEVER been used.)
>>>>>> Anyone? :)
>>>>>>
>>>>>> CJG
>>>>>>
>>>>>
>>>>>
>>>>
>>>
>>>
>>
>
>Tom...I copied from a link that Brandon sent me. This is what I did.
"Install iTunes temporarily and don't burn a CD, but just right click on
the files and choose "Convert to MP3." For this to work, you need MP3 selected
as the importing filetype in Preferences."
I will add to that. You can't export the files, but just go to the itunes
folder on your hardrive and find them. I just did a search in windows. They
ended up being in an "unkown album" folder. Grab them from there. And, just
so you know, I wasn't yelling at you when you originaly responded to your
post
(I hope it didn't look that way) it was just my frustration with loosing
an hour or whatever trying to figure it out, plus the frustration that I
might have to start dealing with these friggen files more as people start
using them as their default "quickie send to Rod on the internet" file.
Rod
Rod
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Rod,
>What's the technique? I'd love to know.
>Tom
>
>
> "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message =
>news:45b6b772$1@linux...
>
> Hey Paul yeah...I figured it out. How not to burn CD's at all, but =
>rather
> use itunes to convert to mp3's. Thanks....keep those cards and letters
=
>coming.
> Rod
> Rod
> Paul Braun <cygnus_nospam@ctgonline.org> wrote:
> >On 23 Jan 2007 13:24:30 +1000, "Rod Lincoln" <rlincoln@kc.rr.com>
> >wrote:
> >
> >>
> >>Thanks for the info , but SCREW THAT!!!!! If clients are moving to
=
>m4a's
> >>I need a way to be able to do this a lot with no worry about a =
>"limit"
> also
> >>I don't want to waste CD's.
> >>Rod
> >
> >Rod,
> >
> >The only time there is a limit is if you're burning a cd with
> >protected m4a's bought from the iTunes store. Unprotected m4a's
> >ripped from your own stuff or something that a client sends do not
> >incur the copy limit.
> >
> >pab
>
>
>
>I choose Polesoft Lockspam to fight spam, and you?
>http://www.polesoft.com/refer.html
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Rod,</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>What's the technique? I'd love to =
>
>know.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV> </DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Rod Lincoln" <<A=20
> =
>href=3D"mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A>&g=
>t;=20
> wrote in message <A=20
> =
>href=3D"news:45b6b772$1@linux">news:45b6b772$1@linux</A>...</DIV><BR>Hey
=
>Paul=20
> yeah...I figured it out. How not to burn CD's at all, but =
>rather<BR>use itunes=20
> to convert to mp3's. Thanks....keep those cards and letters=20
> coming.<BR>Rod<BR>Rod<BR>Paul Braun <<A=20
> =
>href=3D"mailto:cygnus_nospam@ctgonline.org">cygnus_nospam@ctgonline.org</=
>A>>=20
> wrote:<BR>>On 23 Jan 2007 13:24:30 +1000, "Rod Lincoln" <<A=20
> =
>href=3D"mailto:rlincoln@kc.rr.com">rlincoln@kc.rr.com</A>><BR>>wrot=
>e:&
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| Re: Scope FX.... anyone bit into this one yet? [message #77598 is a reply to message #77594] |
Sat, 30 December 2006 06:44 |
chuck duffy
Messages: 453
Registered: July 2005
|
Senior Member |
|
|
s now in the hands of tech support. I have a workaround and a
hope for a real fix down the road.
Cheers,
-Jamie
www.JamieKrutz.com
TCB wrote:
> Just a funny story. As y'all might expect, I know a little bit about Cubase.
> But on my fancy new Core 2 Duo desktop it was crashing. Every time. Like
> clockwork. I spent all kinds of time, many, many hours working on things.
> I remembered there being problems with the (incredibly annoying) copyright
> dongles and voodoo for what order the updates had to be installed/run. Finally
> I started going through the crash logs and looking for info from the M$oft
> knowledge base for the error codes/memory addresses that were failing. Checking
> versions and internal names of various files in the system32 directory against
> pristine XP SP2 installs. Generally doing all of the heavy geek shit I would
> do if a server patch blew an application out.
>
> Then, after practice last night I happened to do a search for a dll that
> happened to link to a Cubase.net post with almost exactly the same problem
> I had. Some kind hearted soul who definitely deserves dinner on me pointed
> out that sometimes the VST path in HKLM -> Software -> VST is set to c: and
> then SX scans the entire drive for plugins and eventually crashes. Changing
> that entry to 'c:\...\Cubase SX\VST Plugins' fixed everything. I think it's
> a Creamware thing that set that reg key but I'm not positive.
>
> So, no more bad things about cubase.net from me. And yet another reason to
> love open source software. I'd have spotted the problem in no time at all
> if I could have turned on some reasonable level of error logging. Similar
> stuff happens all the time with perl apps and it's just a matter of reading
> the crash logs and finding the line in the app that doesn't work or calls
> something from the wrong place.
>
> TCBThere's a major war happening here with my new Gigabyte
mobo/Cubase4/Synchrosoft dongle/3 x RME cards with the most recent beta (32k
buffers) drivers and UAD-1 cards. It's a beautiful cluster**** so far which
has taken a perfectly functioning OS and trashed it completely. I'm getting
it sussed though and I've learned a few things about this mobo in the
meantime, such as the *assignable* IRQs ain't so assignable after all, that
certain slots in this mobo just absolutely hate to see a Magma host card and
that I may need to use an IRQ affinity tool in order to assign one core of
the CPU to the UAD-1 cards in order for tese cards to work. Also, I learned
that though Norton Ghost *says* you can restore a drive image from a smaller
drive to a newly formatted larger one, in practice, restoring an image that
was created on a 40G drive and restoring it to a newly formatted 100G drive
may not be such a foolproof scenario. Also, it's a very good idea to
uninstall any superfulous AC97 audio drivers from your system before you
install Cubase 4 because (on my system) it will inevitably see these and
hang on initialization. It seems to hate these onboard drivers.
The good news is that I now have the RME cards all on IRQ's 17 & 18 and all
of the UAD-1 cards recognized in the Device Manager (though they are still
not functioning) and on IRQ 19. These IRQ's aren't sharing with anything
that would cause a trainwreck so a major hurdle has been cleared. As long as
I don't have IRQ conflicts, everything else is possible.
Also Cubase 4 with the new RME beta drivers seems to have *much* better
performance than Cubase SX 3.1.1.994 and the old RME
drivers......soooooo.........I'm back in configuration hell. I feel right at
home. I'll let you guys know what's what after the smoke clears. then I'll
probably configure Cubase 4 on another drive image with the Creamware
drivers and get to encounter Thad's particular joyful experience.
mmmmmmm...........more coffee!!!!!!
;o)
"Jamie K" <Meta@Dimensional.com> wrote in message news:45b797e9@linux...
>
> Congrats! Those little quirks can be big time wasters.
>
> I just discovered a conflict between a particular vid cam and my MOTU
> firewire interface. There should be no conflict, yet there is. The mystery
> is now in the hands of tech support. I have a workaround and a hope for a
> real fix down the road.
>
> Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
> TCB wrote:
>> Just a funny story. As y'all might expect, I know a little bit about
>> Cubase.
>> But on my fancy new Core 2 Duo desktop it was crashing. Every time. Like
>> clockwork. I spent all kinds of time, many, many hours working on things.
>> I remembered there being problems with the (incredibly annoying)
>> copyright
>> dongles and voodoo for what order the updates had to be installed/run.
>> Finally
>> I started going through the crash logs and looking for info from the
>> M$oft
>> knowledge base for the error codes/memory addresses that were failing.
>> Checking
>> versions and internal names of various files in the system32 directory
>> against
>> pristine XP SP2 installs. Generally doing all of the heavy geek shit I
>> would
>> do if a server patch blew an application out. Then, after practice last
>> night I happened to do a search for a dll that
>> happened to link to a Cubase.net post with almost exactly the same
>> problem
>> I had. Some kind hearted soul who definitely deserves dinner on me
>> pointed
>> out that sometimes the VST path in HKLM -> Software -> VST is set to c:
>> and
>> then SX scans the entire drive for plugins and eventually crashes.
>> Changing
>> that entry to 'c:\...\Cubase SX\VST Plugins' fixed everything. I think
>> it's
>> a Creamware thing that set that reg key but I'm not positive. So, no more
>> bad things about cubase.net from me. And yet another reason to
>> love open source software. I'd have spotted the problem in no time at all
>> if I could have turned on some reasonable level of error logging. Similar
>> stuff happens all the time with perl apps and it's just a matter of
>> reading
>> the crash logs and finding the line in the app that doesn't work or
>> calls
>> something from the wrong place. TCBHey thad,
My goto set of tools for diagnosing this type of shit is sysinternals. Whenever
an app is taking way to long to start I run filemon and regmon. This gives
me a detailed chronological listing of exactly what the app is trying to
do in regards to the registry and the file system.
I can't begin to tell you how many problems I have solved with these two
tools.
Chuck
"TCB" <Report message to a moderator
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| Re: Scope FX.... anyone bit into this one yet? [message #77610 is a reply to message #77598] |
Sat, 30 December 2006 08:18 |
Aaron Allen
Messages: 1988
Registered: May 2008
|
Senior Member |
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es !!
>>Four times less that UAD1 wrapped by Fxpansion 3.3 .
>>Now on the above scenario if you DON'T PUT more than on UAD1 plugin on
SAME
>>audio track, meaning you can put 128 instances of UAD1 plugins if you have
>>4 uad1 cards and are able to load that much on them you STILL DO NOT PASS
>>that 4096 total sample latency !!!
>>Add to that some waves or T-racks and eds effects ADD to that the submix
>>delay compensatio (12 samples from card1 to card 2 and 2 samples thereafter)
>>you will normally not exceed the 5000 samples latency overall on a dense
>>mix.
>>That is 113 ms overall.
>>Now if you don't use UAD1 cards you will normally never get passed the
300
>>samples which is 6-7 ms which is VERY VERY low and automation is not a
problem
>>at all.
>>Regarding automation though I have made a test with wormhole 32 audio tracks
>>from Cubase to Paris with a latency of 7500 samples and whenever I was
recording
>>automation in real time the playback was exactly as I recorded it !!
>>So whats all about that automation thing accoring to audio track's latency
>>???
>>I would like to know that !
>>Hope the above will help understand that now someone is willing to build
>>something we only were dreaming of , DELAY COMPENSATOR , and we are still
>>skeptical like if ID is making it :)
>>We ghave to applause this vertex author and give him all the support needed
>>BECAUSE we the actual buyers of this vertex will surely ask later for an
>>update with some enhanced features and we must show that we are not just
>>4,5 or 6 Paris users outr there interested only.
>>I ask you to forgive me if someone gets offended by this post as this is
>>not my intention but things can get better for us Paris users and we may
>>survive in keeping Paris up to date !
>>Regards,
>>Dimitrios
>Ok... so all of you that have bailed on Paris but still hang here because
it's an excellent newsgroup..
What are you using now? Software, Converters, control surface, etc?
I'm being forced closer to the Paris crossroads and am trying to figure out
what I should do when/if I have to go there.
Thanks,
JonWell, we haven't bailed, but we have added to attract a wider
clientele. We currently have the following:
Paris - 5 x EDS, 2 x MEC
NU3/SX3 - RME HDSP9652's and UAD's
PTHD3 Accel - 3 x 192 I/O expanded (48 analog in's), 1 x Sync I/O
All this terminates via adat optical at a DM2000v2 for control,
routing and additional I/O plus control room functions.
David.
Jon Jiles wrote:
> Ok... so all of you that have bailed on Paris but still hang here because
> it's an excellent newsgroup..
>
> What are you using now? Software, Converters, control surface, etc?
>
> I'm being forced closer to the Paris crossroads and am trying to figure out
> what I should do when/if I have to go there.
>
> Thanks,
> JonWe're all over the map. What kind of recording do you do?
Cheers,
-Jamie
www.JamieKrutz.com
Jon Jiles wrote:
> Ok... so all of you that have bailed on Paris but still hang here because
> it's an excellent newsgroup..
>
> What are you using now? Software, Converters, control surface, etc?
>
> I'm being forced closer to the Paris crossroads and am trying to figure out
> what I should do when/if I have to go there.
>
> Thanks,
> JonOh yeah...sorry...I was talking about the homegrown files I was sent, not
even thinking about bought tunes.
Rod
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Rod,
>No harm done. I found that technique too but it only works with tunes
>not purchased from itunes. I guess I'll still be burning discs for =
>those
>unless I buy another program.
>Tom
>
> "Rod Lincoln" <rlincoln@kc.rr.com> wrote in message =
>news:45b76bd8$1@linux...
>
> Tom...I copied from a link that Brandon sent me. This is what I did.
>
> "Install iTunes temporarily and don't burn a CD, but just right click
=
>on
> the files and choose "Convert to MP3." For this to work, you need MP3
=
>selected
> as the importing filetype in Preferences."
>
> I will add to that. You can't export the files, but just go to the =
>itunes
> folder on your hardrive and find them. I just did a search in windows.
=
>They
> ended up being in an "unkown album" folder. Grab them from there. And,
=
>just
> so you know, I wasn't yelling at you when you originaly responded to =
>your
> post
> (I hope it didn't look that way) it was just my frustration with =
>loosing
> an hour or whatever trying to figure it out, plus the frustration that
=
>I
> might have to start dealing with these friggen files more as people =
>start
> using them as their default "quickie send to Rod on the internet" =
>file.
> Rod
> Rod
>
>
> "Tom Bruhl" <arpegio@comcast.net> wrote:
> >
> >
> >Rod,
> >What's the technique? I'd love to know.
> >Tom
> >
> >
> > "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message =3D
> >news:45b6b772$1@linux...
> >
> > Hey Paul yeah...I figured it out. How not to burn CD's at all, but
=
>=3D
> >rather
> > use itunes to convert to mp3's. Thanks....keep those cards and =
>letters
> =3D
> >coming.
> > Rod
> > Rod
> > Paul Braun <cygnus_nospam@ctgonline.org> wrote:
> > >On 23 Jan 2007 13:24:30 +1000, "Rod Lincoln" <rlincoln@kc.rr.com>
> > >wrote:
> > >
> > >>
> > >>Thanks for the info , but SCREW THAT!!!!! If clients are moving
=
>to
> =3D
> >m4a's
> > >>I need a way to be able to do this a lot with no worry about a =
>=3D
> >"limit"
> > also
> > >>I don't want to waste CD's.
> > >>Rod
> > >
> > >Rod,
> > >
> > >The only time there is a limit is if you're burning a cd with
> > >protected m4a's bought from the iTunes store. Unprotected m4a's
> > >ripped from your own stuff or something that a client sends do not
> > >incur the copy limit.
> > >
> > >pab
> >
> >
> >
> >I choose Polesoft Lockspam to fight spam, and you?
> >http://www.polesoft.com/refer.html =20
> >
> ><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> ><HTML><HEAD>
> ><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
> >charset=3D3Diso-8859-1">
> ><META content=3D3D"M
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| Re: Scope FX.... anyone bit into this one yet? [message #77618 is a reply to message #77610] |
Sat, 30 December 2006 09:37 |
Neil
Messages: 1645
Registered: April 2006
|
Senior Member |
|
|
t still hang here because
> it's an excellent newsgroup..
>
> What are you using now? Software, Converters, control surface, etc?
>
> I'm being forced closer to the Paris crossroads and am trying to figure
> out
> what I should do when/if I have to go there.
>
> Thanks,
> JonHey Jon!
Some of the guys on the DA7 NG have switched to the Tascam DM 32s. A customer
of mine also has one. The mixes from both source sound good. You should
always test drive before you buy. You have to like it. I would think twice
before buying a DM-24, the Mic pres were not so good, they had low head room.
If you use the DM-24 for line ins only, I think you'd be Ok. There was
an upgrade for the mic pres through Tascam, they may no longer be doing that.
I hear the DM manuals are terrible, you can go down load them. If you buy
one, make sure you have 30 full days to test it. Clear your planner for
test time. Read the manual in advance and go to the NG a lot before you
get it. Every once in awhile Tascam puts out a lemon, so you want to be
able to fully test what you buy from them. Unless they have changed their
policy, they only have a 90 day warranty!!!
James
"Jon Jiles" <snoid@sheboygan.com> wrote:
>
>Hi,
>
>Anyone here actually had any real hands on with this board/controller, especially
>with Cubase 4? James got me intrigued but I have read that the build quolity
>may be somewhat on cheesy side.
>
>Thanks,
>JonBy the way, the mic pres on the DM-32 and DM-48 are greatly improved and vary
usable. It was only the DM-24 that had the problems.
James
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>Hey Jon!
>
>Some of the guys on the DA7 NG have switched to the Tascam DM 32s. A customer
>of mine also has one. The mixes from both source sound good. You should
>always test drive before you buy. You have to like it. I would think twice
>before buying a DM-24, the Mic pres were not so good, they had low head
room.
> If you use the DM-24 for line ins only, I think you'd be Ok. There was
>an upgrade for the mic pres through Tascam, they may no longer be doing
that.
>
>I hear the DM manuals are terrible, you can go down load them. If you buy
>one, make sure you have 30 full days to test it. Clear your planner for
>test time. Read the manual in advance and go to the NG a lot before you
>get it. Every once in awhile Tascam puts out a lemon, so you want to be
>able to fully test what you buy from them. Unless they have changed their
>policy, they only have a 90 day warranty!!!
>
>James
>
>"Jon Jiles" <snoid@sheboygan.com> wrote:
>>
>>Hi,
>>
>>Anyone here actually had any real hands on with this board/controller,
especially
>>with Cubase 4? James got me intrigued but I have read that the build quolity
>>may be somewhat on cheesy side.
>>
>>Thanks,
>>Jon
>Samplitude v9.02
RME Digiface w/ Jim Williams-modified Alesis HD24XR as converters
Allen&Heath live board for headphone mixes, etc.
No control surface yet.
Grahamhehe
filemon would have shown you the bizzare searching, but I guess only that
NG post would have told you why :-)
"TCB" <nobody@ishere.com> wrote:
>
>Ha ha, I _was_ using the regmon! Mark Russinovitch is a deity. It just didn't
>cross my mind that the VST path would matter that much so I was looking
for
>things that were Scope/OS related.
>
>Great tools for sure, though.
>
>TCB
>
>"chuck duffy" <c@c.com> wrote:
>>
>>Hey thad,
>>
>>My goto set of tools for diagnosing this type of shit is sysinternals.
>Whenever
>>an app is taking way to long to start I run filemon and regmon. This gives
>>me a detailed chronological listing of exactly what the app is trying to
>>do in regards to the registry and the file system.
>>
>>I can't begin to tell you how many problems I have solved with these two
>>tools.
>>
>>Chuck
>>
>>"TCB" <nobody@ishere.com> wrote:
>>>
>>>Just a funny story. As y'all might expect, I know a little bit about Cubase.
>>>But on my fancy new Core 2 Duo desktop it was crashing. Every time. Like
>>>clockwork. I spent all kinds of time, many, many hours working on things.
>>>I remembered there being problems with the (incredibly annoying) copyright
>>>dongles and voodoo for what order the updates had to be installed/run.
>Finally
>>>I started going through the crash logs and looking for info from the M$oft
>>>knowledge base for the error codes/memory addresses that were failing.
>Checking
>>>versions and internal names of various files in the system32 directory
>against
>>>pristine XP SP2 installs. Generally doing all of the heavy geek shit I
>would
>>>do if a server patch blew an application out.
>>>
>>>Then, after practice last night I happened to do a search for a dll that
>>>happened to link to a Cubase.net post with almost exactly the same problem
>>>I had. Some kind hearted soul who definitely deserves dinner on me pointed
>>>out that sometimes the VST path in HKLM -> Software -> VST is set to c:
>>and
>>>then SX scans the entire drive for plugins and eventually crashes. Changing
>>>that entry to 'c:\...\Cubase SX\VST Plugins' fixed everything. I think
>it's
>>>a Creamware thing that set that reg key but I'm not positive.
>>>
>>>So, no more bad things about cubase.net from me. And yet another reason
>>to
>>>love open source software. I'd have spotted the problem in no time at
all
>>>if I could have turned on some reasonable level of error logging. Similar
>>>stuff happens all the time with perl apps and it's just a matter of reading
>>>the crash logs and finding the line in the app that doesn't work or calls
>>>something from the wrong place.
>>>
>>>TCB
>>
>No thanks. I think I'll apologize for being a jerk instead. Sorry.
Chuck
"Ed" <AskMe@email.com> wrote:
>Hey.. I have an idea too... I'll be coming by DC area in April... Wanna
try?
>
>
>
>
>
>"chuck duffy" <c@c.com> wrote in message news:45b021f9$1@linux...
>>
>> Hey I have an idea, why don't all 11 of us remaining paris users get
>> together
>> and tie eds panties around his ankles?
>>
>> Whaddya think?
>>
>>
>> "Ed" <AskMe@email.com> wrote:
>>>I thought this is why we have a for sale group... I have witnessed others
>>
>>>getting the "rough over" treatment for posting for sale stuff here. Just
>>
>>>pointing out... be fair with everyone...
>>>
>>>
>>>
>>>"CJG" <cj@grimmark.com> wrote in message news:45ad5b64$1@linux...
>>>>
>>>> Ok my friends...it's time:(
>>>> I may not have been the MOST frequent poster here, but thank You for
>>>> all assistance over the past 7 years...wow, thats a long time:)
>>>> I'm selling out - here we go:
>>>>
>>>> 3 MEC's (1 black, 2 blue)
>>>> 3 C 16 (1 black, 2 blue)
>>>> 4 EDS 1000 + cables for inter-connection.
>>>> 3 A8oT-24 output cards
>>>> 2 A8iT-24 Input cards
>>>> 1 ADAT card
>>>> 1 Alesis AI3
>>>>
>>>> (2 of tho
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| Re: Scope FX.... anyone bit into this one yet? [message #77621 is a reply to message #77587] |
Sat, 30 December 2006 09:09 |
DJ
Messages: 1124
Registered: July 2005
|
Senior Member |
|
|
nt, which is that Microsoft intentionally
>designed their OS to allow their Email Reader or Word Processor to have
>the power to modify the OS."
>
>Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
>
>TCB wrote:
>> Security by obscurity, James.
>>
>> http://projects.info-pull.com/moab/
>>
>> TCB
>>
>> "James McCloskey" <excelsm@hotmail.com> wrote:
>>> Ok, my turn. Now I can't resist! The best antivirus software I've found
>>> is Mac OSX!!!!!!!!! And you think I'm kidding; )
>>>
>>> "Dedric Terry" <dedric@echomg.com> wrote:
>>>> This came up a while back, but I can't find the thread in searches.
