Home » The PARIS Forums » PARIS: Main » I'm off to bed..............time for the server to go down
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| Re: I'm off to bed..............time for the server to go down [message #65685 is a reply to message #65684] |
Thu, 23 March 2006 23:49   |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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te =
>in message=20
> <A href=3D"news:44448abc$1@linux">news:44448abc$1@linux</A>...</DIV>
> <DIV><FONT face=3DArial size=3D2>James,</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>I'm with Deej. Auto delay comp =
>and native=20
> effects on auxes</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>would be easily worth the $300 to =
>me. Major=20
> issues at this point.</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> <DIV><FONT face=3DArial size=3D2>New effects are fun but there are so
=
>many third=20
> party jobs it's not</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>that important to me. The Paris =
>comp and=20
> NoLimit are just too good</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>as they are. A side chain =
>insert would be=20
> nice for gates and comps. </FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>Didn't somebody </FONT><FONT =
>face=3DArial=20
> size=3D2>say they were doing that already? Hmmm?</FONT></DIV>
> <DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
> <BLOCKQUOTE=20
> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Tony Benson" <<A=20
> =
>href=3D"mailto:tony@standinghampton.com">tony@standinghampton.com</A>>=
>=20
> wrote in message <A=20
> =
>href=3D"news:C069E3BF.A62A%tony@standinghampton.com">news:C069E3BF.A62A%t=
>ony@standinghampton.com</A>...</DIV>James,<BR><BR>ALC=20
> would be first on my list also, along with support for VST=20
> instruments,<BR>but you're right about those things being on the =
>"very=20
> difficult" side of<BR>things.<BR><BR>As far as EDS effects, I'm =
>actually=20
> very happy with what we've already got.<BR>I'm not really missing=20
> anything.<BR><BR>The places PARIS lacks for me is in VST support, =
>and more=20
> flexible routing<BR>and grouping. Again, these things will be hard =
>to=20
> tackle.<BR><BR>I'd support development for some more variety in =
>comps,=20
> chorus,<BR>delays,modulation effects, etc. $100.00 for a good=20
> multi-pack?<BR><BR>Definitely more for ALC and major improvements =
>along=20
> those lines.<BR><BR>Tony<BR><BR>On 4/17/06 8:46 PM, in article <A=20
> href=3D"mailto:444444fa$1@linux">444444fa$1@linux</A>, "James=20
> McCloskey"<BR><<A=20
> href=3D"mailto:excelsm@hotmail.com">excelsm@hotmail.com</A>>=20
> wrote:<BR><BR>> <BR>> I'm kind of thinking out loud.<BR>> =
><BR>>=20
> What kind of native plugins would you guys like to see de
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| Re: I'm off to bed..............time for the server to go down [message #65686 is a reply to message #65685] |
Fri, 24 March 2006 01:26 |
Kim
Messages: 1246
Registered: October 2005
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Senior Member |
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veloped for
=
>
> Paris?<BR>> <BR>> <BR>> What do you think you guys would be =
>willing=20
> to pay for these plugins?<BR>> <BR>> If we could get the =
>algorithms=20
> ported from the Ensoniq DP pro, what would<BR>> you guys be =
>willing to=20
> pay for that?<BR>> <BR>> I'm not sure that this is possible, =
>but, what=20
> would you guys be willing to<BR>> pay for automatic plugin delay=20
> compensation?<BR>> <BR>> If you could have somebody do coding =
>work for=20
> Paris, what would you have<BR>> them do? What would you be =
>willing=20
> to pay for this software/service?<BR>> <BR>> I may have =
>somebody=20
> interested.<BR>> <BR>> James<BR></BLOCKQUOTE></BLOCKQUOTE>
><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
>and=20
>you?<BR><A=20
>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>.html</A> </FONT></DIV></BODY></HTML>
>
>Sorry Dan, but PT will only work with PT hardware or selected M-Audio
hardware
--
Martin Harrington
www.lendanear-sound.com
"db" <daniel_burneNOSPAM@yahoo.com> wrote in message
news:44449e2b$1@linux...
>
> Thanks John.
> That would definitely be a sweet setup!
> Currently clueless when it comes to PT. Presumably you can run VSTs etc in
> PT (?). Also, would it be possible to use PT software with a non-PT
> interface?
