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Our bears....... [message #89082]

Sun, 19 August 2007 20:45

Messages: 1124
Registered: July 2005

Senior Member

"http://www.sarahtonin.com/playlist/Dream%20demo.m3u" target="_blank">http://www.sarahtonin.com/playlist/Dream%20demo.m3u
>
>or to download
>http://www.sarahtonin.com/music/Dream%20demo.mp3
>
>Thanks for listening,
>
>Sarah J. Tonin
>
>"Neil" <OIUOIU@OIU.com> wrote in message news:470ae5b1$1@linux...
> So, I guess what I'm trying to say is that you have to have
> good snare mic placement - using the null in your snare mic's
> pickup pattern to minimize how much hat gets in there in the
> first place - in order to successfuly gate your snare... and if
> you have good snare mic placement, then it also follows that
> usually you don't have to tweak the snare track much... and if
> you don't have to tweak the snare track much, then the rest of
> the kit through that mic sounds pretty natural, hence no need
> to gate it in the first place!
>

Definitely the best way man. However, I wanna share a little trick I've used
live, that might help out with a little modification for the gate-heads that
must have their gates.....

key the gates from piezos placed on the drum being gated, or in the
recording version

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Re: Our bears....... [message #89086 is a reply to message #89082]

Sun, 19 August 2007 21:28

audioguy_editout_

Messages: 249
Registered: December 2005

Senior Member

h real drums, then I'm definitely going to
> use the "organic-ness" (organosity? organisiousness?
> organitude? :) ) of the atmospheere of the whole kit, which
> includes a certain amount of leakage. Now, I will admit this
> much: back in the late 80's/early 90's I used to gate the shit
> out of drums, because there was a certain discrete sound that
> came from doing that, but I don't do that anymore.
>
> Actually, Thad, I'm kinda surprised you'd even consider doing
> that (editing or gating), I kinda thought I recall you
> mentioning you had a lot of taste for the lo-fi - if that's the
> case, then the more bleed, the better, usually.
>
> Neil
>
>
> "TCB" <nobody@ishere.com> wrote:
>>
>>Greetings, Parisians! After missing AES thanks to work in the office I
>>spent
>>the rest of the weekend in a stinking hot recording room doing
>>Monkiedrums.
>>So then, I how have six tunes to edit.
>>
>>In previous experiences doing this lovely task I have manually edited all
>>of the kick/snare/tom mics instead of using gates to get rid of extra
>>sonic
>>trash bleeding through from the rest of the kit.
>>
>>First, do you folks who work a lot with acoustic drums usually do this?
> If
>>not, do you do something else?
>>
>>Thanks,
>>
>>TCB
>Thad, another way to go is with expansion. It gives a gentler effect.

TCB wrote:
> Greetings, Parisians! After missing AES thanks to work in the office I spent
> the rest of the weekend in a stinking hot recording room doing Monkiedrums.
> So then, I how have six tunes to edit.
>
> In previous experiences doing this lovely task I have manually edited all
> of the kick/snare/tom mics instead of using gates to get rid of extra sonic
> trash bleeding through from the rest of the kit.
>
> First, do you folks who work a lot with acoustic drums usually do this? If
> not, do you do something else?
>
> Thanks,
>
> TCBCherche la femme!

Kim wrote:
> Bill L <bill@billlorentzen.com> wrote:
>> What delights does Byron Bay have to offer?
>
&

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