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| Re: senderella -update [message #58413 is a reply to message #58397] |
Thu, 22 September 2005 11:14   |
![Gene Lennon[1] is currently offline](/theme/PARIS_Forum_Template/images/offline.png "Gene Lennon[1] is currently offline")
Gene Lennon[1]
Messages: 10
Registered: June 2005
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Junior Member |
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>BR>> =3D20
> wrote:<BR>> > =3D20
> ><BR>> > >Tom, you =3D
>could=3D20
> install a program such as CDex (I think it's=3D20
> =3D3D<BR>> >shareware,=3D20
> but<BR>> > >I'm not =3D
>sure)it=3D20
> converts mp3's to waves and vice versa. =3D
>That's<BR>> =3D20
> what I<BR>> =3D
>=3D3D<BR>> =3D20
> >usually<BR>> > =3D20
> >use.=3D3D20<BR>> > =3D20
> >Rod<BR>> > >"Tom =3D
>Bruhl"=3D20
> <<A href=3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A> =
=3D
><<A=3D20
> =3D
=
>href=3D3D"mailto:arpegio@comcast.net">mailto:arpegio@comcast.net</A>>>=3D=
>;<BR>> =3D20
> wrote:<BR>> > =3D20
> >><BR>> > =3D20
> >><BR>> > =3D
>>>Alright, now=3D20
> I have to reinstall Wavelab...<BR>> =3D20
> > >><BR>> > =3D20
> >> "Dimitrios" <<A=3D20
> href=3D3D"mailto:musurgio@otenet.gr">musurgio@otenet.gr</A> =
<<A=3D20
> =3D
=
>href=3D3D"mailto:musurgio@otenet.gr">mailto:musurgio@otenet.gr</A>>><=3D=
>BR>> =3D20
> wrote in message =3D3D3D<BR>> =3D
>> =3D20
> >>news:434bd54b@linux...<BR>> =3D20
> > >> Dear =3D
>Tom,<BR>> =3D20
> > >> If you load mp3's on wavelab you can then =3D
>save them=3D20
> as wave<BR>> =3D20
> files.<BR>> > >> =3D
>It is=3D20
> that simple.<BR>> > =3D
>>> =3D20
> Regards,<BR>> > =3D
>>> =3D20
> Dimitrios<BR>> > =3D20
> >> "Tom Bruhl" <<A=3D20
> =3D
>href=3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A><BR>> =
=3D
> =3D20
> <<A=3D20
> =3D
=
>href=3D3D"mailto:arpegio@comcast.net">mailto:arpegio@comcast.net</A>>>=3D=
>; wrote=3D20
> in message =3D3D3D<BR>> > =3D20
> >>news:434bd28b@linux...<BR>> =3D20
> > >> The files are Winamp Media Files =3D
>which=3D20
> are mp3s. =3D3D3D20<BR>> > =3D20
> >> I want to lay guitar tracks over Steely Dan =3D
>covers=3D20
> for him. =3D3D<BR>> =3D20
> >=3D3D3D20<BR>> > =3D20
> >> Can I make them individual wavs with either =3D
>Paris,=3D20
> strip<BR>> wav=3D20
> or<BR>> > =3D
>>> =3D20
> Wavelab 3.0?<BR>> > =3D20
> >><BR>> > =3D20
> >> He can send me the individual wavs and I =3D
>can=3D20
> convert those<BR>> but=3D20
> =3D3D<BR>> =3D20
> >we're<BR>> > =3D20
> >=3D3D3D<BR>> > =3D20
> >><BR>> > =3D20
> >> trying to save a step for him I=3D20
> guess...<BR>> > =3D20
> >> Tom<BR>> =3D20
> > >><BR>> > =3D20
> >> PS Don't eat too much roasted garlic =3D
>at one=3D20
> sitting.<BR>> > =3D20
> >><BR>> > =3D
>>><!DOCTYPE=3D20
> HTML PUBLIC "-//W3C//DTD HTML 4.0=3D20
> Transitional//EN"><BR>> > =3D
>
> >><HTML><HEAD><BR>> =3D
>
> > >><META http-equiv=3D3D3D3DContent-Type=3D20
> content=3D3D3D3D"text/html; =3D3D3D<BR>> =3D
>> =3D20
> =3D
>>>charset=3D3D3D3Diso-8859-1"><BR>> &nbs=3D
>p;=3D20
> > >><META content=3D3D3D3D"MSHTML 6.00.2800.1400"=3D20
> name=3D3D3D3DGENERATOR><BR>> =3D
>> =3D20
> =3D
>>><STYLE></STYLE><BR>> =3D
>=3D20
> > >></HEAD><BR>> =3D
>
> > >><BODY=3D20
> bgColor=3D3D3D3D#ffffff><BR>> =3D
>> =3D20
> >><DIV><FONT face=3D3D3D3DArial size=3D3D3D3D2>Alright, =3D
