| Oy!!!...................... what a day [message #67810] |
Sat, 06 May 2006 22:38  |
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Deej [1]
Messages: 2149
Registered: January 2006
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Senior Member |
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few times. He was trying to line up some musicians for
>a gig last Sunday at the Blue Heron Inn, a rustic place in rustic Duncan
>Mills in rustic Sonoma County in rustic California. Leading the band was
>a blues guitarist who I'd never heard of, and the bass player was someone
>I'd never heard of. I'd never been to the place, and I hadn't anything else
>going on, so I said, sure.
>
>How loud would we be? I asked. I have gotten used to just running everything
>into a little mixer, then into a small amp with a line out to the PA.
>
>Oh, said the drummer, you don't have to bring an amp. I have this Berringer
>Keyboard amp that's huge, has lots of power, lots of inputs, and sounds
great.
>Sound fabulous.
>
>Are you sure, I said? I've heard nothing but bad stories about Berringers,
>although there are rumors that the newer stuff is not bad. Oh, don't worry,
>this amp is great! he repeated. My "Spidey sense" was tin
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| Re: Oy!!!...................... what a day [message #67825 is a reply to message #67810] |
Sun, 07 May 2006 08:59  |
jef knight[1]
Messages: 201
Registered: October 2005
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Senior Member |
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/>
multiband=20
compressor, only you're using Paris to do it and it sounds.. well, .. =
better=20
IMO. YMMV. If you plan to do this a lot, do your self a huge favor and=20
create your own template PPJ you can just time lock drag the =
'files'=20
to and be on your way. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>For you Mac mastering gurus, just =
replace the Paris=20
VST EQ with a good sounding phase coherent EQ capable of lo pass, band =
pass and=20
hi pass. Sorry, there is no equal that I'm aware of to the gain =
trick in=20
the Paris VST EQ, but you do have the option of using the actual Paris =
EQ Gain=20
in it's place post eq/compression for each group of =
channels.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>If anyone needs the Paris VST EQ, I =
suspect Doug=20
Wellington has it posted on his page.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Doug, you still out there =
man?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Comic Sans MS"=20
size=3D3><EM><STRONG>AA,</STRONG></EM></FONT> </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>semi kinda not really a mastering dude=20
guy</FONT></DIV>
<DIV><FONT face=3DArial=20
size=3D2> ------------------------------------------------------------ ----=
-------------------------------</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>"John" <</FONT><A =
href=3D"mail
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| Re: Oy!!!...................... what a day [message #67829 is a reply to message #67825] |
Sun, 07 May 2006 09:15 |
Deej [1]
Messages: 2149
Registered: January 2006
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Senior Member |
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> Sarah, Tom, DJ for your reactions.<BR><BR>Ab<BR><BR>"Sarah" <<A=20
> =
>href=3D"mailto:sarahjane@sarahtonin.com">sarahjane@sarahtonin.com</A>>=
>=20
> wrote:<BR>>Hey,<BR>><BR>> That was groovy, =
>and I=20
> mean that in the fullest sense of the word. <BR>I <BR>>watched it=20
> twice.<BR>><BR>>Sarah (stuck in the=20
> =
>'70s)<BR>><BR>><BR>>www.sarahtonin.com/wayward.htm<BR> ><BR>&g=
>t;"Ab"=20
> <<A =
>href=3D"mailto:ab.vangoor@wanadoo.fr">ab.vangoor@wanadoo.fr</A>> =
>wrote=20
> in message <A=20
> =
>href=3D"news:447827a2$1@linux">news:447827a2$1@linux</A>...<BR>>><B=
>R>>>=20
> I hope you don't mind me sharing this with you.<BR>>> <A=20
> =
>href=3D" http://youtube.com/watch?v=3DQW_6iwi1Zs0&search=3Derwin% 20mus=
>per"> http://youtube.com/watch?v=3DQW_6iwi1Zs0&search=3Derwin% 20musper=
></A><BR>>>=20
> Our first hitsingle in the Netherlands when we still had =
>hair.<BR>>> The=20
> guy on Fender rhodes is Erwin Musper who nowadays owns a studio=20
> in<BR><BR>>> Cincinnati.<BR>>> <A=20
> =
>href=3D"http://www.studiothebambooroom.com/">http://www.studiothebambooro=
>om.com/</A><BR>>>=20
> Shortly I came back in contact with him and we decided to do some=20
> new<BR><BR>>> stuff<BR>>> on<BR>>> which I'm working =
>now. I=20
> guess some relationships never end, no matter<BR>the<BR>>>=20
> distance.<BR>>><BR>>> Greetings,<BR>>><BR>>> =
>Ab=20
> <BR>><BR>><BR></BLOCKQUOTE>
><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
>and=20
>you?<BR><A=20
>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>.html</A> </FONT></DIV></BODY></HTML>
>
>While I have heard a lot of people more knowledgable than myself talk up
this method of mastering, one thing has always bothered me...
The Paris compressors are mono. Therefore your left and right channels are
being processed seperately. Surely your stereo imaging will go all over the
place?!? I mean, for starters, anything that's loud in a given frequen
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