| So then, I can't stop myself [message #62863] |
Wed, 11 January 2006 09:09  |
TCB
Messages: 1261
Registered: July 2007
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Senior Member |
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| Re: So then, I can't stop myself [message #62943 is a reply to message #62931] |
Thu, 12 January 2006 07:27  |
Miguel Vigil [1]
Messages: 258
Registered: July 2005
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Senior Member |
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ts, but I have definitely been present in sessions where it
>was
>>used and have heard it used on many sources that I am familiar with so
I
>am
>>not totally alien to these. As for the Gemini, well, it's certainly Chinese,
>>but it doesn't sound cheap or childish, at least the one I have here...and
>>there is no overly hyped top end to it like I hear with the Studio Projects
>>mics. It isn't a flat mic, but then again, neither is my U87 with the
>>Stephen Paul 3 micron capsule. They both have a presence peak.
>>
>>You have me very curious now to do a side by side comparison for myself
>with
>>the Gemini and a U47. I haven't had a chance to do this yet, though the
>mic
>>owner offered to do it. We have both been too busy. I'm pretty sure the
>one
>>here has a K47 capsule but I'm not absolutely sure. If it's an M7, then
>it's
>>a surprisingly well preserved one. The top and bottom end are very detailed
>>so I doubt if it's an *original* mylar M7. I will check. Anyway, I wasn't
>>trying to slam you for your efforts. I hope this works for you. I was simply
>>pointing out the competition, which you don't seem to think is comparable.
>>Fair enough. I will check for myself when I get the time.
>>
>>I know a guy down in Texas who is doing what you're doing and has been
doing
>>it for a while.
>>
>>http://www.wunderaudio.com/CM7product.html
>>
>>He uses VF-14 tubes and has a German tech who does his capsule work...even
>>claiming to have M7's available (perhaps this guy used to work at Gefell
>and
>>has some arrangement?....not likely, but who knows?). I've met the owner
>of
>>Wunder Audio, but this was before he started doing this so I haven't tried
>>his CM7 mic. He had (and usually always has) a number of U47's for sale
>>.........
>>
>>http://www.mistyhillaudio.com/microphones.html
>>
>>........and I was considering buying one back in 1999 so I listened to
a
>few
>>of his (5 different ones). Anyway, he charges quite a bit more for his
U47
>>clones than you are proposing. I don't know how many he ha
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| Re: So then, I can't stop myself [message #62964 is a reply to message #62943] |
Thu, 12 January 2006 11:56 |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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them all before selling them. email me privately.
DC
"Aaron Allen" <nospam@not_here.dude> wrote:
>All bow before our half-inflated cowbell
>
>Nigel
>
>
>"Bill Lorentzen" <bill@lorentzen.ws> wrote in message news:43dff8d2@linux...
>> Made my day!
>>
>> "Neil" <OIUOIU@OIU.com> wrote in message news:43dec59f$1@linux...
>>>
>>> Don't know if this will come through... it's an animated .gif,
>>> but I'll try it (file attached - maybe).
>>
>>
>
>To move automation points sideways, select em , hold shift and drag em.
After 6 years with Paris, discovered this one tonight, go figure.
Wonder what else I missed...??
Rob AHello,
I was wondering if support@intdevices is still responding to requests for
a response code when you reinstall Paris 3 to a new computer. And if not
what do you do?
I reinstalled it to a new computer and I thought that I got at least 2 weeks
to use the new system before the code was required but it didn't even offer
that option. I'm not able to use the system at all until I enter a response
code.
Thanks for any help and info in advance
CarolCan't find it.......again.....;o}Hey guys,
as I am reading the posts about your Cubase/Paris sync I am getting
emotional and jealous ... It used to be so easy with the old versions ...
;-)
Anyways, I need to make the jump, sell my Dakota/Montana deal, and jump onto
this solution.
The questions for you guys:
Is this a confirmed go ??? Has DJ just fiddled around long enough, or are
there other confirmed, CONSISTENT success stories?
If so, which one of the 96/52's are you guys using? The old one:
http://www.rme-audio.com/english/hammer/d9652.htm
or the new one:
http://www.rme-audio.com/english/hdsp/hdsp9652.htm.
If this really works, I just might have to catch a plane and kiss someone
.... don't worry, after this purchase I will be broke anyways ;-)
Thanks a lot guys, I really appreciate you,
TedIt's taking them a while, but a friend just installed v3.0 and they got back
to him before the expiration.
DJ
"Carol" <letthedogdrive@hotmail.com> wrote in message
news:43e0391f$1@linux...
>
> Hello,
> I was wondering if support@intdevices is still responding to requests for
> a response code when you reinstall Paris 3 to a new computer. And if not
> what do you do?
> I reinstalled it to a new computer and I thought that I got at least 2
weeks
> to use the new system before the code was required but it didn't even
offer
> that option. I'm not able to use the system at all until I enter a
response
> code.
> Thanks for any help and info in advance
> CarolHey guys,
as I am reading the posts about your Cubase/Paris sync I am getting
emotional and jealous ... It used to be so easy with the old versions ...
;-)
Anyways, I need to make the jump, sell my Dakota/Montana deal, and jump onto
this solution.
The questions for you guys:
Is this a confirmed go ??? Has DJ just fiddled around long enough, or are
there other confirmed, CONSISTENT success stories?
If so, which one of the 96/52's are you guys using? The old one:
http://www.rme-audio.com/english/hammer/d9652.htm
or the new one:
http://www.rme-audio.com/english/hdsp/hdsp9652.htm.
If this really works, I just might have to catch a plane and kiss someone
.... don't worry, after this purchase I will be broke anyways ;-)
Thanks a lot guys, I really appreciate you,
Ted...aaaaGAIN????!! ;o)
Always remember... www.archive.org. If you haven't been there, go there
now. Everybody should know about this thing...