>now I have=3D20
> to =3D3D<BR>> =3D20
> >reinstall=3D3D3D20<BR>> > =3D20
> =3D
>>>Wavelab...</FONT></DIV><BR>> &nbs=3D
>p; =3D20
> > >><DIV>=3D20
> </DIV><BR>> > =3D20
> >><BLOCKQUOTE =3D
>dir=3D3D3D3Dltr=3D3D3D20<BR>> =3D20
> > >>style=3D3D3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; =3D
>
> MARGIN-LEFT:<BR>> =3D20
> 5px;<BR>> =3D
>=3D3D<BR>> =3D20
> >=3D3D3D<BR>> > =3D
>>>BORDER-LEFT:=3D20
> #000000 2px solid; MARGIN-RIGHT:=3D20
> 0px"><BR>> > =3D
>>> =3D20
> <DIV>"Dimitrios" =3D
><<A=3D3D3D20<BR>> =3D20
> > >> href=3D3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:musurgio@otenet.gr">musurgio@otenet.gr</A'>mailto:musur=
gio=3D
>@otenet.gr">musurgio@otenet.gr</A</A><BR>> &nbs=3D
>p;=3D20
> <<A=3D20
> =3D
=
>href=3D3D'mailto:musurgio@otenet.gr">musurgio@otenet.gr</A'>mailto:musur=
gio=3D
>@otenet.gr">musurgio@otenet.gr</A</A>>>>=3D20
> wrote<BR>> =3D
>=3D3D<BR>> =3D20
> >in =3D3D3D<BR>> > =3D20
> >>message=3D3D3D20<BR>> =3D
>> =3D20
> >> <A<BR>> href=3D3D3D3D"<A=3D20
> =3D
=
>href=3D3D'news:434bd54b@linux">news:434bd54b@linux</A>...</DIV'>news:434=
bd5=3D
>4b@linux">news:434bd54b@linux</A>...</DIV</A><BR>> &n=3D
>bsp; =3D20
> <<A=3D20
> =3D
=
>href=3D3D'news:434bd54b@linux">news:434bd54b@linux</A>...</DIV'>news:434=
bd5=3D
>4b@linux">news:434bd54b@linux</A>...</DIV</A>>><BR>>=3D
> =3D20
> > >> <DIV><FONT face=3D3D3D3DArial=3D20
> size=3D3D3D3D2>Dear=3D20
> Tom,</FONT></DIV><BR>> =3D
>> =3D20
> >> <DIV><FONT face=3D3D3D3DArial size=3D3D3D3D2>If =3D
>you load=3D20
> mp3's on<BR>> =3D20
> wavelab<BR>> =3D20
> =3D3D<BR>> >you=3D20
> can<BR>> > =3D20
> >=3D3D3D<BR>> > =3D
>>>then=3D20
> save=3D3D3D20<BR>> > =3D
>>> them=3D20
> as wave =3D
>files.</FONT></DIV><BR>> =3D20
> > >> <DIV><FONT face=3D3D3D3DArial =3D
>size=3D3D3D3D2>It=3D20
> is that =3D3D<BR>> =3D20
> =3D
>>simple.</FONT></DIV><BR>> =3D
>;=3D20
> > >> <DIV><FONT face=3D3D3D3DArial=3D20
> =3D
>size=3D3D3D3D2>Regards,</FONT></DIV><BR>> &nbs=3D
>p; =3D20
> > >> <DIV><FONT face=3D3D3D3DArial=3D20
> =3D
>size=3D3D3D3D2>Dimitrios</FONT></DIV><BR>> &nb=3D
>sp; =3D20
> > >> <BLOCKQUOTE=3D20
> dir=3D3D3D3Dltr=3D3D3D20<BR>> > =3D20
> >> style=3D3D3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; =3D
>MARGIN-LEFT:=3D20
> =3D3D<BR>> >5px;=3D20
> =3D3D3D<BR>> > =3D
>>>BORDER-LEFT:=3D20
> #000000 2px solid; MARGIN-RIGHT:=3D20
> 0px"><BR>> > =3D20
> >> <DIV>"Tom Bruhl"=3D20
> <<A=3D3D3D20<BR>> > =3D20
> >> <BR>> href=3D3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arp=
egi=3D
>o@comcast.net">arpegio@comcast.net</A</A><BR>> =3D
> =3D20
> <<A=3D20
> =3D
=
>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arp=
egi=3D
>o@comcast.net">arpegio@comcast.net</A</A>>>>=3D20
> =3D3D<BR>> =3D20
> >=3D3D3D<BR>> > =3D
>>>wrote=3D20
> in=3D3D3D20<BR>> > =3D20
> >> message <A=3D20
> =3D3D3D<BR>> > =3D
>>>href=3D3D3D3D"<A=3D20
> =3D
=
>href=3D3D'news:434bd28b@linux">news:434bd28b@linux</A>...</DIV'>news:434=
bd2=3D
>8b@linux">news:434bd28b@linux</A>...</DIV</A><BR>> &n=3D
>bsp; =3D20
> <<A=3D20
> =3D
=
>href=3D3D'news:434bd28b@linux">news:434bd28b@linux</A>...</DIV'>news:434=
bd2=3D
>8b@linux">news:434bd28b@linux</A>...</DIV</A>>><BR>>=3D
> =3D20
> > >> <DIV><FONT =3D
>face=3D3D3D3DArial=3D20
> size=3D3D3D3D2>The files are Winamp<BR>> =3D20
> Media<BR>> =3D
>=3D3D<BR>> =3D20
