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| Re: Sen. Craig's police audio released [message #89223 is a reply to message #89222] |
Thu, 30 August 2007 23:00   |
Dedric Terry
Messages: 788
Registered: June 2007
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Senior Member |
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ksis.com/index.php?section_id=99
>
>http://www.gvst.co.uk/ggain.htm
>
>Neil
>
>
>
>
>
>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>>
>>Hey Neil, I appreciate the advice.
>>I can't remember if you use UAD stuff or not, but it seems like, as good
>>as they sound, one of their drawbacks is that they have a little less headroom
>>than some other native plugs, at least in Paris (I can't speak for other
>>DAWS). This is just a method I discovered, by accident, that helps you
add
>>a little more eq on a pultec plug, or whatever, without kacking out, on
>a
>>track that may have been recorded hot.
>>The UAD Neve compressor has a +14 or whatever setting (can't remember and
>>I'm not looking at it right now)that allows you to push the plug into "coloration"
>>area's, like the hardware version. That's not really doable if you get
the
>>digital kack that I get when I try it, unless I use the above trick.
>>I personally think Paris's strength is in allowing you to push things in
>>an "analog" way, to an extent, and sound good. It certianly isn't in editing
>>or vsti's at this point.
>>Rod
>>"Neil" <IOUOIU@OIU.com> wrote:
>>>
>>>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>>>>
>>>>I don't know why. I suspect its because the Paris Native comp likes getting
>>>>whacked. It's a totally different vibe than putting something before
the
>>>>UAD to limit the input. You can turn up the uad and get it working hard.
>>>
>>>Honestly, it's because so many people when working in digital -
>>>whether they've worked in analog prior or not - are SO focused
>>>on "hitting it hard" & spanking this & spanking that, when
>>>really in digital it's just the opposite.. shit just works
>>>& sounds better when you BACK OFF just a bit.
>>>
>>>Give ALL your inline processes some headroom - whether it's a
>>>channel level or a plugin or a mix buss... and your stuff will
>>>sound better. Paris kinda helps in this reg
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| Re: Sen. Craig's police audio released [message #89224 is a reply to message #89223] |
Thu, 30 August 2007 23:20 |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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ard in that (like
>>>Chuck reveaeld to us) zero is really -20, so that helps on one
>>>inline gainstage, but with plugins in series, back off a hair &
>>>don't try to run everything at maximum absolute zero & you'll
>>>find a realm of clarity there, trust me!
>>>
>>>Well, fuck it - don't trust me... try it & see for yourself!
>>>lol
>>>
>>>Neil
>>
>Thad, I agree with you about Live uniqueness. I also feel that with the upcomming
release of Live 7, that's goinf to push alot of users to that DAW. That (Live
7)is Sweet!! . I few more updates(Not that need any), Live can compete with
and even surpass he big boys..
My question is: Since Ableton is under he Avid umbrella, will LIve version
8 compete with PT LE..MPowered OR, does live speak to a completely differnt
audience not matter how many DAW like features is gets?
"TCB" <nobody@ishere.com> wrote:
>
>Interesting stuff, LaMont, just had a chance to watch it. I still think
that
>there is something really special about Live I've never found in another
>audio app. It's a mindset, a degree of predictability within the program,
>when you reach for a button or knob or control it's right where you expect
>it to be, even if you didn't know where it was going to be. Still this is
>cool tech. I often wonder what I'll do if I ever quit using Steinberg software,
>and at this point I'd probably go with PT at whatever is their cheapest
HD
>card rig. Digi certainly seems to have realized that the synth/sample/DJ
>set has a few coins to scratch together and seems to be willing to put some
>effort into features we can use. Maybe they finally noticed at Frankfurt
>Messe that even the elevator music is techno.
>
>TCB
>
>"LaMont" <jjdpro@gmail.com> wrote:
>>
>>http://www.sonicstate.com/news/shownews.cfm?newsid=5402
>>
>>Hey Thad or anyone, check out this new feature in Pro Tools 'Elastic Audio'.
>>Yeah yeah, on the surface it lloks like ACID meets Ableton Live, but as
>you
>>get deeper into the video(15 minutes), you start seesing some really powerful
>>editing stuff.