> To me the Focusrite Sapphire Pro would cover way more bases than the 002R
> unit (not least 8 mic pres), and for the same price as the M-Box.
>
> Cheers,
> dan
>
> "John Macy" <spamlessjohn@johnmacy.com> wrote:
>>
>>I have a ProTools 002R and an MBox I use on a PC laptop
>>for small overdub sessions in non-studio situations. It
>>is real easy to consolidate the tracks and dump them in
>>a folder on the firewire drive for an easy import into
>>Paris. The bonus for me is that I end up in a lot of
>>ProTools studios for tracking dates, and it has gotten
>>me a lot more fluid on PT for these dates.
>>
>>
>>
>>"db" <daniel_burneNOSPAM@yahoo.com> wrote:
>>>
>>>Given that I move my rig around a fair bit and that's driving me nuts
>>>(MEC
>>>with 8 i/o, adat card, 2 eds cards, desktop pc, flatpanels, separate pres
>>>and mixing desk, etc), I was thinking about getting a laptop and an
>>>interface.
>>>assuming a quiet laptop, i could then probably also track in the same
>>>room
>>>which would be very sweet!
>>>
>>>Interface wise, the goal is really to have something capable to tracking
>>>acoustic guitar with at least 3 inputs. That said, might be useful to
>>>have
>>>the option for midi and extra inputs (you could just about track drums
> with
>>>8). I think the focusrite sapphire pro is the best bet here (8 pre amps,
>>>adat, midi and spdif i/o, etc).
>>>
>>>however, where i'm more stuck is the software f
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| Re: I'm off to bed..............time for the server to go down [message #65687 is a reply to message #65686] |
Fri, 24 March 2006 01:42 |
rick
Messages: 1976
Registered: February 2006
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Senior Member |
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ront. since most of my
>>>ongoing
>>>projects are trapped in paris, it'd be very useful to have some kind of
>>communicability
>>>between the systems. e.g. exporting projects. i'm guessing OMF works for
>>>protools. but i've heard good things about cubase sx3. it'd be nice to
> have
>>>something that can handle softsynths, midi, automatic latency
>>>compensation,
>>>etc.
>>>
>>>it'd be great to be able to transfer projects from paris to the laptop,
>>do
>>>most of the additional tracking and editing in the laptop, and mix in
>>>paris
>>>(perhaps streaming out of the laptop into paris). otherwise mixing would
>>>i guess require rendering out from the laptop as 24bit wavs with the same
>>>start time, converting individually to 24 bit pafs (is there a bulk
>>>utility
>>>for this?) and importing.
>>>
>>>i'm leaning towards sx3 and doing transfers via adat (or even d/a then
> a/d).
>>>a little worried about unnecessary a/d and the 20bit limitations on adat.
>>>is there a more elegant solution, perhaps?
>>>
>>>finally, i'm pretty clueless beyond paris in terms of interface, so
>>>something
>>>logical, similar or relatively straightforward to learn (but not
>>>necessarily
>>>limited in features) would be great.
>>>
>>>many thanks for any thoughts,
>>>dan
>>
>Hi,
I think though that someone could build a VST plugin that could work as delay
compensator.
That plugin could be loaded on every Paris audio track say at the bottom
VST slot so every vst added on any audio track would "inform" all vst instances
for the delay it introduces so that plugin
would delay all other tracks for the amount needed.
For instance say that a DX Waves rencomp gives a 64 samples latency.
So this plugin will recognise that (all plugins send timing info) and would
delay all "other" instances to automatically get delayed for that amount.
Now lets say you put another rencomp on another track, so the "plugin" on
that track would inform all others to get delayed for another 64 samples
etc...
I would like to be a VST plugin because most are VST, UAD1 are ONLY vst from
now on...
This way working from inside chainer we can have all the added benefits...
Anyone wants to do it ?
I have the "code" from multifxvst wrapper !
Maybe that could help?
Regards,
Dimitrios
Maybe that more easy to do and would get paid a lot less than the above amount
of money.
If I had the programming skills thats what I would do.
Anyone knows programming ?
I could give him more details about my idea...Tell me more my good man....