> >=3D3D3D<BR>> > =3D
>>>Files which=3D20
> are=3D3D3D20<BR>> > =3D20
> >> mp3s.=3D20
> </FONT></DIV><BR>> =3D
>> =3D20
> >> <DIV><FONT face=3D3D3D3DArial =3D
>size=3D3D3D3D2>I=3D20
> want to lay guitar =3D3D<BR>> =3D20
> ></FONT><FONT<BR>> =3D
>> =3D20
> =3D3D3D<BR>> > =3D20
> >>face=3D3D3D3DArial=3D3D3D20<BR>> =3D
>> =3D20
> >> size=3D3D3D3D2>tracks over Steely Dan =3D
>covers for=3D20
> him.<BR>> =3D20
> </FONT></DIV><BR>> =3D
>> =3D20
> >> <DIV><FONT face=3D3D3D3DArial=3D20
> size=3D3D3D3D2>Can I make them<BR>> =3D20
> individual<BR>> =3D20
> =3D3D<BR>> >wavs=3D20
> =3D3D3D<BR>> > >>with=3D20
> either=3D3D3D20<BR>> > =3D20
> >> Paris, strip wav=3D20
> or</FONT></DIV><BR>> =3D
>> =3D20
> >> <DIV><FONT face=3D3D3D3DArial=3D20
> size=3D3D3D3D2>Wavelab=3D20
> 3.0?</FONT></DIV><BR>> =3D
>> =3D20
> >> <DIV><FONT face=3D3D3D3DArial=3D20
> size=3D3D3D3D2></FONT> =3D
></DIV><BR>> =3D20
> > >> <DIV><FONT =3D
>face=3D3D3D3DArial=3D20
> size=3D3D3D3D2>He </FONT><FONT =3D
>=3D3D<BR>> =3D20
> >face=3D3D3D3DArial =3D3D3D<BR>> =3D
>> =3D20
> >>size=3D3D3D3D2>can send =3D
>me=3D3D3D20<BR>> =3D20
> > >> </FONT><FONT =3D
>face=3D3D3D3DArial=3D20
> size=3D3D3D3D2>the individual wavs<BR>> =3D
>and=3D20
> I<BR>> =3D
>=3D3D<BR>> =3D20
> >can =3D3D3D<BR>> > =3D
>>>convert=3D20
> those=3D3D3D20<BR>> > =3D20
> >> but we're=3D20
> </FONT></DIV><BR>> =3D
>> =3D20
> >> <DIV><FONT face=3D3D3D3DArial=3D20
> size=3D3D3D3D2>trying </FONT><FONT=3D20
> =3D3D<BR>> >face=3D3D3D3DArial=3D20
> =3D3D3D<BR>> > =3D
>>>size=3D3D3D3D2>to=3D20
> save a=3D3D3D20<BR>> > =3D20
> >> step for him I=3D20
> =3D
>guess...</FONT></DIV><BR>> =3D20
> > >> <DIV><FONT =3D
>face=3D3D3D3DArial=3D20
> =3D
>size=3D3D3D3D2>Tom</FONT></DIV><BR>> &nb=3D
>sp; =3D20
> > >> <DIV><FONT =3D
>face=3D3D3D3DArial=3D20
> size=3D3D3D3D2></FONT> =3D
></DIV><BR>> =3D20
> > >> <DIV><FONT =3D
>face=3D3D3D3DArial=3D20
> size=3D3D3D3D2>PS Don't eat too much =3D
>=3D3D<BR>> =3D20
> >roasted =3D3D3D<BR>> > =3D20
> >>garlic at=3D3D3D20<BR>> =3D
>> =3D20
> >> one =3D
>=3D3D<BR>> =3D20
> =3D
>>sitting.</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE&g=3D
>t;</BODY></HTML><BR>> =3D20
> > >><BR>> > =3D20
> >><BR>> > =3D20
> ><BR>> =3D20
> ><BR>> =3D20
> ><BR>> ><!DOCTYPE HTML =3D
>PUBLIC=3D20
> "-//W3C//DTD HTML 4.0=3D20
> Transitional//EN"><BR>> =3D20
> ><HTML><HEAD><BR>> =3D20
> ><META http-equiv=3D3D3DContent-Type content=3D3D3D"text/html;=3D20
> =3D3D<BR>> =3D20
> >charset=3D3D3Diso-8859-1"><BR>> =3D20
> ><META content=3D3D3D"MSHTML 6.00.2800.1400"=3D20
> name=3D3D3DGENERATOR><BR>> =3D20
> ><STYLE></STYLE><BR>> =3D20
> ></HEAD><BR>> ><BODY=3D20
> bgColor=3D3D3D#ffffff><BR>> =3D20
> ><DIV><FONT face=3D3D3DArial=3D20
> =3D
>size=3D3D3D2>Rod,</FONT></DIV><BR>> &nbs=3D
>p; =3D20
> ><DIV><FONT face=3D3D3DArial size=3D3D3D2>Thanks for that. =3D
>Does it=3D20
> actually =3D3D<BR>> =3D20
> >separate=3D3D20<BR>> >the =3D
>interleaved=3D20
> files?</FONT></DIV><BR>> =3D20
> ><DIV><FONT face=3D3D3DArial=3D20
> =3D
>size=3D3D3D2>Tom</FONT></DIV><BR>> =3D
>; =3D20
> ><DIV><FONT face=3D3D3DArial size=3D3D3D2></FONT>=3D20
> </DIV><BR>> =3D20
> ><BLOCKQUOTE=3D3D20<BR>> =3D20
> >style=3D3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
=3D
>5px;=3D20
> =3D3D<BR>> >BORDER-LEFT: #000000 2px =3D
>solid;=3D20
> MARGIN-RIGHT: 0px"><BR>> =3D
