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O.T. My buddy came to town. [message #85783] Sat, 02 June 2007 08:37 Go to next message
gene lennon is currently offline  gene lennon
Messages: 565
Registered: July 2006
Senior Member
3D'http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>>'>http://www.polesoft.com/refer.html">http://www.polesoft.com/refer</A=
>>>=3D<BR>>.html</A> =20
>> =
>></FONT></DIV></BODY></HTML><BR>><BR>><BR></=
>>BLOCKQUOTE></BODY></HTML>
>>
>>
>Born in Claresholm Alberta 1955

Been living in Ottawa since 1968

Campsite is at CFB Petawawa beach is on the Ottawa River

And the weather SUCKED...half hour of sunshine, half hour of cloud, half
hour of rain all freakin' weekend long...hell the fireworks were a tad
disappointing this year...oh well Happy Canada Day!


"Sandy Tipping" <tippsand@earthling.net> wrote in message
news:46890017@linux...
> And how do all the Canadians feel this morning?
>
> (Personally, just fine, but me and the Crown have a respectful
> relationship.)
>
> Sandy
>
> "Dave(EK Sound)" <audioguy_editout_@shaw.ca> wrote in message
> news:468842d8$1@linux...
>> Born and raised in Deep Cove, North Vancouver, now residing in Calgary.
>>
>> David.
>>
>> Sandy Tipping wrote:
>>
>>> Alright, Canuck Parisites!
>>>
>>> Identify yourself - and, if you dare, from whence you hail! I'll go
>>> first:
>>>
>>> I grew up in Alliston, Ontario. I'm now in Nashville, TN.
>>>
>>> Happy Canada Day... Crown and Coke awaits...
>>>
>>> Sandy
>>> "Ted Gerber" <tedgerber@rogers.com> wrote in message
>>> news:4686b13d$1@linux...
>>>
>>>>Heh heh heh heh
>>>>
>>>>rick <parnell68@hotmail.com> wrote:
>>>>
>>>>>at home cooking....
>>>>>
>>>>>
>>>>>
>>>>>On 30 Jun 2007 05:16:11 +1000, "Ted Gerber" <tedgerber@rogers.com>
>>>>>wrote:
>>>>>
>>>>>
>>>>>>Happy Canada Day back to all. Where's your beach?
>>>>>>
>>>>>>Ted
>>>>>>
>>>>>>
>>>>>>"Don Nafe" <dnafe@magma.ca> wrote:
>>>>>>
>>>>>>>Granted a tad premature but as I'll sitting on the beach at my
>>>>>>>campsite
>>>>>>
>>>>>>on
>>>>>>
>>>>>>>the 1st I figured what the hell...better sooner than later
>>>>>>>
>>>>>>>Happy Canada Day!
>>>>>>>
>>>>>>>Don
>>>>>>>
>>>>>>>
>>>>>
>>>
>"James McCloskey" <excelsm@hotmail.com> wrote:
>
>Not me, Edmund is da man!
>
>
>Edmund where the heck are you?
>
>"jp" <jpj@jpjones.net> wrote:
>>
>>you da man, James
>>thanks
>>jp
>>
>>"James McCloskey" <excelsm@hotmail.com> wrote:
>>>
>>>"jp" <jpj@jpjones.net> wrote:
>>>>
>>>>I'm getting a G4 Quicksilver 733 mhz with
>>>>OS 9.2 installed. will PARIS run on mac OS 9.2?
>>>>Will I need to download a driver for PARIS 2.2?
>>>
>>>Yes, Paris will run on Mac OS 9.2. I would go to apples web site and
upgrade
>>>it to 9.2.2.
>>>
>>>>
>>>>The proper way to run PARIS with FireWire--
>>>>load PARIS on the resident HD along with the OS
>>>>and then record to the FireWire drive(s)-- is this right?
>>>
>>>Yes, or another internal drive.
>>>
>>>>
>>>>thanks
>>>>jp
>>>
>>
>Oh, right-- i remember that Edmund got that title
years ago from Chuck's original PARIS web site ...
cheers, Edmund, wherever you may be
jp

"jp" <jpj@jpjones.net> wrote:
>
>"James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>Not me, Edmund is da man!
>>
>>
>>Edmund where the heck are you?
>>
>>"jp" <jpj@jpjones.net> wrote:
>>>
>>>you da man, James
>>>thanks
>>>jp
>>>
>>>"James McCloskey" <excelsm@hotmail.com> wrote:
>>>>
>>>>"jp" <jpj@jpjones.net> wrote:
>>>>>
>>>>>I'm getting a G4 Quicksilver 733 mhz with
>>>>>OS 9.2 installed. will PARIS run on mac OS 9.2?
>>>>>Will I need to download a driver for PARIS 2.2?
>>>>
>>>>Yes, Paris will run on Mac OS 9.2. I would go to apples web site and
>upgrade
>>>>it to 9.2.2.
>>>>
>>>>>
>>>>>The proper way to run PARIS with FireWire--
>>>>>load PARIS on the resident HD along with the OS
>>>>>and then record to the FireWire drive(s)-- is this right?
>>>>
>>>>Yes, or another internal drive.
>>>>
>>>>>
>>>>>thanks
>>>>>jp
>>>>
>>>
>>
>Hey, Ted--
that song was a work in progress that for some reason never
got finished. the latest version is available at
http://www.jpjones.net/music/francesca.mp3

all available--and free-- mp3's on my web site:
http://www.jpjones.net/jpjonesmp3.htm
thanks and cheers
jp


"ted Gerber" <Tedgerber@rogers.com> wrote:
>
>Hey JP-
>
>Nice to see you here. I want to tell you that a tune you wrote/recorded/
>posted to the newsgroup _years ago_ still goes through my head.
>I think it was "Dreaming of Francesca" ("...things got real...").
>
>I loved that tune. What album is it on, and how do I buy it? I'm near Toronto.
>
>Ted
>
>"jp" <jpj@jpjones.net> wrote:
>>
>>you da man, James
>>thanks
>>jp
>>
>>"James McCloskey" <excelsm@hotmail.com> wrote:
>>>
>>>"jp" <jpj@jpjones.net> wrote:
>>>>
>>>>I'm getting a G4 Quicksilver 733 mhz with
>>>>OS 9.2 installed. will PARIS run on mac OS 9.2?
>>>>Will I need to download a driver for PARIS 2.2?
>>>
>>>Yes, Paris will run on Mac OS 9.2. I would go to apples web site and
upgrade
>>>it to 9.2.2.
>>>
>>>>
>>>>The proper way to run PARIS with FireWire--
>>>>load PARIS on the resident HD along with the OS
>>>>and then record to the FireWire drive(s)-- is this right?
>>>
>>>Yes, or another internal drive.
>>>
>>>>
>>>>thanks
>>>>jp
>>>
>>
>I would not worry about SX4. It works like a champ for me. There is
always going to be a small percentage of people for whom good software
does not work. Are you generally one of those?

If you go to the forums you will hear a lot about how bad SX4 is. Some
of those people are having real problems. That's why they are on the
forum. The others like to complain and that's why they are there. The
rest of us are making music.

OTOH this forum is a special place where we complain about not having
Paris to complain about any more.

Tom Bruhl wrote:
> Hey Thad,
> Cubase SX 2.0 ?
>
> I do have 4.0 but am afraid to install because of
> the possible problems.
> Tom
>
>
>
> "TCB" <nobody@ishere.com <mailto:nobody@ishere.com>> wrote in
> message news:468903d6$1@linux...
>
> If you have SX you have the Prosoniq Time Factory algorithms built
> in. I think
> they sound as good as anything and better than most.
>
> TCB
>
> "Tom Bruhl" <arpegio@comcast.net <mailto:arpegio@comcast.net>> wrote:
> >
> >
> >I need to slow down the tempo of two songs but at the multitrack
> >level. I've heard Waves Sound Shifter is very good compared
> >to Melodyne. Almost no artifacts.=20
> >http://www.waves.com/Content.aspx?id=3D284
> >Are there any others I should look at before dumping large cash on
> one?
> >
> >Sound Shifter comes as a full working demo. I wonder if Paris
> >will like it? I want to use it stand alone if possible too.
> >Cubase 2 is also a way to go for me.
> >
> >As always thanks for your help,
> >Tom
> >
> >
> >I choose Polesoft Lockspam to fight spam, and you?
> >http://www.polesoft.com/refer.html
> >
> ><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> ><HTML><HEAD>
> ><META http-equiv=3DContent-Type content=3D"text/html; =
> >charset=3Diso-8859-1">
> ><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
> ><STYLE></STYLE>
> ></HEAD>
> ><BODY bgColor=3D#ffffff>
> ><DIV><FONT face=3DArial size=3D2>I need to slow down the tempo of
> two =
> >songs but at=20
> >the multitrack</FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2>level. I've heard Waves =
> >Sound Shifter is=20
> >very good compared</FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2>to Melodyne. Almost no=20
> >artifacts. </FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2><A=20
> >href=3D"http://www.waves.com/Content.aspx?id=3D284">http://www.waves.com/
> <http://www.waves.com/Content.aspx?id=3D284">http://www.waves.com/>=
> >Content.aspx?id=3D284</A></FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2>Are there any others I should =
> ></FONT><FONT=20
> >face=3DArial size=3D2>look at before dumping </FONT><FONT
> face=3DArial =
> >size=3D2>large=20
> >cash on one?</FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> ><DIV><FONT face=3DArial size=3D2>Sound Shifter comes as a full
> working =
> >demo. I=20
> >wonder if Paris</FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2>will like it? I want to use it =
> >stand alone if=20
> >possible too.</FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2>Cubase 2 is also a way to go for =
> >me.</FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> ><DIV><FONT face=3DArial size=3D2>As always thanks for your =
> >help,</FONT></DIV>
> ><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
> ><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight
> spam, =
> >and=20
> >you?<BR><A=20
> >href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer
> <http://www.polesoft.com/refer.html">http://www.polesoft.com/refer>=
> >.html</A> </FONT></DIV></BODY></HTML>
> >
> >Seriously considering one of these:

http://www.zoom.co.jp/english/products/ps04/

I've been wanting to get something for a while to do remote recording of
sound effects and the like in half decent quality, and also something for
jotting down song ideas, and then I came across this little gem and was like
"Woha! That's the one!".

Just wondering if anybody has actually used one and what they're like...

Cheers,
Kim.Kim, you may or may not know that my real job is as a location sound
recordist in Sydney.
A lot of the guys are buying these thing just for that reason, as a reliable
back up recorder.
They are reliable and sound great.
--
Martin Harrington
www.lendanear-sound.com
0414 913 247

"Kim" <hiddensounds@hotmail.com> wrote in message news:4689dcec$1@linux...
>
>
> Seriously considering one of these:
>
> http://www.zoom.co.jp/english/products/ps04/
>
> I've been wanting to get something for a while to do remote recording of
> sound effects and the like in half decent quality, and also something for
> jotting down song ideas, and then I came across this little gem and was
> like
> "Woha! That's the one!".
>
> Just wondering if anybody has actually used one and what they're like...
>
> Cheers,
> Kim.The other really good one is the H4

--
Martin Harrington
www.lendanear-sound.com
0414 913 247

"Kim" <hiddensounds@hotmail.com> wrote in message news:4689dcec$1@linux...
>
>
> Seriously considering one of these:
>
> http://www.zoom.co.jp/english/products/ps04/
>
> I've been wanting to get something for a while to do remote recording of
> sound effects and the like in half decent quality, and also something for
> jotting down song ideas, and then I came across this little gem and was
> like
> "Woha! That's the one!".
>
> Just wondering if anybody has actually used one and what they're like...
>
> Cheers,
> Kim.Thanks Martin. I certainly appreciate and respect your opinion enough for
that to pretty much seal the deal. I looked at the H4 also, and with the
X/Y stereo pair that's GOT to be a handy thing, but I'm not sure it will
fit into this month's bugdet, plus the PS-04 also seems to have some very
funky "toys" in the way of the drum machine and bass section. I have a 1
hour bus ride to and from work and I'm imagining that while everybody else
listens to their IPods, I can write drum beats and bass lines for an entire
song and quickly jot down the melody on the mic when I get off the bus while
nobody can hear me. ;o) The H4 looks like by far the better recorder, but
I'm thinking if the mic in the PS-04 sounds decent then I can do an aweful
lot with it.

I don't suppose you (or anybody else) has played with the programming abilities
of the drum/bass sequencing. Especially with bass lines I'm kinda fussy with
them being what I want in the song rather than some generic pattern when
writing the melodies, so I'm hoping it can deal with me inputting note for
note sequences. I can (though would obviously rather not) deal with a cludgy
interface if I must as I have an hour on the bus to get a line down. The
critical thing is whether I can specify timing and notation as I do it. From
my read of the manual it seems pretty programmable, albeit with a lot of
pattern options if I want to go that way on some tunes, but I perhaps haven't
read far enough yet to know for sure.

Cheers,
Kim.

"Martin Harrington" <lendan@bigpond.net.au> wrote:
>Kim, you may or may not know that my real job is as a location sound
>recordist in Sydney.
>A lot of the guys are buying these thing just for that reason, as a reliable

>back up recorder.
>They are reliable and sound great.
>--
>Martin Harrington
>www.lendanear-sound.com
>0414 913 247
>
>"Kim" <hiddensounds@hotmail.com> wrote in message news:4689dcec$1@linux...
>>
>>
>> Seriously considering one of these:
>>
>> http://www.zoom.co.jp/english/products/ps04/
>>
>> I've been wanting to get something for a while to do remote recording
of
>> sound effects and the like in half decent quality, and also something
for
>> jotting down song ideas, and then I came across this little gem and was

>> like
>> "Woha! That's the one!".
>>
>> Just wondering if anybody has actually used one and what they're like...
>>
>> Cheers,
>> Kim.
>Hey Kim,

Do you take a laptop to work? If so a copy of Reason and/or Live might be
a very useful thing.