>>>>
>>>> What is the most recommended, least intrusive antivirus software for
PC?
>>>> I hate Norton and want to replace it with something better for my net
>>>> laptop.
>>>>
>>>> Grisoft's AVG Pro a good option?
>>>>
>>>> I notice PCMag still rates Norton as one of the best, but my laptop
runs
>>>> noticeably slower with it
>>>> (email takes forever to open, etc).
>>>>
>>>> Thanks,
>>>> Dedric
>>>>
>>>>
>>TCB wrote:
> Hey Jamie,
>
> Good to see Apple doing work on security, though I think the MOAB shows they
> need to do a good bit more.
Some from Apple, and some from third parties. I think it's great that
OSX is getting a close look. And it's also good to see Apple responding
already.
> But before you get too excited about MSofts bad design, do look at the MOAB
> site and notice that the fix permissions utility that Apple uses runs at
> root and can be invoked by any user, and beyond that is routinely recommended
> by Apple support people both professional and otherwise. If that isn't a
> deep design flaw on the security front I don't know what is.
>
> http://projects.info-pull.com/moab/MOAB-15-01-2007.html
You're right, that makes Microsoft's design much better. ;^)
You should chime in on the slashdot discussion, I'm sure it will be
great fun.
Cheers,
-Jamie
www.JamieKrutz.com
> TCB
>
>
> Jamie K <Meta@Dimensional.com> wrote:
>> Just FYI, Apple has already released the first patch that kills a "Month
>
>> of Apple Bugs" bug. Discussion here:
>>
>> http://it.slashdot.org/it/07/01/24/1422246.shtml
>>
>> One quote.
>>
>> "People who argue that Apple's are no more secure than other OS's will
>> continue to miss the point, which is that Microsoft intentionally
>> designed their OS to allow their Email Reader or Word Processor to have
>
>> the power to modify the OS."
>>
>> Cheers,
>> -Jamie
>> www.JamieKrutz.com
>>
>>
>>
>> TCB wrote:
>>> Security by obscurity, James.
>>>
>>> http://projects.info-pull.com/moab/
>>>
>>> TCB
>>>
>>> "James McCloskey" <excelsm@hotmail.com> wrote:
>>>> Ok, my turn. Now I can't resist! The best antivirus software I've found
>>>> is Mac OSX!!!!!!!!! And you think I'm kidding; )
>>>>
>>>> "Dedric Terry" <dedric@echomg.com> wrote:
>>>>> This came up a while back, but I can't find the thread in searches.
>>>>>
>>>>> What is the most recommended, least intrusive antivirus software for
> PC?
>>>>> I hate Norton and want to replace it with something better for my net
>
>>>>> laptop.
>>>>>
>>>>> Grisoft's AVG Pro a good option?
>>>>>
>>>>> I notice PCMag still rates Norton as one of the best, but my laptop
> runs
>>>>> noticeably slower with it
>>>>> (email takes forever to open, etc).
>>>>>
>>>>> Thanks,
>>>>> Dedric
>>>>>
>>>>>
>As stupid as MSoft is sometimes, I don't recall them having utilities to FIX
FILE PERMISSIONS that AUTOMATICALLY run as root.
I completely understand _why_ Apple would do this. File permissions are tough.
We have a utility on our oracle servers called fixfuckup.pl that allows us
to pass it arguments to recursively change permissions on all files/folders
in a selected directory(ies). We have this because every now and th
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| Re: Scope FX.... anyone bit into this one yet? [message #77622 is a reply to message #77621] |
Sat, 30 December 2006 10:05 |
Nil
Messages: 245
Registered: March 2007
|
Senior Member |
|
|
en we
do something without thinking carefully and screw up permissions, which makes
things break. But that perl script can only be run as root of course, because
we're not looking for trouble. The most seasoned unix admins make these kinds
of mistakes all the time. Well defined and highly granular permissions are
a huge asset for unix, but they can be complex. Unix is easy to use, but
difficult to learn, and unix can be very secure. However, I have yet to see
a way to make it both easy to learn and secure. Even Ubuntu, which bends
over backwards to have a gentle learning curve, doesn't have a utility that
any user can invoke which runs as root changing file permissions. They'd
get laughed out of town.
TCB
Jamie K <Meta@Dimensional.com> wrote:
>
>TCB wrote:
>> Hey Jamie,
>>
>> Good to see Apple doing work on security, though I think the MOAB shows
they
>> need to do a good bit more.
>
>Some from Apple, and some from third parties. I think it's great that
>OSX is getting a close look. And it's also good to see Apple responding
>already.
>
>
>> But before you get too excited about MSofts bad design, do look at the
MOAB
>> site and notice that the fix permissions utility that Apple uses runs
at
>> root and can be invoked by any user, and beyond that is routinely recommended
>> by Apple support people both professional and otherwise. If that isn't
a
>> deep design flaw on the security front I don't know what is.
>>
>> http://projects.info-pull.com/moab/MOAB-15-01-2007.html
>
>You're right, that makes Microsoft's design much better. ;^)
>
>You should chime in on the slashdot discussion, I'm sure it will be
>great fun.
>
>Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
>> TCB
>>
>>
>> Jamie K <Meta@Dimensional.com> wrote:
>>> Just FYI, Apple has already released the first patch that kills a "Month
>>
>>> of Apple Bugs" bug. Discussion here:
>>>
>>> http://it.slashdot.org/it/07/01/24/1422246.shtml
>>>
>>> One quote.
>>>
>>> "People who argue that Apple's are no more secure than other OS's will
>>> continue to miss the point, which is that Microsoft intentionally
>>> designed their OS to allow their Email Reader or Word Processor to have
>>
>>> the power to modify the OS."
>>>
>>> Cheers,
>>> -Jamie
>>> www.JamieKrutz.com
>>>
>>>
>>>
>>> TCB wrote:
>>>> Security by obscurity, James.
>>>>
>>>> http://projects.info-pull.com/moab/
>>>>
>>>> TCB
>>>>
>>>> "James McCloskey" <excelsm@hotmail.com> wrote:
>>>>> Ok, my turn. Now I can't resist! The best antivirus software I've
found
>>>>> is Mac OSX!!!!!!!!! And you think I'm kidding; )
>>>>>
>>>>> "Dedric Terry" <dedric@echomg.com> wrote:
>>>>>> This came up a while back, but I can't find the thread in searches.
>>>>>>
>>>>>> What is the most recommended, least intrusive antivirus software for
>> PC?
>>>>>> I hate Norton and want to replace it with something better for my
net
>>
>>>>>> laptop.
>>>>>>
>>>>>> Grisoft's AVG Pro a good option?
>>>>>>
>>>>>> I notice PCMag still rates Norton as one of the best, but my laptop
>> runs
>>>>>> noticeably slower with it
>>>>>> (email takes forever to open, etc).
>>>>>>
>>>>>> Thanks,
>>>>>> Dedric
>>>>>>
>>>>>>
>>This is a multi-part message in MIME format.
------=_NextPart_000_002D_01C62110.C06CB1A0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
I got my Paris rig up and running on an XP Media Center computer (ASUS =
A8M2N-LA, Athlon 64 3500+, 200GB, 512MB, Compaq SR2032X). I copied a =
project over to the new computer and everything seemed fine. After that =
I ripped some trax off an accompaniment CD to try and record something =
and make sure everything worked ok. I ripped them using Sound Forge 7.0 =
(just like I always did on my other computer) and I made sure the "save =
metadata with file" button was uncheck because I think I remember that =
causing me some problems in the past. Then when I try to import the =
ripped music into Paris I get an error. Then if you look in my record =
director there will be 2 .paf files (even if I set it to default to =
..wav). If I try to import these into Paris you can hear the files but =
Paris thinks they are 30 minutes long each. This would not be that big =
of a deal but I want it working right.
Anyone have any ideas?
Thanks,
--=20
Erick Kent
------=_NextPart_000_002D_01C62110.C06CB1A0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D&
|
|
|
|
| Re: Scope FX.... anyone bit into this one yet? [message #77628 is a reply to message #77563] |
Sat, 30 December 2006 10:01 |
DJ
Messages: 1124
Registered: July 2005
|
Senior Member |
|
|
n chip, and run the mobile rig on XP or 98, then mix at home on
the Mac here.
As long as I use fat32 on my firewire drives, do you see any problems
doing that?
I have had such good luck with the Macs - typically, I'm tracking 8 or
more tracks for 2 hours straight during a concert and nary a hiccup.
Or does someone have an unused G-rack lying around that they'd be
willing to sell to me for significantly less than stupid, just because
I'm a really nice guy?
If I had access to one, a friend of mine owns a machine shop and could
whip something up, but he's never seen one.
Thanks.
pabThis is a multi-part message in MIME format.
------=_NextPart_000_0070_01C73FEE.FD8D9830
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
most likely, this is your tool.=20
http://www.brothersoft.com/mp3_audio/rippers_encoders/stripw av_575.html
AA
"Erick Kent" <erick at thefollower.com> wrote in message =
news:45b7f508@linux...
I got my Paris rig up and running on an XP Media Center computer (ASUS =
A8M2N-LA, Athlon 64 3500+, 200GB, 512MB, Compaq SR2032X). I copied a =
project over to the new computer and everything seemed fine. After that =
I ripped some trax off an accompaniment CD to try and record something =
and make sure everything worked ok. I ripped them using Sound Forge 7.0 =
(just like I always did on my other computer) and I made sure the "save =
metadata with file" button was uncheck because I think I remember that =
causing me some problems in the past. Then when I try to import the =
ripped music into Paris I get an error. Then if you look in my record =
director there will be 2 .paf files (even if I set it to default to =
..wav). If I try to import these into Paris you can hear the files but =
Paris thinks they are 30 minutes long each. This would not be that big =
of a deal but I want it working right.
Anyone have any ideas?
Thanks,
--=20
Erick Kent
------=_NextPart_000_0070_01C73FEE.FD8D9830
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.5730.11" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>most likely, this is your tool. =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D" http://www.brothersoft.com/mp3_audio/rippers_encoders/stripw av_57=
5.html"> http://www.brothersoft.com/mp3_audio/rippers_encoders/stripw av_57=
5.html</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>AA</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Erick Kent" <erick at thefollower.com> wrote in message <A =
href=3D"news:45b7f508@linux">news:45b7f508@linux</A>...</DIV>
<DIV><FONT face=3D"Comic Sans MS" size=3D2>I got my Paris rig up and =
running on an=20
XP Media Center computer (ASUS A8M2N-LA, Athlon 64 3500+, 200GB, =
512MB, Compaq=20
SR2032X). I copied a project over to the new computer and everything =
seemed=20
fine. After that I ripped some trax off an accompaniment CD to try and =
record=20
something and make sure everything worked ok. I ripped them using =
Sound Forge=20
7.0 (just like I always did on my other computer) and I made sure the =
"save=20
metadata with file" button was uncheck because I think I remember that =
causing=20
me some problems in the past. Then when I try to import the ripped =
music into=20
Paris I get an error. Then if you look in my record director there =
will be 2=20
.paf files (even if I set it to default to .wav). If I try to import =
these=20
into Paris you can hear the files but Paris thinks they are 30 minutes =
long=20
each. This would not be that big of a deal but I want it working=20
right.</FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" size=3D2></FONT> </DIV>
<DIV><FONT face=3D"Comic Sans MS" size=3D2>Anyone have any =
ideas?</FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" size=3D2></FONT> </DIV>
<DIV><FONT face=3D"Comic Sans MS" size=3D2>Thanks,</FONT></DIV>
<DIV><FONT face=3D"Comic Sans MS" size=3D2><BR>-- <BR>Erick=20
Kent</FONT></DIV></BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_0070_01C73FEE.FD8D9830--You could build your own brackets. I've been thinking about doing a business
and G4 brackets would be one of the products. Only they would steel power
coat, and cost under $50.00.
James
Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>I may be taking a long break from the theatre (certain people down
>there are sucking all the fun out of it....) and expanding our
>acoustic concert series into other venues.
>
>Obviously, my second Paris rig won't be staying up in the treehouse
>where it's been living for the past 5 years or so.
>
>I'd like to make it into a mobile rig that would fit into no more than
>two rack cases - cpu, MEC, two lcd's, keyboard & mouse.
>
>Problem is, I'm a Mac guy. I've been looking on *bay for the Marathon
>G-rack to rackmount a G4, but since they're discontinued, they are now
>stupid money. Really stupid.
>
>Hacking the motherboard into a rackmount ATX case is a huge PITA.
>
>I suppose I could just lay it on its side on a rack shelf and make
>straps to tie it down.
>
>Or, I could use the rack case I already have, throw an AMD board and
>Athlon chip, and run the mobile rig on XP or 98, then mix at home on
>the Mac here.
>
>As long as I use fat32 on my firewire drives, do you see any problems
>doing that?
>
>I have had such good luck with the Macs - typically, I'm tracking 8 or
>more tracks for 2 hours straight during a concert and nary a hiccup.
>
>Or does someone have an unused G-rack lying around that they'd be
>willing to sell to me for significantly less than stupid, just because
>I'm a really nice guy?
>
>If I had access to one, a friend of mine owns a machine shop and could
>whip something up, but he's never seen one.
>
>Thanks.
>
>pabHI Paul,
If you already have a G4 laying around then either having your machine
shop buddy or buying the marathon stuff will be the cheapest solution
either way.
You would have to buy a Computer MAC/PC otherwise which if you want to
use Paris to record with then your options will be really really limited.
You should maybe also consider a hard disk recorder. If you are doi0ng
24 tracks or under then they would probably be the most reliable of the
bunch.
Chris
Paul Braun wrote:
>I may be taking a long break from the theatre (certain people down
>there are sucking all the fun out of it....) and expanding our
>acoustic concert series into other venues.
>
>Obviously, my second Paris rig won't be staying up in the treehouse
>where it's been living for the past 5 years or so.
>
>I'd like to make it into a mobile rig that would fit into no more than
>two rack cases - cpu, MEC, two lcd's, keyboard & mouse.
>
>Problem is, I'm a Mac guy. I've been looking on *bay for the Marathon
>G-rack to rackmount a G4, but since they're discontinued, they are now
>stupid money. Really stupid.
>
>Hacking the motherboard into a rackmount ATX case is a huge PITA.
>
>I suppose I could just lay it on its side on a rack shelf and make
>straps to tie it down.
>
>Or, I could use the rack case I already have, throw an AMD board and
>Athlon chip, and run the mobile rig on XP or 98, then mix at home on
>the Mac here.
>
>As long as I use fat32 on my firewire drives, do you see any problems
>doing that?
>
>I have had such good luck with the Macs - typically, I'm tracking 8 or
>more tracks for 2 hours straight during a concert and nary a hiccup.
>
>Or does someone have an unused G-rack lying around that they'd be
>willing to sell to me for significantly less than stupid, just because
>I'm a really nice guy?
>
>If I had access to one, a friend of mine owns a machine shop and could
>whip something up, but he's never seen one.
>
>Thanks.
>
>pab
>
>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762If you have a original windows xp or sp1 install disk just download
this file. You will only need to do windows updates that came out after SP2.
this works from a fresh install before you install chipset drivers and
do any system tweaks.
http://www.microsoft.com/downloads/details.aspx?FamilyId=049 C9DBE-3B8E-4F30-8245-9E368D3CDB5A&displaylang=en
Chris
DJ wrote:
>Does SP2 cover everything that SP1 & 1a covered or do I need to install SP1
>before SP2? It would sorta suck if this is the case since SP1 isn't
>avaliable for DL anymore (though I have it on a a data disk here)
>
>Thanks,
>
>Deej
>
>
>
>
>
>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762On Wed, 24 Jan 2007 20:57:57 -0500, Chris Ludwig
<chrisl@adkproaudio.com> wrote:
>HI Paul,
>
>If you already have a G4 laying around then either having your machine
>shop buddy or buying the marathon stuff will be the cheapest solution
>either way.
>You would have to buy a Computer MAC/PC otherwise which if you want to
>use Paris to record with then your options will be really really limited.
>You should maybe also consider a hard disk recorder. If you are doi0ng
>24 tracks or under then they would probably be the most reliable of the
>bunch.
>
Right now, I'm running one card on a beige G3/300 desktop - I just
wanted to up the horsepower a bit and add a second card possibly.
I think I have a motherboard and a reasonably fast Athlon on the
shelf, so building a windows pc wouldn't cost that much.
Yeah, a HD recorder would probably be easiest and lightest, but
ultimately, considering what I already have, a lot more $$$.
But I'll consider it.
pabOn 25 Jan 2007 12:51:22 +1000, "James McCloskey" <excelsm@hotmail.com>
wrote:
>
>You could build your own brackets. I've been thinking about doing a business
>and G4 brackets would be one of th
|
|
|
|
| Re: Scope FX.... anyone bit into this one yet? [message #77629 is a reply to message #77622] |
Sat, 30 December 2006 10:02 |
DJ
Messages: 1124
Registered: July 2005
|
Senior Member |
|
|
e products. Only they would steel power
>coat, and cost under $50.00.
>
I'd be all over a pair of those at that price point.... how serious
and how close to making a set are you?
pabOpinions, please. And how much of a resource hog is it?
Thanks.............like a *big* dog. It's a bit gothic looking, (I feel like I'm
playing Doom or Tomb Raider) but the feature implementation is a virtual
candy store. Now I guess I know a little of what I've been missing with
Nuendo, at least with some features. So far it seems extremely stable on the
new GA-K8NS Ultra 939 mobo and the issues I was having with the hardware
installs and Magmas are gone.(yes, I did get it working
finally.........thanks Chris.................and I may not even need the CPU
affinity tool, but we'll see. I was finally able to get it properly loaded
;o)
I'm running the latest RME HDSP Beta drivers and the newest beta UAD-1
v4.5.1 drivers. So far, no problems.......................but I haven't
pushed it yet.
A word to the wise (and I guess I should have known this)..............don't
use the Maxtor MaxBlast software to format a drive unless you want to spend
10 times more time in hell than think you saved by using this crap.
;o)I've recently been working with a young lady named Candice
MacBlain, who gave me permission to post this song. Candice
wrote the piece, and played the intro bit, piano part, and sang.
I produced/engineered/arranged/sonically bastardized all the
rest. Hi-Res mp3 links attached.
Check it out... which version do you like best? (fairly subtle
differences, so listen on something other than PC speakers if
you can)
http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough1H i-ResMP3.mp3
http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough2H i-ResMP3.mp3
She sings pretty damn good, I think... so Enjoy!
NeilThe second one seems to have a bit more *big* to it. The first on has a
*sweetness* to it to my ears, especially noticable on the vocal. Both sound
very good. I voted for the second one.......until I voted against it. The
first one has a sittle somehing to it that I like more.
;o)
"Neil" <OIUOIU@OIU.com> wrote in message news:45b82998$1@linux...
>
> I've recently been working with a young lady named Candice
> MacBlain, who gave me permission to post this song. Candice
> wrote the piece, and played the intro bit, piano part, and sang.
> I produced/engineered/arranged/sonically bastardized all the
> rest. Hi-Res mp3 links attached.
>
> Check it out... which version do you like best? (fairly subtle
> differences, so listen on something other than PC speakers if
> you can)
>
> http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough1H i-ResMP3.mp3
>
> http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough2H i-ResMP3.mp3
>
>
> She sings pretty damn good, I think... so Enjoy!
>
> NeilI just got an email from a friend that saw EVH at the Fender booth at NAMM.
He said that he can't even play any more, that it broke his heart to see
and hear it. EVH was his hero. He said it was sooo sad. He said that he
is still in shock over it.
Drugs and alcohol kill!!!!
James"Jon Jiles" <nope@nope.com> wrote:
>
>Ok... so all of you that have bailed on Paris but still hang here because
>it's an excellent newsgroup..
>
>What are you using now? Software, Converters, control surface, etc?
CubaseSX (v3.1.1), RME Multiface Convertors, No control surface.
NeilDeej, I'm torn, too... I like aspects of both. It's just a
different thing across the 2-buss... both mixes are Native ITB
mixes.
BTW, gang, Candice would like to know what you all think, too
(song, performance, etc), so all comments are welcome!
(well, except for comments like: "you obviously don't know how
to push an SSL".... and other unqualified shit like that.
lol)
:D
Neil
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>The second one seems to have a bit more *big* to it. The first on has a
>*sweetness* to it to my ears, especially noticable on the vocal. Both sound
>very good. I voted for the second one.......until I voted against it. The
>first one has a sittle somehing to it that I like more.
>
>;o)
>
>"Neil" <OIUOIU@OIU.com> wrote in message news:45b82998$1@linux...
>>
>> I've recently been working with a young lady named Candice
>> MacBlain, who gave me permission to post this song. Candice
>> wrote the piece, and played the intro bit, piano part, and sang.
>> I produced/engineered/arranged/sonically bastardized all the
>> rest. Hi-Res mp3 links attached.
>>
>> Check it out... which version do you like best? (fairly subtle
>> differences, so listen on something other than PC speakers if
>> you can)
>>
>> http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough1H i-ResMP3.mp3
>>
>> http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough2H i-ResMP3.mp3
>>
>>
>> She sings pretty damn good, I think... so Enjoy!
>>
>> Neil
>
>It will be awhile before I get to that project. So do what you have to for
now. I'll make you the beta tester when I get to it. One of the biggest
problems is the liability insurance.
James
Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>On 25 Jan 2007 12:51:22 +1000, "James McCloskey" <excelsm@hotmail.com>
>wrote:
>
>>
>>You could build your own brackets. I've been thinking about doing
|
|
|
|
| Re: Scope FX.... anyone bit into this one yet? [message #77638 is a reply to message #77628] |
Sat, 30 December 2006 10:56 |
DJ
Messages: 1124
Registered: July 2005
|
Senior Member |
|
|
at NAMM.
> He said that he can't even play any more, that it broke his heart to see
>and hear it. EVH was his hero. He said it was sooo sad. He said that
he
>is still in shock over it.
>
>Drugs and alcohol kill!!!!
>
>Jamesi forgot the MixedLogic M24 controller
On Wed, 24 Jan 2007 15:22:58 -0500, rick <parnell68@hotmail.com>
wrote:
>running...
>PTLE, DP 4.6, Logic Pro 7.23
>
>On 25 Jan 2007 06:46:02 +1000, "Jon Jiles" <nope@nope.com> wrote:
>
>>
>>Ok... so all of you that have bailed on Paris but still hang here because
>>it's an excellent newsgroup..
>>
>>What are you using now? Software, Converters, control surface, etc?