>> =3D20
> <DIV>"Rod Lincoln" =3D
><<A=3D3D20<BR>> =3D20
> > =3D3D<BR>> >href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A=
>&a=3D
=
>mp;g'>mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</=3D
>A>&g</A><BR>> =3D20
> <<A=3D20
> =3D
=
>href=3D3D'mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A=
>&a=3D
=
>mp;g'>mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</=3D
>A>&g</A>>=3D3D<BR>> =3D20
> >t;=3D3D20<BR>> > wrote in =3D
>message=3D20
> <A=3D3D20<BR>> > =3D20
> =3D3D<BR>> >href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'news:434bfc35$1@linux">news:434bfc35$1@linux</A>...</DIV><BR>H=
ere=3D
>'>news:434bfc35$1@linux">news:434bfc35$1@linux</A>...</DIV>=3D
>;<BR>Here</A><BR>> =3D20
> <<A=3D20
> =3D
=
>href=3D3D'news:434bfc35$1@linux">news:434bfc35$1@linux</A>...</DIV><BR>H=
ere=3D
>'>news:434bfc35$1@linux">news:434bfc35$1@linux</A>...</DIV>=3D
>;<BR>Here</A>>=3D3D<BR>> =3D20
> > it is.=3D3D20<BR>> > It's =3D
>donation=3D20
> ware.<BR><A=3D3D20<BR>> =3D
>> =3D20
> =3D3D<BR>> >href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'http://cdexos.sourceforge.net/">http://cdexos.sourceforge.net/=
</A=3D
=
>'>http://cdexos.sourceforge.net/">http://cdexos.sourceforge.net/</A=3D
></A><BR>> =3D20
> <<A=3D20
> =3D
=
>href=3D3D'http://cdexos.sourceforge.net/">http://cdexos.sourceforge.net/=
</A=3D
=
>'>http://cdexos.sourceforge.net/">http://cdexos.sourceforge.net/</A=3D
></A>>=3D3D<BR>> =3D20
> >><BR>"Rod=3D3D20<BR>> =3D
>> =3D20
> Lincoln" <<A =3D3D<BR>> =3D
>>href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:rlincoln@kc.rr.com">rlincoln@kc.rr.com</A>>=3D3D20'>mai=
lto:r=3D
>lincoln@kc.rr.com">rlincoln@kc.rr.com</A>>=3D3D20</A><BR>>&n=3D
>bsp; =3D20
> <<A=3D20
> =3D
=
>href=3D3D'mailto:rlincoln@kc.rr.com">rlincoln@kc.rr.com</A>>=3D3D20'>mai=
lto:r=3D
>lincoln@kc.rr.com">rlincoln@kc.rr.com</A>>=3D3D20</A>><BR>&g=3D
>t; =3D20
> > wrote:<BR>><BR>>Tom, you could install a =3D
>program=3D20
> such as CDex (I =3D3D<BR>> =3D20
> >think=3D3D20<BR>> > it's =3D
>shareware,=3D20
> but<BR>>I'm not sure)it converts mp3's to=3D20
> waves<BR>> and=3D20
> =3D3D<BR>> =3D20
> >vice=3D3D20<BR>> > versa. =3D
>That's=3D20
> what I usually<BR>>use. <BR>>Rod<BR>>"Tom=3D20
> =3D3D<BR>> >Bruhl"=3D20
> <<A=3D3D20<BR>> > =3D
>href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20'>m=
ailto=3D
>:arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20</A><BR>&g=3D
>t; =3D20
> <<A=3D20
> =3D
=
>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20'>m=
ailto=3D
>:arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20</A>><B=3D
>R>> =3D20
> > =3D20
> wrote:<BR>>><BR>>><BR>>>Alright, =3D
>now I=3D20
> have to =3D3D<BR>> =3D20
> >reinstall=3D3D20<BR>> > =3D20
> Wavelab...<BR>>><BR>>> "Dimitrios"=3D20
> <<A=3D3D20<BR>> > =3D
>href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:musurgio@otenet.gr">musurgio@otenet.gr</A'>mailto:musur=
gio=3D
>@otenet.gr">musurgio@otenet.gr</A</A><BR>> &nbs=3D
>p;=3D20
> <<A=3D20
> =3D
=
>href=3D3D'mailto:musurgio@otenet.gr">musurgio@otenet.gr</A'>mailto:musur=
gio=3D
>@otenet.gr">musurgio@otenet.gr</A</A>>>>=3D20
> wrote in =3D3D<BR>> =3D20
> >message=3D3D20<BR>> > =3D20
> =3D3D3D<BR>>>news:434bd54b@linux...<BR>>>=3D20
> Dear=3D3D20<BR>> > =3D20
> Tom,<BR>>> If you load mp3's on wavelab you can then save=3D20
