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OT: the uncanny valley [message #61115]

Thu, 08 December 2005 11:15

jef knight[1]

Messages: 201
Registered: October 2005

Senior Member

pression
> > is.) If I assign the submix to different cards, it doesn't matter
because
> > now submix two is card A and there are no resources left for the global
> > inserts. Of course, now submix one has all kinds of resources, but I
can't
> > record to it. Is this a Catch-22? Am I just an idiot? (ok, don't
answer
> > that!)
> >
> > Do you have to be happy with the resources on the card you are recording
> > with (both mixer and global inserts) as there is no shari

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Re: the uncanny valley [message #61121 is a reply to message #61115]

Thu, 08 December 2005 13:08

Greg Bratton

Messages: 8
Registered: September 2007

Junior Member

/> >
> can't
>
>>>record to it. Is this a Catch-22? Am I just an idiot? (ok, don't
>
> answer
>
>>>that!)
>>>
>>>Do you have to be happy with the resources on the card you are recording
>>>with (both mixer and global inserts) as there is no sharing of
>
> resources?
>
>>>Thanks
>>>
>>>Kent
>>>
>>>
>>>
>
>
>I have a two card system with one MEC. I do have a 442, however, and I'm
wondering if I can hook it up to the second card?

Thanks
Kentsometimes, when playing, if I hit play again it locks up.

John wrote:

> Can anyone add or clarify my new list of Paris no nos ?
>
>
>
> Things to keep you from crashing.
>
>
> In STOP mode
>
> DON'T
> * select a new Native Effect if the current one is open
> * enter record mode without first setting your record path
> (Ctrl-R)
> * use the name of the project for your recording path
> * save with looping enabled
>
> During Playback or Recording
>
> DON'T
> *

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Re: the uncanny valley [message #61138 is a reply to message #61121]

Thu, 08 December 2005 18:50

jef knight[1]

Messages: 201
Registered: October 2005

Senior Member

Paris CH 9
Cubase CH 25>RME 2 ADAT 1-2 out > Paris CH 10
Cubase CH 26>RME 2 ADAT 1-3 out > Paris CH 11
Cubase CH 27>RME 2 ADAT 1-4 out > Paris CH 12
Cubase CH 28>RME 2 ADAT 1-5 out > Paris CH 13
Cubase CH 29>RME 2 ADAT 1-6 out > Paris CH 14
Cubase CH 30>RME 2 ADAT 1-7 out > Paris CH 15
Cubase CH 31>RME 2 ADAT 1-8 out > Paris CH 16

Paris Submix #3

Cubase CH 32>RME 2 ADAT 2-9 out > Paris CH 1
Cubase CH 33>RME 2 ADAT 2-10 out > Paris CH 2
Cubase CH 34>RME 2 ADAT 2-11 out > Paris CH 3
Cubase CH 35>RME 2 ADAT 2-12 out > Paris CH 4
Cubase CH 36>RME 2 ADAT 2-13 out > Paris CH 5
Cubase CH 37>RME 2 ADAT 2-14 out > Paris CH 6
Cubase CH 38>RME 2 ADAT 2-15 out > Paris CH 7
Cubase CH 39>RME 2 ADAT 2-16 out > Paris CH 8
Cubase CH 40>RME 2 ADAT 3-17 out > Paris CH 9
Cubase CH 41>RME 2 ADAT 3-18 out > Paris CH 10
Cubase CH 42>RME 2 ADAT 3-19 out > Paris CH 11
Cubase CH 43>RME 2 ADAT 3-20 out > Paris CH 12
Cubase CH 45>RME 2 ADAT 3-21 out > Paris CH 13
Cubase CH 46>RME 2 ADAT 3-22 out > Paris CH 14
Cubase ST CH 47L/ Stereo Group 2 L> RME 3 ADAT 3-23 out > Paris CH 15
Cubase ST CH 48R/ Stereo Group 2 R> RME 3 ADAT 3-24 out > Paris CH 16

........then you need to remember to turn on all of the external =
digital
procesors that5 are interfacing with Paris and Cubase through the =
digital
patchbay or directly before you turn on your external word clock =
module,
followed by booting the DAW which is running the control pane

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