>>
>>I'm being forced closer to the Paris crossroads and am trying to figure out
>>what I should do when/if I have to go there.
>>
>>Thanks,
>>JonDitto and ditto ditoo.
"DJ" <www.aarrrrggghhh!!!.com> wrote in message news:45b82755@linux...
> ............like a *big* dog. It's a bit gothic looking, (I feel like I'm
> playing Doom or Tomb Raider) but the feature implementation is a virtual
> candy store. Now I guess I know a little of what I've been missing with
> Nuendo, at least with some features. So far it seems extremely stable on
> the new GA-K8NS Ultra 939 mobo and the issues I was having with the
> hardware installs and Magmas are gone.(yes, I did get it working
> finally.........thanks Chris.................and I may not even need the
> CPU affinity tool, but we'll see. I was finally able to get it properly
> loaded ;o)
>
> I'm running the latest RME HDSP Beta drivers and the newest beta UAD-1
> v4.5.1 drivers. So far, no problems.......................but I haven't
> pushed it yet.
>
> A word to the wise (and I guess I should have known
> this)..............don't use the Maxtor MaxBlast software to format a
> drive unless you want to spend 10 times more time in hell than think you
> saved by using this crap.
>
> ;o)
>
>
>Ok, I put the Paris ASIO driver on my XP machine so that I could use Wavelab
5 with my MEC. Everything works fine UNTIL I close Wavelab and then BOOM ..
crash. Not a blue screen crash but the program throws up an error when I
close it. It's not a big deal since it's just an extra click on the "ok"
button to get past the error. The annoyance is that it must be trying to
write the settings to the INI because when I open Wavelab again I have to
reset the audio card functions. Anyone else using the ASIO drivers with
Wavelab and if so are you having any issues?I like the second one the best.
IMHO, the vocals are not loud enough in either mix.
The keys also are a wee bit wet for my own taste. To me it makes things sound
less tight... or a little smeared. Not quite as noticeable in the second
mix though which is why I preferred it over number 1. Might not be as big
an issue if the vox is louder though.
Just my opinion.
She's great. Great voice. I really like the song. Great melody.
Nice job Neil.
"Neil" <OIUOIU@OIU.com> wrote:
>
>I've recently been working with a young lady named Candice
>MacBlain, who gave me permission to post this song. Candice
>wrote the piece, and played the intro bit, piano part, and sang.
>I produced/engineered/arranged/sonically bastardized all the
>rest. Hi-Res mp3 links attached.
>
>Check it out... which version do you like best? (fairly subtle
>differences, so listen on something other than PC speakers if
>you can)
>
> http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough1H i-ResMP3.mp3
>
> http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough2H i-ResMP3.mp3
>
>
>She sings pretty damn good, I think... so Enjoy!
>
>NeilMe!
Both sound great, but teeny nudge towards version two. More vocal on
both, especially against the piano.
- Pauly
On 25 Jan 2007 16:25:54 +1000, "ei" <oiuOIU@IU.com> wrote:
>
>Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>>
....
>>My vote is for the second one, but grab that "Candice vox"
>>fader and push it up a bit....
>>
>>Otherwise, I like the song a lot.
>>
>>pab
>
>Really? You think the voice needs to come up some? I think it's
>RIGHT there in the m*thaf*king pocket the whole time! (including
>a couple of automation moves that kept it there)
>
>Interesting. Point considered. Anyone else think the voice is
>too low?
>
>NeilIs there a list somewhere of the latency of audio plugins? Or is it dependent
on specific factors unique to your system?I'd say a rack strip and two pieces of velcro would do the trick. Not pretty
but you didn't ask for that.
As an alternative I'd think about a laptop. I'm keeping quiet about it because
I'm still stress testing, but I just set up a $500 (yes, $500) laptop with
an RME cardbus card that is doing astonishing things. You might be able to
record with laptop + RME cardbus/firewire and then fly the tracks over to
PARIS via lightpipe.
I know this isn't not the best place to be saying this, but native is looking
really impressive these days. I bought the $500 laptop on the theory that
I could take it out live and not care too much if I broke it. This was after
watching my work laptop fall off a stand while on stage, with me wondering
if I had backups of my perl code or not. But this crappy little machine is
something else. Again, I'll stress test it and see what I can find out, but
think about that as an option.
TCB
Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>I may be taking a long break from the theatre (certain people down
>there are sucking all the fun out of it....) and expanding our
>acoustic concert series into other venues.
>
>Obviously, my second Paris rig won't be staying up in the treehouse
>where it's been living for the past 5 years or so.
>
>I'd like to make it into a mobile rig that would fit into no more than
>two rack cases - cpu, MEC, two lcd's, keyboard & mouse.
>
>Problem is, I'm a Mac guy. I've been looking on *bay for the Marathon
>G-rack to rackmount a G4, but since they're discontinued, they are now
>stupid money. Really stupid.
>
>Hacking the motherboard into a rackmount ATX case is a huge PITA.
>
>I suppose I could just lay it on its side on a rack shelf and make
>straps to tie it down.
>
>Or, I could use the rack case I already have, throw an AMD board and
>Athlon chip, and run the mobile rig on XP or 98, then mix at home on
>the Mac here.
>
>As long as I use fat32 on my firewire drives, do you see any problems
>doing that?
>
>I have had such good luck with the Macs - typically, I'm tracking 8 or
>more tracks for 2 hours straight during a concert and nary a hiccup.
>
>Or does someone have an unused G-rack lying around that they'd be
>willing to sell to me for significantly less than stupid, just because
>I'm a really nice guy?
>
>If I had access to one, a friend of mine owns a machine shop and could
>whip something up, but he's never seen one.
>
>Thanks.
>
>pabit varies from plug to plug and the hit they put on the cpu. even
uad's vary from plug instance to instance.
On 26 Jan 2007 01:50:20 +1000, "Mikep" <mikep@4hometown.com> wrote:
>
>Is there a list somewhere of the latency of audio plugins? Or is it dependent
>on specific factors unique to your system?What Laptop (model and spec's) are you using? Tracking in Cubase or?
Thanks!!!
"TCB" <nobody@ishere.com> wrote:
>
>I'd say a rack strip and two pieces of velcro would do the trick. Not pretty
>but you didn't ask for that.
>
>As an alternative I'd think about a laptop. I'm keeping quiet about it because
>I'm still stress testing, but I just set up a $500 (yes, $500) laptop with
>an RME cardbus card that is doing astonishing things. You might be able
to
>record with laptop + RME cardbus/firewire and then fly the tracks over to
>PARIS via lightpipe.
>
>I know this isn't not the best place to be saying this, but native is looking
>really impressive these days. I bought the $500 laptop on the theory that
>I could take it out live and not care too much if I broke it. This was after
>watching my work laptop fall off a stand while on stage, with me wondering
>if I had backups of my perl code or not. But this crappy little machine
is
>something else. Again, I'll stress test it and see what I can find out,
but
>think about that as an option.
>
>TCB
>
>Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>>I may be taking a long break from the theatre (certain people down
>>there are sucking all the fun out of it....) and expanding our
>>acoustic concert series into other venues.
>>
>>Obviously, my second Paris rig won't be staying up in the treehouse
>>where it's been living for the past 5 years or so.
>>
>>I'd like to make it into a mobile rig that would fit into no more than
>>two rack cases - cpu, MEC, two lcd's, keyboard & mouse.
>>
>>Problem is, I'm a Mac guy. I've been looking on *bay for the Marathon
>>G-rack to rackmount a G4, but since they're discontinued, they are now
>>stupid money. Really stupid.
>>
>>Hacking the motherboard into a rackmount ATX case is a huge PITA.
>>
>>I suppose I could just lay it on its side on a rack shelf and make
>>straps to tie it down.
>>
>>Or, I could use the rack case I already have, throw an AMD board and
>>Athlon chip, and run the mobile rig on XP or 98, then mix at home on
>>the Mac here.
>>
>>As long as I use fat32 on my firewire drives, do you see any problems
>>doing that?
>>
>>I have had such good luck with the Macs - typically, I'm tracking 8 or
>>more tracks for 2 hours straight during a concert and nary a hiccup.
>>
>>Or does someone have an unused G-rack lying around that they'd be
>>willing to sell to me for significantly less than stupid, just because
>>I'm a really nice guy?
>>
>>If I had access to one, a friend of mine owns a machine shop and could
>>whip something up, but he's never seen one.
>>
>>Thanks.
>>
>>pab
>"DJ" <www.aarrrrggghhh!!!.com> wrote:
>> I like aspects of both. It's just a
>> different thing across the 2-buss... both mixes are Native ITB
>> mixes.
>
>AH HA!!!! so you applied different processing???? WTF did you do that for???
>HTF are we supposed to tell the difference betwen an ITB mix and an ITB
mix
>if you cheat and process them differently??
>
>sheesh!!!
Ummm... because if I processed them the same, there would be no
need to ask the question: "Which one do you like better?"
:)MaxBlast is evil.
Cheers,
-Jamie
www.JamieKrutz.com
DJ wrote:
> ............like a *big* dog. It's a bit gothic looking, (I feel like I'm
> playing Doom or Tomb Raider) but the feature implementation is a virtual
> candy store. Now I guess I know a little of what I've been missing with
> Nuendo, at least with some features. So far it seems extremely stable on the
> new GA-K8NS Ultra 939 mobo and the issues I was having with the hardware
> installs and Magmas are gone.(yes, I did get it working
> finally.........thanks Chris.................and I may not even need the CPU
> affinity tool, but we'll see. I was finally able to get it properly loaded
> ;o)
>
> I'm running the latest RME HDSP Beta drivers and the newest beta UAD-1
> v4.5.1 drivers. So far, no problems.......................but I haven't
> pushed it yet.
>
> A word to the wise (and I guess I should have known this)..............don't
> use the Maxtor MaxBlast software to format a drive unless you want to spend
> 10 times more time in hell than think you saved by using this crap.
>
> ;o)
>
>
>"Neil" <IUOIU@OIU.com> wrote in message news:45b8cf55$1@linux...
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>> I like aspects of both. It's just a
>>> different thing across the 2-buss... both mixes are Native ITB
>>> mixes.
>>
>>AH HA!!!! so you applied different processing???? WTF did you do that
>>for???
>
>>HTF are we supposed to tell the difference betwen an ITB mix and an ITB
> mix
>>if you cheat and process them differently??
>>
>>sheesh!!!
>
>
> Ummm... because if I processed them the same, there would be no
> need to ask the question: "Which one do you like better?"
>
> :)
Well, I listened to them again today with fresh ears. I still like the first
one. The second one sounds a bit *harder* to my ears, especially as the mix
gets buiser and more dynamic with the added layers of pads and cymbal
swells. The first one sounds more "familiar" to me somehow with more space
in it as the mix builds.. the second one has an "in your faceness" that I
hear a lot in contemporary mixes so it actually might be a more commercially
viable mix. I do like the performances and I think she's got a very nice
voice. As far as the where the vocal sits in the mix, it think it works. It
is surrounded by quite a lot similar frequencies but is clear and
present/not buried. The only think I might suggest is dropping the piano by
about 3-4dB during vocal passages to give the voice a bit more "upfrontness"
without trying to boost it (and your RMS levels) to get it more up front.
Might or might not work, but it might be worth experimenting with.
Nice work,
;o)Unbelievable that they would allow this to exist anywhere in the vicinity of
a hard drive, much less bundle it.
;o(
..
"Jamie K" <Meta@Dimensional.com> wrote in message news:45b8d567@linux...
>
> MaxBlast is evil.
>
> Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
> DJ wrote:
>> ............like a *big* dog. It's a bit gothic looking, (I feel like I'm
>> playing Doom or Tomb Raider) but the feature implementation is a virtual
>> candy store. Now I guess I know a little of what I've been missing with
>> Nuendo, at least with some features. So far it seems extremely stable on
>> the new GA-K8NS Ultra 939 mobo and the issues I was having with the
>> hardware installs and Magmas are gone.(yes, I did get it working
>> finally.........thanks Chris.................and I may not even need the
>> CPU affinity tool, but we'll see. I was finally able to get it properly
>> loaded ;o)
>>
>> I'm running the latest RME HDSP Beta drivers and the newest beta UAD-1
>> v4.5.1 drivers. So far, no problems.......................but I haven't
>> pushed it yet.
>>
>> A word to the wise (and I guess I should have known
>> this)..............don't use the Maxtor MaxBlast software to format a
>> drive unless you want to spend 10 times more time in hell than think you
>> saved by using this crap.
>>
>> ;o)
>>
>>"lamont" <jjdpro@gmail.com> wrote in message news:45b847fc$1@linux...
> back in 2001 @ Namm show, one of the funk gods and my Bass mentor Louis
> (thunder
> Thumbs)Johnson of The BROTHERS JOHNSONS. Man the guy has lost all of that
> great slapping/thumping. He looked lost. His amazingg tone was gone. He
> was'nt
> even playing his signature bass (Music Man) stingray...It really hurt my
> heart to see him like this.He too got on drugs..But he is clean now, but
> the skills have deminished...sad.
Brothers Johnson were a big influence on me! I have a couple Star Licks
instructional videos with Louis on them. In the first one, he looks young
and happy and he plays very well. In the second, he looks old and used
up... Sigh...
Doug
http://www.parisfaqs.comPro Tools M-Powered, Project Mix I/O, RME ADI-8 Pro converters (saving for
Rosetta 800).
Dedric Terry <dterry@keyofd.net> wrote:
>Nuendo and Cubase 4, Sequoia, RME interfaces, Mackie Control.
>
>On 1/24/07 1:46 PM, in article 45b7b77a@linux, "Jon Jiles" <nope@nope.com>
>wrote:
>
>>
>> Ok... so all of you that have bailed on Paris but still hang here because
>> it's an excellent newsgroup..
>>
>> What are you using now? Software, Converters, control surface, etc?
>>
>> I'm being forced closer to the Paris crossroads and am trying to figure
out
>> what I should do when/if I have to go there.
>>
>> Thanks,
>> Jon
>Not saying yet, until I work with it a bit more. It will be shocking if it
keeps working like this.
TCB
"rich" <studiodog_99@yahoo.com> wrote:
>
>What Laptop (model and spec's) are you using? Tracking in Cubase or?
>
>Thanks!!!
>
>
>"TCB" <nobody@ishere.com> wrote:
>>
>>I'd say a rack strip and two pieces of velcro would do the trick. Not pretty
>>but you didn't ask for that.
>>
>>As an alternative I'd think about a laptop. I'm keeping quiet about it
because
>>I'm still stress testing, but I just set up a $500 (yes, $500) laptop with
>>an RME cardbus card that is doing astonishing things. You might be able
>to
>>record with laptop + RME cardbus/firewire and then fly the tracks over
to
>>PARIS via lightpipe.
>>
>>I know this isn't not the best place to be saying this, but native is looking
>>really impressive these days. I bought the $500 laptop on the theory that
>>I could take it out live and not care too much if I broke it. This was
after
>>watching my work laptop fall off a stand while on stage, with me wondering
>>if I had backups of my perl code or not. But this crappy little machine
>is
>>something else. Again, I'll stress test it and see what I can find out,
>but
>>think about that as an option.
>>
>>TCB
>>
>>Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>>>I may be taking a long break from the theatre (certain people down
>>>there are sucking all the fun out of it....) and expanding our
>>>acoustic concert series into other venues.
>>>
>>>Obviously, my second Paris rig won't be staying up in the treehouse
>>>where it's been living for the past 5 years or so.
>>>
>>>I'd like to make it into a mobile rig that would fit into no more than
>>>two rack cases - cpu, MEC, two lcd's, keyboard & mouse.
>>>
>>>Problem is, I'm a Mac guy. I've been looking on *bay for the Marathon
>>>G-rack to rackmount a G4, but since they're discontinued, they are now
>>>stupid money. Really stupid.
>>>
>>>Hacking the motherboard into a rackmount ATX case is a huge PITA.
>>>
>>>I suppose I could just lay it on its side on a rack shelf and make
>>>straps to tie it down.
>>>
>>>Or, I could use the rack case I already have, throw an AMD board and
>>>Athlon chip, and run the mobile rig on XP or 98, then mix at home on
>>>the Mac here.
>>>
>>>As long as I use fat32 on my firewire drives, do you see any problems
>>>doing that?
>>>
>>>I have had such good luck with the Macs - typically, I'm tracking 8 or
>>>more tracks for 2 hours straight during a concert and nary a hiccup.
>>>
>>>Or does someone have an unused G-rack lying around that they'd be
>>>willing to sell to me for significantly less than stupid, just because
>>>I'm a really nice guy?
>>>
>>>If I had access to one, a friend of mine owns a machine shop and could
>>>whip something up, but he's never seen one.
>>>
>>>Thanks.
>>>
>>>pab
>>
>Any suggestions on how to calculate an approx latency?
rick <parnell68@hotmail.com> wrote:
>it varies from plug to plug and the hit they put on the cpu. even
>uad's vary from plug instance to instance.
>
>On 26 Jan 2007 01:50:20 +1000, "Mikep" <mikep@4hometown.com> wrote:
>
>>
>>Is there a list somewhere of the latency of audio plugins? Or is it dependent
>>on specific factors unique to your system?
>Cubase SX & Cubase 4 running on Creamware Pulsar cards. Steinberg Houston
control surface.
"Jon Jiles" <nope@nope.com> wrote in message news:45b7b77a@linux...
>
> Ok... so all of you that have bailed on Paris but still hang here because
> it's an excellent newsgroup..
>
> What are you using now? Software, Converters, control surface, etc?
>
> I'm being forced closer to the Paris crossroads and am trying to figure
> out
> what I should do when/if I have to go there.
>
> Thanks,
> JonLine up two identical tracks...flip the polartiy (phase) on one
track...insert plug in on either and start delaying (via sample slide) the
un-effected track until you hear nothing...when there is absolute silence
you have the latency
PITA...yep
DOn
"Mikep" <mikep@4hometown.com> wrote in message news:45b8e646$1@linux...
>
> Any suggestions on how to calculate an approx latency?
>
> rick <parnell68@hotmail.com> wrote:
>>it varies from plug to plug and the hit they put on the cpu. even
>>uad's vary from plug instance to instance.
>>
>>On 26 Jan 2007 01:50:20 +1000, "Mikep" <mikep@4hometown.com> wrote:
>>
>>>
>>>Is there a list somewhere of the latency of audio plugins? Or is it
>>>dependent
>>>on specific factors unique to your system?
>>
>OK - I'm really interested in hearing this (I'm sure I'm not the only one)...
Thanks in advance!!
"TCB" <nobody@ishere.com> wrote:
>
>Not saying yet, until I work with it a bit more. It will be shocking if
it
>keeps working like this.
>
>TCB
>
>"rich" <studiodog_99@yahoo.com> wrote:
>>
>>What Laptop (model and spec's) are you using? Tracking in Cubase or?
>>
>>Thanks!!!
>>
>>
>>"TCB" <nobody@ishere.com> wrote:
>>>
>>>I'd say a rack strip and two pieces of velcro would do the trick. Not
pretty
>>>but you didn't ask for that.
>>>
>>>As an alternative I'd think about a laptop. I'm keeping quiet about it
>because
>>>I'm still stress testing, but I just set up a $500 (yes, $500) laptop
with
>>>an RME cardbus card that is doing astonishing things. You might be able
>>to
>>>record with laptop + RME cardbus/firewire and then fly the tracks over
>to
>>>PARIS via lightpipe.
>>>
>>>I know this isn't not the best place to be saying this, but native is
looking
>>>really impressive these days. I bought the $500 laptop on the theory that
>>>I could take it out live and not care too much if I broke it. This was
>after
>>>watching my work laptop fall off a stand while on stage, with me wondering
>>>if I had backups of my perl code or not. But this crappy little machine
>>is
>>>something else. Again, I'll stress test it and see what I can find out,
>>but
>>>think about that as an option.
>>>
>>>TCB
>>>
>>>Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>>>>I may be taking a long break from the theatre (certain people down
>>>>there are sucking all the fun out of it....) and expanding our
>>>>acoustic concert series into other venues.
>>>>
>>>>Obviously, my second Paris rig won't be staying up in the treehouse
>>>>where it's been living for the past 5 years or so.
>>>>
>>>>I'd like to make it into a mobile rig that would fit into no more than
>>>>two rack cases - cpu, MEC, two lcd's, keyboard & mouse.
>>>>
>>>>Problem is, I'm a Mac guy. I've been looking on *bay for the Marathon
>>>>G-rack to rackmount a G4, but since they're discontinued, they are now
>>>>stupid money. Really stupid.
>>>>
>>>>Hacking the motherboard into a rackmount ATX case is a huge PITA.
>>>>
>>>>I suppose I could just lay it on its side on a rack shelf and make
>>>>straps to tie it down.
>>>>
>>>>Or, I could use the rack case I already have, throw an AMD board and
>>>>Athlon chip, and run the mobile rig on XP or 98, then mix at home on
>>>>the Mac here.
>>>>
>>>>As long as I use fat32 on my firewire drives, do you see any problems
>>>>doing that?
>>>>
>>>>I have had such good luck with the Macs - typically, I'm tracking 8 or
>>>>more tracks for 2 hours straight during a concert and nary a hiccup.
>>>>
>>>>Or does someone have an unused G-rack lying around that they'd be
>>>>willing to sell to me for significantly less than stupid, just because
>>>>I'm a really nice guy?
>>>>
>>>>If I had access to one, a friend of mine owns a machine shop and could
>>>>whip something up, but he's never seen one.
>>>>
>>>>Thanks.
>>>>
>>>>pab
>>>
>>
>Since you asked. But remember, this is all subjective and someone else might
hear things completely different.
Mix notes: I think the intro would sound nice starting with just piano and
maybe fade the low strings in on that phrase right before the first verse. A
more "traditional" piano sound (less chorus. electric sounding) would be my
preference too. Also, it might sound more "intimate" to bring the verb down
until the really big choruses and bridges towards the end of the song. I
think leaving the strings out until the second verse and chorus might give
the song more emotional impact. It seems to peak too soon in the first
chorus and the next few sections don't really have enough space to get huge.
I also think a nice shaker in place of the drums would be cool. Or maybe try
the drums in half time (i.e. kick, rest, rest, kick, kick, rest, snare,
rest). I hear a big ritardando on that last "laying naked beside you", and
then slow down the "entranced by the beauty of"sections (especially the word
entranced sounds rushed to my ears). I also agree with some of the others
that the piano could come down at times during the vocals.