TCB

"Kim" <hiddensounds@hotmail.com> wrote:
>
>
>Thanks Martin. I certainly appreciate and respect your opinion enough for
>that to pretty much seal the deal. I looked at the H4 also, and with the
>X/Y stereo pair that's GOT to be a handy thing, but I'm not sure it will
>fit into this month's bugdet, plus the PS-04 also seems to have some very
>funky "toys" in the way of the drum machine and bass section. I have a 1
>hour bus ride to and from work and I'm imagining that while everybody else
>listens to their IPods, I can write drum beats and bass lines for an entire
>song and quickly jot down the melody on the mic when I get off the bus while
>nobody can hear me. ;o) The H4 looks like by far the better recorder, but
>I'm thinking if the mic in the PS-04 sounds decent then I can do an aweful
>lot with it.
>
>I don't suppose you (or anybody else) has played with the programming abilities
>of the drum/bass sequencing. Especially with bass lines I'm kinda fussy
with
>them being what I want in the song rather than some generic pattern when
>writing the melodies, so I'm hoping it can deal with me inputting note for
>note sequences. I can (though would obviously rather not) deal with a cludgy
>interface if I must as I have an hour on the bus to get a line down. The
>critical thing is whether I can specify timing and notation as I do it.
From
>my read of the manual it seems pretty programmable, albeit with a lot of
>pattern options if I want to go that way on some tunes, but I perhaps haven't
>read far enough yet to know for sure.
>
>Cheers,
>Kim.
>
>"Martin Harrington" <lendan@bigpond.net.au> wrote:
>>Kim, you may or may not know that my real job is as a location sound
>>recordist in Sydney.
>>A lot of the guys are buying these thing just for that reason, as a reliable
>
>>back up recorder.
>>They are reliable and sound great.
>>--
>>Martin Harrington
>>www.lendanear-sound.com
>>0414 913 247
>>
>>"Kim" <hiddensounds@hotmail.com> wrote in message news:4689dcec$1@linux...
>>>
>>>
>>> Seriously considering one of these:
>>>
>>> http://www.zoom.co.jp/english/products/ps04/
>>>
>>> I've been wanting to get something for a while to do remote recording
>of
>>> sound effects and the like in half decent quality, and also something
>for
>>> jotting down song ideas, and then I came across this little gem and was
>
>>> like
>>> "Woha! That's the one!".
>>>
>>> Just wondering if anybody has actually used one and what they're like...
>>>
>>> Cheers,
>>> Kim.
>>
>I'm listening to various songs and on some of them an instrument is the same
in both channels except in one channel there is room ambience/reverb and
in the other none.

It's a great effect because the instrument seems to stay centered in the
mix yet have a stereo image to it.

So what's going on in the brain here. What is it our ears are really hearing.
Is it making our brain hear the instrument in 2 acoustic spaces making it
much more interesting with this effect?

It's a great trick. I just want to know what you guys think.Speaking of this kind of thing, play the song, Eminence Front by The Who and
play with the pan knob.

"John" <no@No.com> wrote:
>
>I'm listening to various songs and on some of them an instrument is the
same
>in both channels except in one channel there is room ambience/reverb and
>in the other none.
>
>It's a great effect because the instrument seems to stay centered in the
>mix yet have a stereo image to it.
>
>So what's going on in the brain here. What is it our ears are really hearing.
> Is it making our brain hear the instrument in 2 acoustic spaces making
it
>much more interesting with this effect?
>
>It's a great trick. I just want to know what you guys think.Panned stereo reverb. It's possible to do some cool things with mono delays
set upt to provide side-to-side reflections and and a stereo reverb with a
predelay control to control front-to-back positioning. You can get
ridculously anal about this stuff and if you're not careful, you can take a
perfectly good mix and **** it up really quick.

;o)

"John" <no@No.com> wrote in message news:468a5f45$1@linux...
>
> I'm listening to various songs and on some of them an instrument is the
> same
> in both channels except in one channel there is room ambience/reverb and
> in the other none.
>
> It's a great effect because the instrument seems to stay centered in the
> mix yet have a stereo image to it.
>
> So what's going on in the brain here. What is it our ears are really
> hearing.
> Is it making our brain hear the instrument in 2 acoustic spaces making it
> much more interesting with this effect?
>
> It's a great trick. I just want to know what you guys think.but what's it doing when you only have one channel with the verb and the other
is dry of the same signalI do work on a laptop, and given I now work kinda in an audio ish field I
could get away with having something like that loaded up. The trick is however
they are difficult to work with on a bus, and I imagine that I would only
have a chance to quickly spend 5 minutes here and there doing it. On the
other hand the laptop may let me "get away" with more as I'd look to the
untrained eye as if I was doing work instead of "playing with his little
box" again. ;o)

I'd still much rather something like this on the bus though. I could always
leave a card reader at work and perhaps transfer the tracks onto some multitrack
program for further work. It's a thought. I'd also though kinda like to keep
the tracks off the laptop as it's a work machine and admin staff can access
it. It would be ideal if the box provided some kind of midi sync and I could
incorporate both, however there's no MIDI on the PS-04 it seems.

Cheers,
Kim.

"TCB" <nobody@ishere.com> wrote:
>
>Hey Kim,
>
>Do you take a laptop to work? If so a copy of Reason and/or Live might be
>a very useful thing.
>
>TCB
>
>"Kim" <hiddensounds@hotmail.com> wrote:
>>
>>
>>Thanks Martin. I certainly appreciate and respect your opinion enough for
>>that to pretty much seal the deal. I looked at the H4 also, and with the
>>X/Y stereo pair that's GOT to be a handy thing, but I'm not sure it will
>>fit into this month's bugdet, plus the PS-04 also seems to have some very
>>funky "toys" in the way of the drum machine and bass section. I have a
1
>>hour bus ride to and from work and I'm imagining that while everybody else
>>listens to their IPods, I can write drum beats and bass lines for an entire
>>song and quickly jot down the melody on the mic when I get off the bus
while
>>nobody can hear me. ;o) The H4 looks like by far the better recorder, but
>>I'm thinking if the mic in the PS-04 sounds decent then I can do an aweful
>>lot with it.
>>
>>I don't suppose you (or anybody else) has played with the programming abilities
>>of the drum/bass sequencing. Especially with bass lines I'm kinda fussy
>with
>>them being what I want in the song rather than some generic pattern when
>>writing the melodies, so I'm hoping it can deal with me inputting note
for
>>note sequences. I can (though would obviously rather not) deal with a cludgy
>>interface if I must as I have an hour on the bus to get a line down. The
>>critical thing is whether I can specify timing and notation as I do it.
>From
>>my read of the manual it seems pretty programmable, albeit with a lot of
>>pattern options if I want to go that way on some tunes, but I perhaps haven't
>>read far enough yet to know for sure.
>>
>>Cheers,
>>Kim.
>>
>>"Martin Harrington" <lendan@bigpond.net.au> wrote:
>>>Kim, you may or may not know that my real job is as a location sound
>>>recordist in Sydney.
>>>A lot of the guys are buying these thing just for that reason, as a reliable
>>
>>>back up recorder.
>>>They are reliable and sound great.
>>>--
>>>Martin Harrington
>>>www.lendanear-sound.com
>>>0414 913 247
>>>
>>>"Kim" <hiddensounds@hotmail.com> wrote in message news:4689dcec$1@linux...
>>>>
>>>>
>>>> Seriously considering one of these:
>>>>
>>>> http://www.zoom.co.jp/english/products/ps04/
>>>>
>>>> I've been wanting to get something for a while to do remote recording
>>of
>>>> sound effects and the like in half decent quality, and also something
>>for
>>>> jotting down song ideas, and then I came across this little gem and
was
>>
>>>> like
>>>> "Woha! That's the one!".
>>>>
>>>> Just wondering if anybody has actually used one and what they're like...
>>>>
>>>> Cheers,
>>>> Kim.
>>>
>>
>Just random observations. The construction guys renovating our offices had
the local classic rock station on. Haven't listened to anything like that
in years.


- Peral Jam is by far the most boring band to come out of Seattle in the
90's, but the only one who can get on a classic rock station, so they made
most of the money. The Screaming Trees, Alice in CHains, Mudhoney, Soundgarden,
and half a dozen others were better bands with better songs but don't fit
the format.

- Eddie Van Halen on their first record was a staggeringly good but also
tasteful guitar player. And there's something just joyful about the way he
played back then. It was lost as time went on but he's a pleasure to listen
to from that era.

- Angus Young has some devestating vibrato.

- There's nothing in this world short of a trailer truck of Saltines or Randy
Travis that positively screams CRACKER quite as loudly as More Than A Feeling
by Boston. There's no sheet music for that song 'cuase it's so white the
notes are unreadable.

- I will never get why the Steve Miller Band is so popular.

- If any band can give Van Halen a run for their money in the 'We didn't
used to suck but boy to we now' category it would be ZZ Top.

Opinions?

TCB"TCB" <nobody@ishere.com> wrote:

>- There's nothing in this world short of a trailer truck of Saltines or
Randy
>Travis that positively screams CRACKER quite as loudly as More Than A Feeling
>by Boston.

Said the white boy...

heh heh

Sorry couldn't resist...


I wish classic rock would all go to the bottom of the
deep blue sea...

Then radio would have to come up with new music to play,
and hey, people would even write more new music!

Wow, it would be like a whole MOVEMENT or something...

Nah... just a dream

DCZZTop sucks now because of their own dumb choices of style. Eddie has been
ravaged by alcohol and just can't play.

Billy Gibbons is still amazing like Angus Young but his taste has gone from
genius (Deguello, Rhythmeen) to crap (Mescalero, XXX).Its offical! My transplant is on for July the 6th.

respect
NappyI'm crossing my fingers for you, Nappy. Hope all will go well.

Respect
Erling

"Nappy" <mgrant62@googlemail.com> skrev i melding news:468aa426$1@linux...
>
> Its offical! My transplant is on for July the 6th.
>
> respect
> NappyNappy,

Our prayers are with you. If you have a chance, have someone keep us
appraised.

Jeff

wrote:
> Its offical! My transplant is on for July the 6th.
>
> respect
> NappyVery cool, Nappy! Here's hoping for a smooth procedure.

Neil


"Nappy" <mgrant62@googlemail.com> wrote:
>
>Its offical! My transplant is on for July the 6th.
>
>respect
>Nappy"John" <no@no.com> wrote:
>
>but what's it doing when you only have one channel with the verb and the
other
>is dry of the same signal

I don't think I've ever heard a mix like that, excepot for maybe
some early stereo stuff... what song(s) artist(s) are you hearing
this on?

NeilThis is a multi-part message in MIME format.

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Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Nappy,

GOOD LUCK !

Tom


"Neil" <IOUIU@OIU.com> wrote in message news:468ab611$1@linux...

Very cool, Nappy! Here's hoping for a smooth procedure.

Neil
=20

"Nappy" <mgrant62@googlemail.com> wrote:
>
>Its offical! My transplant is on for July the 6th.=20
>
>respect
>Nappy



I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_01F3_01C7BD95.B5A38DC0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Nappy,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>GOOD LUCK !</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Neil" &lt;<A href=3D"mailto:IOUIU@OIU.com">IOUIU@OIU.com</A>&gt; =
wrote in=20
message <A=20
=
href=3D"news:468ab611$1@linux">news:468ab611$1@linux</A>...</DIV><BR>Very=
cool,=20
Nappy!&nbsp; Here's hoping for a smooth=20
procedure.<BR><BR>Neil<BR>&nbsp;<BR><BR>"Nappy" &lt;<A=20
=
href=3D"mailto:mgrant62@googlemail.com">mgrant62@googlemail.com</A>&gt;=20
wrote:<BR>&gt;<BR>&gt;Its offical! My transplant is on for July the =
6th.=20
<BR>&gt;<BR>&gt;respect<BR>&gt;Nappy<BR></BLOCKQUOTE >
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A>&nbsp;&nbsp;&nbsp;</FONT></DIV></BODY ></HTML>

------=_NextPart_000_01F3_01C7BD95.B5A38DC0--hey guys, long time no chat! I was talking with a client of mine and thought
I'd pop in for old times sake!!

Brad Lyons
Sweetwater Sr Sales EngineerI forgot to mention, former Paris user :-)

Brad Lyons
www.audioandmidi.com

"BradLyons" <brad@audioandmidi.com> wrote:
>
>hey guys, long time no chat! I was talking with a client of mine and thought
>I'd pop in for old times sake!!
>
>Brad Lyons
>Sweetwater Sr Sales EngineerFinally!! A full head of hair!!! ;-)

Best wishes for a speedy recovery.

David.

Nappy wrote:
> Its offical! My transplant is on for July the 6th.
>
> respect
> NappyNappy,

Prayers and best wishes to you. When you are out, you get a trip to DZ Akins
on me!

best,

DonOn 4 Jul 2007 05:31:50 +1000, "Nappy" <mgrant62@googlemail.com> wrote:

>
>Its offical! My transplant is on for July the 6th.
>
>respect
>Nappy

Rock On!!! Prayin' for ya, bro. Let's hope everything works for the
best.

pabHey Nappy,

I hope everything goes swimmingly.

TCB

"Nappy" <mgrant62@googlemail.com> wrote:
>
>Its offical! My transplant is on for July the 6th.
>
>respect
>NappyWell how do you do? It's like Tankersly.....stopping by to do a drive by.
Why not stay a while. hehe

"Brad Lyons" <brad@audioandmidi.com> wrote:
>
>I forgot to mention, former Paris user :-)
>
>Brad Lyons
>www.audioandmidi.com
>
>"BradLyons" <brad@audioandmidi.com> wrote:
>>
>>hey guys, long time no chat! I was talking with a client of mine and thought
>>I'd pop in for old times sake!!
>>
>>Brad Lyons
>>Sweetwater Sr Sales Engineer
>Fantastic ! I wish you great success. This is HUGE !! Can you instant
message from the surgery table? I think iPhone has a surgical add on. hehe
Talk to ya soon !!!I'm most certainly white but I ain't no cracker.

It was actually interesting to listen to all of the 70's and 80's era recordings,
even just on a boom box through a sheet of drywall. The older the tracks
get the less busy they sound (in general of course, the Queen and Boston
tracks are thick as molasses), but they definitely have some balls that is
lacking in the newer recordings. I don't think that technology, I think it's
style. Still, fun to hear. Now back to your regularly scheduled electronica
programming.

