Home » The PARIS Forums » PARIS: Main » Can I get a list of every Paris site there is please?
| Can I get a list of every Paris site there is please? [message #65866] |
Tue, 28 March 2006 20:18  |
Kim
Messages: 1246
Registered: October 2005
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Senior Member |
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64;ameritech.net> wrote in message news:44499a8a$1@linux...
>
> You belive all the info you read online?? Mostly from bedroom fruity loop,
> pirated software users?
>
> There are other sites and forums who has nothing but priase for the Mackie
> Big K..
>
> I love the unit and I choose it over the Presonus..
> LaMont
>
> "uptown jimmy" <johnson314@bellsouth.net> wrote:
> >That's high praise for a unit that is almost universally derided in
online
> >forums.
> >
> >Just sayin'.
> >
> >Jimmy
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| Re: Can I get a list of every Paris site there is please? [message #65893 is a reply to message #65866] |
Wed, 29 March 2006 01:33  |
excelav
Messages: 2130
Registered: July 2005
Location: Metro Detroit
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Senior Member |
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d
mine
> >>sometime back, reading that if the procedure is aborted or if there is a
> >>power failure during the flash that the bois would be unrecoverable. I
> >
> > don't
> >
> >>know but maybe there is a utility that can salvage the bios? Bummer.
> >>
> >>Rich
> >>
> >>
> >>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> >>news:444af4e4$1@linux...
> >>
> >>>Ok..........here's the deal. I get this P750 video card happening great
> >>
> >>with
> >>
> >>>2 x HDSP 9652's in the PCI slots and x UAD-1's in the Magma. Problem
> >
> > is,
> >
> >>>when I boot the computer, the post screen is a garbled bunch of hash.
If
> >
> > I
> >
> >>>try to enter the bios, this is also a garbled bunch of hash because it
> >>>follows the post screen. Once I'm past post, the computer boots
> >
> > normally,
> >
> >>>but I need to be able to rtweak the bios so I decide that the bios may
> >>
> >>need
> >>
> >>>to be updated. I install the ASUS utility that allows one to flash the
> >>
> >>bios
> >>
> >>>from the Windows environment and load it to a floppy. then I launch the
> >>>utility and try to flash from the floppy. The flash fails and I am
> >>
> >>prompted
> >>
> >>>to close out of the utility. Well, guess what, my bios is now corrupted
> >>
> >>and
> >>
> >>>my screens go totally blank. I can't boot to my windows OS disk, Norton
> >>>Ghost recovery disk or my mobo utility disk now. I guess I could clear
> >
> > the
> >
> >>>CMOS, but then I would need to see what was happening when the system
> >>
> >>comes
> >>
> >>>back online in order to set the time, etc. or I'd be further hosed.
> >>>
> >>>I'm really hating this evil Matrox POS right about now. Had I not
bought
> >>
> >>it,
> >>
> >>>I'd be making music, plain and simple.
> >>>
> >>>Anyone tell me how to get back to square 1?
> >>>
> >>>I'm really stumped.
> >>>
> >>>Deej
> >>>
> >>>
> >>
> >>
> >
> >
>
> --
> Chris Ludwig
> ADK
> chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
> www.adkproaudio.com <http://www.adkproaudio.com/>
> (859) 635-5762I have used Melodyne in conjunction with Paris using a separate computer for
Melodyne and running the 2 in sync, audio transfer via ADAT. It's clumsy
though... These days I either render audio tracks and import them into
Melodyne, or record anything I think will need Melodyne's processing
dir
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| Re: Can I get a list of every Paris site there is please? [message #65894 is a reply to message #65893] |
Wed, 29 March 2006 02:22 |
Kim
Messages: 1246
Registered: October 2005
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Senior Member |
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ectly into Logic (which runs in sync with Paris), and process using
Melodyne Bridge.
Cheers,
Stewart.
TC wrote in message <444abad4$1@linux>...
>Kip wrote:
>> Melodyne and Paris, any luck anybody ???
>
>
>Export from paris, open in melodyne, process, import back into paris..
>
>You aren't going to be able to rewire it if that's what you're asking..
>
>Cheers,
>
>TCThis is a multi-part message in MIME format.
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What about inputs, pre's etc...I assume Tascam have break out boxes or =
what not
For a nominal service charge no doubt
;-)
Don
"jef knight" <thestudio@allknightmusic.com> wrote in message =
news:444ba6f8$1@linux...