> =3D3D<BR>> >them=3D20
> as=3D3D20<BR>> > wave=3D20
> files.<BR>>> It is that simple.<BR>>>=3D20
> =3D3D20<BR>> > =3D20
> Regards,<BR>>> Dimitrios<BR>>>=3D20
> =3D3D<BR>> >"Tom=3D20
> Bruhl"=3D3D20<BR>> > <<A =3D
>
> href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arp=
egi=3D
>o@comcast.net">arpegio@comcast.net</A</A><BR>> =3D
> =3D20
> <<A=3D20
> =3D
=
>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arp=
egi=3D
>o@comcast.net">arpegio@comcast.net</A</A>>>>=3D20
> =3D3D<BR>> >wrote=3D20
> in=3D3D20<BR>> > message=3D20
> =3D3D<BR>> =3D20
> >=3D3D3D<BR>>>news:434bd28b@linux...<BR>>>=3D20
> The=3D3D20<BR>> > files are =3D
>Winamp Media=3D20
> Files which are mp3s. =3D3D<BR>> =3D20
> >=3D3D3D20<BR>>> =3D
>=3D3D20<BR>> =3D20
> > I want to lay guitar tracks over Steely Dan covers for=3D20
> him.=3D3D20<BR>> > =3D20
> =3D3D3D20<BR>>> Can I make them individual wavs=3D20
> =3D3D<BR>> >with=3D20
> either=3D3D20<BR>> > Paris, =3D
>strip wav=3D20
> or<BR>>> =3D
>Wavelab=3D3D20<BR>> =3D20
> > 3.0?<BR>>><BR>>> He can send me the =3D
>
> =3D3D<BR>> =3D20
> >individual=3D3D20<BR>> > =3D
>wavs and I=3D20
> can convert those but=3D3D20<BR>> =3D
>> =3D20
> we're<BR>>=3D3D3D<BR>>><BR>>> trying to =3D
>
> =3D3D<BR>> >save a=3D20
> step=3D3D20<BR>> > for him I=3D20
> guess...<BR>>> =3D3D20<BR>> =3D
>
> > Tom<BR>>><BR>>> PS Don't eat too=3D20
> =3D3D<BR>> =3D20
> >much=3D3D20<BR>> > roasted =3D
>garlic at=3D20
> one sitting.<BR>>><BR>>><!DOCTYPE=3D20
> =3D3D<BR>> >HTML=3D20
> PUBLIC=3D3D20<BR>> > =3D
>"-//W3C//DTD HTML=3D20
> 4.0=3D3D20<BR>> > =3D20
> =3D3D<BR>> =3D20
> =3D
>>Transitional//EN"><BR>>><HTML><HEAD><BR=3D
>>>><=3D3D<BR>> =3D20
> >META=3D3D20<BR>> > =3D20
> http-equiv=3D3D3D3DContent-Type=3D20
> content=3D3D3D3D"text/html;=3D3D20<BR>> =3D
>> =3D20
> =3D
>=3D3D3D<BR>>>charset=3D3D3D3Diso-8859-1"><BR>>><=3D
>;META=3D20
> =3D3D<BR>> =3D20
> >content=3D3D3D3D"MSHTML=3D3D20<BR>> =3D
>> =3D20
> 6.00.2800.1400"=3D3D20<BR>> > =3D20
> =3D3D<BR>> =3D20
> =3D
>>name=3D3D3D3DGENERATOR><BR>>><STYLE></STYLE>=3D
><BR>>>=3D3D<BR>> =3D20
> =3D
>></HEAD><BR>>><BODY=3D3D20<BR>> =3D
>; =3D20
> > =3D
>bgColor=3D3D3D3D#ffffff><BR>>><DIV><FONT=3D20
> face=3D3D3D3DArial=3D3D20<BR>> > =3D
>
> size=3D3D3D3D2>Alright, now I have =3D
>to=3D3D20<BR>> =3D20
> > =3D3D<BR>> =3D20
> =3D
>>reinstall=3D3D3D20<BR>>>Wavelab...</FONT></DIV>=3D
><BR>>>=3D3D<BR>> =3D20
> ><DIV>=3D3D20<BR>> > =3D20
> =3D
></DIV><BR>>><BLOCKQUOTE=3D3D20<BR>> &nbs=3D
>p; =3D20
> > =3D
>dir=3D3D3D3Dltr=3D3D3D20<BR>>>style=3D3D3D3D"PADDING-RIGHT: 0px;=3D20
> =3D3D<BR>> >PADDING-LEFT:=3D20
> 5px;=3D3D20<BR>> > =3D
>MARGIN-LEFT: 5px;=3D20
> =3D3D3D<BR>>>BORDER-
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| Re: senderella -update [message #58437 is a reply to message #58406] |
Fri, 23 September 2005 06:14 |
Cujjo
Messages: 325
Registered: June 2007
|
Senior Member |
|
|
yboards for sustain. My idea
>was
>>to have one momentary footswitch which acts like a normal sustain pedal,
>>and one locking switch for each keyboard, so that if I was to have a big
>>bass not or key pad which sustains while I add atmospheric bits over the
>>top, I don't have to hold my foot down... and then hopefully wire it so
>>that the momentary switch also momentarily releases the locking switch...