TCB

"DC" <dc@spammersinhell.com> wrote:
>
>"TCB" <nobody@ishere.com> wrote:
>
>>- There's nothing in this world short of a trailer truck of Saltines or
>Randy
>>Travis that positively screams CRACKER quite as loudly as More Than A Feeling
>>by Boston.
>
>Said the white boy...
>
>heh heh
>
>Sorry couldn't resist...
>
>
>I wish classic rock would all go to the bottom of the
>deep blue sea...
>
>Then radio would have to come up with new music to play,
>and hey, people would even write more new music!
>
>Wow, it would be like a whole MOVEMENT or something...
>
>Nah... just a dream
>
>DC
>Well, if you guys don't stone me!!! HeHe (I have a pair of ProTools HD3 Accel
with Control24's, now) I've been at Sweetwater for 7-years now, have recently
gotten engaged, and back into doing production as well. Here's my studio:

http://www.audioandmidi.com/studio/homestudio.html

How are ya'll doing? It's been what....5, 6 years??

Brad Lyons
www.audioandmidi.com



"John" <no@no.com> wrote:
>
>Well how do you do? It's like Tankersly.....stopping by to do a drive by.
> Why not stay a while. hehe
>
>"Brad Lyons" <brad@audioandmidi.com> wrote:
>>
>>I forgot to mention, former Paris user :-)
>>
>>Brad Lyons
>>www.audioandmidi.com
>>
>>"BradLyons" <brad@audioandmidi.com> wrote:
>>>
>>>hey guys, long time no chat! I was talking with a client of mine and
thought
>>>I'd pop in for old times sake!!
>>>
>>>Brad Lyons
>>>Sweetwater Sr Sales Engineer
>>
>I'm hearing it on some ac/dc snare drumsSpecifically the intro to highway to hell. snare left has verb, snare right
does not seem to have anywhere near as much but has guitar in right also.

kelly industries stereo tools vst lets you put left in both channels or right
in both for comparisonYeah but most importantly are you eating any better......
my latest creation www.kfocus.com/pizza4.jpg

hehe, I'm on cubase 4 now with 3 digimax's and all the good stuff. Loving
it. Paris was never reliable for me so after 6 years i pulled the plug.
Patient huh? The channel is still great with all the usual audio and political
discussions. My setup is finally golden so I'm expecting to actually have
something tangible soon as Edmund would say. You know SSC passed away and
Edmund has been working for the government and never posted here again.
The days of stoning are gone, you can stay and be family again. Welcome
back !!

JohnBrad,

Welcome back (although I wasn't here yet when you left!) Nice looking
setup on the studio.

JeffMark?
"Brad Lyons" <brad@audioandmidi.com> wrote in message
news:468ac23e$1@linux...
>
> I forgot to mention, former Paris user :-)
>
> Brad Lyons
> www.audioandmidi.com
>
> "BradLyons" <brad@audioandmidi.com> wrote:
>>
>>hey guys, long time no chat! I was talking with a client of mine and
>>thought
>>I'd pop in for old times sake!!
>>
>>Brad Lyons
>>Sweetwater Sr Sales Engineer
>All the best from my house to yours bro. Let us know how it goes

AA


"Nappy" <mgrant62@googlemail.com> wrote in message news:468aa426$1@linux...
>
> Its offical! My transplant is on for July the 6th.
>
> respect
> NappyGood luck Nappy, you have my prayers.

"Nappy" <mgrant62@googlemail.com> wrote:
>
>Its offical! My transplant is on for July the 6th.
>
>respect
>NappyI think Eddie VanHalen made this a super guitar sound :)

AA

"John" <no@No.com> wrote in message news:468a5f45$1@linux...
>
> I'm listening to various songs and on some of them an instrument is the
> same
> in both channels except in one channel there is room ambience/reverb and
> in the other none.
>
> It's a great effect because the instrument seems to stay centered in the
> mix yet have a stereo image to it.
>
> So what's going on in the brain here. What is it our ears are really
> hearing.
> Is it making our brain hear the instrument in 2 acoustic spaces making it
> much more interesting with this effect?
>
> It's a great trick. I just want to know what you guys think.Good luck dude. Keep us updated.

Cheers,
Kim.

"Nappy" <mgrant62@googlemail.com> wrote:
>
>Its offical! My transplant is on for July the 6th.
>
>respect
>NappyOpinions? Sure, I'm crawlin' with 'em over here:

I am so with you on Steve Miller, in fact, I would disagree with you on
one point . . . I think Steve Miller Band screams CRACKER way louder than
Boston. I had just moved my band to Portland in late '73 and the local
stations were playing "The Joker" so often that my gag reflex barely had a
chance to relax from the last play when they'd play it again.
Unfortunately, I think I do understand the appeal . . . it's predictable . .
.. it's easy listening with a rock drumbeat. It is to music what McDonalds
is to food. It's sweet, fatty, salty, and soft enough not to require much
chewing. The motto of the American consumer is "Please, Don't Make Me
Think!" (Politicians know this and use it continuously, but that's another
discussion)

Not to solo out Steve Miller -- this appeal to the lowest common
denominator seems to be true of most popular music, whether it's Classic
Rock or the latest in Hippity Hop. How often does something truly creative,
unique, or even interesting break through on the airwaves?

Love AC/DC in their Bon Scott period ("Highway to Hell" is in my top
ten rock songs of all time). AC/DC with Brian what's-his-name . . . not so
interesting. He's a good screamer, but not much character.

Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
intersting vocals. Sammy Hagar . . . ? YAWN!

I think a lot of great bands deteriorate into boring parodies of
themselves after achieving worldwide success and wealth. I think it's one
of the hazards of getting rich off of one's art.

One of my favorite bands of the '70s was Alice Cooper, in fact I still
listen to the albums "Love It To Death" and "Killer" on occasion. After the
success of "School's Out" and "Billion Dollar Babies," Alice lost his
original band and with them a lot of important creative input. Being an
entertainer became way more important than making good music, so Alice hung
out with Liza Minnelli and golfed with Bob Hope and "went Hollywood." YAWN!

I do think things got interesting for a while in the nineties when
Nirvana broke the spell of spandex, big hair, and lipstick, but now things
have settled back down into layers of homogenized fluff. There's lots of
great music out there, just don't expect to hear much of it on the radio.

S


"TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>
> Just random observations. The construction guys renovating our offices had
> the local classic rock station on. Haven't listened to anything like that
> in years.
>
>
> - Peral Jam is by far the most boring band to come out of Seattle in the
> 90's, but the only one who can get on a classic rock station, so they made
> most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
> Soundgarden,
> and half a dozen others were better bands with better songs but don't fit
> the format.
>
> - Eddie Van Halen on their first record was a staggeringly good but also
> tasteful guitar player. And there's something just joyful about the way he
> played back then. It was lost as time went on but he's a pleasure to
> listen
> to from that era.
>
> - Angus Young has some devestating vibrato.
>
> - There's nothing in this world short of a trailer truck of Saltines or
> Randy
> Travis that positively screams CRACKER quite as loudly as More Than A
> Feeling
> by Boston. There's no sheet music for that song 'cuase it's so white the
> notes are unreadable.
>
> - I will never get why the Steve Miller Band is so popular.
>
> - If any band can give Van Halen a run for their money in the 'We didn't
> used to suck but boy to we now' category it would be ZZ Top.
>
> Opinions?
>
> TCBBallad of Dwight Fry tops my all time 5 favs.
AA


"Sarah" <sarahjane@sarahtonin.com> wrote in message news:468ae987$1@linux...
> Opinions? Sure, I'm crawlin' with 'em over here:
>
> I am so with you on Steve Miller, in fact, I would disagree with you on
> one point . . . I think Steve Miller Band screams CRACKER way louder than
> Boston. I had just moved my band to Portland in late '73 and the local
> stations were playing "The Joker" so often that my gag reflex barely had a
> chance to relax from the last play when they'd play it again.
> Unfortunately, I think I do understand the appeal . . . it's predictable .
> . . it's easy listening with a rock drumbeat. It is to music what
> McDonalds is to food. It's sweet, fatty, salty, and soft enough not to
> require much chewing. The motto of the American consumer is "Please,
> Don't Make Me Think!" (Politicians know this and use it continuously, but
> that's another discussion)
>
> Not to solo out Steve Miller -- this appeal to the lowest common
> denominator seems to be true of most popular music, whether it's Classic
> Rock or the latest in Hippity Hop. How often does something truly
> creative, unique, or even interesting break through on the airwaves?
>
> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my top
> ten rock songs of all time). AC/DC with Brian what's-his-name . . . not
> so interesting. He's a good screamer, but not much character.
>
> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
> intersting vocals. Sammy Hagar . . . ? YAWN!
>
> I think a lot of great bands deteriorate into boring parodies of
> themselves after achieving worldwide success and wealth. I think it's one
> of the hazards of getting rich off of one's art.
>
> One of my favorite bands of the '70s was Alice Cooper, in fact I still
> listen to the albums "Love It To Death" and "Killer" on occasion. After
> the success of "School's Out" and "Billion Dollar Babies," Alice lost his
> original band and with them a lot of important creative input. Being an
> entertainer became way more important than making good music, so Alice
> hung out with Liza Minnelli and golfed with Bob Hope and "went Hollywood."
> YAWN!
>
> I do think things got interesting for a while in the nineties when
> Nirvana broke the spell of spandex, big hair, and lipstick, but now things
> have settled back down into layers of homogenized fluff. There's lots of
> great music out there, just don't expect to hear much of it on the radio.
>
> S
>
>
> "TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>
>> Just random observations. The construction guys renovating our offices
>> had
>> the local classic rock station on. Haven't listened to anything like that
>> in years.
>>
>>
>> - Peral Jam is by far the most boring band to come out of Seattle in the
>> 90's, but the only one who can get on a classic rock station, so they
>> made
>> most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
>> Soundgarden,
>> and half a dozen others were better bands with better songs but don't fit
>> the format.
>>
>> - Eddie Van Halen on their first record was a staggeringly good but also
>> tasteful guitar player. And there's something just joyful about the way
>> he
>> played back then. It was lost as time went on but he's a pleasure to
>> listen
>> to from that era.
>>
>> - Angus Young has some devestating vibrato.
>>
>> - There's nothing in this world short of a trailer truck of Saltines or
>> Randy
>> Travis that positively screams CRACKER quite as loudly as More Than A
>> Feeling
>> by Boston. There's no sheet music for that song 'cuase it's so white the
>> notes are unreadable.
>>
>> - I will never get why the Steve Miller Band is so popular.
>>
>> - If any band can give Van Halen a run for their money in the 'We didn't
>> used to suck but boy to we now' category it would be ZZ Top.
>>
>> Opinions?
>>
>> TCB
>
>Hey Brad, some of us come and go depending on our schedules and travel etc.

I see you are setting a good example for all your gear-hungry customers.

Do you have any neck problems with the monitor up there? I worked for
about 3 months every day with a monitor I had to look up at and I had
some serious tweaky nerves in my neck.

Bill Lorentzen

BradLyons wrote:
> hey guys, long time no chat! I was talking with a client of mine and thought
> I'd pop in for old times sake!!
>
> Brad Lyons
> Sweetwater Sr Sales EngineerYahoo! Now you don't have to give up your dream of becoming the Ultimate
Fighting Champion!

Nappy wrote:
> Its offical! My transplant is on for July the 6th.
>
> respect
> NappyAnything specific in Eminence Front? I'm noticing in particular that the
drums sound fantastic and BIG !

Gimmie something to find in it !! ;-)hey everybody

an MP3
"fanfare for a fallen king"

by me, myself, jp jones
www.jpjones.net

i think this would make great
background music
for all the "news" shows
but i'm disgusted with the thought--
and i dont know how i'm going to get
anybody to pay atention--

any help?

http://www.jpjones.net/music/fanfare%20for%20a%20fallen%20ki ng.mp3
thanks
jpHi Brad,

Nice looking studio. Nice to hear from your again. Do you do part time work
as a short order fry cook using the face plates of those ADL's that are
stack racked?

;o)

"Brad Lyons" <brad@audioandmidi.com> wrote in message
news:468ac23e$1@linux...
>
> I forgot to mention, former Paris user :-)
>
> Brad Lyons
> www.audioandmidi.com
>
> "BradLyons" <brad@audioandmidi.com> wrote:
>>
>>hey guys, long time no chat! I was talking with a client of mine and
>>thought
>>I'd pop in for old times sake!!
>>
>>Brad Lyons
>>Sweetwater Sr Sales Engineer
>"John" <no@no.com> wrote:
>
>Anything specific in Eminence Front? I'm noticing in particular that the
>drums sound fantastic and BIG !
>
>Gimmie something to find in it !! ;-)

Listen to each side. As I recall, the lead vocal sounds like it's in the
center or there about. When you pan it's on one side. It's dry and there
are some ambient reverberated lead VOX tails on some passages on the other
side. There are some other panning and wet dry things going on in the mix.
When you pan around and listen, it's kind of a weird mix. When you pan
center it all comes together. I just wonder what would happen and what you
would hear if you played with the phase. It's a different approach to mixing.

Sometimes it's good to listen to some mixes on one side at a time. And yeah,
the drums are great.no problems at all, I lean back in my chair and it's straight ahead that way.
I have the 19" monitor and that 32" display used in various scenarios.
I mix to picture often, so sometimes I'll use that as the playback monitor
while other times I'll use it when I'm editing or just mixing. When I'm in
the process of EQing and setting up a mix or tracking, I'll have everything
on the smaller monitor and then it turns into a display of the other room.
I'm actually going to be converting my garage into the full studio at some
point now the fiance and kids are moved in.


Bill L <bill@billlorentzen.com> wrote:
>Hey Brad, some of us come and go depending on our schedules and travel etc.
>
>I see you are setting a good example for all your gear-hungry customers.
>
>Do you have any neck problems with the monitor up there? I worked for
>about 3 months every day with a monitor I had to look up at and I had
>some serious tweaky nerves in my neck.
>
>Bill Lorentzen
>
>BradLyons wrote:
>> hey guys, long time no chat! I was talking with a client of mine and
thought
>> I'd pop in for old times sake!!
>>
>> Brad Lyons
>> Sweetwater Sr Sales EngineerDoug Joyce? Man I love those ADL600's, I'm getting a third. I actually made
drastic changes---I had (3) Liquid Channels and was about to buy (2) more,
but decided to go another direction. There's a new product coming I'm not
allowed to talk about yet, but I'm buying it when it's out. It's going to
be one of the most revolutionary pres you'll see to date.

But yeah, those ADL's get HOT! Actually, all of my pres are either Tube
or Transformer-based. I have a separate room air conditioner with volume
control-ahhhhhhhhhhh. On the table to the right is an SSL channel strip,
to my surprise--it doesn't get that hot. Go figure!