I'm trying to help 2 different fellas put together their home studios. =
One is a musician who'll be just doing his own stuff and one is a guy =
switching from a fostex 1" 16track that he's been demoing small acts =
with. They've both got no clue about the computer world - at all - and =
digital scares them, so naturally they've been looking at more fostex =
stuff, like the 24track rackmount.=20
I don't think this unit will serve either of them very well and will =
take an additional amound of outboard gear to make it work, effectively =
cancelling out any savings they'd be getting with this inexpensive deck.
So, I ran across this cute lil' number =
http://news.harmony-central.com/Newp/2005/X-48.html.
It seems like the cat's meow for a small setup. Have any of you =
guys/gals any experience/knowledge about this you can share?
cheers,
jef
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<DIV><FONT face=3DArial size=3D2>What about inputs, pre's etc...I =
assume Tascam=20
have break out boxes or what not</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>For a nominal service =
charge no=20
doubt</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>;-)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Don</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"jef knight" <<A=20
=
href=3D"mailto:thestudio@allknightmusic.com">thestudio@allknightmusic.com=
</A>>=20
wrote in message <A=20
href=3D"news:444ba6f8$1@linux">news:444ba6f8$1@linux</A>...</DIV>I'm =
trying to=20
help 2 different fellas put together their home studios. One is a =
musician=20
who'll be just doing his own stuff and one is a guy switching from a =
fostex 1"=20
16track that he's been demoing small acts with. They've both got no =
clue about=20
the computer world - at all - and digital scares them, so naturally =
they've=20
been looking at more fostex stuff, like the 24track rackmount. =
<BR><BR>I don't=20
think this unit will serve either of them very well and will take an=20
additional amound of outboard gear to make it work, effectively =
cancelling out=20
any savings they'd be getting with this inexpensive deck.<BR><BR>So, I =
ran=20
across this cute lil' number<A=20
href=3D"http://news.harmony-central.com/Newp/2005/X-48.html">=20
http://news.harmony-central.com/Newp/2005/X-48.htm
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| Re: Can I get a list of every Paris site there is please? [message #65915 is a reply to message #65866] |
Wed, 29 March 2006 10:25 |
Tony Benson
Messages: 453
Registered: June 2006
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Senior Member |
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e stock configuration for the Mac Book Pro 17":
>>
>> 17-inch widescreen display
>> 1680 x 1050 resolution
>> 2.16GHz Intel Core Duo(1)
>>
>> 1GB (single SODIMM) 667MHz DDR2 SDRAM
>> 120GB 5400-rpm Serial ATA hard drive
>> 8x double-layer SuperDrive
>> ATI Mobility Radeon X1600 with 256MB GDDR3 memory
>> One FireWire 400, one FireWire 800, and three USB 2.0 ports
>>
>> MacBook Pro also features a full-size backlit keyboard, Scrolling
>Trackpad,
>> AirPort Extreme wireless networking (802.11b/g), Bluetooth 2.0+EDR,
>ExpressCard/34
>> slot, dual-link DVI video out, Gigabit Ethernet, and optical digital and
>> analog audio in/out.
>>
>> More info at:
>> technical specifications
>> http://www.apple.com/macbookpro/whatsinside.html
>>
>>
>>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >Only one?
>> >
>> >;o)
>> >
>> >"James McCloskey" <excelsm@hotmail.com> wrote in message
>> >news:444cfb08$1@linux...
>> >>
>> >> The 17" has one FW 400 and One FW 800. Go recheck the specks.
>> >>
>> >> James
>&g
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| Re: Can I get a list of every Paris site there is please? [message #65919 is a reply to message #65894] |
Wed, 29 March 2006 11:04 |
excelav
Messages: 2130
Registered: July 2005
Location: Metro Detroit
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Senior Member |
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FONT></DIV></BLOCKQUOTE></BODY></HTML>
>>
>>
>Thanks for the back up!
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>
>I notice a difference when I used the eds gates on toms and don't accounty
>for the 2 samples. Any tracks dependant on phase coherency will be affected
>by even a couple of samples.
>Rod
>"Cujo" <chris@nospamapplemanstudio.com> wrote:
>>
>>
>>
>>By the way, it was extremely subtle but I noticed a loss of depth or richness
>>I suppose it could be the plug itself, not the latency,
>>
>>
>>"Cujo" <chris@nospamapplemanstudio.com> wrote:
>>>
>>>
>>>I could hear the difference on my BM15's, I didn't think I would.
>>>
>>>
>>>
>>>"Paul" <paul@nospam.com> wrote:
>>>>
>>>>Would 2 samples really make a noticable audible difference in these situations?
