Home » The PARIS Forums » PARIS: Main » Chuck Please.......
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| Re: No Limit uses [message #80799 is a reply to message #80789] |
Wed, 28 February 2007 09:41   |
Jeremy Luzier
Messages: 102
Registered: November 2005
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Senior Member |
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nice and work well for a ribbon mic. Is there such a thing for that
>>>>> price?
>>>>>
>>>>>
>>>>>
>>>>> Chris
>>>>>
>>>>>
>>>>> --
>>>>> Chris Ludwig
>>>>>
>>>>> ADK Pro Audio
>>>>> (859) 635-5762
>>>>> www.adkproaudio.com
>>>>> chrisl@adkproaudio.com
>>>>
>>>>
>>>
>>
>>
>
>You're not old enough to start an "oldies" club.
--
Martin Harrington
www.lendanear-sound.com
"John" <no@no.com> wrote in message news:46177f2a@linux...
>I started that club
>
> erlilo wrote:
>> Welcome in the "too old to get angry" club;-) ...said with a joking
>> smile from my mirror...heh heh....
>>
>> erlilo
>>
>> "DC" <dc@spammersinhell.com> skrev i en meddelelse
>> news:4616d326$1@linux...
>>> DJ and me are too old to get angry...
>>>
>>> heh heh
>>>
>>> DC
>>>
>>>
>>You should be able to find all that setup in the ASIO setup, which usually
occurs the first time you open the program.
--
Martin Harrington
www.lendanear-sound.com
"Steve Cox" <stevec1@charter.net> wrote in message news:461540bb$1@linux...
>
> All of what you guys are telling me is still unfortunately not what I am
> asking.
> Spesifically, where in the software can you select between: Built in
> input,
> digital input (card) and analog input (card)?? All of the rest of what you
> are telling me isn't what I am asking. Also...we are recording audio and
> not midi.
> SteveI spent a couple of hours with Pamela Moore last night. Pamela Moore,
as in Sister Mary.
She lives here in Northwest Indiana now, and was the in-studio guest
on a friend of mine's radio show Sunday night. So, I got to spend a
couple hours as part of the show, and chatting during songs.
What a sweetheart. Also hot, in a hot rock chick sort of way. And
she baked cookies. We had two plates of homemade chocolate chip
cookies to munch on. Yum.
Pamela has a new solo album out called "Stories from a Blue Room."
It's a rocker. I took photos, she gave me a copy of the album and some
cookies. Not a bad way to spend an evening.
She's going on a solo tour this summer, most likely with Dio's band
since Dio is currently on tour with Sabb
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| Re: No Limit uses [message #80824 is a reply to message #80799] |
Wed, 28 February 2007 15:47 |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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>
>on this one.
>Product Page: http://www.braindoc.de/english/vstEn.html
>Download: http://www.braindoc.de/vst/ShifterBank_v1.0.0.zip
>
>
>***Other***:
>
>BrainDoc Channel Tool:
>This is a very simple tool that basically allows you to set levels/phase/etc
>on a single channel. Handy if you've got something that you've automated
>volume on, and it's a little hot or a little soft overall, but you don't
>want to rewrite all the automation moves; OR if you're in a Native app &
>you've got that overstuffed mix buss thing happening - just insert this
on
>all your audio tracks & bring all of 'em down by the same degree (like we
>discussed in another thread):
>Product Page: http://www.braindoc.de/english/vstEn.html
>Download: http://www.braindoc.de/vst/ChannelTool.zip
>
>Gvst GFader:
>An even simpler version (level ONLY) of the Braindoc-type tool mentioned
>above¡K de-stuff your Native mix buss fast & easy without having to rewrite
>automation moves:
>Product Page: http://www.gvst.co.uk/gfader.htm
>Download: http://www.gvst.co.uk/dlgvst/GFader.zip
>
>
>Voxengo Audio Delay:
>OK, this is NOT a delay chain effect, it allows you to delay the sound by
>a fixed number of milliseconds or sub-increments thereof. I found this useful
>when tracking a kit of e-pads & live cymbals combined¡KI wanted to create
>a more realistic space for the e-pads, so I sent those to an aux buss, inserted
>this on that submix, and delayed the audio by like 3-4 milliseconds (like
>about the same delay you¡¦d get from overheads vs. the direct mics), and
>the blend of the two worked out great! Probably you could find some other
>uses for it as well.