>> so if I want to change bass notes I just press the momentary momentarily
>>;o) and play the new bass note and it will still be locked on sustain,
if
>>that makes sense.
>>
>>Problem is I thought it would be easy to build, but I can't find momentary
>>footswitches. All I need is some momentary switches like the one pictured
>>and it will all be easy! I've been googling high and low... I'm ready
to
>>import them if I have to.
>>
>>Anyone got any clues where I might get such a thing?
>>
>>Cheers,
>>Kim.
>"Tom Bruhl" <arpegio@comcast.net> wrote:
>DC,
>Are you still head over heels about that guitar compressor
>pedal? Tone Press? Tell me what it does for your sound
>besides the obvious.
>Tom
Oh yeah. And I generally hate pedals.
We always wrestle with compressors for guitar live. It's hard to get
the compression we want without the life all going out of the music.
I have a pair of DBX 160 VU's that come close to the sound I
want if I keep the ratio really low. Close, but not perfect.
What I have always wanted to hear is the trick we do in the studio
where we mult the return (on tape) or copy the track (in a DAW) and
squeeze one track and don't squeeze the other. Play with the
relative levels a bit, and maybe some EQ and you can get some
sterling tones. (btw, this is not panned left and right, this is a mono
effect I am speaking of) I used to use my Carl Martin compressor
this way by using the 4 inputs on a Matchless DC-30. Run the
guitar into the high gain input, then run a shorty from the low-gain
input on the same channel to the compressor, then run the comp
out to the other channel in. This got the signal to both channels,
one side compressed and one not compressed. I got some great
tones, but it was pretty cumbersome to setup and adjusting the
volume got pretty involved...
The Barber Tone Press, does it all in one box. You get volume,
blend, and compression. What I do is run the blend up to full
compressor and then adjust the compressor knob until I am hearing
quite a bit of squeeze going on, and then pull the blend back until
I get just the right amount of uncompressed tone going through.
Sounds flippin' amazing. I generally leave it on all the time.
BTW, this thing really helps heavy music, it's are not just for
country like a lot of people think compressors are for live.
With the Tone Press you can make even metal sounds much more
massive and studly.
Works equally well on all my guitars and all my amps. Even the
Hiwatt, and that thing hates pedals.
Oh, and it's 139.00... Get one. You won't believe it.
http://www.barberelectronics.com/tonepress.htm
DC
no commercial relationship to this product....Isn't this the one being rebadged as the Apex 460?
I have a pal that has the tele version and loves it on drums.
"Tyrone Corbett" <tyronecorbett@comcast.net> wrote:
>
>>I think the above mics are rebadged chinese models with a >*tele* nametag
>which you pay over double for...
>>
>>el miguel (it must be so, i read it on the net)
>
>You are correct Miguel. Tony said that they were manufactured that way as
>to provide lower pricing. He did share with me that thye did use authentic
>Telefunken tubes. If I recall correctly, the primary difference was that
>the housing was made in China.
>
>Tyrone
>
>Tyrone
>You've got to do the header thing, Deej.
--
Martin Harrington
www.lendanear-sound.com
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:434d30fd@linux...
> Martin,
>
> For some reason, I have never been able to get a .paf to work in Paris
> that
> was created in Wavelab. WL can open them just fine, just not recreate them
> for some reason, at least on my rig.
>
> Deej
>
> "Martin Harrington" <lendan@bigpond.net.au> wrote in message
> news:434cd7c5@linux...
>> You could load them into Wavelab and convert them into 2 mono PAF files.
>> --
>> Martin Harrington
>> www.lendanear-sound.com
>>
>> "Rod Lincoln" <rlincoln@kc.rr.com> wrote in message
> news:434bfb33$1@linux...
>> >
>> > Tom, you could install a program such as CDex (I think it's shareware,
> but
>> > I'm not sure)it converts mp3's to waves and vice versa. That's what I
>> > usually
>> > use.
>> > Rod
>> > "Tom Bruhl" <arpegio@comcast.net> wrote:
>> >>
>> >>
>> >>Alright
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| Re: senderella -update [message #58443 is a reply to message #58437] |
Fri, 23 September 2005 08:46 |
Dimitrios
Messages: 1056
Registered: August 2005
|
Senior Member |
|
|
target="_blank">nospam@nospam.com> wrote:
> >She is amazing!
> >
> >
> >
> >El Miguel
> >
> >
> >
> >"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message
> >news:434a7686$1@linux...
> >>
> >> I did a gig in Atlanta a couple of nights ago. I'm still touring with
> Will
> >> Downing, but the gig was honoring legendary Jazz singer "Nancy Wilson".
> I
> >> am not certain of her age...late sixties I'm guessing, but she sounded
> >incredible!!!
