| Hard Disk Recovery? [message #62889] |
Wed, 11 January 2006 12:43  |
John Macy
Messages: 242
Registered: April 2006
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Senior Member |
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eSovGoeWWQAAFQMCEQIADgEACwIACgMABwIABAEABAEABAEACgUCDAMACwAA
DgAAGgYFGwMDEwAAFwQAFQgAGQkCGAsDFwoCEgYADgIADAAACwAAC
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| Re: Hard Disk Recovery? [message #62971 is a reply to message #62922] |
Thu, 12 January 2006 17:39  |
emarenot
Messages: 345
Registered: June 2005
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Senior Member |
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>
>> >"steve the artguy" <artguy@svnsillyme.net> wrote in message
>> >news:43dd3259$1@linux...
>> >>
>> >> http://www.craigslist.org/nby/ele/129402251.html
>> >>
>> >> hey, they're free! Just take 'em away!
>> >>
>> >>
>> >> -silly steve
>> >
>>
>
>Hey Deej, what'd you use for the room mics? Another thing I've
noticed is that using SDC's as opposed to LDC's seems to work
better (at least IMO) for room mics. Just wondering what you
went with.
I guess I do things backwards, compared to a lot of people, with
regard to overheads vs. room mics - I've seen plenty of folks
using SDC's for overheads & LDC's for room mics - personally, I
like the imaging you get from LDC's as overheads, and the - I
guess "smoother" (since a better descriptive term fails me at
the moment - less prone to picking up flutter, boominess, things
like that), and less-focused characteristics of SDC's for room
mics.
Neil
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Yes. I'm stillmixing the project. Liking things better without the room
>mics......much less smeared.
>
>;o)
>
>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>news:43df87af$1@linux...
>>
>> DJ, are these the songs I heard?
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >It sure can tighten things up in a mix.
>> >
>> >
>>
>
>I picked u a Seagate USB-2 external drive recently, and have
done a couple songs using it already... streams audio well -
although these aren't huge projects - so I can't say what it's
track-count tolerance would be yet.
Dunno if that helps... I'd imagine it's the same as their
Firewire drive except just with a different
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| Re: Hard Disk Recovery? [message #62985 is a reply to message #62971] |
Thu, 12 January 2006 21:09 |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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2 or SX 3. Theoretically you =
could run=20
three computers, one with Paris, one with SX 2 and one with SX 3, run a =
9 pin=20
sync cable from each of your ADAT cards to RME HDSP cards on each of the =
other=20
computers and timeline slave both Cubase rigs to Paris. Don't be =
gettin'=20
too frisky with this on my account, as in spending bunch of cash =
on it.=20
Like I said, it's *theoretical*. I'm only timeline syncing one comp to =
Paris=20
..........at the moment.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>;o)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Deej</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:43e0d8dd@linux">news:43e0d8dd@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Deej,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>You're able to lock SX2 or 3 using =
Paris with XP=20
too right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have two adat cards, 1 in each mec =
and hope=20
to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>do the the same thing with this =
card. I=20
want the</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>16 ADAT lines into Paris for=20
softsynths.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:43e0cfd4@linux">news:43e0cfd4@linux</A>...</DIV>Oh, and =
BTW, the=20
other night I had a piano player over for tracking. I<BR>opened up =
Cubase=20
SX, installed Ivory in theVSTi rack, record enabled a<BR>couple of =
midi=20
channels, hit play in the C-16 and recorded the most =
gorgeous<BR>Bosendorfer=20
you ever heard. Well, since it's midi and
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