>Product Page: http://www.voxengo.com/product/audiodelay/
>Download: http://www.voxengo.com/files/VoxengoAudioDelay_12_WinVST_set up.zip
>
>Voxengo SPAN:
>Spectrum Analyzer ¡V versatile one¡K don¡¦t leave too many of these plugged
>in across various channels, though; it¡¦s not super CPU-intensive on it¡¦s
>own, but several of ¡¥em at a time will suck down a lot of your available
>cycles.
>Product Page: http://www.voxengo.com/product/SPAN/
>Download: http://www.voxengo.com/files/VoxengoSPAN_18_WinVST_setup.zip
>
>Voxengo r8Brain:
>The free version of this app ¡V works with multiple bitrates & sample rates.
>A must-have, IMO. It¡¦s a stand-alone utility, not a plugin. Can also do
>batch conversions!
>Product Page: http://www.voxengo.com/product/r8brain/
>Download: http://www.voxengo.com/files/Voxengor8brain_19_WinGUI_setup. exe
>
>Simulanalog G-Suite:
>A guitar processing pack that has some emulations of Marshall & Fender amps
>& a handful of stomp pedals¡K I would not recommend this as a primary guitar
>track thang, but I found it useful recently when recording a split signal
>of a direct guitar combined with an amped signal (yes, it went on the direct
>channel LOL!).
>Product Page: Report message to a moderator
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| Re: No Limit uses [message #80829 is a reply to message #80824] |
Wed, 28 February 2007 17:13 |
chuck duffy
Messages: 453
Registered: July 2005
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Senior Member |
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an even drive dear from different outlets on different =
circuits here without hum. If you've got humming gear, you've got a =
grounding issue. If you've got sags and spikes, then get a voltage =
regulator. If you've got line noise, then the IsoBar should work for =
you. I'd try that first. If it doesn't solve your problem, then you can =
return it and go for the Monster if you think it would help.
"Brandon" <a@a.com> wrote in message news:461b8cb8@linux...
thanks DJ.
I will see about getting one of these.
What about line conditioning.
Is there a drastic benefit with this feature?
A lot of people swear by it.
--=20
Thanks,
Brandon=20
"DJ" <www.aarrrrggghhh!!!.com> wrote in message news:461b2adb@linux...
Tripplite Isobar IDR-12. I got mine there and it's still going =
strong 7=20
years later.
"Brandon" <A@A.com> wrote in message news:461ac605$1@linux...
>
> DJ do you have a particular model in mind?
>
>
>
>
>
> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>Just go over to Altex Electronics on I35 at Braker and pick up a =
rack
>>mountable Tripplite bar. You'll have a better quality unit for =
around
>>$30-40.00.
>>
>>Deej
>>
>>"Brandon" <A@A.com> wrote in message news:4618402e$1@linux...
>>>
>>> You guys have any opinions on the MonstercAble Clean Power rack =
modules?
> I
>>> was thinking about picking up a stage 2, ten outlet for $200. Is =
there
>
>>> really
>>> that much benefit in reduced noise floor and better performance?