Vocal notes: Candice has a nice voice. On the first verse, at the ends of
each phrase where she says "me" sounds a little forced. I think if she tried
to make the three notes on "me" less "in time" if would flow better. It's
also the case on the second verse where she says "walls". If she could do
those more like the word "lies" in the second verse, it would be good. Not
exactly the same, but I think you know what I mean. There is a little pitch
thing on the first verse at "And if you knew all the truths" that kind of
sticks out to my ears. Again, the "entranced" section at the end seems
rushed to me. She's got a nice, pleasing voice though.
I hope you take this all with a grain of salt. I think the song sounds good,
this is just some stuff I might try to change things up a bit. I'm just some
chump with a home studio though Neil, and another set of ears will hear it
all differently.
I do like the song.
Tony
"Neil" <oIUOIU@OIU.com> wrote in message news:45b83204$1@linux...
>
> Deej, I'm torn, too... I like aspects of both. It's just a
> different thing across the 2-buss... both mixes are Native ITB
> mixes.
>
> BTW, gang, Candice would like to know what you all think, too
> (song, performance, etc), so all comments are welcome!
>
> (well, except for comments like: "you obviously don't know how
> to push an SSL".... and other unqualified shit like that.
> lol)
>
> :D
>
> Neil
>
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>The second one seems to have a bit more *big* to it. The first on has a
>
>>*sweetness* to it to my ears, especially noticable on the vocal. Both
>>sound
>
>>very good. I voted for the second one.......until I voted against it. The
>
>>first one has a sittle somehing to it that I like more.
>>
>>;o)
>>
>>"Neil" <OIUOIU@OIU.com> wrote in message news:45b82998$1@linux...
>>>
>>> I've recently been working with a young lady named Candice
>>> MacBlain, who gave me permission to post this song. Candice
>>> wrote the piece, and played the intro bit, piano part, and sang.
>>> I produced/engineered/arranged/sonically bastardized all the
>>> rest. Hi-Res mp3 links attached.
>>>
>>> Check it out... which version do you like best? (fairly subtle
>>> differences, so listen on something other than PC speakers if
>>> you can)
>>>
>>> http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough1H i-ResMP3.mp3
>>>
>>> http://saqqararecords.com/MiscAudio/BreathlessMoment-Rough2H i-ResMP3.mp3
>>>
>>>
>>> She sings pretty damn good, I think... so Enjoy!
>>>
>>> Neil
>>
>>
>Deej -
You left Paris?... or you're easing out of Paris.... or...
This set-up seems far too straightforward to be yours!!!
This can't be true
;>)
By the way, any issues with Houston and Cubase 4?
Cheers,
Jon
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>Cubase SX & Cubase 4 running on Creamware Pulsar cards. Steinberg Houston
>control surface.
>
>"Jon Jiles" <nope@nope.com> wrote in message news:45b7b77a@linux...
>>
>> Ok... so all of you that have bailed on Paris but still hang here because
>> it's an excellent newsgroup..
>>
>> What are you using now? Software, Converters, control surface, etc?
>>
>> I'm being forced closer to the Paris crossroads and am trying to figure
>> out
>> what I should do when/if I have to go there.
>>
>> Thanks,
>> Jon
>
>After watching the video I can see why people were not impressed and felt
let down by his playing, and his appearance. I think the video is kind of
sad, not the old/young EVH.
James
"DC" <dc@spammersinnamm.com> wrote:
>
>It's ain't so.
>
>http://www.youtube.com/watch?v=sIr-WBZT1MI
>
>He seems to be playing ok to me. He is in bad shape though, no doubt
>about it. The clips of him that were on the Fender site have been taken
>down. I had to find a copy on you tube...
>
>I think he said some things that were not so...
>
>Anyway, we all hate to see this happen to someone so talented, yet
>dope and drink still have this cache of hipness... amazing really.
>
>DC
>
>
>"James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>I just got an email from a friend that saw EVH at the Fender booth at NAMM.
>> He said that he can't even play any more, that it broke his heart to see
>>and hear it. EVH was his hero. He said it was sooo sad. He said that
>he
>>is still in shock over it.
>>
>>Drugs and alcohol kill!!!!
>>
&
|
|
|
|
|
|
| Re: Scope FX.... anyone bit into this one yet? [message #77641 is a reply to message #77638] |
Sat, 30 December 2006 12:25 |
TCB
Messages: 1261
Registered: July 2007
|
Senior Member |
|
|
gt;
> DJ wrote:
>
>> I can't for the life of me access the Cubase 4.0.1 update on their ftp
>> site. Would someone mind DL'ing this and attaching it to an e-mail and
>> sending ti to me. I'm trying to use an outboard processor on a group
>> bus in Cubase 4 and the delay adjustment doesn't seem to be working at
>> all so I'm getting a bunch of phasing. Hopefully there is a fix in the
>> patch..
>>
>> Here is the link. I need the one for PC's.
>>
>> http://www.steinberg.de/1044_1.html
>>
>> animix at animas dot net
>>
>> Much appreciated. If you do this please post to the group that it's
>> done so I don't get 40 of these.
>>
>> Deej
>>
>>thanks Jeff!!!
;o)
"Jeff hoover" <jkhoover@excite-DOT-com> wrote in message
news:45b99703@linux...
> Duh..just read the message
>
> :-)
>
> Hoov
>
> Jeff hoover wrote:
>> Downloading now. What's your email (i'm not sure I have it right).
>>
>> Hoov
>>
>> DJ wrote:
>>
>>> I can't for the life of me access the Cubase 4.0.1 update on their ftp
>>> site. Would someone mind DL'ing this and attaching it to an e-mail and
>>> sending ti to me. I'm trying to use an outboard processor on a group bus
>>> in Cubase 4 and the delay adjustment doesn't seem to be working at all
>>> so I'm getting a bunch of phasing. Hopefully there is a fix in the
>>> patch..
>>>
>>> Here is the link. I need the one for PC's.
>>>
>>> http://www.steinberg.de/1044_1.html
>>>
>>> animix at animas dot net
>>>
>>> Much appreciated. If you do this please post to the group that it's done
>>> so I don't get 40 of these.
>>>
>>> Deej
>>>
>>>probably be about ten minutes coming to you from jkhoover at provvista
dot com
JH
DJ wrote:
> thanks Jeff!!!
>
> ;o)
>
> "Jeff hoover" <jkhoover@excite-DOT-com> wrote in message
> news:45b99703@linux...
>
>>Duh..just read the message
>>
>>:-)
>>
>>Hoov
>>
>>Jeff hoover wrote:
>>
>>>Downloading now. What's your email (i'm not sure I have it right).
>>>
>>>Hoov
>>>
>>>DJ wrote:
>>>
>>>
>>>>I can't for the life of me access the Cubase 4.0.1 update on their ftp
>>>>site. Would someone mind DL'ing this and attaching it to an e-mail and
>>>>sending ti to me. I'm trying to use an outboard processor on a group bus
>>>>in Cubase 4 and the delay adjustment doesn't seem to be working at all
>>>>so I'm getting a bunch of phasing. Hopefully there is a fix in the
>>>>patch..
>>>>
>>>>Here is the link. I need the one for PC's.
>>>>
>>>>http://www.steinberg.de/1044_1.html
>>>>
>>>>animix at animas dot net
>>>>
>>>>Much appreciated. If you do this please post to the group that it's done
>>>>so I don't get 40 of these.
>>>>
>>>>Deej
>>>>
>>>>
>
>
>Tom,
Sounds like either a mobo issue or the wrong HAL/kernel. The start then split
second blue screen then reset can be a hal problem.
For now I'd borrow a machine for the weekend and set up your software on
it. It will be tough having confidence in the setup if it's this bad now.
TCB
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>I also checked RAM, heat, unplugged/replugged the C drive in and out.
>No mouse or other drives installed and it still crashed to BSOD for a =
>split second
>then nothing. That's why I think it's the drive or drive connection.
>Worst case mobo.
>Tom
>
> "Tom Bruhl" <arpegio@comcast.net> wrote in message =
>news:45b985c7$1@linux...
> Hi computer people. I have a Toshiba laptop that has been
> hard crashing as if the C drive connection is bad. I just replaced
> it last week. I don't think it's the drive. Sometimes it helps
> to remove power and the battery to enable the drive to reappear
> even in the BIOS. I have a huge weekend of gigs revolving around
> this computer.
>
> Using Acronis I have a hidden directory on the suspect C drive
> with a complete recovery. I also have a complete clone on a USB
> drive.
>
> What do you think I should do? I have to have it running tomorrow
> by 12:00 in the afternoon! Gigs in 3 states.
>
> Thanks for any help!
> Tom
>
>
>
> I choose Polesoft Lockspam to fight spam, and you?
> http://www.polesoft.com/refer.html
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>I also checked RAM, heat, =
>unplugged/replugged the C=20
>drive in and out.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>No mouse or other drives installed and
=
>it still=20
>crashed to BSOD for a split second</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>then nothing. That's why I think =
>it's the=20
>drive or drive connection.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Worst case mobo.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><BLOCKQUOTE dir=3Dltr=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Tom Bruhl" <<A=20
> href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
>in message=20
> <A href=3D"news:45b985c7$1@linux">news:45b985c7$1@linux</A>...</DIV>
> <DIV><FONT face=3DArial size=3D2>Hi computer people. I have a =
>Toshiba laptop=20
> that has been</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>hard crashing as if the C drive =
>connection is=20
> bad. I just replaced</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>it last week. I don't think =
>it's the=20
> drive. Sometimes it helps</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>to remove power and the battery to =
>enable the=20
> drive to reappear</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>even in the BIOS. I have a huge =
>weekend of=20
> gigs revolving around</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>this computer.</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>Using Acronis I have a hidden =
>directory on the=20
> suspect C drive</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>with a complete recovery. I =
>also have a=20
> complete clone on a USB</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>drive.</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>What do you think I should do? =
>I have to=20
> have it running tomorrow</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>by 12:00 in the afternoon! Gigs =
>in 3=20
> states.</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>Thanks for any help!</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
> <DIV> </DIV>
> <DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam,
=
>and=20
> you?<BR><A=20
> =
>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>.html</A> </FONT></DIV></BLOCKQUOTE></BODY></HTML>
>
>This is a multi-part message in MIME format.
------=_NextPart_000_000B_01C740F5.2BF2B500
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Thad,
Exactly. I am burning all the crucial DJ tunes to spin traditionally.
Thanks for the help. I'll be scrambling tomorrow in the AM for a
comp before I run to the gig.
Sheesh.
Tom
$1@linux...
Tom,
Sounds like either a mobo issue or the wrong HAL/kernel. The start =
then split
second blue screen then reset can be a hal problem.=20
For now I'd borrow a machine for the weekend and set up your software =
on
it. It will be tough having confidence in the setup if it's this bad =
now.
TCB
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>I also checked RAM, heat, unplugged/replugged the C drive in and out.
>No mouse or other drives installed and it still crashed to BSOD for a =
=3D
>split second
>then nothing. That's why I think it's the drive or drive connection.
>Worst case mobo.
>Tom
>
> "Tom Bruhl" <arpegio@comcast.net> wrote in message =3D
>news:45b985c7$1@linux...
> Hi computer people. I have a Toshiba laptop that has been
> hard crashing as if the C drive connection is bad. I just replaced
> it last week. I don't think it's the drive. Sometimes it helps
> to remove power and the battery to enable the drive to reappear
> even in the BIOS. I have a huge weekend of gigs revolving around
> this computer.
>
> Using Acronis I have a hidden directory on the suspect C drive
> with a complete recovery. I also have a complete clone on a USB
> drive.
>
> What do you think I should do? I have to have it running tomorrow
> by 12:00 in the afternoon! Gigs in 3 states.
>
> Thanks for any help!
> Tom
>
>
>
> I choose Polesoft Lockspam to fight spam, and you?
> http://www.polesoft.com/refer.html =20
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
>charset=3D3Diso-8859-1">
><META content=3D3D"MSHTML 6.00.2800.1400" name=3D3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D3D#ffffff>
><DIV><FONT face=3D3DArial size=3D3D2>I also checked RAM, heat, =3D
>unplugged/replugged the C=3D20
>drive in and out.</FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2>No mouse or other drives =
installed and
=3D
>it still=3D20
>crashed to BSOD for a split second</FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2>then nothing. That's why I =
think =3D
>it's the=3D20
>drive or drive connection.</FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2>Worst case mobo.</FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
><BLOCKQUOTE dir=3D3Dltr=3D20
>style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
=3D
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Tom Bruhl" <<A=3D20
> href=3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote =3D
>in message=3D20
> <A =
href=3D3D"news:45b985c7$1@linux">news:45b985c7$1@linux</A>...</DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>Hi computer people. I have a =
=3D
>Toshiba laptop=3D20
> that has been</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>hard crashing as if the C =
drive =3D
>connection is=3D20
> bad. I just replaced</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>it last week. I don't think =
=3D
>it's the=3D20
> drive. Sometimes it helps</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>to remove power and the =
battery to =3D
>enable the=3D20
> drive to reappear</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>even in the BIOS. I have a =
huge =3D
>weekend of=3D20
> gigs revolving around</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>this computer.</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>Using Acronis I have a hidden =
=3D
>directory on the=3D20
> suspect C drive</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>with a complete recovery. I =
=3D
>also have a=3D20
> complete clone on a USB</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>drive.</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>What do you think I should do? =
=3D
>I have to=3D20
> have it running tomorrow</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>by 12:00 in the afternoon! =
Gigs =3D
>in 3=3D20
> states.</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>Thanks for any =
help!</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
> <DIV> </DIV>
> <DIV><FONT size=3D3D2><BR><BR>I choose Polesoft Lockspam to fight =
spam,
=3D
>and=3D20
> you?<BR><A=3D20
> =3D
=
>href=3D3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/re=
fer=3D
>.html</A> </FONT></DIV></BLOCKQUOTE></BODY></HTML>
>
>
------=_NextPart_000_000B_01C740F5.2BF2B500
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thad,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Exactly. I am burning all =
the crucial DJ=20
tunes to spin traditionally.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for the help. I'll be =
scrambling=20
tomorrow in the AM for a</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>comp before I run to the =
gig.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Sheesh.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV><A href=3D"news:45b99e19$1@linux">$1@linux</A>...</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: =
0px"><BR>Tom,<BR><BR>Sounds=20
like either a mobo issue or the wrong HAL/kernel. The start then=20
split<BR>second blue screen then reset can be a hal problem. =
<BR><BR>For now=20
I'd borrow a machine for the weekend and set up your software =
on<BR>it. It=20
will be tough having confidence in the setup if it's this bad=20
now.<BR><BR><BR>TCB<BR><BR>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
wrote:<BR>><BR>><BR>>I also checked RAM, heat, =
unplugged/replugged=20
the C drive in and out.<BR>>No mouse or other drives installed and =
it still=20
crashed to BSOD for a =3D<BR>>split second<BR>>then =
nothing. That's=20
why I think it's the drive or drive connection.<BR>>Worst case=20
mobo.<BR>>Tom<BR>><BR>> "Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
=3D<BR>>news:45b985c7$1@linux...<BR>> Hi computer =
people. I=20
have a Toshiba laptop that has been<BR>> hard crashing as if =
the C=20
drive connection is bad. I just replaced<BR>> it last=20
week. I don't think it's the drive. Sometimes it=20
helps<BR>> to remove power and the battery to enable the =
drive to=20
reappear<BR>> even in the BIOS. I have a huge weekend =
of gigs=20
revolving around<BR>> this computer.<BR>><BR>> =
Using=20
Acronis I have a hidden directory on the suspect C drive<BR>> =
with a=20
complete recovery. I also have a complete clone on a =
USB<BR>> =20
drive.<BR>><BR>> What do you think I should do? I =
have to=20
have it running tomorrow<BR>> by 12:00 in the =
afternoon! Gigs=20
in 3 states.<BR>><BR>> Thanks for any help!<BR>> =20
Tom<BR>><BR>><BR>><BR>> I choose Polesoft Lockspam =
to fight=20
spam, and you?<BR>> <A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> =20
<BR>><BR>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0=20
Transitional//EN"><BR>><HTML><HEAD> <BR>><META=20
http-equiv=3D3DContent-Type content=3D3D"text/html;=20
=3D<BR>>charset=3D3Diso-8859-1"><BR>><META =
content=3D3D"MSHTML=20
6.00.2800.1400"=20
=
name=3D3DGENERATOR><BR>><STYLE></STYLE> <BR>></HEA=
D><BR>><BODY=20
bgColor=3D3D#ffffff><BR>><DIV><FONT face=3D3DArial =
size=3D3D2>I=20
also checked RAM, heat, =3D<BR>>unplugged/replugged the =
C=3D20<BR>>drive in=20
and out.</FONT></DIV><BR>><DIV><FONT =
face=3D3DArial=20
size=3D3D2>No mouse or other drives installed and<BR>=3D<BR>>it=20
still=3D20<BR>>crashed to BSOD for a split=20
second</FONT></DIV><BR>><DIV><FONT =
face=3D3DArial=20
size=3D3D2>then nothing. That's why I think =3D<BR>>it's=20
the=3D20<BR>>drive or drive=20
connection.</FONT></DIV><BR>><DIV><FONT =
face=3D3DArial=20
size=3D3D2>Worst case=20
mobo.</FONT></DIV><BR>><DIV><FONT =
face=3D3DArial=20
size=3D3D2>Tom</FONT></DIV&g t; <BR>><DIV><FONT=20
face=3D3DArial size=3D3D2></FONT> =
</DIV><BR>><BLOCKQUOTE=20
dir=3D3Dltr=3D20<BR>>style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: =
5px;=20
MARGIN-LEFT: 5px; =3D<BR>>BORDER-LEFT: #000000 2px solid; =
MARGIN-RIGHT:=20
0px"><BR>> <DIV>"Tom Bruhl" =
<<A=3D20<BR>> =20
href=3D3D"<A=20
=
href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arpegi=
o@comcast.net">arpegio@comcast.net</A</A>>>=20
wrote =3D<BR>>in message=3D20<BR>> <A href=3D3D"<A=20
=
href=3D'news:45b985c7$1@linux">news:45b985c7$1@linux</A>...</DIV'>news:45=
b985c7$1@linux">news:45b985c7$1@linux</A>...</DIV</A>><BR>=
> =20
<DIV><FONT face=3D3DArial size=3D3D2>Hi computer =
people. I have=20
a =3D<BR>>Toshiba laptop=3D20<BR>> that has=20
been</FONT></DIV><BR>> <DIV><FONT =
face=3D3DArial=20
size=3D3D2>hard crashing as if the C drive =3D<BR>>connection=20
is=3D20<BR>> bad. I just=20
replaced</FONT></DIV><BR>> <DIV><FONT=20
face=3D3DArial size=3D3D2>it last week. I don't think =
=3D<BR>>it's=20
the=3D20<BR>> drive. Sometimes it=20
helps</FONT></DIV><BR>> <DIV><FONT =
face=3D3DArial=20
size=3D3D2>to remove power and the battery to =3D<BR>>enable=20
the=3D20<BR>> drive to =
reappear</FONT></DIV><BR>> =20
<DIV><FONT face=3D3DArial size=3D3D2>even in the =
BIOS. I have a=20
huge =3D<BR>>weekend of=3D20<BR>> gigs revolving=20
around</FONT></DIV><BR>> <DIV><FONT =
face=3D3DArial=20
size=3D3D2>this computer.</FONT></DIV><BR>> =20
<DIV><FONT face=3D3DArial size=3D3D2></FONT>=20
</DIV><BR>> <DIV><FONT face=3D3DArial =
size=3D3D2>Using=20
Acronis I have a hidden =3D<BR>>directory on the=3D20<BR>> =
suspect C=20
drive</FONT></DIV><BR>> <DIV><FONT =
face=3D3DArial=20
size=3D3D2>with a complete recovery. I =3D<BR>>also have=20
a=3D20<BR>> complete clone on a=20
USB</FONT></DIV><BR>> <DIV><FONT =
face=3D3DArial=20
size=3D3D2>drive.</FONT></DIV&am p;gt; <BR>> =
<DIV><FONT=20
face=3D3DArial size=3D3D2></FONT> </DIV><BR>> =20
<DIV><FONT face=3D3DArial size=3D3D2>What do you think I =
should=20
do? =3D<BR>>I have to=3D20<BR>> have it running=20
tomorrow</FONT></DIV><BR>> <DIV><FONT=20
face=3D3DArial size=3D3D2>by 12:00 in the afternoon! Gigs =
=3D<BR>>in=20
3=3D20<BR>> states.</FONT></DIV><BR>> =20
<DIV><FONT face=3D3DArial size=3D3D2></FONT>=20
</DIV><BR>> <DIV><FONT face=3D3DArial =
size=3D3D2>Thanks=20
for any help!</FONT></DIV><BR>> =
<DIV><FONT=20
face=3D3DArial =
size=3D3D2>Tom</FONT></DIV&g t; <BR>> =20
<DIV> </DIV><BR>> <DIV><FONT=20
size=3D3D2><BR><BR>I choose Polesoft Lockspam to fight=20
spam,<BR>=3D<BR>>and=3D20<BR>> =
you?<BR><A=3D20<BR>> =20
=3D<BR>>href=3D3D"<A=20
=
href=3D'http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
'>http://www.polesoft.com/refer.html">http://www.polesoft.com/refer</A=
>=3D<BR>>.html</A> =20
=
</FONT></DIV></BLOCKQUOTE ></BODY></HTML> <BR=
>><BR>><BR></BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_000B_01C740F5.2BF2B500--For those of you using Totalmix with RME hardware I submit my notes to
try
to make it easy to use this cool thingy.
totalmix
Totalmix is a basically a mixer with two input banks and one output
bank.
The two input banks are the Hardware Inputs and the Software Inputs.
#I/O
Hardware Inputs represent the signal coming in from your external
hardware
where Software Inputs represent the sound coming from your application
like
Cubase or Winamp. You can route any input to any output.
#Normal and Submix mode
The main mixer screen has two display modes, normal and submix. When
the
Submix button on the right is off you are in normal mode. When it is
on,
you are in Submix mode.
In Submix mode, you click on a hardware output pair (in submix view),
and
all the faders show their routing for that output. Each output pair
can have
its own mix.
#Matrix mode
In Normal mode there is a drop down on the third row under each fader
that
allows you to select multiple output channels to assign the input to.
Pressing
the "x" key on the keyboard takes you to a third view called Matrix
view.
Matrix view allows you to see every connection at one time.
_modes
normal view
To enable inputs, you do have to go back to normal mode and turn up
those
inputs (top row)
The non-submix view lets you view routings for specific channels to
specific
outputs, but i need find it necessary to use it.