>>
>>This new Elastic Audio feature will replace their Beat-Detective feature
>>which was already a powerful tool for Drum editing..
>Yo!
"The Ducker" is now posted at www.ensoniq.ca for your downloading pleasure.
The Ducker is the first side chain compressor for the PARIS system. Based
on the PARIS Compressor, it compresses the left signal based on the right
input, allowing for ducking or creating new sounds by altering the side chain
signal with eq or distortion.
Let me know what you think!
MikeHi Tom-
I missed whatever your reference to not using the Default Project is, can
you explain? Also- I have a suspected blown MEC too, with a basic
working knowledge of circuit and electronics, can I do the repair you've
done? Could you post some instructions?
Ted
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Got Jon
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| Re: Sen. Craig's police audio released [message #89226 is a reply to message #89225] |
Fri, 31 August 2007 02:00 |
rick
Messages: 1976
Registered: February 2006
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Senior Member |
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and</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>I will install another 4 cards in =
>that. I=20
> have three Mecs that are</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>on the bench right now and maybe two
=
>of those=20
> will be repaired</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>shortly with the new chips. =
>Hopefully I'll=20
> be up to the 4 Mecs that I </FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>wanted </FONT><FONT face=3DArial =
>size=3D2>in the=20
> first place.</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>I may add a 442 (HA! feeling =
>ambitious=20
> again) for the SPDIF loop technique. </FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>Just leave </FONT><FONT face=3DArial
=
>size=3D2>it=20
> hanging there for when I need it.</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>All is well.</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>Finally,</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam,
=
>and=20
> you?<BR><A=20
> =
>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>.html</A> </FONT></DIV></BLOCKQUOTE></BODY></HTML>
>
>Hi Don-
I have a CD/DVD dup/rep company. I'm in the Toronto area, and the quality
and turnaround times are excellent. I would also be happy to give a "Paris
user
discount" on top of already low prices. We can ship to you no problem,
we just shipped a DVD order to Chicago (I think you're in Ottawa right?)
Our website needs an overhaul but you can check us out here:
http://www.zipthedog.com
Take care,
Ted
"Sarah" <sarahjane@sarahtonin.com> wrote:
>http://www.nwmedia.com/
>
>Nice people, good work. They did ours and we'll be going back for the next
>one.
>
>Sarah
>
>
>"Don Nafe" <dnafe@magma.ca> wrote in message news:470bb59d$1@linux...
>> Hi All
>>
>> I'm looking for a few good CD pressing houses in both Canada and the US
to
>> do a run of either 500 or 1000 CDs not CDR's
>>
>> All suggestions are welcome
>>
>> DOn
>>
>
>Hey Don, there's place up there in Surrey, BC called CDMan -
used 'em once - they're pretty good & the prcies were
reasonable. Saves you tariff charges, too, if you don't have to
ship from here across the border.
http://cdman.com/
Neil
"dale" <dalebradleycello@yahoo.com> wrote:
>
>www.nwmedia.com (in Portland, OR)
>
>
>"Don Nafe" <dnafe@magma.ca> wrote:
>>Hi All
>>
>>I'm looking for a few good CD pressing houses in both Canada and the US
>to
>>do a run of either 500 or 1000 CDs not CDR's
>>
>>All suggestions are welcome
>>
>>DOn
>>
>>
>This is a multi-part message in MIME format.
------=_NextPart_000_00EE_01C80B97.4E7C5F00
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Hi Ted,
The mec was broken due to a loose SCSI cable while starting Paris.
Sparks and smoke occurred. The symptoms afterward were clock
was never found nor the modules in the mec. The repair was a single=20
20 pin chip in the Master section of the mec.
Chip fP94AD
DM74LS
244WM
The replacement was found at Digi-Key.com
Part # SN74LS244DW
I don't know what happened to your mec but this fixed one so far of =
three
that were displaying the same symptoms. I watched the repair and helped =
a bit.
Not rocket science but you need to know how to remove the chip and =
solder
off the board before replacing it. If you have the technique you're =
good to go.
Good luck,
Tom
"
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