>>>>
>>>>
>>>>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>>>>>
>>>>>EDS GAte=2 samples with no lookahead. To compensate, nudge back 1ms
and
>>>>insert
>>>>>analog x sampleslide (or something like that, voxengo makes one also)
>>set
>>>>>at 78 samples
>>>>>Rod
>>>>>"cujo" <chris@nospamapplemanstudio.com> wrote:
>>>>>>
>>>>>>
>>>>>>
>>>>>>I gots me a question that probably has been answered before.
>>>>>>What is the latency of the EDS gates with zero lookahead?
>>>>>>I want to use them on toms on a vey 1980's track, and they really seem
>>>>to
>>>>>>kill the fullness of the toms when inserted, even if set not to gate,
>>>so
>>>>>>I figure I am going to need to nudge ala UAD style.
>>>>>>
>>>>>>Oh, while I am at it, anyone know the latency of the waves phasor plug,
>>>>>I
>>>>>>can't recall the name off hand, metaflanger perhaps.
>>>>>>
>>>>>>Thanks again!
>>>>>
>>>>
>Very cool find dude. I wonder how they handle the different
archetecture/latency issues?
Man, just imagine what those guys would do with a Paris rig if properly
motivated/educated/legalized with it.
AA
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:444d9a65$1@linux...
>
> http://news.harmony-central.com/Newp/2006/CEntrance-Universa l-Driver.html
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html> Would 2 samples really make a noticable audible difference in these
> situations?
>
Absolutely.. phase :)
On the phasor plug, I think that to be the same thing. You can ballpark it,
but the very nature of it being a phase plug makes it impossible to track
exact timing, as it's being pushed/pulled.
AA
"Paul" <paul@nospam.com> wrote in message news:444cd609$1@linux...
>
> Would 2 samples really make a noticable audible difference in these
> situations?
>
>
> "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>>
>>EDS GAte=2 samples with no lookahead. To compensate, nudge back 1ms and
> insert
>>analog x sampleslide (or something like that, voxengo makes one also) set
>>at 78 samples
>>Rod
>>"cujo" <chris@nospamapplemanstudio.com> wrote:
>>>
>>>
>>>
>>>I gots me a question that probably has been answered before.
>>>What is the latency of the EDS gates with zero lookahead?
>>>I want to use them on toms on a vey 1980's track, and they really seem
> to
>>>kill the fullness of the toms when inserted, even if set not to gate, so
>>>I figure I am going to need to nudge ala UAD style.
>>>
>>>Oh, while I am at it, anyone know the latency of the waves phasor plug,
>>I
>>>can't recall the name off hand, metaflanger perhaps.
>>>
>>>Thanks again!
>>
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.htmlThis is a multi-part message in MIME format.
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Hi Paul,
Thank you very much for the compliments. We're pretty happy with =
it, too. I'm really glad we decided to go with the lyric booklet, too. =
That came out better than I expected.
The studio is a tiny basement studio, carpeted concrete, purple foam =
glued all over everything. The "control room" is about the size of a =
small bathroom, and the recording room is a long narrow thing, like a =
small one-car garage. Let's see . . .. Mackie 1604 mixer; monitors =
Mackie HR824 and Auratone monitors; DBX 576 tube preamp/compressor; =
microphones -- 1 AKG C414 BULS, 1 AudioTechnica Pro37R, 2 Shure 849, and =
a big pile of Shure SM57s. The poor 414 gets used on everything, even =
the kick drum.
Guitars: custom Thinline Telecaster, Tokai Stratocaster, & 1969 =
Gibson SG standard, and a Taylor 414K acoustic. Richard did all the =
hot leads on my old SG. The bass is just some old Ibanez copy of a =
Precision. All were recorded with Pods, except the Taylor, of course, =
which was the 414 at the neck and the AT Pro37R at the bridge. I =
couldn't tell you how we recorded the drums because we never did it the =
same way twice. I think there were nine mics, though. :)
I cain't think of nuthin' else, but if you have specific questions, =
I'll try to remember. Oh, it was mastered in Wavelab v3 with Native =
Ultramaximizers and things.
I'm so glad you like it. We're working on number 2 now. Hopefully =
it won't be intererrupted as often by deaths, surgeries, floods, etc., =
and we'll get it done faster.
Peace,
Sarah
PS: Here's a glimpse of the studio w/ "lil" Sarah, and a glimpse of my =
favorite guitar.
"Paul" <paul@nospam.com> wrote in message news:4448d801$1@linux...