Don
"volthause" <volthause-nospam-@soldrocks-nospam-.com> wrote in message
news:Xns979688CF44D8volthause@202.63.37.102...
>I don't have drumagog w/Paris, but I have been using Aptrigga with great
> success. The price is mighty fine too.
>
> Check it out.
>
> http://apulsoft.ch/aptrigga/index.php
>
> "CJG" <grimmark@telia.com> wrote in news:44295918$1@linux:
>
>>
>> Hi
>> I just got offf the phone with a friend who said that no
>> sound-replacer works well with Paris bur he recommended drumagog and
>> Logic. Are You guys successful in using Drumagog with Paris on mac? My
>> mac is an old 400 Mhz G4.
>>
>> Thanks!!!
>> CJG
>If someone could do that, Paris would be SO much better. And I know DJ alone
would pay up to $20,000 for it. He's rolling in dough. hehe
John
"Dimitrios" <musurgio@otenet.gr> wrote:
>
>Hi,
>I think though that someone could build a VST plugin that c
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| Re: I'm off to bed..............time for the server to go down [message #65693 is a reply to message #65687] |
Fri, 24 March 2006 08:17 |
Deej [1]
Messages: 2149
Registered: January 2006
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Senior Member |
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r />
>>>>"Error in queuing project Error code 1879048233/70000029."
>>>>Wha' happen?
>>>>It only happens on one song.
>>>>How do I fix the situation?
>>>>Thanks for the help.
>>>>
>>>>
>>>
>>>
>>>
>>
>>
>><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
>><html>
>><head>
>> <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
>></head>
>><body bgcolor="#ffffff" text="#000000">
>>I've been getting that error alot lately, with no loops or punch, so I
>>jacked up the config values, fixed the front of the files to exhibit 0
>>fade in and it seems to have taken care of it....for now....lol<br>
>>j<br>
>><br>
>>rick wrote:
>><blockquote cite="mid14g142hav8udpq60dh7u6qndstdat3cgtg@4ax.com"
>> type="cite">
>> <pre wrap="">did you have either the loop or punch in function active
>at the time
>>of saving the project? if you did try as soon as you load the ppj to
>>save it under another name after turning off either or both of those
>>functions.
>>
>>On 15 Apr 2006 16:35:03 +1000, "Dave Thompson"
>><a class="moz-txt-link-rfc2396E" href="mailto:dfthompson@_nospam_lanset.com"><dfthompson@_nospam_lanset.com></a>
>>wrote:
>>
>> </pre>
>> <blockquote type="cite">
>> <pre wrap="">Hi,
>>This error messege pops up when I hit the record button.
>>"Error in queuing project Error code 1879048233/70000029."
>>Wha' happen?
>>It only happens on one song.
>>How do I fix the situation?
>>Thanks for the help.
>> </pre>
>> </blockquote>
>> <pre wrap=""><!---->
>> </pre>
>></blockquote>
>></body>
>></html>
>>
>I agree with others, a delay comp plug would be very helpful. I still
wonder about Matt's reverb plug and what became of it, but would it be
possible to make a reverb plug that was better than the stock Paris verbs,
but not a resource hog? I use the Room reverb and the Plates, but generally
only for short rooms, or in the "background." It would be to have something
whose quality would sit somewhere between the Paris verbs and and something
"higher end."
....and I hope the price might be somewhat below 300.00 -poor boy that I am.
Thanks James,
MR
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:444444fa$1@linux...
>
> I'm kind of thinking out loud.
>
> What kind of native plugins would you guys like to see developed for
Paris?
>
>
> What do you think you guys would be willing to pay for these plugins?
>
> If we could get the algorithms ported from the Ensoniq DP pro, what would
> you guys be willing to pay for that?
>
> I'm not sure that this is possible, but, what would you guys be willing to
> pay for automatic plugin delay compensation?
>
> If you could have somebody do coding work for Paris, what would you have
> them do? What would you be willing to pay for this software/service?
>
> I may have somebody interested.
>
> JamesYeah, PDC and native fx on auxes for me also. Those, and fix the render bug
where everything gets timewhacked if there's a small gap in the edit.
