| OT: Namm news!!!! Hot Off the Press [message #63328] |
Wed, 18 January 2006 12:08  |
LaMont
Messages: 828
Registered: October 2005
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Senior Member |
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64;sbcglobal.net" target="_blank">pearlmusic@sbcglobal.net> wrote:
>Rob,
>
>I have never had a signed contract while working on an hourly basis, which
>is 98% of the time. But at one ti
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| Re: OT: Namm news!!!! Hot Off the Press [message #63418 is a reply to message #63372] |
Thu, 19 January 2006 14:34  |
excelav
Messages: 2130
Registered: July 2005
Location: Metro Detroit
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Senior Member |
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j... please elaborate, specifically with regard to hitting
>it hard in the SX channel - because from everything I've tried
>in SX, one thing that I've found that consistently DOESN'T work
>is to slam it... it just gets ugly if you're not below 0db, in
>my experience.
>
>Would really like to know if there's some SX gain-staging tricks
>that I'm missing.
>
>NeilNeil,
Yep, I don't even need to see the clip lights in Cubase cause the distortion
is incredibly bad if a channel hits 0
Chuck
"Neil" <OIUOIU@OIU.com> wrote:
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>One thing is becoming really clear about this hybrid mixing, ie-Cubase
>>streaming into Paris......it's amazingly flexible. For instance, I can
apply
>>processing on bass tracks in SX and then further influence the way the
>>processor works by either really slamming it with the SX channel and then
>>attenuating it a bit with the Paris fader, or I can be much less aggressive
>>with the processor as relates to how hard I'm hitting it in SX and then
>>boost the level in Paris, and add or attenuate this further by using the
>EQ
>>makeup gain as well. It's almost like having too many gain
>>staging/processing options. Sheesh!
>
>
>Deej... please elaborate, specifically with regard to hitting
>it hard in the SX channel - because from everything I've tried
>in SX, one thing that I've found that consistently DOESN'T work
>is to slam it... it just gets ugly if you're not below 0db, in
>my experience.
>
>Would really like to know if there's some SX gain-staging tricks
>that I'm missing.
>
>NeilI played a show with three of them plus a sub-woofer on each of two
towers and two subs for the third tower. That night there were multiple
acts, from solo acoustic to loud prog rock bands, with quick changes.
Overall they worked and sounded better than I expected and the act
changes were fairly quick.
No mixer out front. The owner of two of the towers was on hand to adjust
things as needed on the little control modules.
There wasn't time to do much with the acoustic drums so I don't really
know how good or bad the PAS can be for that. I think the drums were
mostly un-amplified that night. The bass guitar and low keyboards
sounded good so there was some bass response in the system.
There were a few initial feedback problems due to volume. B
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