Home » The PARIS Forums » PARIS: Main » OT: Midi to XLR
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| Re: Midi to XLR [message #62020 is a reply to message #61988] |
Thu, 29 December 2005 10:39   |
Suad
 Messages: 62 Registered: October 2005
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Member |
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do pay a
premium to get gear that all has the same logo.
I think we'll see very well integrated, complete systems with other DAW
software in the not too distant future. VST 3.0, if it ever gets released,
will likely help. Nuendo 4.0 could also tilt the scales if I'm guessing
right about studio implementation, but that remains to be seen.
If you really want a mid-level dsp-based DAW, I think Pyramix and Soundscape
are you only options currently, but I don't like the limited plugin and 3rd
party support by either. At least they do fit the bill of being integrated
solutions from one manufacturer. I had considered getting an I/O box from
Soundscape/Sydec to use with Nuendo, but lost interest when I realized I
would have to use their mixer - e.g. Back to the joy of routing between DAWs
just to get one plugin in the chain. Not a time saver for me, so that makes
it a deal breaker.
Regards,
Dedric
On 1/15/06 8:51 PM, in article 43cb0a4b$1@linux, "LaMont"
<jjdpro@ameritech.net> wrote:
>
> Hey Dedric,
>
> First, I just completed mixing an entire album usnig Nuendo/RME. The clients
> like it very much. So, I knwoo how to make Nuendo work.. To me , Neundo/SX
> makes you work harder for projects over 50 tracks in R & B music.
>
> Much easier to mix in Paris & Pro Tools. And, there is a difference in sound..
>
> My interpretation as "Pro" DAW, starts a "total System Package". Meaning
> software 7 Hardware from a given manufacturer that will allow limitless i/o,
> patchbay functionality.
>
> I'm not saying that Nuendo is not a Pro Product,it is, just liek Logic Audio,
> DP, Sonar,Samplitude, SX,Vegas..I own all execpt, sampli
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| Re: Midi to XLR [message #62024 is a reply to message #62020] |
Thu, 29 December 2005 11:04   |
Jamie K
 Messages: 1115 Registered: July 2006
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Senior Member |
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tency,
>>> big toime plugins..
>>>
>>> I'm not saying, that pro can't use natives, we do..It;s just like BrianT's
>>> nuendo system(s)..He manning his nuendo systems using theEuphonics system
>>> 5 system..can we say, that will and does take his system to a new level??
>>> But, we all know, thtats what BT demands from a system..
>>> mt point in the post was not ask a question "where is the development
> for
>>> the 5-10k crowd?? Sure digi is covering the high end, with their new mixer
>>> controllers both offering great monitoring ,talkback, and tight software
>>> integration..I ca'nt believe that in the year 2006, no manufacture can
> com
>>> out with a cheaper solution than digi??...
>>> takecare..
>>> lamont
>>>
>>>
>>>
>>>
>>> dric Terry <dterry@keyofd.net> wrote:
>>>> A curiosity question - why do you not consider Nuendo, Logic etc, "pro
>>>> DAWs"? Let's look back a bit - DAWs of any nature weren't considered
> "pro"
>>>> when first offering an alternative to tape and a $500,000 console.
>>>> Technology advances, ProTools becomes more and more popular, and the
> name
>>>> sticks - it's now "pro". Then Paris, which was not considered pro when
>>>> Ensoniq first launched it, caught on in a small community and by Paris
>>>> users, it is considered "pro". Just a semantics question perhaps, but
> it
>>>> does make me wonder if each market that finds the tool they like, considers
>>>> it "pro" because it works for them. I know of no standard to define
> the
>>>> term outside of what that tool does for one's income.
>>>>
>>>> Anyway, other dedicated dsp systems: Pyramix (www.merging.com). Soundscape
>>>> - still popular in Europe I believe (http://www.sydec.be/).
>>>>
>>>> I think as others are pointing out, the cost and
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