Brad Lyons
Sweetwater

"DJ" <animix _ at _ animas _ dot _ net> wrote:
>Hi Brad,
>
>Nice looking studio. Nice to hear from your again. Do you do part time work

>as a short order fry cook using the face plates of those ADL's that are

>stack racked?
>
>;o)
>
>"Brad Lyons" <brad@audioandmidi.com> wrote in message
>news:468ac23e$1@linux...
>>
>> I forgot to mention, former Paris user :-)
>>
>> Brad Lyons
>> www.audioandmidi.com
>>
>> "BradLyons" <brad@audioandmidi.com> wrote:
>>>
>>>hey guys, long time no chat! I was talking with a client of mine and

>>>thought
>>>I'd pop in for old times sake!!
>>>
>>>Brad Lyons
>>>Sweetwater Sr Sales Engineer
>>
>
>Eating better? :-( no..... Actually, I have been doing better lately--my
fiance made me :-) SSC passed away?????? WOW! About two years ago, I went
through a scare of my own. I had major health problems with my breathing
for three years, well it took that long to figure out the problem. I was
choking, I had muscle hanging into my throat and making me pass out. I almost
died actually because I was suffocating. So they had to put me in for major
re-constructive throat surgery, I was home for about 6-weeks on bed rest
taking 1,000mg of hydrocodeine around the clock every 2-hours for 10-days!
Yeah, I was in la-la land :-)

Brad

"John" <no@no.com> wrote:
>
>Yeah but most importantly are you eating any better......
>my latest creation www.kfocus.com/pizza4.jpg
>
>hehe, I'm on cubase 4 now with 3 digimax's and all the good stuff. Loving
>it. Paris was never reliable for me so after 6 years i pulled the plug.
> Patient huh? The channel is still great with all the usual audio and political
>discussions. My setup is finally golden so I'm expecting to actually have
>something tangible soon as Edmund would say. You know SSC passed away and
>Edmund has been working for the government and never posted here again.

>The days of stoning are gone, you can stay and be family again. Welcome
>back !!
>
>JohnThe best Steve Miller album, IMO, was his LP called Sailor when Boz skaggs
was a member of the band. I think my favorite Steve Miller song is Dime A
Dance Romance and that was written by Boz Skaggs. The words are pretty
unintelligible, but there is enough nuance in them to paint an alluring
mental image of a debauch in a waterfront bar....sort of a Louie Louie
kinda' thing. There were also a couple of rockers on some other albums of
that era..one song called Steppin Stone and another that I can't remember.

Fly like an Eagle???.....the only great thing about that album, IMO, was
that it was recorded in his garage on a TEAC 80-80 (or so the legend goes).
The Joker was a joke..........bleecccchhh!!!!!

As far as cracker bands are concerned, I never thougth that of
Boston.....but then again, I really never gave it any thought. I was so
friggin glad to be hearing anything but disco that it worked for me at the
time. I was a big Little Feat fan back then.

I'm gonna go down to a bar here in Durango called Scootin' blues tonight.
The town is full of a bunch of middle aged white guys and gals (damn!!!..I
just can't quit sayin' "gals", can I?) who are dressed in leathers and are
pretending to be real bikers. It's sooooo funny to watch them try to look
cool and hip and strut their stuff. Maybe the band will cover some Boston
tunes. Nothin funnier than watching old white people dance.

;o)




"Sarah" <sarahjane@sarahtonin.com> wrote in message news:468ae987$1@linux...
> Opinions? Sure, I'm crawlin' with 'em over here:
>
> I am so with you on Steve Miller, in fact, I would disagree with you on
> one point . . . I think Steve Miller Band screams CRACKER way louder than
> Boston. I had just moved my band to Portland in late '73 and the local
> stations were playing "The Joker" so often that my gag reflex barely had a
> chance to relax from the last play when they'd play it again.
> Unfortunately, I think I do understand the appeal . . . it's predictable .
> . . it's easy listening with a rock drumbeat. It is to music what
> McDonalds is to food. It's sweet, fatty, salty, and soft enough not to
> require much chewing. The motto of the American consumer is "Please,
> Don't Make Me Think!" (Politicians know this and use it continuously, but
> that's another discussion)
>
> Not to solo out Steve Miller -- this appeal to the lowest common
> denominator seems to be true of most popular music, whether it's Classic
> Rock or the latest in Hippity Hop. How often does something truly
> creative, unique, or even interesting break through on the airwaves?
>
> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my top
> ten rock songs of all time). AC/DC with Brian what's-his-name . . . not
> so interesting. He's a good screamer, but not much character.
>
> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
> intersting vocals. Sammy Hagar . . . ? YAWN!
>
> I think a lot of great bands deteriorate into boring parodies of
> themselves after achieving worldwide success and wealth. I think it's one
> of the hazards of getting rich off of one's art.
>
> One of my favorite bands of the '70s was Alice Cooper, in fact I still
> listen to the albums "Love It To Death" and "Killer" on occasion. After
> the success of "School's Out" and "Billion Dollar Babies," Alice lost his
> original band and with them a lot of important creative input. Being an
> entertainer became way more important than making good music, so Alice
> hung out with Liza Minnelli and golfed with Bob Hope and "went Hollywood."
> YAWN!
>
> I do think things got interesting for a while in the nineties when
> Nirvana broke the spell of spandex, big hair, and lipstick, but now things
> have settled back down into layers of homogenized fluff. There's lots of
> great music out there, just don't expect to hear much of it on the radio.
>
> S
>
>
> "TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>
>> Just random observations. The construction guys renovating our offices
>> had
>> the local classic rock station on. Haven't listened to anything like that
>> in years.
>>
>>
>> - Peral Jam is by far the most boring band to come out of Seattle in the
>> 90's, but the only one who can get on a classic rock station, so they
>> made
>> most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
>> Soundgarden,
>> and half a dozen others were better bands with better songs but don't fit
>> the format.
>>
>> - Eddie Van Halen on their first record was a staggeringly good but also
>> tasteful guitar player. And there's something just joyful about the way
>> he
>> played back then. It was lost as time went on but he's a pleasure to
>> listen
>> to from that era.
>>
>> - Angus Young has some devestating vibrato.
>>
>> - There's nothing in this world short of a trailer truck of Saltines or
>> Randy
>> Travis that positively screams CRACKER quite as loudly as More Than A
>> Feeling
>> by Boston. There's no sheet music for that song 'cuase it's so white the
>> notes are unreadable.
>>
>> - I will never get why the Steve Miller Band is so popular.
>>
>> - If any band can give Van Halen a run for their money in the 'We didn't
>> used to suck but boy to we now' category it would be ZZ Top.
>>
>> Opinions?
>>
>> TCB
>
>It's just a rough mix from a live recording I did...but it's an idea of what
I've been up to. Got a chance to take out the Allen & Heath iLive and a
Tascam X48 for this one.

http://youtube.com/watch?v=HMRUIHjKdvU

Brad Lyons
Sweetwaterand another with Gospel artist, NIYOKI I am still working on (no video in
this clip)

http://www.audioandmidi.com/media/audio/glorious_sampleclip. mp3

Brad Lyons

"Brad Lyons" <brad@audioandmidi.com> wrote:
>
>It's just a rough mix from a live recording I did...but it's an idea of
what
>I've been up to. Got a chance to take out the Allen & Heath iLive and a
>Tascam X48 for this one.
>
>http://youtube.com/watch?v=HMRUIHjKdvU
>
>Brad Lyons
>Sweetwater"Brad Lyons" <brad@audioandmidi.com> wrote in message
news:468b0bdd$1@linux...
>
> Eating better? :-( no..... Actually, I have been doing better
> lately--my
> fiance made me :-)

That's just Phase 1 of the "fiancee' plan. Stay tuned.....;o)

SSC passed away?????? WOW!

Yes. Very sad.

About two years ago, I went
> through a scare of my own. I had major health problems with my breathing
> for three years, well it took that long to figure out the problem. I was
> choking, I had muscle hanging into my throat and making me pass out. I
> almost
> died actually because I was suffocating.

At least you found the problem.......but ya know, some people actually get
their kicks that way....;o)....I'm doing the "you gotta' lower your
cholesterol" thing right now. No more breakfast tacos for a while. Oatmeal
is sooooo boring....but hey......I'm regular (you needed to hear that, right
:?)

So they had to put me in for major
> re-constructive throat surgery, I was home for about 6-weeks on bed rest
> taking 1,000mg of hydrocodeine around the clock every 2-hours for 10-days!
> Yeah, I was in la-la land :-)

..................and then you get to feel like spoiled meat for about a week
when you stop.

Yeah........

Too bad you can't get a prosthetic Autotune unit installed when you're in
the shop for repairs like that, huh?
>
> Brad

Glad you're all better now.

Cheers,

DJ



>
> "John" <no@no.com> wrote:
>>
>>Yeah but most importantly are you eating any better......
>>my latest creation www.kfocus.com/pizza4.jpg
>>
>>hehe, I'm on cubase 4 now with 3 digimax's and all the good stuff.
>>Loving
>>it. Paris was never reliable for me so after 6 years i pulled the plug.
>> Patient huh? The channel is still great with all the usual audio and
>> political
>>discussions. My setup is finally golden so I'm expecting to actually have
>>something tangible soon as Edmund would say. You know SSC passed away and
>>Edmund has been working for the government and never posted here again.
>
>>The days of stoning are gone, you can stay and be family again. Welcome
>>back !!
>>
>>John
>"Nappy" <mgrant62@googlemail.com> wrote in message news:468aa426$1@linux...
>
> Its offical! My transplant is on for July the 6th.
>
> respect
> Nappy

Man..that's great news Nappy. I'm really pulling for you man.

;o)"Brad Lyons" <brad@audioandmidi.com> wrote in message
news:468b0eae$1@linux...
>
> It's just a rough mix from a live recording I did...but it's an idea of
> what
> I've been up to. Got a chance to take out the Allen & Heath iLive and a
> Tascam X48 for this one.
>
> http://youtube.com/watch?v=HMRUIHjKdvU
>
> Brad Lyons
> Sweetwater

How wierd.......I bought an EWF CD yesterday and I've been listening to that
song today. Nice work Brad.


DeejBrad..........the music and video have drifted pretty seriously in the long
outro.


"DJ" <animix _ at _ animas _ dot _ net> wrote in message
news:468b13d9$1@linux...
>
> "Brad Lyons" <brad@audioandmidi.com> wrote in message
> news:468b0eae$1@linux...
>>
>> It's just a rough mix from a live recording I did...but it's an idea of
>> what
>> I've been up to. Got a chance to take out the Allen & Heath iLive and a
>> Tascam X48 for this one.
>>
>> http://youtube.com/watch?v=HMRUIHjKdvU
>>
>> Brad Lyons
>> Sweetwater
>
> How wierd.......I bought an EWF CD yesterday and I've been listening to
> that song today. Nice work Brad.
>
>
> Deej
>
>Oh yeah, that song has one of the best crazy twisted guitar solos ever.

I gotta get outa here . . . I've . . . got . . . to . . . get . . . OUT . .
.. of . . . here!

Good stuff. :)

S


"Aaron Allen" <know-spam@not_here.dude> wrote in message
news:468aebe7$1@linux...
> Ballad of Dwight Fry tops my all time 5 favs.
> AA
>
>
> "Sarah" <sarahjane@sarahtonin.com> wrote in message
> news:468ae987$1@linux...
>> Opinions? Sure, I'm crawlin' with 'em over here:
>>
>> I am so with you on Steve Miller, in fact, I would disagree with you
>> on one point . . . I think Steve Miller Band screams CRACKER way louder
>> than Boston. I had just moved my band to Portland in late '73 and the
>> local stations were playing "The Joker" so often that my gag reflex
>> barely had a chance to relax from the last play when they'd play it
>> again. Unfortunately, I think I do understand the appeal . . . it's
>> predictable . . . it's easy listening with a rock drumbeat. It is to
>> music what McDonalds is to food. It's sweet, fatty, salty, and soft
>> enough not to require much chewing. The motto of the American consumer
>> is "Please, Don't Make Me Think!" (Politicians know this and use it
>> continuously, but that's another discussion)
>>
>> Not to solo out Steve Miller -- this appeal to the lowest common
>> denominator seems to be true of most popular music, whether it's Classic
>> Rock or the latest in Hippity Hop. How often does something truly
>> creative, unique, or even interesting break through on the airwaves?
>>
>> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my top
>> ten rock songs of all time). AC/DC with Brian what's-his-name . . . not
>> so interesting. He's a good screamer, but not much character.
>>
>> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
>> intersting vocals. Sammy Hagar . . . ? YAWN!
>>
>> I think a lot of great bands deteriorate into boring parodies of
>> themselves after achieving worldwide success and wealth. I think it's
>> one of the hazards of getting rich off of one's art.
>>
>> One of my favorite bands of the '70s was Alice Cooper, in fact I still
>> listen to the albums "Love It To Death" and "Killer" on occasion. After
>> the success of "School's Out" and "Billion Dollar Babies," Alice lost his
>> original band and with them a lot of important creative input. Being an
>> entertainer became way more important than making good music, so Alice
>> hung out with Liza Minnelli and golfed with Bob Hope and "went
>> Hollywood." YAWN!
>>
>> I do think things got interesting for a while in the nineties when
>> Nirvana broke the spell of spandex, big hair, and lipstick, but now
>> things have settled back down into layers of homogenized fluff. There's
>> lots of great music out there, just don't expect to hear much of it on
>> the radio.
>>
>> S
>>
>>
>> "TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>>
>>> Just random observations. The construction guys renovating our offices
>>> had
>>> the local classic rock station on. Haven't listened to anything like
>>> that
>>> in years.
>>>
>>>
>>> - Peral Jam is by far the most boring band to come out of Seattle in the
>>> 90's, but the only one who can get on a classic rock station, so they
>>> made
>>> most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
>>> Soundgarden,
>>> and half a dozen others were better bands with better songs but don't
>>> fit
>>> the format.
>>>
>>> - Eddie Van Halen on their first record was a staggeringly good but also
>>> tasteful guitar player. And there's something just joyful about the way
>>> he
>>> played back then. It was lost as time went on but he's a pleasure to
>>> listen
>>> to from that era.
>>>
>>> - Angus Young has some devestating vibrato.
>>>
>>> - There's nothing in this world short of a trailer truck of Saltines or
>>> Randy
>>> Travis that positively screams CRACKER quite as loudly as More Than A
>>> Feeling
>>> by Boston. There's no sheet music for that song 'cuase it's so white the
>>> notes are unreadable.
>>>
>>> - I will never get why the Steve Miller Band is so popular.
>>>
>>> - If any band can give Van Halen a run for their money in the 'We didn't
>>> used to suck but boy to we now' category it would be ZZ Top.
>>>
>>> Opinions?
>>>
>>> TCB
>>
>>
>
>Love Little Feat, especially the "Sailin' Shoes" album. The song "Willin' "
alone has got me through some tough moments.

