Home » The PARIS Forums » PARIS: Main » OT: hey i started a blog
| OT: hey i started a blog [message #77544] |
Thu, 28 December 2006 14:43  |
chuck duffy
Messages: 453
Registered: July 2005
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Senior Member |
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rget="_blank">asdf@asdf.sdf> wrote:
>>>>>
>>>>>>
>>>>>>I am a little unclear still....
>>>>>>For arguments sake, let's say I have a 32 track project on 2 =
cards,
>>=20
>> with
>>=20
>>>>>>plugins of various latencies...track 1 has 16384 ms. track =
10 has 16376
>>>>>
>>>>>ms,
>>>>>
>>>>>>and track 20 (track 4 of submix 2) has 256 ms latency. What =
would be
>>=20
>> the
>>=20
>>>>>>procedure with Vertex to even all tracks out across the =
project?
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>Chas. Duncan <d
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| Re: hey i started a blog [message #77596 is a reply to message #77592] |
Sat, 30 December 2006 00:22  |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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st
>
>>track levels on the way back out, but other than that, the output was pretty
>
>>much directly related to the input. Then we got to the stage where we
could
>
>>record dry tracks and really manipulate them on the way back out, especially
>
>>with the big half-million dollar multi-channel consoles. Now though, with
>
>>the current trends of down-sized studios, mixing in the box digitally,
and
>
>>having no computer hardware "personality", no headroom, etc, he was saying
>
>>they try to record everything in the old way, with the best mics, preamps
>
>>and effects on the way in...
>>
>>While I don't see a lot of change in the basic ideas of pro audio recording,
>
>>I really like what I'm seeing from sound creation people, for example Synful
>
>>and Audio Impressions. Both of them are in the orchestral sound business
>-
>>Synful is a two person show (husband and wife) and is very very impressive
>
>>for how small the software is and how good it sounds, especially for legato
>
>>lines. Audio Impressions has changed the way orchestral libraries are
>>played - when you play a single note, an entire section plays that note.
>
>>When you play two notes, half the players sound for each note. Three notes
>
>>uses a third of the section, four use a quarter, etc. (Real divisi
>>simulation...) Most orchestral libraries are samples of entire sections,
>
>&g
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| Re: hey i started a blog [message #77605 is a reply to message #77596] |
Sat, 30 December 2006 08:36 |
Neil
Messages: 1645
Registered: April 2006
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Senior Member |
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set to c:
>and
>>then SX scans the entire drive for plugins and eventually crashes. Changing
>>that entry to 'c:\...\Cubase SX\VST Plugins' fixed everything. I think
it's
>>a Creamware thing that set that reg key but I'm not positive.
>>
>>So, no more bad things about cubase.net from me. And yet another reason
>to
>>love open source software. I'd have spotted the problem in no time at all
>>if I could have turned on some reasonable level of error logging. Similar
>>stuff happens all the time with perl apps and it's just a matter of reading
>>the crash logs and finding the line in the app that doesn't work or calls
>>something from the wrong place.
>>
>>TCB
>Hi Dimitrios,
I just purchased Faderworks and sent Vertex an email re: the Latency compensator.
Once again, thanks for the efforts you make and insight you bring on our
behalf!!!
Cheers,
Jon
"Dimitrios" <musurgio@otenet.gr> wrote:
>
>Hi,
>After Deej's post that UAD1 delay compensator can do the saem as Vertex
I
>have to make a public paris statement about Vertex !
>Now vertex is (will be :)) a true delay compensator as opposed to UAD1 delay
>compensator which is a fake one like the free Latency compensator vst plugin.
>VERTEX is a clever little beast.
>Lets say upi have 64 Paris audio tracks.
>You make a default project (will take you 5 min) where you open vertex on
>every Paris audio track, same applies for 2,3,4,...8 Paris eds cards owners,.
>Vertex can have up to 128 instances loaded at once which is exactly the
maximum
>Paris audio tracks allowed !
>Now after saving this as your default project you can open it and try a
scenario
>like the following.
>Lets say that your drumtracks are audio track 1 = kick , 2= snare up, 3
=
>snare down, 4= hihat, 5= ride, 6= crash1, 7= crash2, 8= tom1 ,9= tom2, 10=floortom,
>11= OH left, 12 = OH Right.
>ow you wanna put LA2 on snare drum and ONLY on snare up means track 2.
>You go to vertex instance on track 2 and you put the number 16384.
>Thats it !
>Now ALL your 16/32/48/64/80/96/112/128 Paris audio tracks will GET the 16384
>delay automatically !!!
>WITH UAD1 delay compensator that UAD1 gives to UAD1 owners works the opposite
>!
>You have to put on all remaining 127 audio tracks (on a 128 Paris system)
>the number 1 !!!!
>Thats not an automatic latency compensator !
>
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| Re: hey i started a blog [message #77631 is a reply to message #77589] |
Sat, 30 December 2006 10:05 |
Jamie K
Messages: 1115
Registered: July 2006
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Senior Member |
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ailto:excelsm@hotmail.com" target="_blank">excelsm@hotmail.com> wrote in message
news:45b8303f$1@linux...
>
> I just got an email from a friend that saw EVH at the Fender booth at
> NAMM.
> He said that he can't even play any more, that it broke his heart to see
> and hear it. EVH was his hero. He said it was sooo sad. He said that he
> is still in shock over it.
>
> Drugs and alcohol kill!!!!
>
> JamesNuendo and Cubase 4, Sequoia, RME interfaces, Mackie Control.
On 1/24/07 1:46 PM, in article 45b7b77a@linux, "Jon Jiles" <nope@nope.com>
wrote:
>
> Ok... so all of you that have bailed on Paris but still hang here because
> it's an excellent newsgroup..
>
> What are you using now? Software, Converters, control surface, etc?
>
> I'm being forced closer to the Paris crossroads and am trying to figure out
> what I should do when/if I have to go there.
>
> Thanks,
> JonSounds great! I think they both sound great. I'd show case the vocals a
bit more, but that's me.
"Neil" <OIUOIU@OIU.com> wrote:
>
>I've recently been working with a young lady named Candice
>MacBlain, who gave me permission to post this song. Candice
>wrote the piece, and played the intro bit, piano part, and sang.
>I produced/engineered/arranged/sonically bastardized all the
>rest. Hi-Res mp3 links attached.
>
>Check it out... which version do you like best? (fairly subtle
>differences, so listen on something o
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