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| Re: OT - guitar players out there (you know who you are) [message #63158 is a reply to message #63152] |
Mon, 16 January 2006 10:17   |
TCB
Messages: 1261 Registered: July 2007
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Senior Member |
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t;> requires a bit of dancing on the main footswitches to get to a new
song
> >>>> for clear looping, or on the remote switches to delete the last loop
> >>>> tracks in order to start over.
> >>>>
> >>>> Having never played GR, I have not compared the amp modeling between
> >>>> GRII and the GNX4.
> >>>>
> >>>> Overall I have been happy with the GNX4. I like that it include both
> >>>> stero XLR and 1/4 stereo outputs and that it can mix guitar, mic and
> > two
> >>>> line inputs. I like that it uses robust CF media for recording,
looping
> >>>> and playback, so I don't have to depend on a hard drive at gigs. The
> >>>> GNX4 includes very playable amp models and the FX are decent. Setup
at
> > a
> >>>> show is quick and uncomplicated (well, it was until I added a guitar
> >>>> synth to the rig).
> >>>>
> >>>> I have a wish list for the GNX5, which I've discussed with
Digitech...
> >>>>
> >>>> Cheers,
> >>>> -Jamie
> >>>> http://www.JamieKrutz.com
> >>>>
> >>>>
> >>>> Amuse wrote:
> >>>>> Was it Guitar Rig or Guitar Rig II that you considered? The new
> > version
> >>> has
> >>>>> an integrated audio interface, in a much improved Rig Kontrol. But
one
> >>> of
> >>>>> the main things that attracted me was the new "Loop Station". I
> > already
> >>> have
> >>>>> a POD but I'm not that into it's sounds when it comes to recording.
> >>>>>
> >>>>> I agree, that for live use it's a bit of a drag to rely on a laptop
> >>> 100%.
> >>>>> How do the GNX4 amp models sound compared to Guitar Rig II?
> >>>>>
> >>>>>
> >>>>> "Jamie K" <Meta@Dimensional.com> wrote in message
> > news:43e0b761@linux...
> >>>>>> Amuse wrote:
> >>>>>> > Anyone using this?
> >>>>>> >
> >>>>>>
> >>>>>> I considered it. I use other NI software and like it.
> >>>>>>
> >>>>>> But it's priced at more than a Digitech GNX4 or Line 6 PODXT Live,
> > both
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| Re: OT - guitar players out there (you know who you are) [message #63161 is a reply to message #63158] |
Mon, 16 January 2006 09:40   |
Tony Benson
 Messages: 453 Registered: June 2006
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Senior Member |
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>> > before, so am not sure what sync issues may arise. Are you saying the
>> > digital data will provide its own sync?
>> > Thanks,
>> > Edna
>> > "Bill Lorentzen" <bill@lorentzen.ws> wrote in message
>> > news:43ede2d8$1@linux...
>> >> Just one thing: unless you are actually synching ADAT tape transports
>> >> I
>> >> don't think you need the 9 pin sync for the digital data - it is
>> > adequately
>> >> represented in the stream.
>> >>
>> >> Bill
>> >>
>> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>> >> news:43ed5d14$1@linux...
>> >> > I've heard great things about the EMU card as far as fidelity goes.
>> >> > I've
>> >> > also heard some bad things about it as far as the digital protocall
>> > goes.
>> >> > Seems it doesn't somehow adhere to the ADAT spec so if you're
> planning
>> > to
>> >> > interface it digitally with Paris via ADAT, there might be issues.
>> >> > It
>> >> > doesn't have an ADAT sync input so clocking it could be an issue
> unless
>> >> > you
>> >> > were clocking both the EMU card and Paris to an external clock. The
>> > MAudio
>> >> > ought to be pretty strack as far as being compatible with whatever
> spec
>> >> > you
>> >> > want to use. It's a bit more $$$, but I'm very pleased with the RME
>> > stuff
>> >> > and I have also used the LynxOne. If you don't need a whole lot of
> I/O
>> > and
>> >> > sample rates above 48k, the LynxOne is an excellent choice. I have
>> >> > actually
>> >> > clocked Paris from a LynxOne and I have also daisy chained a LynxOne
>> > from
>> >> > a
>> >> > Paris system with no problems. Lynx and RME both make great stuff.
>> >> >
>> >> > Deej
>> >> >
>> >> > "Edna" <edna@texomaonline.com> wrote in message
> news:43ed36ce@linux...
>> >> >> Looking to pickup a soundcard for another computer/sequencer rig.
>> >> >> Considering EMU 0404 or 1212, versus M-Audio Audiophile 192. Any
>> >> >> opinions
>> >> >> or suggestions?