S

"DJ" <animix _ at _ animas _ dot _ net> wrote in message
news:468b0c88@linux...
>
> As far as cracker bands are concerned, I never thougth that of
> Boston.....but then again, I really never gave it any thought. I was so
> friggin glad to be hearing anything but disco that it worked for me at the
> time. I was a big Little Feat fan back then.
>
> ;o)
>
>
>
>
> "Sarah" <sarahjane@sarahtonin.com> wrote in message
> news:468ae987$1@linux...
>> Opinions? Sure, I'm crawlin' with 'em over here:
>>
>> I am so with you on Steve Miller, in fact, I would disagree with you
>> on one point . . . I think Steve Miller Band screams CRACKER way louder
>> than Boston. I had just moved my band to Portland in late '73 and the
>> local stations were playing "The Joker" so often that my gag reflex
>> barely had a chance to relax from the last play when they'd play it
>> again. Unfortunately, I think I do understand the appeal . . . it's
>> predictable . . . it's easy listening with a rock drumbeat. It is to
>> music what McDonalds is to food. It's sweet, fatty, salty, and soft
>> enough not to require much chewing. The motto of the American consumer
>> is "Please, Don't Make Me Think!" (Politicians know this and use it
>> continuously, but that's another discussion)
>>
>> Not to solo out Steve Miller -- this appeal to the lowest common
>> denominator seems to be true of most popular music, whether it's Classic
>> Rock or the latest in Hippity Hop. How often does something truly
>> creative, unique, or even interesting break through on the airwaves?
>>
>> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my top
>> ten rock songs of all time). AC/DC with Brian what's-his-name . . . not
>> so interesting. He's a good screamer, but not much character.
>>
>> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
>> intersting vocals. Sammy Hagar . . . ? YAWN!
>>
>> I think a lot of great bands deteriorate into boring parodies of
>> themselves after achieving worldwide success and wealth. I think it's
>> one of the hazards of getting rich off of one's art.
>>
>> One of my favorite bands of the '70s was Alice Cooper, in fact I still
>> listen to the albums "Love It To Death" and "Killer" on occasion. After
>> the success of "School's Out" and "Billion Dollar Babies," Alice lost his
>> original band and with them a lot of important creative input. Being an
>> entertainer became way more important than making good music, so Alice
>> hung out with Liza Minnelli and golfed with Bob Hope and "went
>> Hollywood." YAWN!
>>
>> I do think things got interesting for a while in the nineties when
>> Nirvana broke the spell of spandex, big hair, and lipstick, but now
>> things have settled back down into layers of homogenized fluff. There's
>> lots of great music out there, just don't expect to hear much of it on
>> the radio.
>>
>> S
>>
>>
>> "TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>>
>>> Just random observations. The construction guys renovating our offices
>>> had
>>> the local classic rock station on. Haven't listened to anything like
>>> that
>>> in years.
>>>
>>>
>>> - Peral Jam is by far the most boring band to come out of Seattle in the
>>> 90's, but the only one who can get on a classic rock station, so they
>>> made
>>> most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
>>> Soundgarden,
>>> and half a dozen others were better bands with better songs but don't
>>> fit
>>> the format.
>>>
>>> - Eddie Van Halen on their first record was a staggeringly good but also
>>> tasteful guitar player. And there's something just joyful about the way
>>> he
>>> played back then. It was lost as time went on but he's a pleasure to
>>> listen
>>> to from that era.
>>>
>>> - Angus Young has some devestating vibrato.
>>>
>>> - There's nothing in this world short of a trailer truck of Saltines or
>>> Randy
>>> Travis that positively screams CRACKER quite as loudly as More Than A
>>> Feeling
>>> by Boston. There's no sheet music for that song 'cuase it's so white the
>>> notes are unreadable.
>>>
>>> - I will never get why the Steve Miller Band is so popular.
>>>
>>> - If any band can give Van Halen a run for their money in the 'We didn't
>>> used to suck but boy to we now' category it would be ZZ Top.
>>>
>>> Opinions?
>>>
>>> TCB
>>
>>
>
>Cool tune - are those all VSTi's? (just listening on my PC
speakers, so it's hard to discern much).

Neil


"jp" <jpj@jpjones.net> wrote:
>
>hey everybody
>
>an MP3
>"fanfare for a fallen king"
>
>by me, myself, jp jones
>www.jpjones.net
>
>i think this would make great
>background music
>for all the "news" shows
>but i'm disgusted with the thought--
>and i dont know how i'm going to get
>anybody to pay atention--
>
>any help?
>
> http://www.jpjones.net/music/fanfare%20for%20a%20fallen%20ki ng.mp3
>thanks
>jp"DJ" <animix _ at _ animas _ dot _ net> wrote:


>As far as cracker bands are concerned, I never thougth that of
>Boston.....but then again, I really never gave it any thought. I was so

>friggin glad to be hearing anything but disco that it worked for me at the

>time.

Like so much of radio they only play the lighter side. There is some solid
writing and playing once you get past "more than a feeling". Funny, cuz
I met Scholz and he is definitely Thad's kind of guy. Highly educated,
(M.A. M.I.T.) very intellectual with a great passion for music technology.

About as much of a cracker as SSC was...

DCI always liked the way Delf's voice morphed into guitar feedback at the
beginning of the lead solo in More than A Feeling.

;o)

"DC" <dc@spammersinboston.com> wrote in message news:468b34d3$1@linux...
>
> "DJ" <animix _ at _ animas _ dot _ net> wrote:
>
>
>>As far as cracker bands are concerned, I never thougth that of
>>Boston.....but then again, I really never gave it any thought. I was so
>
>>friggin glad to be hearing anything but disco that it worked for me at the
>
>>time.
>
> Like so much of radio they only play the lighter side. There is some
> solid
> writing and playing once you get past "more than a feeling". Funny, cuz
> I met Scholz and he is definitely Thad's kind of guy. Highly educated,
> (M.A. M.I.T.) very intellectual with a great passion for music technology.
>
> About as much of a cracker as SSC was...
>
> DC"DJ" <animix _ at _ animas _ dot _ net> wrote:
>I always liked the way Delf's voice morphed into guitar feedback at the

>beginning of the lead solo in More than A Feeling.
>
>;o)

Daltrey did that in Quadrophenia... cool stuff.

Brad was one of the greatest singers...

DC

>
>"DC" <dc@spammersinboston.com> wrote in message news:468b34d3$1@linux...
>>
>> "DJ" <animix _ at _ animas _ dot _ net> wrote:
>>
>>
>>>As far as cracker bands are concerned, I never thougth that of
>>>Boston.....but then again, I really never gave it any thought. I was so
>>
>>>friggin glad to be hearing anything but disco that it worked for me at
the
>>
>>>time.
>>
>> Like so much of radio they only play the lighter side. There is some

>> solid
>> writing and playing once you get past "more than a feeling". Funny,
cuz
>> I met Scholz and he is definitely Thad's kind of guy. Highly educated,
>> (M.A. M.I.T.) very intellectual with a great passion for music technology.
>>
>> About as much of a cracker as SSC was...
>>
>> DC
>
>One of my all time favorite bands live, as well. Those guys could rock the
house/arena/earth. I was devastated when Lowell died. You know how some
people are diehard Deadheads????..........I was a Feathead.

;o)



;o)
"Sarah" <sarahjane@sarahtonin.com> wrote in message news:468b1652@linux...
> Love Little Feat, especially the "Sailin' Shoes" album. The song "Willin'
> " alone has got me through some tough moments.
>
> S
>
> "DJ" <animix _ at _ animas _ dot _ net> wrote in message
> news:468b0c88@linux...
>>
>> As far as cracker bands are concerned, I never thougth that of
>> Boston.....but then again, I really never gave it any thought. I was so
>> friggin glad to be hearing anything but disco that it worked for me at
>> the time. I was a big Little Feat fan back then.
>>
>> ;o)
>>
>>
>>
>>
>> "Sarah" <sarahjane@sarahtonin.com> wrote in message
>> news:468ae987$1@linux...
>>> Opinions? Sure, I'm crawlin' with 'em over here:
>>>
>>> I am so with you on Steve Miller, in fact, I would disagree with you
>>> on one point . . . I think Steve Miller Band screams CRACKER way louder
>>> than Boston. I had just moved my band to Portland in late '73 and the
>>> local stations were playing "The Joker" so often that my gag reflex
>>> barely had a chance to relax from the last play when they'd play it
>>> again. Unfortunately, I think I do understand the appeal . . . it's
>>> predictable . . . it's easy listening with a rock drumbeat. It is to
>>> music what McDonalds is to food. It's sweet, fatty, salty, and soft
>>> enough not to require much chewing. The motto of the American consumer
>>> is "Please, Don't Make Me Think!" (Politicians know this and use it
>>> continuously, but that's another discussion)
>>>
>>> Not to solo out Steve Miller -- this appeal to the lowest common
>>> denominator seems to be true of most popular music, whether it's Classic
>>> Rock or the latest in Hippity Hop. How often does something truly
>>> creative, unique, or even interesting break through on the airwaves?
>>>
>>> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my top
>>> ten rock songs of all time). AC/DC with Brian what's-his-name . . . not
>>> so interesting. He's a good screamer, but not much character.
>>>
>>> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
>>> intersting vocals. Sammy Hagar . . . ? YAWN!
>>>
>>> I think a lot of great bands deteriorate into boring parodies of
>>> themselves after achieving worldwide success and wealth. I think it's
>>> one of the hazards of getting rich off of one's art.
>>>
>>> One of my favorite bands of the '70s was Alice Cooper, in fact I
>>> still listen to the albums "Love It To Death" and "Killer" on occasion.
>>> After the success of "School's Out" and "Billion Dollar Babies," Alice
>>> lost his original band and with them a lot of important creative input.
>>> Being an entertainer became way more important than making good music,
>>> so Alice hung out with Liza Minnelli and golfed with Bob Hope and "went
>>> Hollywood." YAWN!
>>>
>>> I do think things got interesting for a while in the nineties when
>>> Nirvana broke the spell of spandex, big hair, and lipstick, but now
>>> things have settled back down into layers of homogenized fluff. There's
>>> lots of great music out there, just don't expect to hear much of it on
>>> the radio.
>>>
>>> S
>>>
>>>
>>> "TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>>>
>>>> Just random observations. The construction guys renovating our offices
>>>> had
>>>> the local classic rock station on. Haven't listened to anything like
>>>> that
>>>> in years.
>>>>
>>>>
>>>> - Peral Jam is by far the most boring band to come out of Seattle in
>>>> the
>>>> 90's, but the only one who can get on a classic rock station, so they
>>>> made
>>>> most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
>>>> Soundgarden,
>>>> and half a dozen others were better bands with better songs but don't
>>>> fit
>>>> the format.
>>>>
>>>> - Eddie Van Halen on their first record was a staggeringly good but
>>>> also
>>>> tasteful guitar player. And there's something just joyful about the way
>>>> he
>>>> played back then. It was lost as time went on but he's a pleasure to
>>>> listen
>>>> to from that era.
>>>>
>>>> - Angus Young has some devestating vibrato.
>>>>
>>>> - There's nothing in this world short of a trailer truck of Saltines or
>>>> Randy
>>>> Travis that positively screams CRACKER quite as loudly as More Than A
>>>> Feeling
>>>> by Boston. There's no sheet music for that song 'cuase it's so white
>>>> the
>>>> notes are unreadable.
>>>>
>>>> - I will never get why the Steve Miller Band is so popular.
>>>>
>>>> - If any band can give Van Halen a run for their money in the 'We
>>>> didn't
>>>> used to suck but boy to we now' category it would be ZZ Top.
>>>>
>>>> Opinions?
>>>>
>>>> TCB
>>>
>>>
>>
>>
>
>Well, allright!

Bad stuff certainly can happen in this life, but sometimes the ball
bounces the other way -- so it's really great to see this solution
falling into place for you... Very best wishes to you and your
generous donor, for a smooth procedure and a swift recovery... All
the peeps here will be pulling for you, I have no doubt.

-- please check in on the other side, and be prepared for a rowdy
noise -- chas.

On 4 Jul 2007 05:31:50 +1000, "Nappy" <mgrant62@googlemail.com> wrote:

>
>Its offical! My transplant is on for July the 6th.
>
>respect
>Nappya new independence day for sure...break a leg.



On 4 Jul 2007 05:31:50 +1000, "Nappy" <mgrant62@googlemail.com> wrote:

>
>Its offical! My transplant is on for July the 6th.
>
>respect
>Nappyhey cornman...

On 4 Jul 2007 07:30:05 +1000, "BradLyons" <brad@audioandmidi.com>
wrote:

>
>hey guys, long time no chat! I was talking with a client of mine and thought
>I'd pop in for old times sake!!
>
>Brad Lyons
>Sweetwater Sr Sales Engineerrick is still a man of many wordI'm 47 and still don't know what a cracker is but I love Boston, Queen,
ZZTop, The Outfield, Air Supply, Led Zeppelin, Rush, AC/DC and Shania.

I must be one...hehe

DC wrote:
> "DJ" <animix _ at _ animas _ dot _ net> wrote:
>
>
>> As far as cracker bands are concerned, I never thougth that of
>> Boston.....but then again, I really never gave it any thought. I was so
>
>> friggin glad to be hearing anything but disco that it worked for me at the
>
>> time.
>
> Like so much of radio they only play the lighter side. There is some solid
> writing and playing once you get past "more than a feeling". Funny, cuz
> I met Scholz and he is definitely Thad's kind of guy. Highly educated,
> (M.A. M.I.T.) very intellectual with a great passion for music technology.
>
> About as much of a cracker as SSC was...
>
> DCI have a great tab for willin if you want it. Love that song.

