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Interesting live recording experiment [message #83199] Mon, 16 April 2007 17:19 Go to next message
Paul Braun is currently offline  Paul Braun   UNITED STATES
Messages: 391
Registered: September 2005
Senior Member
</DIV>
> >> > ><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> >> > ><DIV><FONT size=3D3D2><BR><BR>I choose Polesoft =
>Lockspam to=20
> >> fight
> >> > spam, =3D
> >> > >and=3D20
> >> > >you?<BR><A=3D20
> >> >=20
> >> =
>>href=3D3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/re=
>fer
> >> =
><http://www.polesoft.com/refer.html">http://www.polesoft.com/refer>
> >> >=20
> >> <http://www.polesoft.com/refer.html">http://www.polesoft.com/refer
> >> =
><http://www.polesoft.com/refer.html">http://www.polesoft.com/refer>>=3D
> >> > >.html</A> </FONT></DIV></BODY></HTML>
> >> > >
> >> > >=20
>
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Aaron,</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Well if that's true that's great!  =
>That's the=20
>same as a MEC.  I've read</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>differently though.  I hope =
>I'm=20
>wrong.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Anyone else that knows for sure please
=
>chime=20
>in.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>Tom  </FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Aaron Allen" <<A=20
> =
>href=3D"mailto:know-spam@not_here.dude">know-spam@not_here.dude</A>> =
>wrote in=20
> message <A=20
> =
>href=3D"news:46456d53$1@linux">news:46456d53$1@linux</A>...</DIV>442?<BR>=
>20 bits=20
> on the analogs, 24 on the SpDif was the spec I =
>believe.<BR><BR>AA<BR><BR>"Jeff=20
> Hoover" <<A =
>href=3D"mailto:jkhoover@excite.com">jkhoover@excite.com</A>>=20
> wrote in message <A=20
> href=3D"news:46455183@linux">news:46455183@linux</A>...<BR>>=20
> Tom<BR>><BR>> Like ROd and others I'm going digital to a DAC1, =
>but me=20
> it's off the <BR>> S/PDIF on the 442.  How many bits is that=20
> thing?<BR>><BR>> I just like having all my 24 bit inputs off the =
>master=20
> card for recording, <BR>> and I'm too lazy to move things around =
>after I=20
> record.  I think either way <BR>> will work.  I cannot =
>stress=20
> enough the importance of GREAT SYNC in this <BR>> situation.  =
>I=20
> wrestled waaaaaay too many hours before I finally put in <BR>> word =
>clock=20
> cables all the same length and of good quality.  Once I got =
><BR>> them=20
> all the same hooked to the Lucid GenX, everything has been smooth =
><BR>>=20
> sailing (except for the occasional experience of Auto tune starting up
=
>at=20
> <BR>> the wrong sample rate.  I really though I stunk as a =
>singer=20
> until I looked <BR>> up and saw it running a 48 on a 44.1=20
> project!).<BR>><BR>><BR>> JH<BR>><BR>><BR>>>=20
> Jeff,<BR>>> I did that a couple of weeks ago too and it =
>stabilized Paris=20
> for sure.<BR>>> I get crashes booting up Paris still for other =
>reasons=20
> but once it's up <BR>>> and running it is more stable on the =
>Root C:=20
> .  Thank you Dimitrios.<BR>>> Those other changes D. =
>suggested are=20
> still in the making for me.<BR>>> Big stuff =
>there!<BR>>>  I'd=20
> rather have a MEC on the A card for the 24 bit SPDIF.  Are=20
> you<BR>>> just monitoring 20 bit?<BR>>> =
>Tom<BR>>> =20
> "Jeff Hoover" <<A =
>href=3D"mailto:jkhoover@excite.com">jkhoover@excite.com</A>=20
> <<A=20
> =
>href=3D"mailto:

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Re: Interesting live recording experiment [message #83202 is a reply to message #83199] Mon, 16 April 2007 19:28 Go to previous messageGo to next message
Deej [4] is currently offline  Deej [4]   UNITED STATES
Messages: 1292
Registered: January 2007
Senior Member
olesoft.com/refer.html
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

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<HTML><HEAD>
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Just won a Mackie Mixer Mixer today @ =
$91 with=20
shipping.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'll be putting my Lexicon and Eventide =
gear to=20
better use with this.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" &lt;<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>&gt; wrote =
in message=20
<A href=3D"news:4645e1a7$1@linux">news:4645e1a7$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Dimitrios,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'll be trying this soon.&nbsp; I've =
had it=20
documented since the last time</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>you posted it.&nbsp; I have&nbsp;two =
more major=20
mixes to do before the experimenting</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and cloning begin.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Dimitrios" &lt;<A=20
href=3D"mailto:musurgio@otenet.gr">musurgio@otenet.gr</A>&gt; wrote =
in message=20
<A=20
=
href=3D"news:4645df7a$1@linux">news:4645df7a$1@linux</A>...</DIV><BR><BR>=
Dear=20
Tom,<BR>Because I get returned messages I am posting here...<BR>I =
may have=20
missed that email referring to the fxpansion.<BR>Now here is what I =
propose=20
for ultra stable Paris.<BR>Forget DX support for Paris.<BR>For your =
ways use=20
the utility that extracts vst instances of all your <BR>waves =
plugins so you=20
can use them as vst then instead of DX.<BR>Now as you have chainer =
you MUST=20
use chainer for all your vst.<BR>Only exception I would make but =
do't see=20
why is Faderworks is so <BR>reliable that can work straight from =
Paris as=20
vst without chainer.<BR>Now for some DX like autotune and others =
please use=20
the FFX4 free DX <BR>chainer that works as vst.<BR>So from inside =
chainer=20
you can open your DX you want.<BR>Let the fxpansion go...<BR>I have =
not had=20
any single crash from that time I made that=20
!!!<BR>Regards,<BR>Dimitrios</BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A>&nbsp;&nbsp;&nbsp;</FONT></DIV></BLOCKQUOTE ></BODY></HTML>

------=_NextPart_000_003A_01C79496.79D9A360--No more wisecracks.

On the cheap, you can do it like this: record the part clean, into a
preamp that has HiZ ins or into a direct box. Then put a modeling plug
on each channel. There are some free ones I think, if you don't own one.
Guitar Suite is cool for pedals and a Twin sound. Check out Voxengo too.

I love free plugs.

Bill

jim drago wrote:
> "Aaron Allen" <know-spam@not_here.dude> wrote:
>>> How about a good native VST.......
>> That's where I'd probably go if you can get decent enough latency times.
> Got
>> UAD?
>> AA
> Nope never been able to afford it.
>
>
>
>
>>
>> "jim drago" <jamesd@prospect.k12.or.us> wrote in message
>> news:464516a3$1@linux...
>>> Hi Gantt
>>>
>>> First let me take care of some business with Bill. With how bad I play
> it
>>> would take a 1000 takes to get the second as bad as the first :^)
>>> Hopefully
>>> he'll see this.
>>>
>>> Now to you they are humbucker style they are black active and hot here's
>>> a pic http://www.vai.com/Machines/guitarpages/guitar056.html
>>> my phone is 541 621 9277 I live in Oregon give me a call and we can talk.
>>>
>>> How about a good native VST I've never had much luck with them but I'm
> no
>>> geek and likely have something wrong. Until recently I ran on a Mac so
>
>>> could
>>> be my fault. I have toneworks but no presets. I'm running an older Pentium
>>> III 877 Mghz.
>>>
>>> Anyway thanks to all Jim
>>>
>>> call me Gantt if interested make me a deal I can't refuse
>>>
>>>
>>>
>>>
>>> "Gantt Kushner" <ganttmann@comcast.net> wrote:
>>>> What configuration are these pickups? Strat sized? Humbucker sized?
> I
>>> might
>>>> be interested in one... How much?
>>>>
>>>> Gantt
>>>>
>>>> "jim drago" <jamesd@prospect.k12.or.us> wrote:
>>>>> OK I have a ? First of all I'm not a player just a strummer. I play
>>>>> keyboards.
>>>>> A number of years ago when