>>> Thanks,
>>> B
>>
>>
>=20
------=_NextPart_000_002A_01C77B54.3AE4F020
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Content-Transfer-Encoding: quoted-printable
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<HTML><HEAD>
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<DIV><FONT face=3DArial size=3D2>Brandon,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I'd say that Monster stuff is expensive =
hype from=20
my experience. Do you need line conditioning? Are you getting lots of =
line=20
noise? I've got a Furman IT10 here that is a balanced power module. =
I got=20
it *really* cheap and I just use it as a glorified (60 lb) power =
strip. I=20
don't think it has lowered my noise floor. I can plug the same piece of =
gear=20
into a wall outlet and the noise floor is the same but I've got good =
power here.=20
I can even drive dear from different outlets on different circuits here =
without=20
hum. If you've got humming gear, you've got a grounding issue. If you've =
got=20
sags and spikes, then get a voltage regulator. If you've got line noise, =
then=20
the IsoBar should work for you. I'd try that first. If it doesn't solve =
your=20
problem, then you can return it and go for the Monster if you think it =
would=20
help.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Brandon" <<A href=3D"mailto:a@a.com">a@a.com</A>> wrote in =
message=20
<A href=3D"news:461b8cb8@linux">news:461b8cb8@linux</A>...</DIV>
<DIV><
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| Re: No Limit uses [message #80835 is a reply to message #80824] |
Wed, 28 February 2007 19:06 |
Jeremy Luzier
Messages: 102
Registered: November 2005
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Senior Member |
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neral room ambiance can be managed pretty actively, it's one thing.
>> Jammed
>> into a 12x14 room with low ceilings (sadly, where I am tracking now) that
>> can be a real problem.
>>
>> Let us know what you find out, those prices sure are right.
>>
>> TCB
>>
>
>I don't think you will be unhappy with the sE ribbon. It's one of those
>*gonna' havta' pry it outta' my cold dead hands* mics around here. I also
>picked up another AKG C460B/CK61 the other day. I just love these
>things........more than Neumann KM184's....and they're cheap on EBay. I'll
>be sending one of them off to Jim Williams for *the mod* in a month or so,
I
>think. I'm also scout some CK63ULS capsules for these. I like using SDC's
>with hypercardiod capsules under the snare and on the hats.
>
>Deej
>
>Here is proof against your lies and opinions pc zealots. You say that Steve
Jobs doesn't care about politics or the world? Here is PROOF!!!
http://www.youtube.com/watch?v=AGHty_S0TU0Sony Oxford stuff (The kind of EQ and compressor you could use on every
track)
EMI Abbey Road compressors (Not cheap but good)
Nebula (only the free version available as of now, but larger version soon)
Hydratone by Tritonedigital - (Awesome character EQ)
"LaMont" <jjdpro@ameritech.net> wrote:
>
>Here is my List:
>-Waves-All(I Love Waves.Now there :)
>-Sonalkis
>-Kjaerhusaudio-My go to work horses
>-Antares
>-URS
>
>
>
>
>"TCB" <nobody@ishere.com> wrote:
>>
>>Hey all,
>>
>>Something interesting has started happening of late--I'm maxing out my
DSP
>>plugs while still having all kinds of room left on my host, but without
>a
>>lot of plug-ins I really like. The ones I _do_ like tend to be very CPU
>friendly,
>>stuff like the PSP 84 delay and the Orange Vocoder. Reverbs I don't use
>a
>>lot anyway and prefer what's on Creamware card to anything I've heard in
>>software world. So I guess it's basically dynamics and EQ and modulation
>>effects I'm looking for. Opinions? Suggestions?
>>
>>It just seems silly to be juggling things and freezing tracks with my CPU
>>meter at, like, 7% during a mix.
>>
>>TCB
>Hi,
For those of you who use Pulsar cards I have a nice tape/tube emulator made
that I made for free.
Anyone wanting this just email me.
It is also uploaded on Pulsar forum in device section called tubetaper.
Graphics don't look nice but another graphics developer will make it look
as it sound great !!
Enjoy.
Regards,
DimitriosWhat did he do to your LXP-1 & how much? I use one of them dinosaurs with
my mini-live rig-it's small & old but still sounds great, but hey, if it
can sound better...
dale
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>My sE ribbon smooths the top without overly darkening it. I prefer this
kind
>of rolloff to using EQ.
>
>Jim williams pretty much guts the C460's and makes them a bit minimalist.