>> >> >> Thanks,
>> >> >> Edna
>> >> >>
>> >> >>
>> >> >
>> >> >
>> >>
>> >>
>> >
>> >
>>
>>
>
>Deej,
Yeah, I'm hip to that (I bought 3 ADATs practically the week they came out).
My point was that it is no better than spdif unless you need to lock up
ADATs to Paris (something I never enjoyed doing!)
Best,
Bill
"DJ" <animix_spam-t
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| Re: OT - guitar players out there (you know who you are) [message #63163 is a reply to message #63158] |
Mon, 16 January 2006 10:19   |
Jamie K
 Messages: 1115 Registered: July 2006
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Senior Member |
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iced that when I'm monitoring in Paris via my Dakota I get
>>>>>>>>>occasional pops.
>>>>>>>>>
>>>>>>>>>Any idea what might be causing this
>>>>>>>>>
>>>>>>>>>Don
>>>>>>>
>>>>>>>
>>>>>
>>>
>>
>>
>Hey Jeff, thiose other options I was referring to are for other types of
systems - not for a sequencer. Sorry! Your best bet for tight sync might be
ADAT sync, but you would need an ADAT card in a MEC and an ADAT compatible
sound card like the RME 9652.
Bill
"Jeff hoover" <jkhoover@excite.com> wrote in message
news:43ee8238$1@linux...
> So what are the few other ways?
>
> Been wanting to do the sync tighter than MTC but wondering what other
> options could be explored (running Paris and Cubase SX3).
>
> Jeff
>
> Bill Lorentzen wrote:
>> OK, I get what you are doing. First I should clarify: there are 2 kinds
>> of sync here. There is wordclock, which locks the digital clocks for
>> accurate transfer of audio, then there is play/stop sync, which moves the
>> DAW/sequencer play line. The first one is carried by either a wordclock
>> cable (best), or embedded in the spdif or ADAT lightpipe digital stream
>> (OK). The second one can be from MIDI timecode via a MIDI cable (OK), or
>> if you have it, a 9 pin ADAT sync cable (very accurate) (or a few other
>> ways, but we won't worry about those now).
>>
>> If you are moving VSTi audio tracks from a sequencer into Paris, or just
>> want them to play along with Paris, you should do fine with MIDI timecode
>> for the sync and spdif for the audio (2 tracks at a time). I would
>> recommend that approach - someone else who still uses Paris correct me if
>> I am wrong.
>>
>> Bill
>>
>> "Edna" <edna@texomaonline.com> wrote in message news:43ee5238@linux...
>>
>>>Thanks Bill
>>>I would also like to be able to have the visti computer start playingwhen
>>>I
>>>start PARIS recording(or vice versa), since I am bringing the
>>>instrumentation in piecemeal.
>>>
>>>"Bill Lorentzen" <bill@lorentzen.ws> wrote in message
>>>news:43ee3e77$1@linux...
>>>
>>>>What I meant is that the lightpipe cables would carry the sync and you
>>>
>>>would
>>>
>>>>not need the 9 pin. If you are going spdif then you should have no
>>>>concern
>>>>about the ADAT 9 pin whatsoever.
>>>>
>>>>Bill
>>>>
>>>>"Edna" <edna@texomaonline.com> wrote in message news:43edfe5f@linux...
>>>>
>>>>>Adequately represented in the stream? I plan to s/pdif from the
>>>
>>>sequencer
>>>
>>>>>computer to the PARIS computer. I have never done any digital
>>>>>transfers
>>>>>before, so am not sure what sync issues may arise. Are you saying the
>>>>>digital data will provide its own sync?
>>>>>Thanks,
>>>>>Edna
>>>>>"Bill Lorentzen" <bill@lorentzen.ws> wrote in message
>>>>>news:43ede2d8$1@linux...
>>>>>
>>>>>>Just one thing: unless you are actually synching ADAT tape transports
>>>>>>I
>>>>>>don't think you need the 9 pin sync for the digital data - it is
>>>>>
>>>>>adequately
>>>>>
>>>>>>represented in the stream.
>>>>>>
>>>>>>Bill
>>>>>>
>>>>>>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>>>>>>news:43ed5d14$1@linux...
>>>>>>
>>>>>>>I've heard great things about the EMU card as far as fidelity goes.
>>>>>>>I've
>>>>>>>also heard some bad things about it as far as the digital protocall
>>>>>
>>>>>goes
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| Re: OT - guitar players out there (you know who you are) [message #63267 is a reply to message #63257] |
Tue, 17 January 2006 17:01  |
TCB
Messages: 1261 Registered: July 2007
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Senior Member |
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