Sarah wrote:
> Love Little Feat, especially the "Sailin' Shoes" album. The song "Willin' "
> alone has got me through some tough moments.
>
> S
>
> "DJ" <animix _ at _ animas _ dot _ net> wrote in message
> news:468b0c88@linux...
>> As far as cracker bands are concerned, I never thougth that of
>> Boston.....but then again, I really never gave it any thought. I was so
>> friggin glad to be hearing anything but disco that it worked for me at the
>> time. I was a big Little Feat fan back then.
>>
>> ;o)
>>
>>
>>
>>
>> "Sarah" <sarahjane@sarahtonin.com> wrote in message
>> news:468ae987$1@linux...
>>> Opinions? Sure, I'm crawlin' with 'em over here:
>>>
>>> I am so with you on Steve Miller, in fact, I would disagree with you
>>> on one point . . . I think Steve Miller Band screams CRACKER way louder
>>> than Boston. I had just moved my band to Portland in late '73 and the
>>> local stations were playing "The Joker" so often that my gag reflex
>>> barely had a chance to relax from the last play when they'd play it
>>> again. Unfortunately, I think I do understand the appeal . . . it's
>>> predictable . . . it's easy listening with a rock drumbeat. It is to
>>> music what McDonalds is to food. It's sweet, fatty, salty, and soft
>>> enough not to require much chewing. The motto of the American consumer
>>> is "Please, Don't Make Me Think!" (Politicians know this and use it
>>> continuously, but that's another discussion)
>>>
>>> Not to solo out Steve Miller -- this appeal to the lowest common
>>> denominator seems to be true of most popular music, whether it's Classic
>>> Rock or the latest in Hippity Hop. How often does something truly
>>> creative, unique, or even interesting break through on the airwaves?
>>>
>>> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my top
>>> ten rock songs of all time). AC/DC with Brian what's-his-name . . . not
>>> so interesting. He's a good screamer, but not much character.
>>>
>>> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
>>> intersting vocals. Sammy Hagar . . . ? YAWN!
>>>
>>> I think a lot of great bands deteriorate into boring parodies of
>>> themselves after achieving worldwide success and wealth. I think it's
>>> one of the hazards of getting rich off of one's art.
>>>
>>> One of my favorite bands of the '70s was Alice Cooper, in fact I still
>>> listen to the albums "Love It To Death" and "Killer" on occasion. After
>>> the success of "School's Out" and "Billion Dollar Babies," Alice lost his
>>> original band and with them a lot of important creative input. Being an
>>> entertainer became way more important than making good music, so Alice
>>> hung out with Liza Minnelli and golfed with Bob Hope and "went
>>> Hollywood." YAWN!
>>>
>>> I do think things got interesting for a while in the nineties when
>>> Nirvana broke the spell of spandex, big hair, and lipstick, but now
>>> things have settled back down into layers of homogenized fluff. There's
>>> lots of great music out there, just don't expect to hear much of it on
>>> the radio.
>>>
>>> S
>>>
>>>
>>> "TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>>> Just random observations. The construction guys renovating our offices
>>>> had
>>>> the local classic rock station on. Haven't listened to anything like
>>>> that
>>>> in years.
>>>>
>>>>
>>>> - Peral Jam is by far the most boring band to come out of Seattle in the
>>>> 90's, but the only one who can get on a classic rock station, so they
>>>> made
>>>> most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
>>>> Soundgarden,
>>>> and half a dozen others were better bands with better songs but don't
>>>> fit
>>>> the format.
>>>>
>>>> - Eddie Van Halen on their first record was a staggeringly good but also
>>>> tasteful guitar player. And there's something just joyful about the way
>>>> he
>>>> played back then. It was lost as time went on but he's a pleasure to
>>>> listen
>>>> to from that era.
>>>>
>>>> - Angus Young has some devestating vibrato.
>>>>
>>>> - There's nothing in this world short of a trailer truck of Saltines or
>>>> Randy
>>>> Travis that positively screams CRACKER quite as loudly as More Than A
>>>> Feeling
>>>> by Boston. There's no sheet music for that song 'cuase it's so white the
>>>> notes are unreadable.
>>>>
>>>> - I will never get why the Steve Miller Band is so popular.
>>>>
>>>> - If any band can give Van Halen a run for their money in the 'We didn't
>>>> used to suck but boy to we now' category it would be ZZ Top.
>>>>
>>>> Opinions?
>>>>
>>>> TCB
>>>
>>
>
>Great energy there. nice !

Brad Lyons wrote:
> and another with Gospel artist, NIYOKI I am still working on (no video in
> this clip)
>
> http://www.audioandmidi.com/media/audio/glorious_sampleclip. mp3
>
> Brad Lyons
>
> "Brad Lyons" <brad@audioandmidi.com> wrote:
>> It's just a rough mix from a live recording I did...but it's an idea of
> what
>> I've been up to. Got a chance to take out the Allen & Heath iLive and a
>> Tascam X48 for this one.
>>
>> http://youtube.com/watch?v=HMRUIHjKdvU
>>
>> Brad Lyons
>> Sweetwater
>Let me guess.....you were the cracker ? hehe

Brad Lyons wrote:
> and another with Gospel artist, NIYOKI I am still working on (no video in
> this clip)
>
> http://www.audioandmidi.com/media/audio/glorious_sampleclip. mp3
>
> Brad Lyons
>
> "Brad Lyons" <brad@audioandmidi.com> wrote:
>> It's just a rough mix from a live recording I did...but it's an idea of
> what
>> I've been up to. Got a chance to take out the Allen & Heath iLive and a
>> Tascam X48 for this one.
>>
>> http://youtube.com/watch?v=HMRUIHjKdvU
>>
>> Brad Lyons
>> Sweetwater
>Ok, I'll check it out but I have a theory on mentally what's happening
with verb on one channel and none on the other. My theory is that if
you have verb on both your ear hears a room, not your room but another
room.

My thought is that if you have the verb in predominantly one side (verb
channel left has 30% in right also for glue, and right has 30% left)
that your ear hears the dry and the verb and tricks your brain into
thinking the verb is YOUR room making the instrument seem closer to
actually being there.

It's the coolest effect I've heard yet !!

james McCloskey wrote:
> "John" <no@no.com> wrote:
>> Anything specific in Eminence Front? I'm noticing in particular that the
>> drums sound fantastic and BIG !
>>
>> Gimmie something to find in it !! ;-)
>
> Listen to each side. As I recall, the lead vocal sounds like it's in the
> center or there about. When you pan it's on one side. It's dry and there
> are some ambient reverberated lead VOX tails on some passages on the other
> side. There are some other panning and wet dry things going on in the mix.
> When you pan around and listen, it's kind of a weird mix. When you pan
> center it all comes together. I just wonder what would happen and what you
> would hear if you played with the phase. It's a different approach to mixing.
>
> Sometimes it's good to listen to some mixes on one side at a time. And yeah,
> the drums are great.
>Yep, that's why the video guys are fixing it :-) They didn't listen to me
in the beginning, so it's their job to fix it later.

Brad

"DJ" <animix _ at _ animas _ dot _ net> wrote:
>Brad..........the music and video have drifted pretty seriously in the long

>outro.
>
>
>"DJ" <animix _ at _ animas _ dot _ net> wrote in message
>news:468b13d9$1@linux...
>>
>> "Brad Lyons" <brad@audioandmidi.com> wrote in message
>> news:468b0eae$1@linux...
>>>
>>> It's just a rough mix from a live recording I did...but it's an idea
of
>>> what
>>> I've been up to. Got a chance to take out the Allen & Heath iLive and
a
>>> Tascam X48 for this one.
>>>
>>> http://youtube.com/watch?v=HMRUIHjKdvU
>>>
>>> Brad Lyons
>>> Sweetwater
>>
>> How wierd.......I bought an EWF CD yesterday and I've been listening to

>> that song today. Nice work Brad.
>>
>>
>> Deej
>>
>>
>
>Hey Brad

Long time.

Glad to hear your doing well.

I'm still using that Paris rig you played middle man for...thanks

Stick around for a while, we still don't bite

Don


"BradLyons" <brad@audioandmidi.com> wrote in message
news:468abfdd$1@linux...
>
> hey guys, long time no chat! I was talking with a client of mine and
> thought
> I'd pop in for old times sake!!
>
> Brad Lyons
> Sweetwater Sr Sales EngineerExcellent news!

Here's to a smooth uncomplicated proceedure and a speedy recovery.

Don


"Nappy" <mgrant62@googlemail.com> wrote in message news:468aa426$1@linux...
>
> Its offical! My transplant is on for July the 6th.
>
> respect
> NappyAll the best Nappy!!!

Ted

"Nappy" <mgrant62@googlemail.com> wrote:
>
>Its offical! My transplant is on for July the 6th.
>
>respect
>NappyI occasionally play percussion in an "unplugged" kind of group that plays
Willin. I always love to play that song.
Rod



"Sarah" <sarahjane@sarahtonin.com> wrote:
>Love Little Feat, especially the "Sailin' Shoes" album. The song "Willin'
"
>alone has got me through some tough moments.
>
>S
>
>"DJ" <animix _ at _ animas _ dot _ net> wrote in message
>news:468b0c88@linux...
>>
>> As far as cracker bands are concerned, I never thougth that of
>> Boston.....but then again, I really never gave it any thought. I was so

>> friggin glad to be hearing anything but disco that it worked for me at
the
>> time. I was a big Little Feat fan back then.
>>
>> ;o)
>>
>>
>>
>>
>> "Sarah" <sarahjane@sarahtonin.com> wrote in message
>> news:468ae987$1@linux...
>>> Opinions? Sure, I'm crawlin' with 'em over here:
>>>
>>> I am so with you on Steve Miller, in fact, I would disagree with you

>>> on one point . . . I think Steve Miller Band screams CRACKER way louder

>>> than Boston. I had just moved my band to Portland in late '73 and the

>>> local stations were playing "The Joker" so often that my gag reflex
>>> barely had a chance to relax from the last play when they'd play it
>>> again. Unfortunately, I think I do understand the appeal . . . it's
>>> predictable . . . it's easy listening with a rock drumbeat. It is to

>>> music what McDonalds is to food. It's sweet, fatty, salty, and soft

>>> enough not to require much chewing. The motto of the American consumer

>>> is "Please, Don't Make Me Think!" (Politicians know this and use it

>>> continuously, but that's another discussion)
>>>
>>> Not to solo out Steve Miller -- this appeal to the lowest common
>>> denominator seems to be true of most popular music, whether it's Classic

>>> Rock or the latest in Hippity Hop. How often does something truly
>>> creative, unique, or even interesting break through on the airwaves?
>>>
>>> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my
top
>>> ten rock songs of all time). AC/DC with Brian what's-his-name . . .
not
>>> so interesting. He's a good screamer, but not much character.
>>>
>>> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very

>>> intersting vocals. Sammy Hagar . . . ? YAWN!
>>>
>>> I think a lot of great bands deteriorate into boring parodies of
>>> themselves after achieving worldwide success and wealth. I think it's

>>> one of the hazards of getting rich off of one's art.
>>>
>>> One of my favorite bands of the '70s was Alice Cooper, in fact I still

>>> listen to the albums "Love It To Death" and "Killer" on occasion. After

>>> the success of "School's Out" and "Billion Dollar Babies," Alice lost
his
>>> original band and with them a lot of important creative input. Being
an
>>> entertainer became way more important than making good music, so Alice

>>> hung out with Liza Minnelli and golfed with Bob Hope and "went
>>> Hollywood." YAWN!
>>>
>>> I do think things got interesting for a while in the nineties when

>>> Nirvana broke the spell of spandex, big hair, and lipstick, but now
>>> things have settled back down into layers of homogenized fluff. There's

>>> lots of great music out there, just don't expect to hear much of it on

>>> the radio.
>>>
>>> S
>>>
>>>
>>> "TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>>>
>>>> Just random observations. The construction guys renovating our offices

>>>> had
>>>> the local classic rock station on. Haven't listened to anything like

>>>> that
>>>> in years.
>>>>
>>>>
>>>> - Peral Jam is by far the most boring band to come out of Seattle in
the
>>>> 90's, but the only one who can get on a classic rock station, so they

>>>> made
>>>> most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
>>>> Soundgarden,
>>>> and half a dozen others were better bands with better songs but don't

>>>> fit
>>>> the format.
>>>>
>>>> - Eddie Van Halen on their first record was a staggeringly good but
also
>>>> tasteful guitar player. And there's something just joyful about the
way
>>>> he
>>>> played back then. It was lost as time went on but he's a pleasure to

>>>> listen
>>>> to from that era.
>>>>
>>>> - Angus Young has some devestating vibrato.
>>>>
>>>> - There's nothing in this world short of a trailer truck of Saltines
or
>>>> Randy
>>>> Travis that positively screams CRACKER quite as loudly as More Than
A
>>>> Feeling
>>>> by Boston. There's no sheet music for that song 'cuase it's so white
the
>>>> notes are unreadable.
>>>>
>>>> - I will never get why the Steve Miller Band is so popular.
>>>>
>>>> - If any band can give Van Halen a run for their money in the 'We didn't
>>>> used to suck but boy to we now' category it would be ZZ Top.
>>>>
>>>> Opinions?
>>>>
>>>> TCB
>>>
>>>
>>
>>
>
>"DJ" <animix _ at _ animas _ dot _ net> wrote:
>At least you found the problem.......but ya know, some people actually
get
>their kicks that way....;o)....I'm doing the "you gotta' lower your
>cholesterol" thing right now. No more breakfast tacos for a while. Oatmeal

>is sooooo boring....

Get your doc to give you a scrip for this stuff called Niaspan.
All it is is a time-release form of niacin (vitamin B3), but
you can't get it OTC... it's not too expensive, and it'll help
more than any diet, and in terms of possible side-effects it's
WAY better than going on Lipitor, or any of those other things,
assuming it works in your case (it only takes a month to find
out, do it for four weeks, then get your cholesterol checked
again & see if it's working for you - obviously not everything
works for everyone in the same way).

My doctor uses it himself, and he's got me on it now... my
cholesterol had headed towards 220, and after 4 weeks of
nothing but oatmeal breakfasts & no fat, no red meat, no eggs,
etc, etc, I went back in to have it checked & it had gone up to
250; and in fact, my good cholesterol had gone down! Doc says
he had the same thing happening to him, and despite diet,
excercise, etc, his #'s were way over 300... went on Niaspam &
all's well. He's a young guy, too - in his 30's, I'd guess, not
overweight, doesn't smoke, etc... it's just a genetic thing for
a lot of people.


NeilTo all the rest of you Yanks out there!