I
>have heard them compared to the high end Shoeps mics. I am going to give
him
>one to do and then compare it to the stock models and see what if any
>difference and/or wonderfulness I hear. I't a $150.00 gamble, but I had
Jim
>mod my Lexi LXP-1 and I liked the result.
>
>www.audioupgrades.com
>
>Deej
>
>"Gantt Kushner" <ganttmann@comcast.net> wrote in message
>news:461bd396$1@linux...
>>
>> Hey DJ,
>>
>> Say more about the SE ribbon - I'm intrigued. Also, what does Jim
>> Williams
>> do to 461's?
>>
>> Gantt
>>
>> "DJ" <www.aarrrrggghhh!!!.com> wrote:
>>>
>>>I don't think you will be unhappy with the sE ribbon. It's one of those
>>
>>>*gonna' havta' pry it outta' my cold dead hands* mics around here. I also
>>
>>>picked up another AKG C460B/CK61 the other day. I just love these
>>>things........more than Neumann KM184's....and they're cheap on EBay.
I'll
>>
>>>be sending one of them off to Jim Williams for *the mod* in a month or
so,
>> I
>>>think. I'm also scout some CK63ULS capsules for these. I like using SDC's
>>
>>>with hypercardiod capsules under the snare and on the hats.
>>>
>>>Deej
>>>
>>>
>>
>
>Is this still for sale, Deej?
Jimmy
"DJ" <www.aarrrrggghhh!!!.com> wrote in message news:4617e056@linux...
> I've got a blackface ADAT module sittin here for $175.00. I haven't seen
> one sell for less than this............EVER. You need this. I know who you
> are so you
> now have a choice to make...........either you buy this and I leave you
> alone or you keep jackin' around trying to make up your mind and I'm
gonna'
> get drunk, come over to your house and crash on your couch.
>
> You've been warned dammit!!!
>
>I owned one for a while, and sold it to get into Great River and Purple
Audio stuff. It's a cool box for the money, but I thought the preamp lacked
mojo, the EQ wasn't versatile enough, and almost never liked the compressor.
Not trying to be difficult, just providing my perspective...
Jimmy
"TCB" <nobody@ishere.com> wrote in message news:46167b2a$1@linux...
>
> Just to mention something vaguely about recording for a change, I finally
> got my Langevin DVC a few days ago and last night and got it set up. Used
> it with (essentially) a Mojave MA-200, a Blue Baby Bottle, some SE
Electronics
> pencil condensers and an Octava. In the legendary words of SSC, the DVC
fails
> to suck. Not as fast as the Syteks, but still fast and solid state
sounding
> in a good way. As the manual describes, the opto limiter isn't really
suited
> to drum overheads (I tried anyway) because it's a little quick to grab the
> transient of a drum hit, but on everything else, from acoustic guitars to
> bass DI and especially vocals it really is a nice box. For the money i
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| Re: someone made a Paris Eq VST! [message #80849 is a reply to message #80836] |
Wed, 28 February 2007 22:15 |
Doug Wellington
Messages: 251
Registered: June 2005
Location: Tucson, AZ, USA
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Senior Member |
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SLIT
>>> RACY GERM GURU
>>> cherrz
>>> michael
>>So, is Apple reasonably responsive to feedback from Logic users? Is there
reason to believe that future versions of Logic (or whatever it may be called
in future generations) will equal or even surpass the competition?
Gantt
"LaMont" <jjdpro@ameritech.net> wrote:
>
>To be honest, I really like Logic's sound. It's full bodied and robust.
Thick..
>Not, plain like Sonar or transparent , like Nuendo, Cubase.
>
>That's why I complain about Logic. With the proper updates 9New Mixer, New
>editing, Graphics...Logic with 64 bit OS-xa and a 8 core Mac will be hard
>to beat..
>
>"Gantt Kushner" <ganttmann@comcast.net> wrote:
>>
>>Is it significant that no one has really talked about the sound? Is it
>"fine"
>>in the sense that I won't miss Paris? Or that I'll miss Paris a little,
>>but event
http://www.parisfaqs.com
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