The normal view show's the submix levels for the 1:1 routing. So if
you made
a submix for hardware outputs 5&6, the normal view will show the same
level
for software outputs 5&6. Btw. I always use the matrix to see what's
going
on.
Clicking in the routing box under the fader allows you to pick
multiple routing
outputs. The fader/pan will change to reflect the value being sent to
that
route destination. I think !
submix view
You click on a hardware output pair (in submix view), and all the
faders
show their routing for that output. Each output pair can have its own
mix.
When you select submix view, you can select a pair of outputs on row
3, and
ONLY signals routed to those outputs are shown on the upper rows.
Personally,
I find this simplifies things considerably.
If you are getting something at an output that shouldnt be there, or
not
getting something that should be there, submix view will show you why.
Submix sets all routing windows to the same selection. Deactivating
Submix
automatically recalls the previous view.
In this mode, all routing fileds jump to the routing pair just being
selected.
You can then see immediately, which channels, which fader and pan
settings
make a submix (for example 'A1 7+8'). At the same time the Submix View
simplifies
setting up the mixer, as all channels can be set simultaneously to the
same
routing destination with just one click.
Changing to a different destination (output channel) is done in any
routing
field, or by a click on the desired output pair in the bottom row.
It is very easy to set up a specific submix for whatever output:
select output
channel, set up fader and pans of inputs and playbacks – ready!
For advanced users sometimes it makes sense to work without Submix
View.
Example: you want to see and set up some channels of different
submixes simultaneously,
without the need to change between them all the time. Switch off the
Submix
View by a click on the green but-ton. Now the black routing fields
below
the faders no longer show the same entry (A1 1+2), but completely
different
ones. The fader and pan position is the one of the individually shown
routing
destination.
default setup
When executing the application for the first time, a default file is
loaded,
sending all playback tracks 1:1 to the corresponding hardware outputs
with
0 dB gain.
Faders in the Hardware Inputs are set to maximum attenuation (called
m.a.
in the following), so there is no monitoring of the input channels.
All faders of the middle row are set to 0 dB, so no matter on which
channels
a
playback happens, the audio will be audible via the SPDIF output. Just
try
it!
direct monitoring
With ASIO direct monitoring (ADM), moving faders in Cubase will move
them
in TotalMix
faders / post
When you pull the fader down to the bottom the routing goes away.
Think of the drop down channel list as being a rotary switch which
lets one
fader be used as multiple faders, the selection depending on where
you've
set the rotary switch.
The faders can also be moved pair-wise, corresponding to the
stereo-routing
settings. This can be achieved by pressing the Alt-key and is
especially
comfortable when setting the SPDIF and analogue output level. At the
same
time.
TotalMix also supports combinations of these keys. If you press Ctrl
and
Alt at the same time, clicking with the mouse makes the faders jump to
0
dB pair-wise, and they can be set pair-wise by Shift-Alt in fine-mode.
What I now realise is the input fader (and the playback faders too)
are in
essence multi-function faders i.e. you select what channel you want
the
fader to be adjusting, and the other virtual channels will not be
altered.
So, to adjust the bass guitar level at the phones output, I have to
change
the input fader (with the drop down list at the bottom of it) to
"analog".
If I have also routed the bass to a number of ouputs as well, then
their
levels will remain unaffected. If I wish to alter those too , then I
have
to change the input fader to one of the other channels of the drop
down
list.
grouping
Click on the fader name label to turn it orange and select multiple
faders.
They are now grouped. It only works in one mixer at a time.
matrix
The Matrix provides true mono and is very easy to use.
If you don't want to use the Matrix then use this workaround: use only
odd
or even channels as effect send. You got lots of them, so this is no
limitation
at all!
Change gain Ctrl-drag up / down
Horizontal labels: All hardware outputs
Vertical labels: All hardware inputs. Below are all play back channels
(software
playback channels)
Green 0.0 dB field: Standard 1:1 routing
Black gain field: Shows the current gain value as dB
Orange gain field: This routing is muted.
menu
Always on Top: When active (checked) the TotalMix window will always
be on
top of the Windows desktop. Note: This function may result in
problems with
windows containing help text, as the TotalMix window will even be on
top
of those windows, so the help text isn't readable.
Deactivate Screensaver: When active (checked) any activated Windows
screensaver
will be disabled temporarily.
Ignore Position: When active, the windows size and position stored in
a file
or preset will not be used. The routing will be activated, but the
window
will not change.
ASIO Direct Monitoring (Windows only): When de-activated any ADM
commands
will be ignored by TotalMix. In other words, ASIO Direct Monitoring is
globally
de-activated.
Link Faders: Selecting this option all faders will be treated as
stereo pairs<
|
|
|
|
| Re: Scope FX.... anyone bit into this one yet? [message #77642 is a reply to message #77641] |
Sat, 30 December 2006 11:47 |
Aaron Allen
Messages: 1988
Registered: May 2008
|
Senior Member |
|
|
br />
and moved pair-wise. Hotkey L.
Level Meter Setup: Configuration of the Level Meters. Hotkey F2. See
chapter
26.14.
Preferences: Opens a dialog box to configure several functions, like
Pan
Law, Dim, Talkback Dim, Listenback Dim. See chapter 26.10.
Enable MIDI Control: Turns MIDI control on.The channels which are
currently
under MIDI control are indicated by a colour change of the info field
below
the faders, black turns to yellow.
Deactivate MIDI in Background: Disables the MIDI control as soon as
another
application is in the focus, or in case TotalMix has been minimized.
meters
The input meters are pre fader.
The output meters are post fader.
mixers
Upper row: hardware inputs. The level shown is that of the input
signal and
is fader independent.
Using the fader and routing window, any input channel can be routed
and mixed
to any hardware output (third row.)
Middle row: playback channels (playback tracks of the software.)
Using the fader and routing window, any playback channel can be
routed and
mixed to any hardware output (third row.)
Lower row: hardware outputs. Because they refer to the output of a
subgroup,
the level can only be attenuated here (in order to avoid overloads),
routing
is not possible. This row has two additional channels, the analog
outputs.
more info
Additional documentation can be found here:
http://www.rme-audio.com/english/techinfo/hdsp_tmhard.htm
http://www.rme-audio.com/english/techinfo/hdsp_tmsoft.htm
This card can be good for:
* setting up delay-free submixes (headphone mixes)
* unlimited routing of inputs and outputs (free utilization,
patchbay
function)
* distributing signals to several outputs at a time
* simultaneous playback of different programs over only one stereo
channel
* mixing of the input signal to the playback signal (complete ASIO
Direct
Monitoring)
naming channels
The channel names shown in the white label area can be edited. A right
mouse
click on the white name field brings up the dialog box Enter Name. Any
name
can be entered in this dialog. Enter/Return closes the dialog box, the
white
label now shows the first letters of the new name. ESC cancels the
process
and closes the dialog box.
post send mode
Dragging the faders by use of the right mouse button activates Post
Send
mode and causes all routings of the current input or playback channel
to
be changed in a relative way. Please note that the fader settings of
all
routings are memorized.
So when pulling the fader to the bottom (maximum attenuation), the
individual
settings are back when you right click the mouse and pull the fader
up.
The individual settings get lost in m.a. position as soon as the fader
is
clicked with the left mouse button.
As long as no single level is at m.a. position, the left mouse button
can
be used to change the current routing's gain.
presets
Presets are stored in /documents and settings/"your user name"/local
settings/application
data/rme totalmix/
The preset buttons can get meaningful names in the same way. Move the
mouse
above a preset button, a right mouse click will bring up the dialog
box.
Note that the name shows up as tool tip only, as soon as the mouse
stays
above the preset button.
The preset button names are not stored in the preset files, but
globally
in the registry, so won't change when loading any file or saving any
state
as preset. But loading a preset bank (see chapter 26.8) the names will
be
updated.
TotalMix includes eight factory presets, stored within the program.
The user
presets can be changed at any time, because TotalMix stores and reads
the
changed presets from the files preset11.mix to preset81.mix, located
in Windows'
hidden directory >Documents and Settings, <Username>, Local Settings,
Application
Data, RME TotalMix<. On the Mac the location is in the folder >User,
<Username>,
Library / Preferences / Hammerfall DSP<. The first number indicates
the current
preset, the second number the current unit.
This method offers two major advantages:
Presets modified by the user will not be overwritten when
reinstalling
or updating the driver The factory presets remain
unchanged,
and can be reloaded any time.
Restoring Defaults
Mouse: The original factory presets can be reloaded by holding down
the Ctrl-
key and clicking on any preset button. Alternatively the files
described
above can
be renamed, moved to a different directory, or being deleted.
Keyboard: Using Ctrl and any number between 1 and 8 (not on the
numeric
keypad!) will load the corresponding factory default preset. The key
Alt
will load
the user presets instead.
Preset 1
Description: All playback channels routed 1:1, monitoring of all
playback
channels.
Details: All inputs maximum attenuation. All playback channels 0 dB,
routed
to the same output. All outputs 0 dB. Level display set to RMS +3 dB.
View
Submix active.
Note: This preset is Default, offering the standard functionality of a
I/O-card.
Preset 2
Same as Preset 1.
Preset 3
Description: All channels routed 1:1, input and playback monitoring
via outputs.
As Preset 1,
but all inputs set to 0 dB (1:1 pass through).
Preset 4
Description: All channels routed 1:1, input and playback monitoring
via outputs.
As Preset 3, but all inputs muted.
Preset 5
Description: All faders maximum attenuation. As Preset 1, but all
playbacks
maximum attenuation.
Preset 6
Description: Submix on SPDIF at -6 dB. As Preset 1, plus submix of all
playbacks
on SPDIF.
Preset 7
Description: Submix on SPDIF at -6 dB. As Preset 1, plus submix of all
inputs
and playbacks on SPDIF.
Preset 8
Description: Panic. As Preset 4, but playback channels muted too (no
output
signal).
Preset Banks
Instead of a single preset, all eight presets can be stored and loaded
at
once. This is done via
Menu File, Save All Presets as and Open All Presets (file suffix
..mpr). After
the loading the
presets can be activated by the preset buttons. In case the presets
have
been renamed (see
chapter 26.11), these names will be stored and loaded too.
The preset buttons can get meaningful names in the same way. Move the
mouse
above a preset button, a right mouse click will bring up the dialog
box.
Note that the name shows up as tool tip only, as soon as the mouse
stays
above the preset button.
The preset button names are not stored in the preset files, but
globally
in the registry, so won't change when loading any file or saving any
state
as preset. But loading a preset bank (see chapter 26.8) the names will
be
updated.
set fader to zero
When you want to set the fader to exactly 0 dB, this can be difficult,
depending
on the mouse configuration. Move the fader close to the 0 position and
now
press the Shift-key. This activates the fine-mode, which stretches the
mouse
movements by a factor of 8. In this mode, a gain setting accurate to
0.1
dB is no problem at all.
set multiple channels
Often signals are stereo, i. e. a pair of two channels. It is
therefore
helpful to be able to make the routing settings for two channels at
once.
Press the Ctrl-key and click into the routing window of 'Out 3' with
the
key pressed. The routing list pops up with a checkmark at '3+4'. Click
onto
'Analog'. Now, channel 4 has already been set to 'Analog' as well.
shortcut keys
F12, the cpu and disk meter
#toggle Matrix view
X
#toggle visible or not for Input, Playback, Output, Submix
I, P, O, S
#Fader
Set to 0 dB Ctrl-click
faders
Set to -6dB for hardware outputs Ctrl-click faders
Center pans Ctrl-click pans
Fine Control Shift-drag
#Stereo
Set faders pairwise in fine mode Shift-Alt
Move faders or pans in stereo Alt-drag
Faders jump to 0 dB pair-wise Ctrl-Alt-drag
#Presets.........
Set Preset to default Ctrl-click on preset button
Load preset Alt-preset_number
#level meter setup dialog
F2
#preferences
F3
#toggle Mute Master
M
#toggle mixer view
T
#link all faders as stereo pairs
L
#meters
#Display range 40 or 60 dB
Key 4 or 6
#Numerical display showing Peak or RMS
Key E or R
#RMS display absolute or relative to 0 dBFS
Key 0 or 3
#Numerical display selectable either Peak or RMS
Hotkey E or R
#Measuring SNR (Signal to Noise) requires to press R (for RMS) and 0
(for
referring to 0 dBFS, a full scale signal). The text display will then
show
the same value as an expensive measurement system, when measuring ‘RMS
unweighted’.
On Thu, 25 Jan 2007 22:26:14 -0700, "DJ" <www.aarrrrggghhh!!!.com>
wrote:
>I could have sworn I saved this somewhere but, of course, I can't find it.
>would you be so kind as to post this again?
>
>thanks,
>
>Deej
>Thanks my bud rick !!!
rick <parnell68@hotmail.com> wrote:
>
>
>
>For those of you using Totalmix with RME hardware I submit my notes to
>try
>to make it easy to use this cool thingy.
>
>
>totalmix
>
>
>
>Totalmix is a basically a mixer with two input banks and one output
>bank.
> The two input banks are the Hardware Inputs and the Software Inputs.
>
>#I/O
>Hardware Inputs represent the signal coming in from your external
>hardware
>where Software Inputs represent the sound coming from your application
>like
>Cubase or Winamp. You can route any input to any output.
>
>#Normal and Submix mode
>The main mixer screen has two display modes, normal and submix. When
>the
>Submix button on the right is off you are in normal mode. When it is
>on,
>you are in Submix mode.
>
>In Submix mode, you click on a hardware output pair (in submix view),
>and
>all the faders show their routing for that output. Each output pair
>can have
>its own mix.
>
>#Matrix mode
>In Normal mode there is a drop down on the third row under each fader
>that
>allows you to select multiple output channels to assign the input to.
>Pressing
>the "x" key on the keyboard takes you to a third view called Matrix
>view.
> Matrix view allows you to see every connection at one time.
>
>
>
>_modes
>
>
>
>normal view
>
>
>
>To enable inputs, you do have to go back to normal mode and turn up
>those
>inputs (top row)
>
>The non-submix view lets you view routings for specific channels to
>specific
>outputs, but i need find it necessary to use it.
>
>The normal view show's the submix levels for the 1:1 routing. So if
>you made
>a submix for hardware outputs 5&6, the normal view will show the same
>level
>for software outputs 5&6. Btw. I always use the matrix to see what's
>going
>on.
>
>Clicking in the routing box under the fader allows you to pick
>multiple routing
>outputs. The fader/pan will change to reflect the value being sent to
>that
>route destination. I think !
>
>
>
>submix view
>
>
>
>You click on a hardware output pair (in submix view), and all the
>faders
>show their routing for that output. Each output pair can have its own
>mix.
>
>When you select submix view, you can select a pair of outputs on row
>3, and
>ONLY signals routed to those outputs are shown on the upper rows.
>Personally,
>I find this simplifies things considerably.
>
>If you are getting something at an output that shouldnt be there, or
>not
>getting something that should be there, submix view will show you why.
>
>
>Submix sets all routing windows to the same selection. Deactivating
>Submix
>automatically recalls the previous view.
>
>
>In this mode, all routing fileds jump to the routing pair just being
>selected.
>You can then see immediately, which channels, which fader and pan
>settings
>make a submix (for example 'A1 7+8'). At the same time the Submix View
>simplifies
>setting up the mixer, as all channels can be set simultaneously to the
>same
>routing destination with just one click.
>
>Changing to a different destination (output channel) is done in any
>routing
>field, or by a click on the desired output pair in the bottom row.
>
>
>
>It is very easy to set up a specific submix for whatever output:
>select output
>channel, set up fader and pans of inputs and playbacks – ready!
>
>For advanced users sometimes it makes sense to work without Submix
>View.
>Example: you want to see and set up some channels of different
>submixes simultaneously,
>without the need to change between them all the time. Switch off the
>Submix
>View by a click on the green but-ton. Now the black routing fields
>below
>the faders no longer show the same entry (A1 1+2), but completely
>different
>ones. The fader and pan position is the one of the individually shown
>routing
>destination.
>
>
>
>default setup
>
>
>
>When executing the application for the first time, a default file is
>loaded,
>sending all playback tracks 1:1 to the corresponding hardware outputs
>with
>0 dB gain.
>
>Faders in the Hardware Inputs are set to maximum attenuation (called
>m.a.
>in the following), so there is no monitoring of the input channels.
>
>All faders of the middle row are set to 0 dB, so no matter on which
>channels
>a
>playback happens, the audio will be audible via the SPDIF output. Just
>try
>it!
>
>
>
>direct monitoring
>
>
>
>With ASIO direct monitoring (ADM), moving faders in Cubase will move
>them
>in TotalMix
>
>
>
>faders / post
>
>
>
>When you pull the fader down to the bottom the routing goes away.
>
>Think of the drop down channel list as being a rotary switch which
>lets one
>fader be used as multiple faders, the selection depending on where
>you've
>set the rotary switch.
>
>The faders can also be moved pair-wise, corresponding to the
>stereo-routing
>settings. This can be achieved by pressing the Alt-key and is
>especially
>comfortable when setting the SPDIF and analogue output level. At the
>same
>time.
>
>TotalMix also supports combinations of these keys. If you press Ctrl
>and
>Alt at the same time, clicking with the mouse makes the faders jump to
>0
>dB pair-wise, and they can be set pair-wise by Shift-Alt in fine-mode.
>
>
>
>What I now realise is the input fader (and the playback faders too)
>are in
>essence multi-function faders i.e. you select what channel you want
>the
>fader to be adjusting, and the other virtual channels will not be
>altered.
>So, to adjust the bass guitar level at the phones output, I have to
>change
>the input fader (with the drop down list at the bottom of it) to
>"analog".
>If I have also routed the bass to a number of ouputs as well, then
>their
>levels will remain unaffected. If I wish to alter those too , then I
>have
>to change the input fader to one of the other channels of the drop
>down
>list.
>
>
>
>grouping
>
>
>
>Click on the fader name label to turn it orange and select multiple
>faders.
> They are now grouped. It only works in one mixer at a time.
>
>
>
>matrix
>
>
>
>The Matrix provides true mono and is very easy to use.
>
>If you don't want to use the Matrix then use this workaround: use only
>odd
>or even channels as effect send. You got lots of them, so this is no
>limitation
>at all!
>
>
>Change gain Ctrl-drag up / down
>
>Horizontal labels: All hardware outputs
>
>Vertical labels: All hardware inputs. Below are all play back channels
>(software
>playback channels)
>
>Green 0.0 dB field: Standard 1:1 routing
>
>Black gain field: Shows the current gain value as dB
>
>Orange gain field: This routing is muted.
>
>
>
>menu
>
>
>
>Always on Top: When active (checked) the TotalMix window will always
>be on
>top of the Windows desktop. Note: This function may result in
>problems with
>windows containing help text, as the TotalMix window will even be on
>top
>of those windows, so the help text isn't readable.
>
>Deactivate Screensaver: When active (checked) any activated Windows
>screensaver
>will be disabled temporarily.
>
>Ignore Position: When active, the windows size and position stored in
>a file
>or preset will not be used. The routing will be activated, but the
>window
>will not change.
>
>ASIO Direct Monitoring (Windows only): When de-activated any ADM
>commands
>will be ignored by TotalMix. In other words, ASIO Direct Monitoring is
>globally
>de-activated.
>
>Link Faders: Selecting this option all faders will be treated as
>stereo pairs
>and moved pair-wise. Hotkey L.
>
>Level Meter Setup: Configuration of the Level Meters. Hotkey F2. See
>chapter
>26.14.
>
>Preferences: Opens a dialog box to configure several functions, like
>Pan
>Law, Dim, Talkback Dim, Listenback Dim. See chapter 26.10.
>
>Enable MIDI Control: Turns MIDI control on.The channels which are
>currently
>under MIDI control are indicated by a colour change of the info field
>below
>the faders, black turns to yellow.
>
>Deactivate MIDI in Background: Disables the MIDI control as soon as
>another
>application is in the focus, or in case TotalMix has been minimized.
>
>
>
>meters
>
>
>
>The input meters are pre fader.
>
>The output meters are post fader.
>
>
>
>mixers
>
>
>
>Upper row: hardware inputs. The level shown is that of the input
>signal and
>is fader independent.
>
>Using the fader and routing window, any input channel can be routed
>and mixed
>to any hardware output (third row.)
>
>
>Middle row: playback channels (playback tracks of the software.)
>
>Using the fader and routing window, any playback channel can be
>routed and
>mixed to any hardware output (third row.)
>
>Lower row: hardware outputs. Because they refer to the output of a
>subgroup,
>the level can only be attenuated here (in order to avoid overloads),
>routing
>is not possible. This row has two additional channels, the analog
>outputs.
>
>
>
>more info
>
>
>
>Additional documentation can be found here:
>http://www.rme-audio.com/english/techinfo/hdsp_tmhard.htm
>http://www.rme-audio.com/english/techinfo/hdsp_tmsoft.htm
>
>This card can be good for:
> * setting up delay-free submixes (headphone mixes)
> * unlimited routing of inputs and outputs (free utilization,
>patchbay
>function)
> * distributing signals to several outputs at a time
> * simultaneous playback of different programs over only one stereo
>channel
> * mixing of the input signal to the playback signal (complete ASIO
>Direct
>Monitoring)
>
>
>
>naming channels
>
>
>
>The channel names shown in the white label area can be edited. A right
>mouse
>click on the white name field brings up the dialog box Enter Name. Any
>name
>can be entered in this dialog. Enter/Return closes the dialog box, the
>white
>label now shows the first letters of the new name. ESC cancels the
>process
>and closes the dialog box.
>
>
>
>post send mode
>
>
>
>Dragging the faders by use of the right mouse button activates Post
>Send
>mode and causes all routings of the current input or playback channel
>to
>be changed in a relative way. Please note that the fader settings of
>all
>routings are memorized.
>
>So when pulling the fader to the bottom (maximum attenuation), the
>individual
>settings are back when you right click the mouse and pull the fader
>up.
>
>The individual settings get lost in m.a. position as soon as the fader
>is
>clicked with the left mouse button.
>
>As long as no single level is at m.a. position, the left mouse button
>can
>be used to change the current routing's gain.
>
>
>
>presets
>
>
>Presets are stored in /documents and settings/"your user name"/local
>settings/application
>data/rme totalmix/
>
>The preset buttons can get meaningful names in the same way. Move the
>mouse
>above a preset button, a right mouse click will bring up the dialog
>box.
>Note that the name shows up as tool tip only, as soon as the mouse
>stays
>above the preset button.
>
>The preset button names are not stored in the preset files, but
>globally
>in the registry, so won't change when loading any file or saving any
>state
>as preset. But loading a preset bank (see chapter 26.8) the names will
>be
>updated.