> >> She worked a mic in a way that is no longer in existence in today's
> >music...truly
> >> sad. Her vocals were clean...riffs were phenomenal and interpretation
> >skills
> >> outstanding!
> >>
> >> Certainly a worth while performer to see if at all possible.
> >>
> >> Tyrone
> >>
> >
> >"Chris Lang" <yo@yo.yo> wrote:
>Kim- FWIW, the Korg G4 is a fabulous Leslie simulator.
>About 300 bucks on eBay. It's the best I have tried...
I'm actually very impressed by the Leslie emulation on the GNX4. I had a
bit of a fiddle last night with making some sounds. I hooked up by Behringer
FCB1010 so that one of the controller pedals controls the speed of the leslie.
Wonderfully the Leslie refuses to adjust speed instantly. If you start from
the slowest speed and ramp straight up to full speed on the pedal, it takes
quite a few seconds for the Leslie to actually speed up, just like a real
one would. There are various parameters I'm yet to fiddle with which I'm
pretty confident will yeild an even better sound. Currently the pitch shift
is such that it is difficult to recognise an actual note when the Leslie
is at top speed, but there are a number of tweaks I can do, and I'm sure
I'll find the right setting. The trick is that the top modulation speed needs
to be jjjjust the right intensity so that the note is still obvious, but
only just. ;o) Last night I was having too much fun playing to spend enough
time tweaking. ;o) I'm having a ball!
Cheers,
Kim.This is a multi-part message in MIME format.
------=_NextPart_000_014C_01C5CF7E.1A553D70
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
DC,
Sounds like you like it even more than you did before.
I have been at odds using a Vox Tonelab on the gig.
It has millions of amps and effects but ... one compressor
that is average to poor in my opinion. Like you say,
it sucks the life out of the sound almost always.
I might give that bad boy a try since it's not too much
scratch
Tom
"DC" <dc@spamjupiter.org> wrote in message news:434da2a8@linux...
"Tom Bruhl" <arpegio@comcast.net> wrote:
>DC,
>Are you still head over heels about that guitar compressor
>pedal? Tone Press? Tell me what it does for your sound
>besides the obvious.
>Tom
Oh yeah. And I generally hate pedals.
We always wrestle with compressors for guitar live. It's hard to get=20
the compression we want without the life all going out of the music.
I have a pair of DBX 160 VU's that come close to the sound I=20
want if I keep the ratio really low. Close, but not perfect.
What I have always wanted to hear is the trick we do in the studio=20
where we mult the return (on tape) or copy the track (in a DAW) and=20
squeeze one track and don't squeeze the other. Play with the=20
relative levels a bit, and maybe some EQ and you can get some
sterling tones. (btw, this is not panned left and right, this is a =
mono
effect I am speaking of) I used to use my Carl Martin compressor
this way by using the 4 inputs on a Matchless DC-30. Run the
guitar into the high gain input, then run a shorty from the low-gain
input on the same channel to the compressor, then run the comp
out to the other channel in. This got the signal to both channels,=20
one side compressed and one not compressed. I got some great
tones, but it was pretty cumbersome to setup and adjusting the
volume got pretty involved...
The Barber Tone Press, does it all in one box. You get volume,
blend, and compression. What I do is run the blend up to full=20
compressor and then adjust the compressor knob until I am hearing
quite a bit of squeeze going on, and then pull the blend back until
I get just the right amount of uncompressed tone going through.
Sounds flippin' amazing. I generally leave it on all the time.
BTW, this thing really helps heavy music, it's are not just for=20
country like a lot of people think compressors are for live.
With the Tone Press you can make even metal sounds much more=20
massive and studly.
Works equally well on all my guitars and all my amps. Even the=20
Hiwatt, and that thing hates pedals.
Oh, and it's 139.00... Get one. You won't believe it.
http://www.barberelectronics.com/tonepress.htm
DC
no commercial relationship to this product....