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Not for me. There aren't enough/powerful enough DSP chips. The DP Pro algos
>are gonna suck them right up. There's just not enough horsepower to run
>enough of these per submix to make it worth further efforts. I would support
>bringing whatever Chuck had on the boards to some sort of conclusion, but
>PDC is the bottom line for me, and second would be being able to buss native
>FX to the Paris auxes. Get these two things accomplished and it's a HUGE
>deal......for me at least.
>
>Deej
>
>"James McCloskey" <excelsm@hotmail.com> wrote in message
>news:44445cfd@linux...
>>
>> Ok, the number one request would be latency compensation! This might
be a
>> tuff one, but Ok. What about the other questions? What about native
>Paris
>> plugi
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| Re: I'm off to bed..............time for the server to go down [message #65694 is a reply to message #65693] |
Fri, 24 March 2006 08:29 |
rick
Messages: 1976
Registered: February 2006
|
Senior Member |
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ns? This is probably where we'd start.
>>
>> A little more input please.
>>
>> "jim Phillips" <jmp@nospamnecounty.net> wrote:
>> >
>> >me 4th
>> >>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >>>>I'm not sure that this is possible, but, what would you guys be
>willing
>> >>to
>> >>>pay for automatic plugin delay compensation?
>> >>>
>> >>>I would pay $300.00 without even thinking twice, just for this one
>feature
>> >>>if I could use UAD-1 cards..
>> >>>
>> >>>
>> >>>"James McCloskey" <excelsm@hotmail.com> wrote in message
>> >>>news:444444fa$1@linux...
>> >>>>
>> >>>> I'm kind of thinking out loud.
>> >>>>
>> >>>> What kind of native plugins would you guys like to see developed
for
>> >>>Paris?
>> >>>>
>> >>>>
>> >>>> What do you think you guys would be willing to pay for these plugins?
>> >>>>
>> >>>> If we could get the algorithms ported from the Ensoniq DP pro, what
>> would
>> >>>> you guys be willing to pay for that?
>> >>>>
>> >>>> I'm not sure that this is possible, but, what would you guys be
>willing
>> >>to
>> >>>> pay for automatic plugin delay compensation?
>> >>>>
>> >>>> If you could have somebody do coding work for Paris, what would you
>> have
>> >>>> them do? What would you be willing to pay for this software/service?
>> >>>>
>> >>>> I may have somebody interested.
>> >>>>
>> >>>> James
>> >>>
>> >>>
>> >>
>> >
>>
>
>holy 1975 batman...
Neil wrote:
>"Don Nafe" <dnafe@magma.ca> wrote:
>
>
>>I like visuals...coloured blinky lighty thingies
>>
>>
>
>Then here you go...
>
>http://www.hobbytron.com/ColorOrgans.html
>
>:D
>
>
>
>don't forget to burn the remains....zombie programmers are a bigger
nuscence than, say, zombie realestate agents are.....
DJ wrote:
>Worst mistake of my life. I wish I had never been born. I can't even begin
>to describe how badly this POS has hosed my system. If it wasn't for Ghost,
>I'd be slitting my wrists right about now.
>
>I'm going to find whoever is responsible for wrtiting the drivers for this
>pile of crap, stake them out over an ant bed, cover them with honey and
>laugh my ass off as they are devoured alive........then I'm gonna go find
>their kids.
>
>
>
>
>
>
>
>
>
>"Mike R." <emarenot@yahoo.com> wrote:
>I agree with others, a delay comp plug would be very helpful.
>I still wonder about Matt's reverb plug and what became of it,
>but would it be possible to make a reverb plug that was better
>than the stock Paris verbs, but not a resource hog? I use the
>Room reverb and the Plates, but generally only for short rooms,
>or in the "background." It would be to have something
>whose quality would sit somewhere between the Paris verbs and
>and something "higher end." ...and I hope the price might be
>somewhat below 300.00 -poor boy that I am.
Buy a Lexicon Alpha for $129, strictly for the purposes of the
Pantheon license (and you'll also get a copy of CubaseLE for
free - there's your integrated MIDI app, as well).
http://www.sweetwater.com/store/detail/Alpha/
And you'll also get a complementary doorstop! (the convertor box)
Just copy the Pantheon DLL over to your VST folder & you're
rollin' with a nice 'verb that's not too ridiculous when it
comes to pigging out on all your CPU cycles.