>
>TotalMix includes eight factory presets, stored within the program.
>The user
>presets can be changed at any time, because TotalMix stores and reads
>the
>changed presets from the files preset11.mix to preset81.mix, located
>in Windows'
>hidden directory >Documents and Settings, <Username>, Local Settings,
>Application
>Data, RME TotalMix<. On the Mac the location is in the folder >User,
><Username>,
>Library / Preferences / Hammerfall DSP<. The first number indicates
>the current
>preset, the second number the current unit.
>
>This method offers two major advantages:
> Presets modified by the user will not be overwritten when
>reinstalling
>or updating the driver The factory presets remain
>unchanged,
>and can be reloaded any time.
>
>
>Restoring Defaults
>Mouse: The original factory presets can be reloaded by holding down
>the Ctrl-
>key and clicking on any preset button. Alternatively the files
>described
>above can
>be renamed, moved to a different directory, or being deleted.
>
>Keyboard: Using Ctrl and any number between 1 and 8 (not on the
>numeric
>keypad!) will load the corresponding factory default preset. The key
>Alt
>will load
>the user presets instead.
>
>
>Preset 1
>Description: All playback channels routed 1:1, monitoring of all
>playback
>channels.
>
>Details: All inputs maximum attenuation. All playback channels 0 dB,
>routed
>to the same output. All outputs 0 dB. Level display set to RMS +3 dB.
>View
>Submix active.
>
>Note: This preset is Default, offering the standard functionality of a
>I/O-card.
>
>
>
>Preset 2
>Same as Preset 1.
>
>Preset 3
>Description: All channels routed 1:1, input and playback monitoring
>via outputs.
>As Preset 1,
>but all inputs set to 0 dB (1:1 pass through).
>
>Preset 4
>Description: All channels routed 1:1, input and playback monitoring
>via outputs.
>As Preset 3, but all inputs muted.
>
>Preset 5
>Description: All faders maximum attenuation. As Preset 1, but all
>playbacks
>maximum attenuation.
>
>Preset 6
>Description: Submix on SPDIF at -6 dB. As Preset 1, plus submix of all
>playbacks
>on SPDIF.
>
>Preset 7
>Description: Submix on SPDIF at -6 dB. As Preset 1, plus submix of all
>inputs
>and playbacks on SPDIF.
>
>Preset 8
>Description: Panic. As Preset 4, but playback channels muted too (no
>output
>signal).
>
>
>Preset Banks
>Instead of a single preset, all eight presets can be stored and loaded
>at
>once. This is done via
>Menu File, Save All Presets as and Open All Presets (file suffix
>.mpr). After
>the loading the
>presets can be activated by the preset buttons. In case the presets
>have
>been renamed (see
>chapter 26.11), these names will be stored and loaded too.
>
>
>
>The preset buttons can get meaningful names in the same way. Move the
>mouse
>above a preset button, a right mouse click will bring up the dialog
>box.
>Note that the name shows up as tool tip only, as soon as the mouse
>stays
>above the preset button.
>
>The preset button names are not stored in the preset files, but
>globally
>in the registry, so won't change when loading any file or saving any
>state
>as preset. But loading a preset bank (see chapter 26.8) the names will
>be
>updated.
>
>
>
>set fader to zero
>
>
>
>When you want to set the fader to exactly 0 dB, this can be difficult,
>depending
>on the mouse configuration. Move the fader close to the 0 position and
>now
>press the Shift-key. This activates the fine-mode, which stretches the
>mouse
>movements by a factor of 8. In this mode, a gain setting accurate to
>0.1
>dB is no problem at all.
>
>
>
>set multiple channels
>
>
>
> Often signals are stereo, i. e. a pair of two channels. It is
>therefore
>helpful to be able to make the routing settings for two channels at
>once.
>
>
>Press the Ctrl-key and click into the routing window of 'Out 3' with
>the
>key pressed. The routing list pops up with a checkmark at '3+4'. Click
>onto
>'Analog'. Now, channel 4 has already been set to 'Analog' as well.
>
>
>
>shortcut keys
>
>
> F12, the cpu and disk meter
>
>#toggle Matrix view
>X
>
>#toggle visible or not for Input, Playback, Output, Submix
>I, P, O, S
>
>#Fader
>Set to 0 dB Ctrl-click
>faders
>Set to -6dB for hardware outputs Ctrl-click faders
>Center pans Ctrl-click pans
>Fine Control Shift-drag
>
>
>#Stereo
>Set faders pairwise in fine mode Shift-Alt
>Move faders or pans in stereo Alt-drag
>Faders jump to 0 dB pair-wise Ctrl-Alt-drag
>
>
>#Presets.........
>Set Preset to default Ctrl-click on preset button
>Load preset Alt-preset_number
>
>#level meter setup dialog
>F2
>
>#preferences
>F3
>
>#toggle Mute Master
>M
>
>#toggle mixer view
>T
>
>#link all faders as stereo pairs
>L
>
>
>#meters
>#Display range 40 or 60 dB
>Key 4 or 6
>
>#Numerical display showing Peak or RMS
>Key E or R
>
>#RMS display absolute or relative to 0 dBFS
>Key 0 or 3
>
>#Numerical display selectable either Peak or RMS
>Hotkey E or R
>
>#Measuring SNR (Signal to Noise) requires to press R (for RMS) and 0
>(for
>referring to 0 dBFS, a full scale signal). The text display will then
>show
>the same value as an expensive measurement system, when measuring ‘RMS
>unweighted’.
>
>
>
>On Thu, 25 Jan 2007 22:26:14 -0700, "DJ" <www.aarrrrggghhh!!!.com>
>wrote:
>
>>I could have sworn I saved this somewhere but, of course, I can't find
it.
>>would you be so kind as to post this again?
>>
>>thanks,
>>
>>Deej
>>
>also, hot key "T" takes you back to mixer, "X" is the patchbay matrixmake sure to set the master meters to monitor input (right click over them)
so you can see any clips, it's common to have the faders down at -10 and
-15 or more to keep the bus happy. I'm loving the C4 setup so far. I'm
waiting a third digimax to round me out the the Rane headphone monitor unit.
soooooonvery sad for me. i remember seeing him with roth front row balcony at the
fox theater in atlanta ga, i took a date an snuck in a bottle of wine and
wine glasses (20 years ago). great evening but he is a faint shadow of himself
physically now. very sad.
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>After watching the video I can see why people were not impressed and felt
>let down by his playing, and his appearance. I think the video is kind
of
>sad, not the old/young EVH.
>
>James
>
>"DC" <dc@spammersinnamm.com> wrote:
>>
>>It's ain't so.
>>
>>http://www.youtube.com/watch?v=sIr-WBZT1MI
>>
>>He seems to be playing ok to me. He is in bad shape though, no doubt
>>about it. The clips of him that were on the Fender site have been taken
>>down. I had to find a copy on you tube...
>>
>>I think he said some things that were not so...
>>
>>Anyway, we all hate to see this happen to someone so talented, yet
>>dope and drink still have this cache of hipness... amazing really.
>>
>>DC
>>
>>
>>"James McCloskey" <excelsm@hotmail.com> wrote:
>>>
>>>I just got an email from a friend that saw EVH at the Fender booth at
NAMM.
>>> He said that he can't even play any more, that it broke his heart to
see
>>>and hear it. EVH was his hero. He said it was sooo sad. He said that
>>he
>>>is still in shock over it.
>>>
>>>Drugs and alcohol kill!!!!
>>>
>>>James
>>
>Good luck, Tom. Not crucial now, but here are the files you need for ACPI
BIOS machines (i.e. everything).
++++++++++++++++++++++++++++++++++++++++++++++++++++++
Advanced Configuration and Power Interface (ACPI) PC
- halacpi.dll (renamed to hal.dll)
- ntkrnlpa.exe
- ntoskrnl.exe
ACPI Uniprocessor PC
- halaacpi.dll (renamed to hal.dll)
- ntkrnlpa.exe
- ntoskrnl.exe
ACPI Multiprocessor PC
- halmacpi.dll (renamed to hal.dll)
- ntkrpamp.exe (renamed to ntkrnlpa.exe)
- ntkrnlmp.exe (renamed to ntoskrnl.exe)¨
+++++++++++++++++++++++++++++++++++++++++++++++++++
When you're back, and rested, and done with your weekend heart attack I'd
like to ask you a few questions about the DJ software you use. I've been
playing with DJ Deckc (www.djdecks.be) with time code vinyl, but the new
Traktor rig looks interesting. Especially since I wrote the Traktor 2 manual
so I know it pretty well. I'd really like opinions from people more experiences
with the software out there.
Good luck,
TCB
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Thad,
>Exactly. I am burning all the crucial DJ tunes to spin traditionally.
>Thanks for the help. I'll be scrambling tomorrow in the AM for a
>comp before I run to the gig.
>
>Sheesh.
>Tom
>
>
>
>
>
>$1@linux...
>
> Tom,
>
> Sounds like either a mobo issue or the wrong HAL/kernel. The start =
>then split
> second blue screen then reset can be a hal problem.=20
>
> For now I'd borrow a machine for the weekend and set up your software
=
>on
> it. It will be tough having confidence in the setup if it's this bad =
>now.
>
>
> TCB
>
> "Tom Bruhl" <arpegio@comcast.net> wrote:
> >
> >
> >I also checked RAM, heat, unplugged/replugged the C drive in and out.
> >No mouse or other drives installed and it still crashed to BSOD for a
=
>=3D
> >split second
> >then nothing. That's why I think it's the drive or drive connection.
> >Worst case mobo.
> >Tom
> >
> > "Tom Bruhl" <arpegio@comcast.net> wrote in message =3D
> >news:45b985c7$1@linux...
> > Hi computer people. I have a Toshiba laptop that has been
> > hard crashing as if the C drive connection is bad. I just replaced
> > it last week. I don't think it's the drive. Sometimes it helps
> > to remove power and the battery to enable the drive to reappear
> > even in the BIOS. I have a huge weekend of gigs revolving around
> > this computer.
> >
> > Using Acronis I have a hidden directory on the suspect C drive
> > with a complete recovery. I also have a complete clone on a USB
> > drive.
> >
> > What do you think I should do? I have to have it running tomorrow
> > by 12:00 in the afternoon! Gigs in 3 states.
> >
> > Thanks for any help!
> > Tom
> >
> >
> >
> > I choose Polesoft Lockspam to fight spam, and you?
> > http://www.polesoft.com/refer.html =20
> >
> ><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> ><HTML><HEAD>
> ><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
> >charset=3D3Diso-8859-1">
> ><META content=3D3D"MSHTML 6.00.2800.1400" name=3D3DGENERATOR>
> ><STYLE></STYLE>
> ></HEAD>
> ><BODY bgColor=3D3D#ffffff>
> ><DIV><FONT face=3D3DArial size=3D3D2>I also checked RAM, heat, =3D
> >unplugged/replugged the C=3D20
> >drive in and out.</FONT></DIV>
> ><DIV><FONT face=3D3DArial size=3D3D2>No mouse or other drives =
>installed and
> =3D
> >it still=3D20
> >crashed to BSOD for a split second</FONT></DIV>
> ><DIV><FONT face=3D3DArial size=3D3D2>then nothing. That's why I =
>think =3D
> >it's the=3D20
> >drive or drive connection.</FONT></DIV>
> ><DIV><FONT face=3D3DArial size=3D3D2>Worst case mobo.</FONT></DIV>
> ><DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
> ><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> ><BLOCKQUOTE dir=3D3Dltr=3D20
> >style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>=3D
> >BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> > <DIV>"Tom Bruhl" <<A=3D20
> > href=3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
>wrote =3D
> >in message=3D20
> > <A =
>href=3D3D"news:45b985c7$1@linux">news:45b985c7$1@linux</A>...</DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>Hi computer people. I have a
=
>=3D
> >Toshiba laptop=3D20
> > that has been</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>hard crashing as if the C =
>drive =3D
> >connection is=3D20
> > bad. I just replaced</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>it last week. I don't think =
>=3D
> >it's the=3D20
> > drive. Sometimes it helps</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>to remove power and the =
>battery to =3D
> >enable the=3D20
> > drive to reappear</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>even in the BIOS. I have a =
>huge =3D
> >weekend of=3D20
> > gigs revolving around</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>this computer.</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>Using Acronis I have a hidden
=
>=3D
> >directory on the=3D20
> > suspect C drive</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>with a complete recovery. I =
>=3D
> >also have a=3D20
> > complete clone on a USB</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>drive.</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> > <DIV>&
|
|
|
|
| Re: Scope FX.... anyone bit into this one yet? [message #77643 is a reply to message #77641] |
Sat, 30 December 2006 12:12 |
DJ
Messages: 1124
Registered: July 2005
|
Senior Member |
|
|
lt;FONT face=3D3DArial size=3D3D2>What do you think I should do?
=
> =3D
> >I have to=3D20
> > have it running tomorrow</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>by 12:00 in the afternoon! =
>Gigs =3D
> >in 3=3D20
> > states.</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>Thanks for any =
>help!</FONT></DIV>
> > <DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
> > <DIV> </DIV>
> > <DIV><FONT size=3D3D2><BR><BR>I choose Polesoft Lockspam to fight =
>spam,
> =3D
> >and=3D20
> > you?<BR><A=3D20
> > =3D
> =
>>href=3D3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/re=
>fer=3D
> >.html</A> </FONT></DIV></BLOCKQUOTE></BODY></HTML>
> >
> >
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Thad,</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Exactly. I am burning all =
>the crucial DJ=20
>tunes to spin traditionally.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Thanks for the help. I'll be =
>scrambling=20
>tomorrow in the AM for a</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>comp before I run to the =
>gig.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Sheesh.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><DIV> </DIV>
><DIV> </DIV>
><DIV> </DIV>
><DIV> </DIV>
><DIV> </DIV>
><DIV><A href=3D"news:45b99e19$1@linux">$1@linux</A>...</DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: =
>0px"><BR>Tom,<BR><BR>Sounds=20
> like either a mobo issue or the wrong HAL/kernel. The start then=20
> split<BR>second blue screen then reset can be a hal problem. =
><BR><BR>For now=20
> I'd borrow a machine for the weekend and set up your software =
>on<BR>it. It=20
> will be tough having confidence in the setup if it's this bad=20
> now.<BR><BR><BR>TCB<BR><BR>"Tom Bruhl" <<A=20
> href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
> wrote:<BR>><BR>><BR>>I also checked RAM, heat, =
>unplugged/replugged=20
> the C drive in and out.<BR>>No mouse or other drives installed and =
>it still=20
> crashed to BSOD for a =3D<BR>>split second<BR>>then =
>nothing. That's=20
> why I think it's the drive or drive connection.<BR>>Worst case=20
> mobo.<BR>>Tom<BR>><BR>> "Tom Bruhl" <<A=20
> href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
>in message=20
> =3D<BR>>news:45b985c7$1@linux...<BR>> Hi computer =
>people. I=20
> have a Toshiba laptop that has been<BR>> hard crashing as if =
>the C=20
> drive connection is bad. I just replaced<BR>> it last=20
> week. I don't think it's the drive. Sometimes it=20
> helps<BR>> to remove power and the battery to enable the =
>drive to=20
> reappear<BR>> even in the BIOS. I have a huge weekend =
>of gigs=20
> revolving around<BR>> this computer.<BR>><BR>> =
>Using=20
> Acronis I have a hidden directory on the suspect C drive<BR>> =
>with a=20
> complete recovery. I also have a complete clone on a =
>USB<BR>> =20
> drive.<BR>><BR>> What do you think I should do? I =
>have to=20
> have it running tomorrow<BR>> by 12:00 in the =
>afternoon! Gigs=20
> in 3 states.<BR>><BR>> Thanks for any help!<BR>> =20
> Tom<BR>><BR>><BR>><BR>> I choose Polesoft Lockspam =
>to fight=20
> spam, and you?<BR>> <A=20
> =
>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>.html</A> =20
> <BR>><BR>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0=20
> Transitional//EN"><BR>><HTML><HEAD><BR>><META=20
> http-equiv=3D3DContent-Type content=3D3D"text/html;=20
> =3D<BR>>charset=3D3Diso-8859-1"><BR>><META =
>content=3D3D"MSHTML=20
> 6.00.2800.1400"=20
> =
>name=3D3DGENERATOR><BR>><STYLE></STYLE><BR>></HEA=
>D><BR>><BODY=20
> bgColor=3D3D#ffffff><BR>><DIV><FONT face=3D3DArial =
>size=3D3D2>I=20
> also checked RAM, heat, =3D<BR>>unplugged/replugged the =
>C=3D20<BR>>drive in=20
> and out.</FONT></DIV><BR>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>No mouse or other drives installed and<BR>=3D<BR>>it=20
> still=3D20<BR>>crashed to BSOD for a split=20
> second</FONT></DIV><BR>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>then nothing. That's why I think =3D<BR>>it's=20
> the=3D20<BR>>drive or drive=20
> connection.</FONT></DIV><BR>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>Worst case=20
> mobo.</FONT></DIV><BR>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>Tom</FONT></DIV><BR>><DIV><FONT=20
> face=3D3DArial size=3D3D2></FONT> =
></DIV><BR>><BLOCKQUOTE=20
> dir=3D3Dltr=3D20<BR>>style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: =
>5px;=20
> MARGIN-LEFT: 5px; =3D<BR>>BORDER-LEFT: #000000 2px solid; =
>MARGIN-RIGHT:=20
> 0px"><BR>> <DIV>"Tom Bruhl" =
><<A=3D20<BR>> =20
> href=3D3D"<A=20
> =
>href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arpegi=
>o@comcast.net">arpegio@comcast.net</A</A>>>=20
> wrote =3D<BR>>in message=3D20<BR>> <A href=3D3D"<A=20
> =
>href=3D'news:45b985c7$1@linux">news:45b985c7$1@linux</A>...</DIV'>news:45=
>b985c7$1@linux">news:45b985c7$1@linux</A>...</DIV</A>><BR>=
>> =20
> <DIV><FONT face=3D3DArial size=3D3D2>Hi computer =
>people. I have=20
> a =3D<BR>>Toshiba laptop=3D20<BR>> that has=20
> been</FONT></DIV><BR>> <DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>hard crashing as if the C drive =3D<BR>>connection=20
> is=3D20<BR>> bad. I just=20
> replaced</FONT></DIV><BR>> <DIV><FONT=20
> face=3D3DArial size=3D3D2>it last week. I don't think =
>=3D<BR>>it's=20
> the=3D20<BR>> drive. Sometimes it=20
> helps</FONT></DIV><BR>> <DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>to remove power and the battery to =3D<BR>>enable=20
> the=3D20<BR>> drive to =
>reappear</FONT></DIV><BR>> =20
> <DIV><FONT face=3D3DArial size=3D3D2>even in the =
>BIOS. I have a=20
> huge =3D<BR>>weekend of=3D20<BR>> gigs revolving=20
> around</FONT></DIV><BR>> <DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>this computer.</FONT></DIV><BR>> =20
> <DIV><FONT face=3D3DArial size=3D3D2></FONT>=20
> </DIV><BR>> <DIV><FONT face=3D3DArial =
>size=3D3D2>Using=20
> Acronis I have a hidden =3D<BR>>directory on the=3D20<BR>> =
>suspect C=20
> drive</FONT></DIV><BR>> <DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>with a complete recovery. I =3D<BR>>also have=20
> a=3D20<BR>> complete clone on a=20
> USB</FONT></DIV><BR>> <DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>drive.</FONT></DIV><BR>> =
><DIV><FONT=20
> face=3D3DArial size=3D3D2></FONT> </DIV><BR>> =20
> <DIV><FONT face=3D3DArial size=3D3D2>What do you think I =
>should=20
> do? =3D<BR>>I have to=3D20<BR>> have it running=20
> tomorrow</FONT></DIV><BR>> <DIV><FONT=20
> face=3D3DArial size=3D3D2>by 12:00 in the afternoon! Gigs =
>=3D<BR>>in=20
> 3=3D20<BR>> states.</FONT></DIV><BR>> =20
> <DIV><FONT face=3D3DArial size=3D3D2></FONT>=20
> </DIV><BR>> <DIV><FONT face=3D3DArial =
>size=3D3D2>Thanks=20
> for any help!</FONT></DIV><BR>> =
><DIV><FONT=20
> face=3D3DArial =
>size=3D3D2>Tom</FONT></DIV><BR>> =20
> <DIV> </DIV><BR>> <DIV><FONT=20
> size=3D3D2><BR><BR>I choose Polesoft Lockspam to fight=20
> spam,<BR>=3D<BR>>and=3D20<BR>> =
>you?<BR><A=3D20<BR>> =20
> =3D<BR>>href=3D3D"<A=20
> =
>href=3D'http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>'>http://www.polesoft.com/refer.html">http://www.polesoft.com/refer</A=
>>=3D<BR>>.html</A> =20
> =
></FONT></DIV></BLOCKQUOTE></BODY></HTML><BR=
>>><BR>><BR></BLOCKQUOTE></BODY></HTML>
>
>this and make sure you are not using the effects on the plug or it won't
phase cancel. on a compressor, set no ratio: a reverb, nowet/full dry,
etc..
AA
"Don Nafe" <dnafe@magma.ca> wrote in message news:45b8f6c4@linux...
> Line up two identical tracks...flip the polartiy (phase) on one
> track...insert plug in on either and start delaying (via sample slide) the
> un-effected track until you hear nothing...when there is absolute silence
> you have the latency
>
> PITA...yep
>
> DOn
>
>
> "Mikep" <mikep@4hometown.com> wrote in message news:45b8e646$1@linux...
>>
>> Any suggestions on how to calculate an approx latency?
>>
>> rick <parnell68@hotmail.com> wrote:
>>>it varies from plug to plug and the hit they put on the cpu. even
>>>uad's vary from plug instance to instance.
>>>
>>>On 26 Jan 2007 01:50:20 +1000, "Mikep" <mikep@4hometown.com> wrote:
>>>
>>>>
>>>>Is there a list somewhere of the latency of audio plugins? Or is it
>>>>dependent
>>>>on specific factors unique to your system?
>>>
>>
>
>This is a multi-part message in MIME format.
------=_NextPart_000_0045_01C74125.CE66AFA0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
if I was you I'd go back to the old C drive that you know worked and =
take the newer 60 GB drive and put it in a USB case so you can get at =
your material. Troubleshoot it this way, but I'm guessing acronis put in =
a bad/unstable image on that 60 GB.
AA
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:45b98b79@linux...
Chris,
Satellite P4 2.4 USB 2 I think? Originally it had a 40GIG C.