NeilAll,

Just wanted to make everyone aware that the TD-10 Vdrum Kit I got on the
FOR SALE group is being moved to Ebay tonight.
I am piecing it off.

Thanks,
Brandon
thisiswheretocontactme@yahoo.comDJ... you're a day behind... try to keep up man!! ;-)

(check your clock)

David.

Happy 4th to our Southern neighbors!

DJ wrote:
> One of my all time favorite bands live, as well. Those guys could rock the
> house/arena/earth. I was devastated when Lowell died. You know how some
> people are diehard Deadheads????..........I was a Feathead.
>
> ;o)
>
>
>
> ;o)
> "Sarah" <sarahjane@sarahtonin.com> wrote in message news:468b1652@linux...
>
>>Love Little Feat, especially the "Sailin' Shoes" album. The song "Willin'
>>" alone has got me through some tough moments.
>>
>>S
>>
>>"DJ" <animix _ at _ animas _ dot _ net> wrote in message
>>news:468b0c88@linux...
>>
>>>As far as cracker bands are concerned, I never thougth that of
>>>Boston.....but then again, I really never gave it any thought. I was so
>>>friggin glad to be hearing anything but disco that it worked for me at
>>>the time. I was a big Little Feat fan back then.
>>>
>>>;o)
>>>
>>>
>>>
>>>
>>>"Sarah" <sarahjane@sarahtonin.com> wrote in message
>>>news:468ae987$1@linux...
>>>
>>>>Opinions? Sure, I'm crawlin' with 'em over here:
>>>>
>>>> I am so with you on Steve Miller, in fact, I would disagree with you
>>>>on one point . . . I think Steve Miller Band screams CRACKER way louder
>>>>than Boston. I had just moved my band to Portland in late '73 and the
>>>>local stations were playing "The Joker" so often that my gag reflex
>>>>barely had a chance to relax from the last play when they'd play it
>>>>again. Unfortunately, I think I do understand the appeal . . . it's
>>>>predictable . . . it's easy listening with a rock drumbeat. It is to
>>>>music what McDonalds is to food. It's sweet, fatty, salty, and soft
>>>>enough not to require much chewing. The motto of the American consumer
>>>>is "Please, Don't Make Me Think!" (Politicians know this and use it
>>>>continuously, but that's another discussion)
>>>>
>>>> Not to solo out Steve Miller -- this appeal to the lowest common
>>>>denominator seems to be true of most popular music, whether it's Classic
>>>>Rock or the latest in Hippity Hop. How often does something truly
>>>>creative, unique, or even interesting break through on the airwaves?
>>>>
>>>> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my top
>>>>ten rock songs of all time). AC/DC with Brian what's-his-name . . . not
>>>>so interesting. He's a good screamer, but not much character.
>>>>
>>>> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
>>>>intersting vocals. Sammy Hagar . . . ? YAWN!
>>>>
>>>> I think a lot of great bands deteriorate into boring parodies of
>>>>themselves after achieving worldwide success and wealth. I think it's
>>>>one of the hazards of getting rich off of one's art.
>>>>
>>>> One of my favorite bands of the '70s was Alice Cooper, in fact I
>>>>still listen to the albums "Love It To Death" and "Killer" on occasion.
>>>>After the success of "School's Out" and "Billion Dollar Babies," Alice
>>>>lost his original band and with them a lot of important creative input.
>>>>Being an entertainer became way more important than making good music,
>>>>so Alice hung out with Liza Minnelli and golfed with Bob Hope and "went
>>>>Hollywood." YAWN!
>>>>
>>>> I do think things got interesting for a while in the nineties when
>>>>Nirvana broke the spell of spandex, big hair, and lipstick, but now
>>>>things have settled back down into layers of homogenized fluff. There's
>>>>lots of great music out there, just don't expect to hear much of it on
>>>>the radio.
>>>>
>>>>S
>>>>
>>>>
>>>>"TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>>>
>>>>>Just random observations. The construction guys renovating our offices
>>>>>had
>>>>>the local classic rock station on. Haven't listened to anything like
>>>>>that
>>>>>in years.
>>>>>
>>>>>
>>>>>- Peral Jam is by far the most boring band to come out of Seattle in
>>>>>the
>>>>>90's, but the only one who can get on a classic rock station, so they
>>>>>made
>>>>>most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
>>>>>Soundgarden,
>>>>>and half a dozen others were better bands with better songs but don't
>>>>>fit
>>>>>the format.
>>>>>
>>>>>- Eddie Van Halen on their first record was a staggeringly good but
>>>>>also
>>>>>tasteful guitar player. And there's something just joyful about the way
>>>>>he
>>>>>played back then. It was lost as time went on but he's a pleasure to
>>>>>listen
>>>>>to from that era.
>>>>>
>>>>>- Angus Young has some devestating vibrato.
>>>>>
>>>>>- There's nothing in this world short of a trailer truck of Saltines or
>>>>>Randy
>>>>>Travis that positively screams CRACKER quite as loudly as More Than A
>>>>>Feeling
>>>>>by Boston. There's no sheet music for that song 'cuase it's so white
>>>>>the
>>>>>notes are unreadable.
>>>>>
>>>>>- I will never get why the Steve Miller Band is so popular.
>>>>>
>>>>>- If any band can give Van Halen a run for their money in the 'We
>>>>>didn't
>>>>>used to suck but boy to we now' category it would be ZZ Top.
>>>>>
>>>>>Opinions?
>>>>>
>>>>>TCB
>>>>
>>>>
>>>
>>
>
>Good luck Nappy!

GrahamI recently upgraded to C4 from SX1. I've been using Samplitude up 'til
now, but got kind of fed up with certain Sam limitations.

I am so impressed with C4 and it's capabilities. I love patching in
outboard f/x with delay compensation. I actually dig many of the
included f/x plugs and the Studio eq is not too shabby. I was just
messing with the envelope shaper on a snare and could get a ton of
control with it (trick I just found: when snare fills need more oomph,
automate the release time and open it up for the fill - makes them big
and ballsy).

One of the reasons I switched away from Sam is it has a kind of
incomplete or sloppy aspect to it. They add new features but don't
complete or integrate them fully. C4 is totally the opposite - a very
slick, pro bit o' kit.

I'm contemplating something DJ will no doubt appreciate. There are some
excellent f/x in Sam I would like to be able to patch into from C4, but
they are proprietary. Can I run Sam on a separate machine and patch via
the sends out thru ADAT LP into a channel in Sam with the f/x on it? I
wonder if it senses the actual delay or just computes it from the driver
latency settings? If it just computes it will not compensate for the
delay into and out of the Sam machine's sound card. When I get time to
install sam on the other machine I'll check it out.

If you are looking for a really excellent, mature and robust DAW I do
recommend C4.Nappy,

I'm excited for you to finally be able to do this. My prayers are with you...


michael



"Nappy" <mgrant62@googlemail.com> wrote:
>
>Its offical! My transplant is on for July the 6th.
>
>respect
>NappyDo you know how Alice recorded that vocal section?
(trivia time!)
AA


"Sarah" <sarahjane@sarahtonin.com> wrote in message news:468b1550$1@linux...
> Oh yeah, that song has one of the best crazy twisted guitar solos ever.
>
> I gotta get outa here . . . I've . . . got . . . to . . . get . . . OUT .
> . . of . . . here!
>
> Good stuff. :)
>
> S
>
>
> "Aaron Allen" <know-spam@not_here.dude> wrote in message
> news:468aebe7$1@linux...
>> Ballad of Dwight Fry tops my all time 5 favs.
>> AA
>>
>>
>> "Sarah" <sarahjane@sarahtonin.com> wrote in message
>> news:468ae987$1@linux...
>>> Opinions? Sure, I'm crawlin' with 'em over here:
>>>
>>> I am so with you on Steve Miller, in fact, I would disagree with you
>>> on one point . . . I think Steve Miller Band screams CRACKER way louder
>>> than Boston. I had just moved my band to Portland in late '73 and the
>>> local stations were playing "The Joker" so often that my gag reflex
>>> barely had a chance to relax from the last play when they'd play it
>>> again. Unfortunately, I think I do understand the appeal . . . it's
>>> predictable . . . it's easy listening with a rock drumbeat. It is to
>>> music what McDonalds is to food. It's sweet, fatty, salty, and soft
>>> enough not to require much chewing. The motto of the American consumer
>>> is "Please, Don't Make Me Think!" (Politicians know this and use it
>>> continuously, but that's another discussion)
>>>
>>> Not to solo out Steve Miller -- this appeal to the lowest common
>>> denominator seems to be true of most popular music, whether it's Classic
>>> Rock or the latest in Hippity Hop. How often does something truly
>>> creative, unique, or even interesting break through on the airwaves?
>>>
>>> Love AC/DC in their Bon Scott period ("Highway to Hell" is in my top
>>> ten rock songs of all time). AC/DC with Brian what's-his-name . . . not
>>> so interesting. He's a good screamer, but not much character.
>>>
>>> Similarly, I liked Van Halen with Dave Lee Roth. Hot music, very
>>> intersting vocals. Sammy Hagar . . . ? YAWN!
>>>
>>> I think a lot of great bands deteriorate into boring parodies of
>>> themselves after achieving worldwide success and wealth. I think it's
>>> one of the hazards of getting rich off of one's art.
>>>
>>> One of my favorite bands of the '70s was Alice Cooper, in fact I
>>> still listen to the albums "Love It To Death" and "Killer" on occasion.
>>> After the success of "School's Out" and "Billion Dollar Babies," Alice
>>> lost his original band and with them a lot of important creative input.
>>> Being an entertainer became way more important than making good music,
>>> so Alice hung out with Liza Minnelli and golfed with Bob Hope and "went
>>> Hollywood." YAWN!
>>>
>>> I do think things got interesting for a while in the nineties when
>>> Nirvana broke the spell of spandex, big hair, and lipstick, but now
>>> things have settled back down into layers of homogenized fluff. There's
>>> lots of great music out there, just don't expect to hear much of it on
>>> the radio.
>>>
>>> S
>>>
>>>
>>> "TCB" <nobody@ishere.com> wrote in message news:468a9096$1@linux...
>>>>
>>>> Just random observations. The construction guys renovating our offices
>>>> had
>>>> the local classic rock station on. Haven't listened to anything like
>>>> that
>>>> in years.
>>>>
>>>>
>>>> - Peral Jam is by far the most boring band to come out of Seattle in
>>>> the
>>>> 90's, but the only one who can get on a classic rock station, so they
>>>> made
>>>> most of the money. The Screaming Trees, Alice in CHains, Mudhoney,
>>>> Soundgarden,
>>>> and half a dozen others were better bands with better songs but don't
>>>> fit
>>>> the format.
>>>>
>>>> - Eddie Van Halen on their first record was a staggeringly good but
>>>> also
>>>> tasteful guitar player. And there's something just joyful about the way
>>>> he
>>>> played back then. It was lost as time went on but he's a pleasure to
>>>> listen
>>>> to from that era.
>>>>
>>>> - Angus Young has some devestating vibrato.
>>>>
>>>> - There's nothing in this world short of a trailer truck of Saltines or
>>>> Randy
>>>> Travis that positively screams CRACKER quite as loudly as More Than A
>>>> Feeling
>>>> by Boston. There's no sheet music for that song 'cuase it's so white
>>>> the
>>>> notes are unreadable.
>>>>
>>>> - I will never get why the Steve Miller Band is so popular.
>>>>
>>>> - If any band can give Van Halen a run for their money in the 'We
>>>> didn't
>>>> used to suck but boy to we now' category it would be ZZ Top.
>>>>
>>>> Opinions?
>>>>
>>>> TCB
>>>
>>>
>>
>>
>
>This is a multi-part message in MIME format.

------=_NextPart_000_00C9_01C7BE38.A2B78290
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I was more stable than ever before with Lucid WC,
2 MECs and one 442. Never crashed once. I added
a third MEC and that was okay but it's in/outs weren't
functional. I tried it in a different position and ever since
then I get this after Paris has gotten to the EDS/DX effects
part of the start up.

Unhandled Exception:c00000005
at address: 77c35ea

I tried removing the last MEC and putting it in the last working =
position.
All I get is this error and can't boot up Paris.

Last working configuration:
Submix A MEC
Submix B 442
Submix C MEC (no working audio)
Submix E MEC

I tried swapping hardware between Submix B and C and that's when the =
trouble began.
I also reseated the eds cards and their cables.

Is it possible it's an effect? I have added nothing new in months and =
it was very stable.
Maybe a defective default project?

I'll try another one to boot from that happens to be at 48k.

Tips graciously accepted,
Tom



I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_00C9_01C7BE38.A2B78290
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I was more stable than ever before with =
Lucid=20
WC,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2 MECs and one 442.&nbsp; Never crashed =
once.&nbsp;=20
I added</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>a third MEC and that was okay but it's =
in/outs=20
weren't</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>functional.&nbsp; I tried it in a =
different=20
position and ever since</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>then I get this after Paris has gotten =
to the=20
EDS/DX effects</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>part of the start up.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Unhandled =
Exception:c00000005</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>at address: 77c35ea</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I tried removing the last MEC and =
putting it in the=20
last working position.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>All I get is this error and can't boot =
up=20
Paris.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Last working =
configuration:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix A MEC</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix B 442</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix C MEC (no working =
audio)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix E MEC</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I tried swapping hardware&nbsp;between =
Submix B and=20
C and that's when the trouble began.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I also reseated the eds cards and their =

cables.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Is it possible it's an effect?&nbsp; I =
have added=20
nothing new in months and it was very stable.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Maybe&nbsp;a defective default=20
project?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'll try another one to boot from that =
happens to=20
be at 48k.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Tips graciously accepted,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A>&nbsp;&nbsp;&nbsp;</FONT></DIV></BODY ></HTML>

------=_NextPart_000_00C9_01C7BE38.A2B78290--One of the best concerts I ever saw in my life was ZZ top in 1971 in the
football stadium at Stephen F. Austin University in Nacogdoches Texas. I was
flabbergasted. The only other time I had seen guitar playing like that had
been at a Hendrix concert back in the late summer of 1970, right before he
died.