....but here 'tis...
--------------------------------------------
Making PARIS freaking fly on Windows XP
This page contains just about everything you'll need to successfully migrate
PARIS to XP. You should be aware that PARIS XP drivers were not produced
by Intelligent Devices or E-MU. Intelligent Devices and E-MU Do not and
will not support problems with XP drivers or software installations running
on XP!.
The XP Drivers were written by an insanely talented programming guru type
named Chris Thoman. Lot's of other people were involved testing. The drivers
are released as DonationWare. It's fairly obvious to me that Chris's primary
motivation on this project had nothing to do with money. Since the drivers
appear to work flawlessly when installed according to the directions, I would
be extremely disappointed if anyone running an XP installation didn't reward
Chris for his efforts by making a donation. Face it, his motivation may
not have been financial - but there's nothing wrong with showing him that
we are all willing to support his efforts with our wallets. 100% of donations
go directly to Chris.
The rest of the page contains a lot of scary disclaimers about PARIS under
XP. Most of these stem from the fact that the drivers are a third party
product. You may also have witnessed months worth of posts about Crash on
Exit and be really wary about proceeding, or wonder to yourself if it's worth
it to even try. Below are some quotes from PARIS users running on XP. The
names have changed to protect the innocent.
Gerry Fallgood, Noshville TN Writes: This is working 100% on my 8 EDS1000,
(4)MEC, (4)442, 17 MEC expansion card, multi C-16, word clocked system. As
ugly as a Paris setup gets, and this is solid for me. Zero crashes on exit.
More stable than Win9x for me so far, testing this new FX setup pack for
the last 3 days.In fact, it's so solid that I declare Paris on WinXP as totally
ready for prime time. I've just begun working fulltime on XP with 2 Matrox
G450 dualheads, 2 UAD-1 cards, removeable Firewire HDs and no problems with
ParisXP.
Grog Writes: Thanks Chuck and Chris, I just open and closed paris 4 timesand
not 1 single crash on exit, I also own all of your plugins from the Mod,EQ,
no limit, Peusdo and still
no crash on exit. This works everybody, Hurrah
Kim Writes: Thanks Chris and Chuck. Legendary stuff!!
Johnny Writes: CONGRATULATIONS!! CHUCK AND CHRIS!! I have yet to get it going
for time reasons, but I have seen AA work with no problems enough to know
it is very solid.
Don Johnson Writes: Works flawlessly on my rig. I was not only having COE
problems when closing out of a Paris project, Windows would also hang at
shutdown and I had to manually shut the computer off. None of these problems
now exist after installing the patch. I'd say that the Skunkworks XP package
is ready for prime time. Very impressive............and thanks again for
all of your hard work!
Before you follow the actual installation directions below you need to carefully
review the next few bullet points and see if you can live with the facts
presented:
* These drivers are BETA! If you encounter problems with these drivers
your only recourse is to revert to an older version of windows. We don't
recommend betting your business on them (although with the new effects subsystem
installer they seem to be working smashingly). If they don't work there is
no option other than posting your problem to www.greatidea.com/webnews/.
* There is NO GUARANTEE that these drivers will work with your system.
If they don't work there is no option other than posting your probl
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| Re: So then, I can't stop myself [message #62994 is a reply to message #62943] |
Fri, 13 January 2006 01:35 |
rick
Messages: 1976
Registered: February 2006
|
Senior Member |
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t; >
>>
>
>I like to bring in the room mics in sparse sections of the tune (maybe verse,
or bridge), and drop them out for the fuller sections like choruses.
Another option is to gate them keyed to the snare mic...gives a believable
snare ambience, but doesn't muddy up the toms and kick.
Cheers,
Kris
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>It sure can tighten things up in a mix.
>
>$2500 for a good 47 clone is reasonable IMO.
BUT, you need to be absolutely certain that the grille is the same as the
47 design. Grille resonance is a huge part of the sound of that mic. Those
in doubt should check Stephen Paul's writings here:
http://mixguides.com/microphones/vintage_products/audio_vint age_microphones_part/
For capsule, I'd be more interested in a M7 PVC capsule, which Geffel still
makes rather than a K47 capsule. For the mic body I would also want something
that looks 99% like a U-47, and with little resonance. The connector can
be different in the interests of economy/practicality. An accurate mic grille/body
can cost alot though...I've found one at www.microhponeclones.com thats a
little over $1K.
Cheers,
Kris
"Dimitrios" <musurgio@otenet.gr> wrote:
>
>"Thanks guys for your comments and tips.
>I have thought all about these.
>Thats why I decided to try first this beloved group.
>It doesn't have to be Massenburg's nice comment to start going (although
>it would help I guess :) )it could be also DJ or Cujo or Don or anyone else
>who would really like it.
>I don't have any plans for massive production thing.
>I have only a goal to sell 5-10 pieces mostly because I really love tube
>mics and I always wanted a U47 -again- after I sold it for the big money
>I gote back then.
>If this thing will get only positive reactions then maybe I could do another
>5-10 mics.
>I don't have that much spare time to make this a 9 to 5 job.
>I am considering lowering the price cutting some construction plans without
>cutting anything that has to do with the actual sound and look.
>I will have it around 1900 $ using a true K47 capsule and holder plus a
Telefunken
>UF/EF tube.
>I have also found the UF/EF tube substitute that has the same sound but
can
>easier be found but needs some martketing here to have people accept it.
>Most of them want to seethis fat short black tube that says
>xF-14, well...
>Thanks toall.
>Regards,
>Dimitrios
>
>
>
>
>
>
>
>1James McCloskey"
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