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| Re: NAMM audio news [message #78652 is a reply to message #78637] |
Fri, 19 January 2007 09:42   |
TCB
Messages: 1261 Registered: July 2007
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Senior Member |
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Peluso is slightly
different on the back side - a teensy, weensy, tiny bit less
high end & low end than the front side. Most mics have a
perceptible difference like this in Fig-8, I'm just telling you
upfront the differences between the stock capsule & the Peluso
one on this particular mic.
SPECIAL BONUS OFFER!!! I have a brand-spankin' new B.L.U.E.
Cactus capsule that I will swap out with the Peluso one if you
want... in either instance, it would come with a Cherrywood box,
shockmount, and of course, PSU & PSU cable. I'll offer this
setup in the following configurations:
a.) With Peluso CEK-367 capsule (already installed) $3,000
(includes stock capsule - bad/needs reskinning)
b.) With B.L.U.E. Cactus Capsule installed $3,500
(does not include separate stock capsule)
c.) With the stock Neumann capsule ONLY $2,700
(PERFECT if you want an M-149 CHEEEP to send to Klaus or SPA
for reskinning/reworking!)
3.) B.L.U.E. Bluberry - Extremely Clean class-A cardioid
LDC which to my ears sounds very C-12-like on the high end in
that thinly-bright, airy way, but cleaner on the mids, and with
less proximity effect & "wooliness" (this, despite the fact
that it's got a transformer in it!). Honestly, this super-clean
lack of "wool" & proximity effect might be this mic's weakness,
as whenever I've a/b'ed it with my Soundelux 251C, singers
always opt for the 251C (kinda similar high end, but more
proximity & "wool", and let's face it, lotsa singers like to
hear that lo-mid harmonic distorion in their voices). It is NOT
a super-warm mic, but it is also NOT that "edgy" kind of bright
like a TLM103 or a C-1; it's much smoother than both of those -
maybe something like a 414B-XL, but with a lot more character?
That might be another close description.
This is the older-style ("VINTAGE!!!" lol) Blueberry without
the knob-type-thingies on the sides for their newer shockmounts
to grab onto... Comes with Cherrywood box, and will include
B.L.U.E. Series 1 Shockmount (the one that works with this body
style) with it. $800
"E" me at: neil DOT henderson AT sbcglobal DOT net
if interested.
NeilHi,
To remind us of some things and their possible workarounds...
1)Paris lets you use only 64 DX plugins at once.
For this by using the free FFX4 DX chainer which is stable too, there is
an update bin3 for it, can overcome this by far.
2)VST's do not work well directly with Paris,
You can either use FXpansion 3.3 and transform them to DX or use Chainer
which is a fantas
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| Re: NAMM audio news [message #78818 is a reply to message #78629] |
Mon, 22 January 2007 10:58  |
Doug Wellington
 Messages: 251 Registered: June 2005 Location: Tucson, AZ, USA
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Senior Member |
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adats.
>>>>>>>>>>>
>>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>>That's an expensive card $500 or so but I know latency is a big
>>>>>>>>>>>deal.
>>>>>>>>>>>
>>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>>Since the digimax doesn't have firewire you have to adat in so
>>>>>>>>>>>you
>>>>
>>>>
>>>>>>>>>>>really want a card on the motherboard to do that with I think.
>>>>>>>>>>>
>>>>>>>>>>>Still learning,
>>>>>>>>>>>John
>>>>>>>>>>>
>>>>>>>>>>>Brandon wrote:
>>>>>>>>>>>
>>>>>>>>>>&g
http://www.parisfaqs.com
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