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| Re: Carl Amburn...WDC-427 question... [message #70751 is a reply to message #70731] |
Tue, 01 August 2006 16:31   |
Carl Amburn
Messages: 214
Registered: July 2005
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Senior Member |
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ain it could just be a michigan thing.
;o)
On Sun, 10 Sep 2006 09:42:11 -0700, "Sarah" <sarahjane@sarahtonin.com>
wrote:
>Way too crunchy for me for any length of time. I turn them on for a few
>minutes every once in a while as a diagnostic tool, but mostly they're here
>to make the studio look more professional. :)
>
>Sarah
>
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>news:45038304@linux...
>> These things seem to have some qualities relating to stereo imaging that
>> are
>> very obvious. I don't think I've ever used a pair of monitors where the
>> stereo image would seem to shift so drastically when moving even a little
>> bit outside the sweet spot. At the same time, when monitoring in the sweet
>> spot, it's very obvious where t6he various instruments lie in the
>> soundstage.
>>
>> Combining these with a subwoofer is absolutely necessary in my room as
>> they
>> are 5' from the back wall of the CR and there is no standing wave action
>> happening in the CR to reinforce any of the LF at all.
>>
>> I'm enjoying learning these monitors. It's becoming more and more obvious
>> to
>> me why these have been a staple in studios for a long
>> time.............plus........like 90% of everything else here, including
>> me......they're obsolete!!!!!!
>>
>>
>Thanks guys
"Aaron Allen" <know-spam@not_here.dude> wrote in message
news:450475ce$1@linux...
> Of course, 16 or 24 bit has no bearing on the quality of the convertors
> but I have found that the 8 in convertors are better in either format than
> the other interfaces (unless you use high end down the adat pipe).
> However, if you're using something like say percussion and jam the levels
> down paris' throat like I do, you'll hardly notice a difference I think.
> Where it becomes more apparant is in vocals and acoustic instruments, and
> would like take quite a few tracks of build up to note problems. For
> instance, a dude like BT wouldn't be able to live on those convertors
> simply because 80-something tracks would
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