As for the Latency Compensator VST plug, you guys should e-mail
Aleksey at Voxengo & see if he can do it for you. I'm betting he
could.
NeilI use Drumagog. It really helped my studio in a big way. If you ever are interested
in seeing what it can do for you, try the trial version. If it don't do as
you would like, call Rim-the creator of it, and it WILL do as you want. He
has got to be the friendliest guy, and will give you the time of day as if
you bought the full bull.
Steve not the Art Guy
"Neil" <IOUOIU@OIU.com> wrote:
>
>The GUI is somewhat reminiscnet of Sound Replacer.
>
>Neil
>
>"Don Nafe" <dnafe@magma.ca> wrote:
>>Tell me more my good man....
>>
>>Don
>>
>>
>>"volthause" <volthause-nospam-@soldrocks-nospam-.com> wrote in me
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| Re: I'm off to bed..............time for the server to go down [message #65695 is a reply to message #65694] |
Fri, 24 March 2006 08:58 |
Deej [1]
Messages: 2149
Registered: January 2006
|
Senior Member |
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|
ssage
>>news:Xns979688CF44D8volthause@202.63.37.102...
>>>I don't have drumagog w/Paris, but I have been using Aptrigga with great
>>> success. The price is mighty fine too.
>>>
>>> Check it out.
>>>
>>> http://apulsoft.ch/aptrigga/index.php
>>>
>>> "CJG" <grimmark@telia.com> wrote in news:44295918$1@linux:
>>>
>>>>
>>>> Hi
>>>> I just got offf the phone with a friend who said that no
>>>> sound-replacer works well with Paris bur he recommended drumagog and
>>>> Logic. Are You guys successful in using Drumagog with Paris on mac?
My
>>>> mac is an old 400 Mhz G4.
>>>>
>>>> Thanks!!!
>>>> CJG
>>>
>>
>>
>thank's dave. I was wondering why my system was acting funky...agv
wouldn't update...how the heck do clocks get bumped forward like that?
j
EK Sound wrote:
> Jef, change your clock dude...
>
> David.
>
> jef knight wrote:
>
>> I've been getting that error alot lately, with no loops or punch, so
>> I jacked up the config values, fixed the front of the files to
>> exhibit 0 fade in and it seems to have taken care of it....for
>> now....lol
>> j
>>
>> rick wrote:
>>
>>> did you have either the loop or punch in function active at the time
>>> of saving the project? if you did try as soon as you load the ppj to
>>> save it under another name after turning off either or both of those
>>> functions.
>>>
>>> On 15 Apr 2006 16:35:03 +1000, "Dave Thompson"
>>> <dfthompson@_nospam_lanset.com> wrote:
>>>
>>>
>>>
>>>> Hi,
>>>> This error messege pops up when I hit the record button. "Error in
>>>> queuing project Error code 1879048233/70000029."
>>>> Wha' happen?
>>>> It only happens on one song.
>>>> How do I fix the situation?
>>>> Thanks for the help.
>>>>
>>>
>>>
>>>
>>>I don't know, but you are still posting in March!! ;-)
David.
jef knight wrote:
> thank's dave. I was wondering why my system was acting funky...agv
> wouldn't update...how the heck do clocks get bumped forward like that?
> j
>
> EK Sound wrote:
>
>> Jef, change your clock dude...
>>
>> David.
>>
>> jef knight wrote:
>>
>>> I've been getting that error alot lately, with no loops or punch, so
>>> I jacked up the config values, fixed the front of the files to
>>> exhibit 0 fade in and it seems to have taken care of it....for
>>> now....lol
>>> j
>>>
>>> rick wrote:
>>>
>>>> did you have either the loop or punch in function active at the time
>>>> of saving the project? if you did try as soon as you load the ppj to
>>>> save it under another name after turning off either or both of those
>>>> functions.
>>>>
>>>> On 15 Apr 2006 16:35:03 +1000, "Dave Thompson"
>>>> <dfthompson@_nospam_lanset.com> wrote:
>>>>
>>>>
>>>>
>>>>> Hi,
>>>>> This error messege pops up when I hit the record button. "Error in
>>>>> queuing project Error code 1879048233/70000029."