I cloned from Acronis to a 60GIG and it worked perfectly for
2 days. Now it's shutting down or not booting. Acronis
says there's no drive. I remove all power reset and then
the drive will show up but Acronis isn't running! It's one or
the other but not both. I'm thinking the best bet would be the
USB drive that has a working C copy. Can I boot from that
on a laptop? I think I had that working way back when I
made the clone.
Tom
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:45b98a20$1@linux...
Thanks Chris,
I'm running PCDJ.
It's older with the 17" screen. It has a fairly standard drive I =
think.
It's a Toshiba. I know that. I just bought the new drive so
I'm thinking strongly that it's the mobo.
I am trying to get it to boot from USB. Can I do that?
Tom
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message =
news:45b987df@linux...
HI Tom,
Is the model still being made? If so you might want to see if a =
local=20
best buy, compusa, etc have one in stock. buy it swap the hard =
drive out=20
and use it for the gigs then put the drive back in and return . If =
it=20
old then well you might be screwed if you need it that quick. Will =
any=20
laptop be able to do it?
Can you lug a desktop with you instead?
Chris
Tom Bruhl wrote:
> Hi computer people. I have a Toshiba laptop that has been
> hard crashing as if the C drive connection is bad. I just =
replaced
> it last week. I don't think it's the drive. Sometimes it helps
> to remove power and the battery to enable the drive to reappear
> even in the BIOS. I have a huge weekend of gigs revolving =
around
> this computer.
> =20
> Using Acronis I have a hidden directory on the suspect C drive
> with a complete recovery. I also have a complete clone on a USB
> drive.
> =20
> What do you think I should do? I have to have it running =
tomorrow
> by 12:00 in the afternoon! Gigs in 3 states.
> =20
> Thanks for any help!
> Tom
> =20
>
>
> I choose Polesoft Lockspam to fight spam, and you?
> http://www.polesoft.com/refer.html =20
--=20
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762
------=_NextPart_000_0045_01C74125.CE66AFA0
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charset="iso-8859-1"
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.5730.11" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>if I was you I'd go back to the old C =
drive that=20
you know worked and take the newer 60 GB drive and put it in a USB case =
so you=20
can get at your material. Troubleshoot it this way, but I'm guessing =
acronis put=20
in a bad/unstable image on that 60 GB.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>AA</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:45b98b79@linux">news:45b98b79@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Chris,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Satellite P4 2.4 USB 2 I think? =
Originally=20
it had a 40GIG C.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I cloned from Acronis to a 60GIG and =
it worked=20
perfectly for</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2 days. Now it's shutting down =
or not=20
booting. Acronis</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>says there's no drive. I remove =
all power=20
reset and then</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the drive will show up but Acronis =
isn't=20
running! It's one or</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the other but not both. I'm =
thinking the=20
best bet would be the</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>USB drive that has a working C =
copy. Can I=20
boot from that</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>on a laptop? I think I had that =
working way=20
back when I</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>made the clone.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:45b98a20$1@linux">news:45b98a20$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks Chris,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'm running PCDJ.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>It's older with the 17" =
screen. It has a=20
fairly standard drive I think.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>It's a Toshiba. I know =
that. I=20
just bought the new drive so</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'm thinking strongly that it's the =
mobo.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I am trying to get it to boot from =
USB. =20
Can I do that?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Chris Ludwig" <<A=20
=
href=3D"mailto:chrisl@adkproaudio.com">chrisl@adkproaudio.com</A>> =
wrote=20
in message <A=20
href=3D"news:45b987df@linux">news:45b987df@linux</A>...</DIV>HI =
Tom,<BR>Is=20
the model still being made? If so you might want to see if a local =
<BR>best buy, compusa, etc have one in stock. buy it swap the hard =
drive=20
out <BR>and use it for the gigs then put the drive back in and =
return . If=20
it <BR>old then well you might be screwed if you need it that =
quick. Will=20
any <BR>laptop be able to do it?<BR>Can you lug a desktop with you =
instead?<BR><BR>Chris<BR><BR><BR>Tom Bruhl wrote:<BR><BR>> Hi =
computer=20
people. I have a Toshiba laptop that has been<BR>> hard =
crashing=20
as if the C drive connection is bad. I just replaced<BR>> =
it last=20
week. I don't think it's the drive. Sometimes it =
helps<BR>>=20
to remove power and the battery to enable the drive to =
reappear<BR>>=20
even in the BIOS. I have a huge weekend of gigs revolving=20
around<BR>> this computer.<BR>> <BR>> Using Acronis =
I have=20
a hidden directory on the suspect C drive<BR>> with a complete=20
recovery. I also have a complete clone on a USB<BR>>=20
drive.<BR>> <BR>> What do you think I should do? =
I have=20
to have it running tomorrow<BR>> by 12:00 in the =
afternoon! Gigs=20
in 3 states.<BR>> <BR>> Thanks for any help!<BR>>=20
Tom<BR>> <BR>><BR>><BR>> I choose Polesoft =
Lockspam to=20
fight spam, and you?<BR>> <A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> =20
<BR><BR><BR>-- <BR>Chris Ludwig<BR>ADK<BR><A=20
href=3D"mailto:chrisl@adkproaudio.com">chrisl@adkproaudio.com</A> =
<<A=20
=
href=3D"mailto:chrisl@adkproaudio.com">mailto:chrisl@adkproaudio.com</A>&=
gt;<BR><A=20
href=3D"http://www.adkproaudio.com">www.adkproaudio.com</A> <<A =
=
href=3D"http://www.adkproaudio.com/">http://www.adkproaudio.com/</A>><=
BR>(859)=20
635-5762</BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML >
------=_NextPart_000_0045_01C74125.CE66AFA0--DJ:
If you were not interfacing with Paris would you still be using Pulsar cards
for SX? I've been following your theads on Pulsar and was just woundering
if you considered them a targeted solution or worth a look as a stand alone
Cubase solution also. Or if it's worth the hassles of RME's total mix or??...
Thanks
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>Hi Jon,
>
>I haven't left Paris. I'm just experimenting with stuff trying to mix
>natively and getting something I like as much as a Paris mix. Mixing on
two
>platforms is sorta driving me nuts and I've been totally spoiled by the
>feature set. Once I've accomplished that, then maybe I'll mix completely
>natively.I'm experimenting with a Neve 5042 tape emulator on the Cubase
mix
>bus tonight. I'm also experimenting with some new RME drivers that seem
>incredibly stable at low latency. I've been pretty happy with the Pulsar
>cards I've been using as well but what has appealed to me about them is
>their stability when interfacing with Paris during mixes. I Don't use the
>synths and plugins that they offer very much and I'm just not convinced
tha
>the Pulsar system will make the jump to 64 bit. I think that's going to
be
>an important jump to make in the future and I want to be ready for it. I'm
>actually trying to simplify by making things temporarily more complicated
>and doing a lot of experimentation right now. If I go back to the RME cards
>for my native platform, I'll likely keep at least one of the Pulsar cards
>for a farm system and I'll probably keep Paris around for a tracking
>platform no matter what. I just haven't seen anything yet that functions
as
>smoothly for tracking and for quick punch ins/outs as a Paris system. I'll
>be giving the plugins that Dimitrios has been talking about a good run on
>Paris, but I'm so spoiled by the Cubase editor that I sorta doubt I'll be
>wanting to go back to something else. We'll see though.
>;o)
>
>
>"Jon Jiles" <yo@yoyoma.com> wrote in message news:45b905b8$1@linux...
>>
>> Deej -
>>
>> You left Paris?... or you're easing out of Paris.... or...
>> This set-up seems far too straightforward to be yours!!!
>> This can't be true
>>
>> ;>)
>>
>> By the way, any issues with Houston and Cubase 4?
>>
>> Cheers,
>> Jon
>>
>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>>Cubase SX & Cubase 4 running on Creamware Pulsar cards. Steinberg Houston
>>
>>>control surface.
>>>
>>>"Jon Jiles" <nope@nope.com> wrote in message news:45b7b77a@linux...
>>>>
>>>> Ok... so all of you that have bailed on Paris but still hang here
>>>> because
>>>> it's an excellent newsgroup..
>>>>
>>>> What are you using now? Software, Converters, control surface, etc?
>>>>
>>>> I'm being forced closer to the Paris crossroads and am trying to figure
>>
>>>> out
>>>> what I should do when/if I have to go there.
>>>>
>>>> Thanks,
>>>> Jon
>>>
>>>
>>
>
>This is a multi-part message in MIME format.
------=_NextPart_000_001F_01C74137.45569F60
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Aaron,
This was a backup from two months ago with no problems.
I'm fairly convinced it is a mobo problem. I just bought
an Acer and the tech said he could restore from my
60Gig to the new Acer C drive. All audio is on external
drives that are working fine.
I hope this works. I have to leave in a couple of hours!
I made some backup CDs to pull me through but
it's gonna be ugly for me.
2 hours sleep.
Tom
"Aaron Allen" <know-spam@not_here.dude> wrote in message =
news:45ba13b6@linux...
if I was you I'd go back to the old C drive that you know worked and =
take the newer 60 GB drive and put it in a USB case so you can get at =
your material. Troubleshoot it this way, but I'm guessing acronis put in =
a bad/unstable image on that 60 GB.
AA
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:45b98b79@linux...
Chris,
Satellite P4 2.4 USB 2 I think? Originally it had a 40GIG C.
I cloned from Acronis to a 60GIG and it worked perfectly for
2 days. Now it's shutting down or not booting. Acronis
says there's no drive. I remove all power reset and then
the drive will show up but Acronis isn't running! It's one or
the other but not both. I'm thinking the best bet would be the
USB drive that has a working C copy. Can I boot from that
on a laptop? I think I had that working way back when I
made the clone.
Tom
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:45b98a20$1@linux...
Thanks Chris,
I'm running PCDJ.
It's older with the 17" screen. It has a fairly standard drive I =
think.
It's a Toshiba. I know that. I just bought the new drive so
I'm thinking strongly that it's the mobo.
I am trying to get it to boot from USB. Can I do that?
Tom
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message =
news:45b987df@linux...
HI Tom,
Is the model still being made? If so you might want to see if a =
local=20
best buy, compusa, etc have one in stock. buy it swap the hard =
drive out=20
and use it for the gigs then put the drive back in and return . =
If it=20
old then well you might be screwed if you need it that quick. =
Will any=20
laptop be able to do it?
Can you lug a desktop with you instead?
Chris
Tom Bruhl wrote:
> Hi computer people. I have a Toshiba laptop that has been
> hard crashing as if the C drive connection is bad. I just =
replaced
> it last week. I don't think it's the drive. Sometimes it =
helps
> to remove power and the battery to enable the drive to =
reappear
> even in the BIOS. I have a huge weekend of gigs revolving =
around
> this computer.
> =20
> Using Acronis I have a hidden directory on the suspect C drive
> with a complete recovery. I also have a complete clone on a =
USB
> drive.
> =20
> What do you think I should do? I have to have it running =
tomorrow
> by 12:00 in the afternoon! Gigs in 3 states.
> =20
> Thanks for any help!
> Tom
> =20
>
>
> I choose Polesoft Lockspam to fight spam, and you?
> http://www.polesoft.com/refer.html =20
--=20
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762
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charset="iso-8859-1"
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Aaron,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>This was a backup from two months ago =
with no=20
problems.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'm fairly convinced it is a mobo =
problem. I=20
just bought</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>an Acer and the tech said he could =
restore from=20
my</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>60Gig to the new Acer C drive. =
All audio is=20
on external</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>drives that are working =
fine.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I hope this works. I have to =
leave in a=20
couple of hours!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I made some backup CDs to pull me =
through=20
but</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>it's gonna be ugly for me.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>2 hours sleep.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Aaron Allen" <<A=20
=
href=3D"mailto:know-spam@not_here.dude">know-spam@not_here.dude</A>> =
wrote in=20
message <A =
href=3D"news:45ba13b6@linux">news:45ba13b6@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>if I was you I'd go back to the old C =
drive that=20
you know worked and take the newer 60 GB drive and put it in a USB =
case so you=20
can get at your material. Troubleshoot it this way, but I'm guessing =
acronis=20
put in a bad/unstable image on that 60 GB.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>AA</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:45b98b79@linux">news:45b98b79@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Chris,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Satellite P4 2.4 USB 2 I =
think? =20
Originally it had a 40GIG C.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I cloned from Acronis to a 60GIG =
and it worked=20
perfectly for</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2 days. Now it's shutting =
down or not=20
booting. Acronis</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>says there's no drive. I =
remove all power=20
reset and then</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the drive will show up but Acronis =
isn't=20
running! It's one or</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the other but not both. I'm =
thinking the=20
best bet would be the</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>USB drive that has a working C =
copy. Can=20
I boot from that</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>on a laptop? I think I had =
that working=20
way back when I</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>made the clone.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:45b98a20$1@linux">news:45b98a20$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks Chris,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'm running PCDJ.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>It's older with the 17" =
screen. It has=20
a fairly standard drive I think.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>It's a Toshiba. I know =
that. =20
I just bought the new drive so</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'm thinking strongly that it's =
the=20
mobo.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I am trying to get it to boot =
from USB. =20
Can I do that?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Chris Ludwig" <<A=20
=
href=3D"mailto:chrisl@adkproaudio.com">
|
|
|
|
|
|
| Re: Scope FX.... anyone bit into this one yet? [message #77649 is a reply to message #77643] |
Sat, 30 December 2006 16:04 |
Martin Harrington
Messages: 560
Registered: September 2005
|
Senior Member |
|
|
> wrote in message news:45b9f284$1@linux...
>
> make sure to set the master meters to monitor input (right click over
> them)
> so you can see any clips, it's common to have the faders down at -10 and
> -15 or more to keep the bus happy. I'm loving the C4 setup so far. I'm
> waiting a third digimax to round me out the the Rane headphone monitor
> unit.
> soooooonWell I was sorta' hoping this wouldn't happen but it did and now I may be
doomed. What I have always objected to with the native mix bus is the
*crowded* feeling that happens when summing. this is also the reason I have
jumped through so many hoops to keep Paris viable. There's this feeling of
space at the ass end of a mix. I know this can be very much changed by gain
staging tracks and busses.
Well, I just got the Neve 5042 happening across the mix bus of Cubase 4 (the
reason I was hearing phasing was because, like a dumbass, I was monitoring
the mix channel in Totalmix...but anyway) and I am playing back a 30 track
mix with no subbussing, no gainstaging, etc. Switching the 65042 in to the
bus results in a lot of the same spaciousness on the top end that I hear in
Paris.
You know, of course, what this means.............
;o)It means once again you're costing me money! How much will the 5042 set
you back?
;-p
Hoov
DJ wrote:
> Well I was sorta' hoping this wouldn't happen but it did and now I may be
> doomed. What I have always objected to with the native mix bus is the
> *crowded* feeling that happens when summing. this is also the reason I have
> jumped through so many hoops to keep Paris viable. There's this feeling of
> space at the ass end of a mix. I know this can be very much changed by gain
> staging tracks and busses.
>
> Well, I just got the Neve 5042 happening across the mix bus of Cubase 4 (the
> reason I was hearing phasing was because, like a dumbass, I was monitoring
> the mix channel in Totalmix...but anyway) and I am playing back a 30 track
> mix with no subbussing, no gainstaging, etc. Switching the 65042 in to the
> bus results in a lot of the same spaciousness on the top end that I hear in
> Paris.
>
> You know, of course, what this means.............
>
> ;o)
>
>You don't even want to know.................wait!!! yes you do!!!!!
http://www.mercenary.com/portico.html
errr.....maybe you don't. Yikes!!!
;oO
"Jeff hoover" <jkhoover@excite-DOT-com> wrote in message
news:45ba4ea1@linux...
> It means once again you're costing me money! How much will the 5042 set
> you back?
>
> ;-p
>
> Hoov
>
> DJ wrote:
>> Well I was sorta' hoping this wouldn't happen but it did and now I may be
>> doomed. What I have always objected to with the native mix bus is the
>> *crowded* feeling that happens when summing. this is also the reason I
>> have jumped through so many hoops to keep Paris viable. There's this
>> feeling of space at the ass end of a mix. I know this can be very much
>> changed by gain staging tracks and busses.
>>
>> Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
>> (the reason I was hearing phasing was because, like a dumbass, I was
>> monitoring the mix channel in Totalmix...but anyway) and I am playing
>> back a 30 track mix with no subbussing, no gainstaging, etc. Switching
>> the 65042 in to the bus results in a lot of the same spaciousness on the
>> top end that I hear in Paris.
>>
>> You know, of course, what this means.............
>>
>> ;o)You're gonna need 4 for 7.1 surround? ;-))
"DJ" <www.aarrrrggghhh!!!.com> wrote in message news:45ba4d64@linux...
> Well I was sorta' hoping this wouldn't happen but it did and now I may be
> doomed. What I have always objected to with the native mix bus is the
> *crowded* feeling that happens when summing. this is also the reason I
> have jumped through so many hoops to keep Paris viable. There's this
> feeling of space at the ass end of a mix. I know this can be very much
> changed by gain staging tracks and busses.
>
> Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
> (the reason I was hearing phasing was because, like a dumbass, I was
> monitoring the mix channel in Totalmix...but anyway) and I am playing back
> a 30 track mix with no subbussing, no gainstaging, etc. Switching the
> 65042 in to the bus results in a lot of the same spaciousness on the top
> end that I hear in Paris.
>
> You know, of course, what this means.............
>
> ;o)
>Now you Just need to get that Ampex 1" tape machine for mastering!
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>Well I was sorta' hoping this wouldn't happen but it did and now I may be
>doomed. What I have always objected to with the native mix bus is the
>*crowded* feeling that happens when summing. this is also the reason I have
>jumped through so many hoops to keep Paris viable. There's this feeling
of
>space at the ass end of a mix. I know this can be very much changed by gain
>staging tracks and busses.
>
>Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
(the
>reason I was hearing phasing was because, like a dumbass, I was monitoring
>the mix channel in Totalmix...but anyway) and I am playing back a 30 track
>mix with no subbussing, no gainstaging, etc. Switching the 65042 in to the
>bus results in a lot of the same spaciousness on the top end that I hear
in
>Paris.
>
>You know, of course, what this means.............
>
>;o)
>
>ROTFL!!!
"Dedric Terry" <dedric@echomg.com> wrote in message news:45ba578f@linux...
> You're gonna need 4 for 7.1 surround? ;-))
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote in message news:45ba4d64@linux...
>> Well I was sorta' hoping this wouldn't happen but it did and now I may be
>> doomed. What I have always objected to with the native mix bus is the
>> *crowded* feeling that happens when summing. this is also the reason I
>> have jumped through so many hoops to keep Paris viable. There's this
>> feeling of space at the ass end of a mix. I know this can be very much
>> changed by gain staging tracks and busses.
>>
>> Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
>> (the reason I was hearing phasing was because, like a dumbass, I was
>> monitoring the mix channel in Totalmix...but anyway) and I am playing
>> back a 30 track mix with no subbussing, no gainstaging, etc. Switching
>> the 65042 in to the bus results in a lot of the same spaciousness on the
>> top end that I hear in Paris.
>>
>> You know, of course, what this means.............
>>
>> ;o)
>>
>
>This thing is very nice. The owner is a client of mine and I did an install
of his studio last week wih a *real* tape deck. I've got this for another
week to play with here before the owner returns from an out of town trip. I
think I may be able to work something out with him to keep it here.......I
hope. It's really some sonic dope. One of those things that isn't obvious
but is immediately missed when it's switched out of the signal path. .
;o)
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:45ba58c8$1@linux...
>
> Now you Just need to get that Ampex 1" tape machine for mastering!
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>Well I was sorta' hoping this wouldn't happen but it did and now I may be
>
>>doomed. What I have always objected to with the native mix bus is the
>>*crowded* feeling that happens when summing. this is also the reason I
>>have
>
>>jumped through so many hoops to keep Paris viable. There's this feeling
> of
>>space at the ass end of a mix. I know this can be very much changed by
>>gain
>
>>staging tracks and busses.
>>
>>Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
> (the
>>reason I was hearing phasing was because, like a dumbass, I was monitoring
>
>>the mix channel in Totalmix...but anyway) and I am playing back a 30 track
>
>>mix with no subbussing, no gainstaging, etc. Switching the 65042 in to the
>
>>bus results in a lot of the same spaciousness on the top end that I hear
> in
>>Paris.
>>
>>You know, of course, what this means.............
>>
>>;o)
>>
>>
>DJ,
Where are you getting the betas for RME and UAD-1?
Thanks,
Grahamwhat a dumbass! hahaha
DJ wrote:
> Well I was sorta' hoping this wouldn't happen but it did and now I may be
> doomed. What I have always objected to with the native mix bus is the
> *crowded* feeling that happens when summing. this is also the reason I have
> jumped through so many hoops to keep Paris viable. There's this feeling of
> space at the ass end of a mix. I know this can be very much changed by gain
> staging tracks and busses.
>
> Well, I just got the Neve 5042 happening across the mix bus of Cubase 4 (the
> reason I was hearing phasing was because, like a dumbass, I was monitoring
> the mix channel in Totalmix...but anyway) and I am playing back a 30 track
> mix with no subbussing, no gainstaging, etc. Switching the 65042 in to the
> bus results in a lot of the same spaciousness on the top end that I hear in
> Paris.
>
> You know, of course, what this means.............
>
> ;o)
>
>I was gonna' say..........;o)
Hey John, if you have a chance, would you give me a call?
970-769-0488
thanks,
Deej
"John" <no@no.com> wrote in message news:45ba7518@linux...
> what a dumbass! hahaha
>
> DJ wrote:
>> Well I was sorta' hoping this wouldn't happen but it did and now I may be
>> doomed. What I have always objected to with the native mix bus is the
>> *crowded* feeling that happens when summing. this is also the reason I
>> have jumped through so many hoops to keep Paris viable. There's this
>> feeling of space at the ass end of a mix. I know this can be very much
>> changed by gain staging tracks and busses.
>>
>> Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
>> (the reason I was hearing phasing was because, like a dumbass, I was
>> monitoring the mix channel in Totalmix...but anyway) and I am playing
>> back a 30 track mix with no subbussing, no gainstaging, etc. Switching
>> the 65042 in to the bus results in a lot of the same spaciousness on the
>> top end that I hear in Paris.
>>
>> You know, of course, what this means.............
>>
>> ;o)that's what is so cool about this Neve box. It really does deliver that kind
of mojo without introducing compression artifacts that I hear
with......errrr.........compressors (DOH!!!)
;o)
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:45ba58c8$1@linux...
>
> Now you Just need to get that Ampex 1" tape machine for mastering!