------=_NextPart_000_014C_01C5CF7E.1A553D70
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>DC,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sounds like you like it even more than =
you did=20
before.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I have been at odds using a Vox Tonelab =
on the=20
gig.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>It has millions of amps and effects but =
.... one=20
compressor</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>that is average to poor in my =
opinion. Like=20
you say,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>it s
|
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| Re: senderella -update [message #58445 is a reply to message #58437] |
Fri, 23 September 2005 14:58 |
Rod Lincoln
Messages: 883
Registered: September 2005
|
Senior Member |
|
|
rg" target="_blank">dc@spamjupiter.org</A>>=20
wrote in message <A=20
href=3D"news:434da2a8@linux">news:434da2a8@linux</A>...</DIV><BR>"Tom =
Bruhl"=20
<<A href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote:<BR><BR>>DC,<BR>>Are you still head over heels about that =
guitar=20
compressor<BR>>pedal? Tone Press? Tell me what it does =
for your=20
sound<BR>>besides the obvious.<BR>>Tom<BR><BR><BR>Oh yeah. =
And I=20
generally hate pedals.<BR><BR>We always wrestle with compressors for =
guitar=20
live. It's hard to get <BR>the compression we want without the =
life all=20
going out of the music.<BR><BR>I have a pair of DBX 160 VU's that come =
close=20
to the sound I <BR>want if I keep the ratio really low. =
Close, but=20
not perfect.<BR><BR>What I have always wanted to hear is the trick we =
do in=20
the studio <BR>where we mult the return (on tape) or copy the track =
(in a DAW)=20
and <BR>squeeze one track and don't squeeze the other. =
Play with=20
the <BR>relative levels a bit, and maybe some EQ and you can get=20
some<BR>sterling tones. (btw, this is not panned left and right, =
this is=20
a mono<BR>effect I am speaking of) I used to use my =
Carl=20
Martin compressor<BR>this way by using the 4 inputs on a Matchless=20
DC-30. Run the<BR>guitar into the high gain input, then run a =
shorty=20
from the low-gain<BR>input on the same channel to the compressor, then =
run the=20
comp<BR>out to the other channel in. This got the signal =
to both=20
channels, <BR>one side compressed and one not compressed. =
I got=20
some great<BR>tones, but it was pretty cumbersome to setup and =
adjusting=20
the<BR>volume got pretty involved...<BR><BR>The Barber Tone Press, =
does it all=20
in one box. You get volume,<BR>blend, and =
compression. What=20
I do is run the blend up to full <BR>compressor and then adjust the =
compressor=20
knob until I am hearing<BR>quite a bit of squeeze going on, and then =
pull the=20
blend back until<BR>I get just the right amount of uncompressed tone =
going=20
through.<BR><BR>Sounds flippin' amazing. I generally leave =
it on=20
all the time.<BR><BR>BTW, this thing really helps heavy music, it's =
are not=20
just for <BR>country like a lot of people think compressors are for=20
live.<BR>With the Tone Press you can make even metal sounds much more=20
<BR>massive and studly.<BR><BR>Works equally well on all my guitars =
and all my=20
amps. Even the <BR>Hiwatt, and that thing hates =
pedals.<BR><BR>Oh, and=20
it's 139.00... Get one. You won't believe =
it.<BR><BR><A=20
=
href=3D"http://www.barberelectronics.com/tonepress.htm">http://www.barber=
electronics.com/tonepress.htm</A><BR><BR>DC<BR><BR>no=20
commercial relationship to this product....</BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_014C_01C5CF7E.1A553D70--The Jfet preamp circuit is very flattering to any mic I've ever used with it
and the compressor is extremely transparent, with a bit of sweetness when
ridden hard. Nice EQ as well. It's one of those magic boxes that just makes
a signal sound better passing through the circuitry.
ma.com> wrote in message news:434d7394$1@linux...
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >Forssell CS-1.
>
>
> Hey, I haven't used one of these. Tell me how you like it?
>
> What does it do well?
>
> DC
>Ahhhhh yeah. I guess it tries to optomize .paf headers too.
I guess Paris can't open *broadcast* .paf's.
Silly me.
;o)
"Martin Harrington" <lendan@bigpond.net.au> wrote in message
news:434db278@linux...
> You've got to do the header thing, Deej.
> --
> Martin Harrington
> www.lendanear-sound.com
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:434d30fd@linux...
> > Martin,
> >
> > For some reason, I have never been able to get a .paf to work in Paris
> > that
> > was created in Wavelab. WL can open them just fine, just not recreate
them
> > for some reason, at least on my rig.
> >
> > Deej
> >
> > "Martin Harrington" <lendan@bigpond.net.au> wrote in message
> > news:434cd7c5@linux...
> >> You could load them into Wavelab and convert them into 2 mono PAF
files.
> >> --
> >> Martin Harrington
> >> www.lendanear-sound.com
> >>
> >> "Rod Lincoln" <rlincoln@kc.rr.com> wrote in message
> > news:434bfb33$1@linux...
> >> >
> >> > Tom, you could install a program such as CDex (I think it's
shareware,
> > but
> >> > I'm not sure)it
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| Re: senderella -update [message #58452 is a reply to message #58451] |
Sat, 24 September 2005 01:20 |
Dimitrios
Messages: 1056
Registered: August 2005
|
Senior Member |
|
|
e want without the life all going out of the music.
>
> I have a pair of DBX 160 VU's that come close to the sound I=20
> want if I keep the ratio really low. Close, but not perfect.
>
> What I have always wanted to hear is the trick we do in the studio=20
> where we mult the return (on tape) or copy the track (in a DAW) and=20
> squeeze one track and don't squeeze the other. Play with the=20
> relative levels a bit, and maybe some EQ and you can get some
> sterling tones. (btw, this is not panned left and right, this is a =
>mono
> effect I am speaking of) I used to use my Carl Martin compressor
> this way by using the 4 inputs on a Matchless DC-30. Run the
> guitar into the high gain input, then run a shorty from the low-gain
> input on the same channel to the compressor, then run the comp
> out to the other channel in. This got the signal to both channels,=20
> one side compressed and one not compressed. I got some great
> tones, but it was pretty cumbersome to setup and adjusting the
> volume got pretty involved...
>
> The Barber Tone Press, does it all in one box. You get volume,
> blend, and compression. What I do is run the blend up to full=20
> compressor and then adjust the compressor knob until I am hearing
> quite a bit of squeeze going on, and then pull the blend back until
> I get just the right amount of uncompressed tone going through
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