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Re: Interesting live recording experiment [message #83204 is a reply to message #83202] Mon, 16 April 2007 19:52 Go to previous messageGo to next message
Paul Braun is currently offline  Paul Braun   UNITED STATES
Messages: 391
Registered: September 2005
Senior Member
4 on the digi I/O. Hmm.. memory must not be working =
right :) I'm thinking all that info didn't stick because I work in 16 =
and mix 24, but to be honest my levels just never get low enough for me =
to concern myself with 16 being a problem which is well under 24. I =
guess that hasn't changed much over the years, certainly not with Paris, =
and my audio work has simplified so I don't get the quality time I used =
to get with it.=20

Anyone have a 442 in hand they can test then export the file to wavelab =
for bitrate testing? .

AA
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<DIV><FONT face=3DArial size=3D2>I remember testing my 442 with Sakis at =
one point=20
and getting 22 bits out of it. I sure thought it was the analog ports =
that did=20
that - which led me to&nbsp;believe 24 on the digi I/O. Hmm.. memory =
must not be=20
working right :)&nbsp;I'm thinking all that info&nbsp;didn't stick =
because I=20
work in 16 and mix 24, but to be honest my levels just never get low =
enough for=20
me to concern myself with 16 being a problem which is well under 24. I =
guess=20
that hasn't changed much over the years, certainly not with Paris, and =
my audio=20
work has simplified so I don't get the quality time I used to get with =
it.=20
</FONT&

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Re: Interesting live recording experiment [message #83234 is a reply to message #83204] Tue, 17 April 2007 02:18 Go to previous message
rick is currently offline  rick   UNITED STATES
Messages: 1976
Registered: February 2006
Senior Member
4;comcast.net" target="_blank">arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20
>>>> > wrote:<BR>><BR>><BR>>I'll be buying either two MECs or two =
=3D3D
>>>> >442s but=3D3D20
>>>> > don't want it<BR>>to mess my whole rig up if the 442s don't =
=3D
>>>>play=3D3D20
>>>> > nice.<BR>>I am using an older Lucid clock now with 2 =
Mecs=3D3D20
>>>> > already.<BR>>They each have five modules in them. The =
others=3D3D20
>>>> > may<BR>>see a single ADAT at most someday maybe.<BR>><BR>>I =
=3D3D
>>>> >can make=3D3D20
>>>> > the MECs fit in the machine room with the others<BR>>but the =
442s
> =3D
>>>>=3D3D
>>>> >would be=3D3D20
>>>> > a lot easier.<BR>><BR>>Anyone know Deej?<BR>><BR>>Also I =
=3D3D
>>>> >have to=3D3D20
>>>> > find the pin config for a 56 pin EDAC/ELCO =3D3D
>>>> >ADAT<BR>>connector. I want=3D3D20
>>>> > to chop this bad boy off and solder 16 TRS<BR>>to it. Anyone =
=3D3D
>>>> >know=3D3D20
>>>> > whether the ADAT wiring is different=3D3D20
>>>> > =3D3D
>>>> >than<BR>>standard?<BR>>Thanks,<BR>>Tom<BR>><BR>><BR >><B=3D3D
>>>> >R>><BR>>I=3D3D20
>>>> > choose Polesoft Lockspam to fight spam, and=3D3D20
>>>> > you?<BR>>http://www.polesoft.com/refer.html =3D3D20
>>>> > <BR>><BR>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0=3D3D20
>>>> > Transitional//EN"><BR>><HTML><HEAD><BR>><META=3D3D20
>>>>

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