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>Well I was sorta' hoping this wouldn't happen but it did and now I may be
>
>>doomed. What I have always objected to with the native mix bus is the
>>*crowded* feeling that happens when summing. this is also the reason I
>>have
>
>>jumped through so many hoops to keep Paris viable. There's this feeling
> of
>>space at the ass end of a mix. I know this can be very much changed by
>>gain
>
>>staging tracks and busses.
>>
>>Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
> (the
>>reason I was hearing phasing was because, like a dumbass, I was monitoring
>
>>the mix channel in Totalmix...but anyway) and I am playing back a 30 track
>
>>mix with no subbussing, no gainstaging, etc. Switching the 65042 in to the
>
>>bus results in a lot of the same spaciousness on the top end that I hear
> in
>>Paris.
>>
>>You know, of course, what this means.............
>>
>>;o)
>>
>>
>gimmie !
DJ wrote:
> that's what is so cool about this Neve box. It really does deliver that kind
> of mojo without introducing compression artifacts that I hear
> with......errrr.........compressors (DOH!!!)
>
> ;o)
>
> "James McCloskey" <excelsm@hotmail.com> wrote in message
> news:45ba58c8$1@linux...
>> Now you Just need to get that Ampex 1" tape machine for mastering!
>>
>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>> Well I was sorta' hoping this wouldn't happen but it did and now I may be
>>> doomed. What I have always objected to with the native mix bus is the
>>> *crowded* feeling that happens when summing. this is also the reason I
>>> have
>>> jumped through so many hoops to keep Paris viable. There's this feeling
>> of
>>> space at the ass end of a mix. I know this can be very much changed by
>>> gain
>>> staging tracks and busses.
>>>
>>> Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
>> (the
>>> reason I was hearing phasing was because, like a dumbass, I was monitoring
>>> the mix channel in Totalmix...but anyway) and I am playing back a 30 track
>>> mix with no subbussing, no gainstaging, etc. Switching the 65042 in to the
>>> bus results in a lot of the same spaciousness on the top end that I hear
>> in
>>> Paris.
>>>
>>> You know, of course, what this means.............
>>>
>>> ;o)
>>>
>>>
>
>http://www.youtube.com/watch?v=ZIRGIQUzZeQ
heh hehHey,
OK, week or two ago, I signed up with CD Baby www.cdbaby.com which if
you don't know, is an online "record store." So now Sarahtonin "Wayward"
has a page there at http://www.cdbaby.com/cd/sarahtonin
And that's cool, but I also signed up for their "digital distribution"
deal. So just out of curiosity, I went to iTunes last night and searched
"Sarahtonin," and there we were, in all our 99-cent-per-song glory! I don't
know why I found that so exciting. I mean, it's not like the cover of the
Rolling Stone, but it made me feel like such a pro. :)
By the way, if any of you who have our CD have always wanted to be a
record reviewer, both CD Baby and iTunes have places for customer reviews.
I could write a bunch of glowing reviews myself under assumed names, but
that's cheating. Right . . . ?
Alright, enough about me, let's talk about my movie . . .
Hugs,
SarahAnyone have a copy of PAFWAV? I can't remember if it works in Windows XP.
If not, what's an old PARISite to do?
Thanks,
StefanTag, you're it.
http://tinyurl.com/2celt2For your convenience:
www.kfocus.com/PAFconvert.zipI'm wondering if the MEC S/Pdif I/O will interface/sync with an AES device
using XLR>BNC adapters. anyone ever done this? If so, tdid it work both way
(input and output?)
Thanks,
DeejI discovered that you can freeze tracks with external processing if you do
the freeze in real time like you would do a Paris bounce. Either I missed
this somehow in Cubase SX3x or it is something new. At any rate, this is
totally amazing. Just jot down the type of and settings of the external
processor in the channel notepad, freeze the track(s) and you've got recall
of tracks that were processed with outboard gear. I haven't tried it yet but
I'm assuming that you can also unfreeze them at any time.
Man.....Paris is looking more and more like the history channel here. Even
Amy likes Cubase 4 with the sound of that Neve box strapped on the mix bus.
this is the first time I've ever heard her say she was good with a Cubase
mix vs what she's used to hearing around here. I'm just so tired of jumping
from platform to platform. Now all I've got to do is get comfortable
tracking/punching on a native system and get my head completely around
Totalmix. How hard can that be if John and Neil can do it ;oD???
I don't think ASIO direct moni6toring is going to be such a PITA really.
I've just never done it in a *fro real* session so it's a little
intimidating to pur all my eggs in one basket. Really, it wouldn't be too
different from what I'm doing now.When I track to Paris, I don't really use
FX because I've got external reverbs paired with my headphone mixers so the
talent can adjust their own reverb and track levels anyway. As long as they
aren't hearing any latency, they should be happy. Guess I'm going to have to
start getting my head around this. Paris is just so stable for tracking that
I may never give it up. Tracking sessions are just sooo critical. A couple
of major FU's and the vibe is lost and the whole session can go downhill.
This Cubase SX 4 has definitely got me stoked.....waiti........I probably
said that, didn't I?I think there is a format (signalling) change necessary in between. I
have a midiman CO3 that will do the conversion, but only one way at a
time (switchable). I assume your talking sample sync, which I believe
this device passes.
Hoov
DJ wrote:
> I'm wondering if the MEC S/Pdif I/O will interface/sync with an AES device
> using XLR>BNC adapters. anyone ever done this? If so, tdid it work both way
> (input and output?)
>
> Thanks,
>
> Deej
>
>RME beta 17 here.
http://www.rme-audio.com/download/hdsp_wdm_beta17.zip
Be sure to check the readme. This requires a firmware update so make sure
you know where your old firmware is so you can *unflash* if you have
problems.
Here's the UAD-1 Beta:
http://www.uaudio.com/support/software/UAD/index.html
Both betas are 64 bit compatible....................not that this does any
good with all other 64 bit hardware, OS and audio app, but I thought I'd
mintion it.
;o)
"Graham Duncan" <graham@grahamduncan.com> wrote in message
news:45ba6fd7$1@linux...
> DJ,
>
> Where are you getting the betas for RME and UAD-1?
>
> Thanks,
>
> GrahamI was talking to the good folks of Portico at NAMM. During
the discussion, one of the guys pulled out a laminated D
size print of a console layout they are working on (5088).
It will be a mix/monitor console with an overbridge card
cage that will house the Portico modules. Looks sweet! ;-)
http://rupertneve.com/archive/5088-mixer-release/
You have to have one or... oh, nevermind... ;-)
David.
DJ wrote:
> I discovered that you can freeze tracks with external processing if you do
> the freeze in real time like you would do a Paris bounce. Either I missed
> this somehow in Cubase SX3x or it is something new. At any rate, this is
> totally amazing. Just jot down the type of and settings of the external
> processor in the channel notepad, freeze the track(s) and you've got recall
> of tracks that were processed with outboard gear. I haven't tried it yet but
> I'm assuming that you can also unfreeze them at any time.
>
> Man.....Paris is looking more and more like the history channel here. Even
> Amy likes Cubase 4 with the sound of that Neve box strapped on the mix bus.
> this is the first time I've ever heard her say she was good with a Cubase
> mix vs what she's used to hearing around here. I'm just so tired of jumping
> from platform to platform. Now all I've got to do is get comfortable
> tracking/punching on a native system and get my head completely around
> Totalmix. How hard can that be if John and Neil can do it ;oD???
>
> I don't think ASIO direct moni6toring is going to be such a PITA really.
> I've just never done it in a *fro real* session so it's a little
> intimidating to pur all my eggs in one basket. Really, it wouldn't be too
> different from what I'm doing now.When I track to Paris, I don't really use
> FX because I've got external reverbs paired with my headphone mixers so the
> talent can adjust their own reverb and track levels anyway. As long as they
> aren't hearing any latency, they should be happy. Guess I'm going to have to
> start getting my head around this. Paris is just so stable for tracking that
> I may never give it up. Tracking sessions are just sooo critical. A couple
> of major FU's and the vibe is lost and the whole session can go downhill.
>
> This Cubase SX 4 has definitely got me stoked.....waiti........I probably
> said that, didn't I?
>
>
>
>
>
>
>Deej, that sounds great! Maybe your life will get simpler.
Now then, what to do with all the extra time you'll have...hmm...broker
peace in the Persian Gulf? Cure cancer? Rebuild an old car? Hike up a
mountain? Take up gardening? Put solar panels on the barn? Paint
detailed impressionist replicas on your toenails? Whittle?
Cheers,
-Jamie
www.JamieKrutz.com
DJ wrote:
> I discovered that you can freeze tracks with external processing if you do
> the freeze in real time like you would do a Paris bounce. Either I missed
> this somehow in Cubase SX3x or it is something new. At any rate, this is
> totally amazing. Just jot down the type of and settings of the external
> processor in the channel notepad, freeze the track(s) and you've got recall
> of tracks that were processed with outboard gear. I haven't tried it yet but
> I'm assuming that you can also unfreeze them at any time.
>
> Man.....Paris is looking more and more like the history channel here. Even
> Amy likes Cubase 4 with the sound of that Neve box strapped on the mix bus.
> this is the first time I've ever heard her say she was good with a Cubase
> mix vs what she's used to hearing around here. I'm just so tired of jumping
> from platform to platform. Now all I've got to do is get comfortable
> tracking/punching on a native system and get my head completely around
> Totalmix. How hard can that be if John and Neil can do it ;oD???
>
> I don't think ASIO direct moni6toring is going to be such a PITA really.
> I've just never done it in a *fro real* session so it's a little
> intimidating to pur all my eggs in one basket. Really, it wouldn't be too
> different from what I'm doing now.When I track to Paris, I don't really use
> FX because I've got external reverbs paired with my headphone mixers so the
> talent can adjust their own reverb and track levels anyway. As long as they
> aren't hearing any latency, they should be happy. Guess I'm going to have to
> start getting my head around this. Paris is just so stable for tracking that
> I may never give it up. Tracking sessions are just sooo critical. A couple
> of major FU's and the vibe is lost and the whole session can go downhill.
>
> This Cubase SX 4 has definitely got me stoked.....waiti........I probably
> said that, didn't I?
>
>
>
>
>
>
>Guitar!!! .which in my case, always leads to songwriting/composition. Also,
learn to be a Cubase Power user and work with another engineer in this area
who had invited me onboard and is a very experienced producer and successful
mix engineer so I can refine my studio skills is what I've got in mind. I
can alternate between these realistic goals with some focus now. I've just
had such a "jones" to settle on one platform that can do what I need well
and sounds good to me. I'm tired of experimentation. I've had pretty much
enough. I'm not tearing down my Paris rig just yet...not until I get
comfortable tracking to native. It's just such a joy o sit down at a single
app and be able to focus instead of setting up sends/returns for FX in
Pulsar and Paris, routing everything through the Scope mixer and enabling
auxes in Pulsar, then getting track levels and applying insert FX and
automation in Cubase plus more FX in Pulsar and Paris and then doing
automated panning more automated levels and getting final submix levels set
in Paris for the bounce to disk....all while keeping up with outboard FX,
cataloging everything, managing two mix surfaces and keeping up with six
computer screens in real time. I've been mixing this way for almost two
years. It's very interesting while I'm doing it but it's time consuming to
set up and maintain so that a mix can be recalled. I don't think the analog
based studios I've had experience with had nearly the complexity that I've
created here. Now that I've proven that it can work, I have discovered that
I really don't enjoy it and sort of dread getting into a mix. I feel burned
out long before I should.. Not a good place to be. To continue to work this
way is starting to feel counterproductive. The up side of it is that I've
learned a whole lot and had a chance to test lots of possible options so
when I make my final decisions about what I'm going to use, they will be
decisions based on having had choices and choosing what worked best for me.
If I can get a mix I am happy with out of a native system and an external
hardware box that emulates a tape recorder running at 15ips (the 7 1/2 ips
setting is a little raw) then I've come full circle and I'm glad of it. I've
had enough challenges and I just want to have some fun and use the right
side of my brain. As I said about a month ago, I'm jonesin' to get back into
playing and production work. My day job has been very time consuming lately
and I need to balance that out really bad. Sometimes I even feel like a
Republican.
;oD
..
"Jamie K" <Meta@Dimensional.com> wrote in message news:45bad8d3$1@linux...
>
> Deej, that sounds great! Maybe your life will get simpler.
>
> Now then, what to do with all the extra time you'll have...hmm...broker
> peace in the Persian Gulf? Cure cancer? Rebuild an old car? Hike up a
> mountain? Take up gardening? Put solar panels on the barn? Paint detailed
> impressionist replicas on your toenails? Whittle?
>
> Cheers,
> -Jamie
> www.JamieKrutz.com
>
>
> DJ wrote:
>> I discovered that you can freeze tracks with external processing if you
>> do the freeze in real time like you would do a Paris bounce. Either I
>> missed this somehow in Cubase SX3x or it is something new. At any rate,
>> this is totally amazing. Just jot down the type of and settings of the
>> external processor in the channel notepad, freeze the track(s) and you've
>> got recall of tracks that were processed with outboard gear. I haven't
>> tried it yet but I'm assuming that you can also unfreeze them at any
>> time.
>>
>> Man.....Paris is looking more and more like the history channel here.
>> Even Amy likes Cubase 4 with the sound of that Neve box strapped on the
>> mix bus. this is the first time I've ever heard her say she was good with
>> a Cubase mix vs what she's used to hearing around here. I'm just so tired
>> of jumping from platform to platform. Now all I've got to do is get
>> comfortable tracking/punching on a native system and get my head
>> completely around Totalmix. How hard can that be if John and Neil can do
>> it ;oD???
>>
>> I don't think ASIO direct moni6toring is going to be such a PITA really.
>> I've just never done it in a *fro real* session so it's a little
>> intimidating to pur all my eggs in one basket. Really, it wouldn't be too
>> different from what I'm doing now.When I track to Paris, I don't really
>> use FX because I've got external reverbs paired with my headphone mixers
>> so the talent can adjust their own reverb and track levels anyway. As
>> long as they aren't hearing any latency, they should be happy. Guess I'm
>> going to have to start getting my head around this. Paris is just so
>> stable for tracking that I may never give it up. Tracking sessions are
>> just sooo critical. A couple of major FU's and the vibe is lost and the
>> whole session can go downhill.
>>
>> This Cubase SX 4 has definitely got me stoked.....waiti........I probably
>> said that, didn't I?
>>
>>
>>
>>
>>
>>Thanks for all the info James!
How do they stack up against the Yamaha boards? (O2r96v2 and the DM1000v2,etc)
Also, Cubase implementation will be a key factor if I move from Paris. I
will consider the Yamaha boards too (used though due to price) because of
the Yammy/Steinberg connection and better Cubase implementation I would suppose.
The Tascam boards do seem like a very good value though... especially if
they don't break and are not horribly non-intuitive.
Thanks again,
Jon
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>By the way, the mic pres on the DM-32 and DM-48 are greatly improved and
vary
>usable. It was only the DM-24 that had the problems.
>
>James
>
>"James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>Hey Jon!
>>
>>Some of the guys on the DA7 NG have switched to the Tascam DM 32s. A customer
>>of mine also has one. The mixes from both source sound good. You should
>>always test drive before you buy. You have to like it. I would think
twice
>>before buying a DM-24, the Mic pres were not so good, they had low head
>room.
>> If you use the DM-24 for line ins only, I think you'd be Ok. There was
>>an upgrade for the mic pres through Tascam, they may no longer be doing
>that.
>>
>>I hear the DM manuals are terrible, you can go down load them. If you
buy
>>one, make sure you have 30 full days to test it. Clear your planner for
>>test time. Read the manual in advance and go to the NG a lot before you
>>get it. Every once in awhile Tascam puts out a lemon, so you want to be
>>able to fully test what you buy from them. Unless they have changed their
>>policy, they only have a 90 day warranty!!!
>>
>>James
>>
>>"Jon Jiles" <snoid@sheboygan.com> wrote:
>>>
>>>Hi,
>>>
>>>Anyone here actually had any real hands on with this board/controller,
>especially
>>>with Cubase 4? James got me intrigued but I have read that the build quolity
>>>may be somewhat on cheesy side.
>>>
>>>Thanks,
>>>Jon
>>
>This is a multi-part message in MIME format.
------=_NextPart_000_0008_01C741BE.AEF19C90
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Chris,
That's exactly what he said and did. You guys are smart!
It worked like a charm today although I had to uninstall/reinstall
PCDJ. =20
Guess what? I called and emailed tech support and within 15 minutes
the phone rang. 15 minutes later PCDJ was all set with codes.
I don't remember the last time I got that kind of service.
This little Acer Core 2 Duo 1.6 is kicking the Toshiba's 2.4 P4's butt.
The Toshiba has become the backup if I ever get it working again.
Tom
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message =
news:45ba3139@linux...
Hi Tom,
Yes it does sound like either motherboard or power supply to me.
If the chipsets between the Acer and yours are close enough then he =
will=20
probably be able to pull off the restore.
Good Luck..
Chris
Tom Bruhl wrote:
> Aaron,
> This was a backup from two months ago with no problems.
> I'm fairly convinced it is a mobo problem. I just bought
> an Acer and the tech said he could restore from my
> 60Gig to the new Acer C drive. All audio is on external
> drives that are working fine.
> =20
> I hope this works. I have to leave in a couple of hours!
> I made some backup CDs to pull me through but
> it's gonna be ugly for me.
> =20
> 2 hours sleep.
> Tom
> =20
> =20
> =20
>=20
> "Aaron Allen" <know-spam@not_here.dude
> <mailto:know-spam@not_here.dude>> wrote in message
> news:45ba13b6@linux...
> if I was you I'd go back to the old C drive that you know worked =
and
> take the newer 60 GB drive and put it in a USB case so you can =
get
> at your material. Troubleshoot it this way, but I'm guessing =
acronis
> put in a bad/unstable image on that 60 GB.
> =20
> AA
>=20
> "Tom Bruhl" <arpegio@comcast.net =
<mailto:arpegio@comcast.net>>
> wrote in message news:45b98b79@linux...
> Chris,
> Satellite P4 2.4 USB 2 I think? Originally it had a 40GIG =
C.
> I cloned from Acronis to a 60GIG and it worked perfectly for
> 2 days. Now it's shutting down or not booting. Acronis
> says there's no drive. I remove all power reset and then
> the drive will show up but Acronis isn't running! It's one =
or
> the other but not both. I'm thinking the best bet would be =
the
> USB drive that has a working C copy. Can I boot from that
> on a laptop? I think I had that working way back when I
> made the clone.
> Tom
> =20
>=20
> "Tom Bruhl" <arpegio@comcast.net
> <mailto:arpegio@comcast.net>> wrote in message
> news:45b98a20$1@linux...
> Thanks Chris,
> I'm running PCDJ.
> It's older with the 17" screen. It has a fairly =
standard
> drive I think.
> It's a Toshiba. I know that. I just bought the new =
drive so
> I'm thinking strongly that it's the mobo.
> =20
> I am trying to get it to boot from USB. Can I do that?
> Tom
>=20
> "Chris Ludwig" <chrisl@adkproaudio.com
> <mailto:chrisl@adkproaudio.com>> wrote in message
> news:45b987df@linux...
> HI Tom,
> Is the model still being made? If so you might want =
to
> see if a local
> best buy, compusa, etc have one in stock. buy it =
swap
> the hard drive out
> and use it for the gigs then put the drive back in =
and
> return . If it
> old then well you might be screwed if you need it =
that
> quick. Will any
> laptop be able to do it?
> Can you lug a desktop with you instead?
>=20
> Chris
>=20
>=20
> Tom Bruhl wrote:
>=20
> > Hi computer people. I have a Toshiba laptop that =
has
> been
> > hard crashing as if the C drive connection is =
bad. I
> just replaced
> > it last week. I don't think it's the drive.=20
> Sometimes it helps
> > to remove power and the battery to enable the =
drive
> to reappear
> > even in the BIOS. I have a huge weekend of gigs
> revolving around
> > this computer.
> >=20
> > Using Acronis I have a hidden directory on the
> suspect C drive
> > with a complete recovery. I also have a complete
> clone on a USB
> > drive.
> >=20
> > What do you think I should do? I have to have it
> running tomorrow
> > by 12:00 in the afternoon! Gigs in 3 states.
> >=20
> > Thanks for any help!
> > Tom
> >=20
> >
> >
> > I choose Polesoft Lockspam to fight spam, and =
you?
> > http://www.polesoft.com/refer.html =20
>=20
>=20
> --=20
> Chris Ludwig
> ADK
> chrisl@adkproaudio.com =
<mailto:chrisl@adkproaudio.com>
> <mailto:chrisl@adkproaudio.com>
> www.adkproaudio.com <http://www.adkproaudio.com>
> <http://www.adkproaudio.com/>
> (859) 635-5762
--=20
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.com
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<DIV><FONT face=3DArial size=3D2>Chris,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>That's exactly what he said and =
did. You guys=20
are smart!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>It worked like a charm today although I =
had to=20
uninstall/reinstall</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>PCDJ. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Guess what? I called and emailed =
tech support=20
and within 15 minutes</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the phone rang. 15 minutes later =
PCDJ was all=20
set with codes.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I don't remember the last time I got =
that kind of=20
service.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>This little Acer Core 2 Duo 1.6 is =
kicking the=20
Toshiba's 2.4 P4's butt.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>The Toshiba has become the backup if I =
ever get it=20
working again.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Chris Ludwig" <<A=20
href=3D"mailto:chrisl@adkproaudio.com">chrisl@adkproaudio.com</A>> =
wrote in=20
message <A =
href=3D"news:45ba3139@linux">news:45ba3139@linux</A>...</DIV>Hi=20
Tom,<BR>Yes it does sound like either motherboard or power supply to =
me.<BR>If=20
the chipsets between the Acer and yours are close enough then he will=20
<BR>probably be able to pull off the restore.<BR><BR>Good=20
Luck..<BR>Chris<BR><BR><BR>Tom Bruhl wrote:<BR>> Aaron,<BR>> =
This was a=20
backup from two months ago with no problems.<BR>> I'm fairly =
convinced it=20
is a mobo problem. I just bought<BR>> an Acer and the tech =
said he=20
could restore from my<BR>> 60Gig to the new Acer C drive. All =
audio=20
is on external<BR>> drives that are working fine.<BR>> =
<BR>> I=20
hope this works. I have to leave in a couple of hours!<BR>> I =
made=20
some backup CDs to pull me through but<BR>> it's gonna be ugly for=20
me.<BR>> <BR>> 2 hours sleep.<BR>> Tom<BR>> =20
<BR>> <BR>> <BR>> =
<BR>> "Aaron=20
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