Billy Gibbons can really play some incredible stuff. I really don't like
stylistic direction he and the band eventually took. By 1974, they weren't
innovative any more.it was all this "formula/Texas Hype" and it got got
really old and stupid. I was at their Barndance and Bar B Q concert in
Memorial Stadium in Austin in the summer of '74. 80,000 people sitting on
concrete bleachers and astroturf stoned and drunk out of their minds in the
middle of July with very limited water supplies and bags of Reddi Ice being
sold by the promoters for $10.00+ per. When the sun went down, people were
so crazed from the drugs and the heat that they started lighting fires on
the Astroturf. UT didn't allow another concert in that stadium for 25 years.

Bad Company (with Jimmy Paige sitting in) opened the concert, followed by
Santana. ZZ top showed up after that and they were just "loud" and mediocre
by comparison, eaaring these white Gene Autry costumes with oversized 20
gallon hats. I thought I was hallucinating......well....more than usual.
Santana, OTOH, just stole the show stole the show. I went out and bought
Borboletta the next day.

OK......rant off..





"John" <aint@itawful.com> wrote in message news:468b78de$1@linux...
> I'm 47 and still don't know what a cracker is but I love Boston, Queen,
> ZZTop, The Outfield, Air Supply, Led Zeppelin, Rush, AC/DC and Shania.
>
> I must be one...hehe
>
> DC wrote:
>> "DJ" <animix _ at _ animas _ dot _ net> wrote:
>>
>>
>>> As far as cracker bands are concerned, I never thougth that of
>>> Boston.....but then again, I really never gave it any thought. I was so
>>
>>> friggin glad to be hearing anything but disco that it worked for me at
>>> the
>>
>>> time.
>>
>> Like so much of radio they only play the lighter side. There is some
>> solid
>> writing and playing once you get past "more than a feeling". Funny, cuz
>> I met Scholz and he is definitely Thad's kind of guy. Highly educated,
>> (M.A. M.I.T.) very intellectual with a great passion for music
>> technology.
>>
>> About as much of a cracker as SSC was...
>>
>> DCThis is a multi-part message in MIME format.

------=_NextPart_000_0313_01C7BE2B.34E8ED60
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Tom,

After you have edited your Pairs .cfg file to add the line =
"UseHouseSync=3D1" (no quotes), save this and reboot your computer.

1. Get the 442 completely out of the equation. Forget about using it =
ever again in a multicard setup. It's just going to make your life =
miserable.

2. Connect the three MECs to the Lucid clock outputs with cables of =
equal length, connect the MEC on card A to clock output #1, Mec on card =
B to output #2, etc.........I don't know why, but this is what worked =
for me.......then ((very important) set the Lucid clock to 44.1KHz =
sample rate (if that's what you're using)

3. Boot Paris from the Paris.exe in the C\Program files\EMU\Paris folder

4. Set the project to 48KHz and save it back to the same folder under =
the name "Default Project" (no quotes).

5. Save it again to the desktop under the same name.

6. Reboot your computer and launch Paris from the icon on your desktop. =
Do not ever change the sample rate of your Default Project. Leave it at =
48KHz. You will be able to open all of your old 44.1 projects or create =
new 44.1 projects from this one once Paris has booted and fully =
initialized.

Deej


"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:468bceee@linux...
I was more stable than ever before with Lucid WC,
2 MECs and one 442. Never crashed once. I added
a third MEC and that was okay but it's in/outs weren't
functional. I tried it in a different position and ever since
then I get this after Paris has gotten to the EDS/DX effects
part of the start up.

Unhandled Exception:c00000005
at address: 77c35ea

I tried removing the last MEC and putting it in the last working =
position.
All I get is this error and can't boot up Paris.

Last working configuration:
Submix A MEC
Submix B 442
Submix C MEC (no working audio)
Submix E MEC

I tried swapping hardware between Submix B and C and that's when the =
trouble began.
I also reseated the eds cards and their cables.

Is it possible it's an effect? I have added nothing new in months and =
it was very stable.
Maybe a defective default project?

I'll try another one to boot from that happens to be at 48k.

Tips graciously accepted,
Tom



I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
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charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Tom,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>After you have edited your Pairs .cfg =
file to add=20
the line "UseHouseSync=3D1" (no quotes), save this and reboot your=20
computer.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>1. Get the 442 completely out of the =
equation.=20
Forget about using it ever again in a multicard setup. It's just going =
to make=20
your life miserable.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>2. Connect the three MECs to the Lucid =
clock=20
outputs with cables of equal length, connect the MEC on card A to clock =
output=20
#1, Mec on card B to output #2, etc.........I don't know why, but this =
is what=20
worked for me.......then ((very important) set the Lucid clock to =
44.1KHz sample=20
rate (if that's what you're using)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>3. Boot Paris from the Paris.exe in the =
C\Program=20
files\EMU\Paris folder</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>4. Set the project to 48KHz and save it =
back to the=20
same folder under the name "Default Project" (no quotes).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>5. Save it again to the desktop under =
the same=20
name.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>6.&nbsp;Reboot your computer and launch =
Paris from=20
the icon on your desktop. Do not ever change the sample rate of your =
Default=20
Project. Leave it at 48KHz. You will be able to open all of your old =
44.1=20
projects or create new 44.1 projects from this one once Paris has booted =
and=20
fully initialized.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Deej</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" &lt;<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>&gt; wrote =
in message=20
<A href=3D"news:468bceee@linux">news:468bceee@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I was more stable than ever before =
with Lucid=20
WC,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2 MECs and one 442.&nbsp; Never =
crashed=20
once.&nbsp; I added</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>a third MEC and that was okay but =
it's in/outs=20
weren't</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>functional.&nbsp; I tried it in a =
different=20
position and ever since</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>then I get this after Paris has =
gotten to the=20
EDS/DX effects</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>part of the start up.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Unhandled =
Exception:c00000005</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>at address: 77c35ea</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I tried removing the last MEC and =
putting it in=20
the last working position.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>All I get is this error and can't =
boot up=20
Paris.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Last working =
configuration:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix A MEC</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix B 442</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix C MEC (no working =
audio)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix E MEC</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I tried swapping =
hardware&nbsp;between Submix B=20
and C and that's when the trouble began.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I also reseated the eds cards and =
their=20
cables.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Is it possible it's an effect?&nbsp; =
I have added=20
nothing new in months and it was very stable.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Maybe&nbsp;a defective default=20
project?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'll try another one to boot from =
that happens to=20
be at 48k.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Tips graciously =
accepted,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
=

Report message to a moderator

Re: O.T. My buddy came to town. [message #85784 is a reply to message #85783] Sat, 02 June 2007 09:05 Go to previous messageGo to next message
Deej [4] is currently offline  Deej [4]   UNITED STATES
Messages: 1292
Registered: January 2007
Senior Member
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A>&nbsp;&nbsp;&nbsp;</FONT></DIV></BLOCKQUOTE ></BODY></HTML>

------=_NextPart_000_0313_01C7BE2B.34E8ED60--Bill,

Once you've got all of your VST I/O set up for a project and you are using a
bunch of external gear. Close cubase, turn off your computer, then reboot
and launch Cubase and tell me if all of your patching has been saved or if
you've got to go back and repatch at least some of it.
this is a big problem if you're using lots of analog gear in a mix. I've to
26 analog I/O in my rig and 20+ analog outboard processors. this can be a

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Re: O.T. My buddy came to town. [message #85787 is a reply to message #85784] Sat, 02 June 2007 09:45 Go to previous messageGo to next message
gene lennon is currently offline  gene lennon
Messages: 565
Registered: July 2006
Senior Member
r on a snare and could get a ton of control with it (trick I
> just found: when snare fills need more oomph, automate the release time
> and open it up for the fill - makes them big and ballsy).
>
> One of the reasons I switched away from Sam is it has a kind of incomplete
> or sloppy aspect to it. They add new features but don't complete or
> integrate them fully. C4 is totally the opposite - a very slick, pro bit
> o' kit.
>
> I'm contemplating something DJ will no doubt appreciate. There are some
> excellent f/x in Sam I would like to be able to patch into from C4, but
> they are proprietary. Can I run Sam on a separate machine and patch via
> the sends out thru ADAT LP into a channel in Sam with the f/x on it? I
> wonder if it senses the actual delay or just computes it from the driver
> latency settings? If it just computes it will not compensate for the delay
> into and out of the Sam machine's sound card. When I get time to install
> sam on the other machine I'll check it out.
>
> If you are looking for a really excellent, mature and robust DAW I do
> recommend C4.Heheh!!!!..........well.......hmmmmm.........maybe I can turn back the clock
this way and my hair will grow back
;o)

"EK Sound" <askme@nospam.com> wrote in message news:

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Re: O.T. My buddy came to town. [message #85788 is a reply to message #85787] Sat, 02 June 2007 09:55 Go to previous messageGo to next message
Deej [4] is currently offline  Deej [4]   UNITED STATES
Messages: 1292
Registered: January 2007
Senior Member
nux..." target="_blank">468bb548@linux...
> DJ... you're a day behind... try to keep up man!! ;-)
>
> (check your clock)
>
> David.
>
> Happy 4th to our Southern neighbors!
>
> DJ wrote:
>> One of my all time favorite bands live, as well. Those guys could rock
>> the house/arena/earth. I was devastated when Lowell died. You know how
>> some people are diehard Deadheads????..........I was a Feathead.
>>
>> ;o)
>>
>>
>>
>> ;o)
>> "Sarah" <sarahjane@sarahtonin.com> wrote in message
>> news:468b1652@linux...
>>
>>>Love Little Feat, especially the "Sailin' Shoes" album. The song
>>>"Willin' " alone has got me through some tough moments.
>>>
>>>S
>>>
>>>"DJ" <animix _ at _ animas _ dot _ net> wrote in message
>>>news:468b0c88@linux...
>>>
>>>>As far as cracker bands are concerned, I never thougth that of
>>>>Boston.....but then again, I really never gave it any thought. I was so
>>>>friggin glad to be hearing anything but disco that it worked for me at
>>>>the time. I was a big Little Feat fan back then.
>>>>
>>>>;o)
>>>>
>>>>
>>>>
>>>>
>>>>"Sarah" <sarahjane@sarahtonin.com> wrote in message
>>>>news:468ae987$1@linux...
>>>>
>>>>>Opinions? Sure, I'm crawlin' with 'em over here:
>>

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Re: O.T. My buddy came to town. [message #85793 is a reply to message #85788] Sat, 02 June 2007 11:34 Go to previous messageGo to next message
John [1] is currently offline  John [1]
Messages: 2229
Registered: September 2005
Senior Member
rt_000_0009_01C7BE3D.7F033E70
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hey DJ,
I've been doing everything here except no 442. I'll give that a whirl.
Does that error look like a hardware issue to you?
Tom

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Re: O.T. My buddy came to town. [message #85795 is a reply to message #85787] Fri, 01 June 2007 22:56 Go to previous messageGo to next message
Ed is currently offline  Ed   UNITED STATES
Messages: 199
Registered: February 2006
Senior Member
ht spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_0009_01C7BE3D.7F033E70
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey DJ,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I've been doing everything here except =
no=20
442.&nbsp; I'll give that a whirl.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Does that error look like a hardware =
issue to=20
you?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" &lt;animix _ at _ animas _ dot _ net&gt; wrote in message <A =

href=3D"news:468bd4bf@linux">news:468bd4bf@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Tom,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>After you have edited your Pairs .cfg =
file to add=20
the line "UseHouseSync

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Re: O.T. My buddy came to town. [message #85800 is a reply to message #85788] Sat, 02 June 2007 14:37 Go to previous messageGo to next message
Bill L is currently offline  Bill L   UNITED STATES
Messages: 766
Registered: August 2006
Senior Member
=20
Paris.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Last working =
configuration:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix A MEC</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix B 442</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix C MEC (no working =
audio)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Submix E MEC</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I tried swapping =
hardware&nbsp;between Submix B=20
and C and that's when the trouble began.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I also reseated the eds cards and =
their=20
cables.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Is it possible it's an =
effect?&nbsp; I have=20
added nothing new in months and it was very stable.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Maybe&nbsp;a defective default=20
project?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I'll try another one to boot from =
that happens=20
to be at 48k.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Tips graciously =
accepted,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight =
spam, and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A>&nbsp;&nbsp;&nbsp;</FONT></DIV></BLOCKQUOTE ></BLOCKQUOTE></BODY>=
</HTML>

------=_NextPart_000_0009_01C7BE3D.7F033E70--On Mon, 2 Jul 2007 23:48:51 -0600, "DJ" <animix _ at _ animas _ dot _
net> wrote:

>I always liked the way Delf's voice morphed into guitar feedback at the
>beginning of the lead solo in More than A Feeling.
>

I read an interview with Scholz soon after Delp's death. He was
reminiscing about vocal sessions - he was amazed at how Brad would lay
down these impossibly high melody lines, effortlessly, and then just
as effortlessly go back and lay down the high harmonies

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Re: O.T. My buddy came to town. [message #85803 is a reply to message #85800] Sat, 02 June 2007 16:07 Go to previous messageGo to next message
John [1] is currently offline  John [1]
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ue to you?
Tom


"DJ" <animix _ at _ animas _ dot _ net> wrote in message =
news:

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Re: O.T. My buddy came to town. [message #85808 is a reply to message #85803] Sat, 02 June 2007 16:16 Go to previous messageGo to next message
chuck duffy is currently offline  chuck duffy
Messages: 453
Registered: July 2005
Senior Member
s in/outs weren't
functional. I tried it in a different position and ever since
then I get this after Paris has gotten to the EDS/DX effects
part of the start up.

Unhandled Exception:c00000005
at address: 77c35ea

I tried removing the last MEC and putting it in the last wor

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Re: O.T. My buddy came to town. [message #85810 is a reply to message #85808] Sat, 02 June 2007 16:20 Go to previous messageGo to next message
Bill L is currently offline  Bill L   UNITED STATES
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.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Tom,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It looks like a "having a 442 in a =
multiMEC setup"=20
issue. If removing the 442 and setting up things exactly as I described =

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Re: O.T. My buddy came to town. [message #85836 is a reply to message #85810] Sun, 03 June 2007 03:34 Go to previous messageGo to next message
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Re: O.T. My buddy came to town. [message #85842 is a reply to message #85836] Sun, 03 June 2007 05:25 Go to previous messageGo to next message
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Re: O.T. My buddy came to town. [message #85868 is a reply to message #85836] Sun, 03 June 2007 13:37 Go to previous messageGo to next message
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Re: O.T. My buddy came to town. [message #85873 is a reply to message #85836] Sun, 03 June 2007 14:05 Go to previous message
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