>=20
> I received my copy of Sarah's CD yesterday!
> Wow!!=20
>=20
> Sarah, You are quite the writer/musician. I haven't enjoyed a CD so =
much
> in years. =20
> Very original songs and style, great instrumentation, musicianship, =
production,
> well honestly, I can't find one thing I don't like about it.=20
> Superb quality. I know you recorded this using Paris but did you =
record
> this at a studio? The acoustics sound great. =20
> I hope when you get some time you'll share some of your production =
notes.
> Room, mics, pre's, guitars, amps, etc.
>=20
> Very Nice Job! If you ever play anywhere near North Carolina, please =
let
> me know. ;o)
>=20
> Your newest fan,
> Paul
>
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| Re: Can I get a list of every Paris site there is please? [message #65921 is a reply to message #65919] |
Wed, 29 March 2006 11:42 |
Rich[3]
Messages: 132
Registered: January 2006
|
Senior Member |
|
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p;nbsp; I'm really =
glad we=20
decided to go with the lyric booklet, too. That came out better =
than I=20
expected.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2> The studio is a tiny =
basement=20
studio, carpeted concrete, purple foam glued all over everything. =
The=20
"control room" is about the size of a small bathroom, and the recording =
room is=20
a long narrow thing, like a small one-car garage. Let's see . . =
... =20
Mackie 1604 mixer; monitors Mackie HR824 and Auratone monitors; DBX 576 =
tube=20
preamp/compressor; microphones -- 1 AKG C414 BULS, 1 AudioTechnica =
Pro37R, 2=20
Shure 849, and a big pile of Shure SM57s. The poor 414 gets used =
on=20
everything, even the kick drum.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2> Guitars: custom =
Thinline=20
Telecaster, Tokai Stratocaster, & 1969 Gibson SG standard, and a =
Taylor 414K=20
acoustic. Richard did all the hot leads on my old SG. =
The bass=20
is just some old Ibanez copy of a Precision. All were recorded =
with Pods,=20
except the Taylor, of course, which was the 414 at the neck and the AT =
Pro37R at=20
the bridge. I couldn't tell you how we recorded the drums because =
we never=20
did it the same way twice. I think there were nine mics, though.=20
:)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2> I cain't think of =
nuthin' else,=20
but if you have specific questions, I'll try to remember. Oh, it =
was=20
mastered in Wavelab v3 with Native Ultramaximizers and =
things.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2> I'm so glad you like =
it. =20
We're working on number 2 now. Hopefully it won't be intererrupted =
as=20
often by deaths, surgeries, floods, etc., and we'll get it done=20
faster.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Peace,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Sarah</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>PS: Here's a glimpse of the =
studio w/=20
"lil" Sarah, and a glimpse of my favorite guitar.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><IMG alt=3D"" hspace=3D0 =
src=3D"cid:002201c66827$124ce3c0$0400000a@sarahsathlon"=20
align=3Dbaseline border=3D0><IMG alt=3D"" hspace=3D0=20
src=3D"cid:002301c66827$124ff100$0400000a@sarahsathlon" align=3Dbaseline =
border=3D0></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>"Paul" <</FONT><A=20
href=3D"mailto:paul@nospam.com"><FONT face=3DArial=20
size=3D2>paul@nospam.com</FONT></A><FONT face=3DArial size=3D2>> =
wrote in message=20
</FONT><A href=3D"news:4448d801$1@linux"><FONT face=3DArial=20
size=3D2>news:4448d801$1@linux</FONT></A><FONT face=3DArial=20
size=3D2>...</FONT></DIV><FONT face=3DArial size=3D2>> <BR>> I =
received my copy=20
of Sarah's CD yesterday!<BR>> Wow!! <BR>> <BR>> Sarah, =
You are=20
quite the writer/musician. I haven't enjoyed a CD so much<BR>> =
in=20
years. <BR>> Very original songs and style, great =
instrumentation,=20
musicianship, production,<BR>> well honestly, I can't find one thing =
I don't=20
like about it. <BR>> Superb quality. I know you recorded this =
using=20
Paris but did you record<BR>> this at a studio? The acoustics =
sound=20
great. <BR>> I hope when you get some time you'll share some of =
your=20
production notes.<BR>> Room, mics, pre's, guitars, amps, etc.<BR>> =
<BR>> Very Nice Job! If you ever play anywhere near North =
Carolina,=20
please let<BR>> me know. ;o)<BR>> <BR>> Your newest =
fan,<BR>>=20
Paul<BR>></FONT></BODY></HTML>
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