>>>>> Wha' happen?
>>>>> It only happens on one song.
>>>>> How do I fix the situation?
>>>>> Thanks for the help.
>>>>>
>>>>
>>>>
>>>>
>>>>
>>>>Yip, I'd pay for delay comp!
also native on Auxes.
Also for the UPS..Kim, I'll donate!
"Mike R." <emarenot@yahoo.com> wrote:
>I agree with others, a delay comp plug would be very helpful. I still
>wonder about Matt's reverb plug and what became of it, but would it be
>possible to make a reverb plug that was better than the stock Paris verbs,
>but not a resource hog? I use the Room reverb and the Plates, but generally
>only for short rooms, or in the "background." It would be to have something
>whose quality would sit somewhere between the Paris verbs and and something
>"higher end."
>...and I hope the price might be somewhat below 300.00 -poor boy that I
am.
>Thanks James,
>MR
>
>
>"James McCloskey" <excelsm@hotmail.com> wrote in message
>news:444444fa$1@linux...
>>
>> I'm kind of thinking out loud.
>>
>> What kind of native plugins would you guys like to see developed for
>Paris?
>>
>>
>> What do you think you guys would be willing to pay for these plugins?
>>
>> If we could get the algorithms ported from the Ensoniq DP pro, what would
>> you guys be willing to pay for that?
>>
>> I'm not sure that this is possible, but, what would you guys be willing
to
>> pay for automatic plugin delay compensation?
>>
>> If you could have somebody do coding work for Paris, what would you have
>> them do? What would you be willing to pay for this software/service?
>>
>> I may have somebody interested.
>>
>> James
>
>Isn't that what(and how) the UAD-1 Delay Compensator Plug-in WAS SUPPOSED
to be used for....maybe trying to get to the bottom of that would be a place
to start in making something work in PARIS????
Matt
"John" <no@no.com> wrote:
>
>If someone could do that, Paris would be SO much better. And I know DJ
alone
>would pay
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| Re: I'm off to bed..............time for the server to go down [message #65696 is a reply to message #65686] |
Fri, 24 March 2006 09:29 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
up to $20,000 for it. He's rolling in dough. hehe
>
>John
>
>"Dimitrios" <musurgio@otenet.gr> wrote:
>>
>>Hi,
>>I think though that someone could build a VST plugin that could work as
>delay
>>compensator.
>>That plugin could be loaded on every Paris audio track say at the bottom
>>VST slot so every vst added on any audio track would "inform" all vst instances
>>for the delay it introduces so that plugin
>>would delay all other tracks for the amount needed.
>>For instance say that a DX Waves rencomp gives a 64 samples latency.
>>So this plugin will recognise that (all plugins send timing info) and would
>>delay all "other" instances to automatically get delayed for that amount.
>>Now lets say you put another rencomp on another track, so the "plugin"
on
>>that track would inform all others to get delayed for another 64 samples
>>etc...
>>
>>I would like to be a VST plugin because most are VST, UAD1 are ONLY vst
>from
>>now on...
>>This way working from inside chainer we can have all the added benefits...
>>
>>Anyone wants to do it ?
>>
>>I have the "code" from multifxvst wrapper !
>>Maybe that could help?
>>
>>Regards,
>>Dimitrios
>>Maybe that more easy to do and would get paid a lot less than the above
>amount
>>of money.
>>If I had the programming skills thats what I would do.
>>Anyone knows programming ?
>>I could give him more details about my idea...
>>
>would you guys be willing to pay for a VST to EDS FX wrapper? What do you
think it would be worth?
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>I'm kind of thinking out loud.
>
>What kind of native plugins would you guys like to see developed for Paris?
>
>
>What do you think you guys would be willing to pay for these plugins?
>
>If we could get the algorithms ported from the Ensoniq DP pro, what would
>you guys be willing to pay for that?
>
>I'm not sure that this is possible, but, what would you guys be willing
to
>pay for automatic plugin delay compensation?
>
>If you could have somebody do coding work for Paris, what would you have
>them do? What would you be willing to pay for this software/service?
>
>I may have somebody interested.
>
>JamesYe right,
Well the delay compensator from UAD1 is a do it b thing.
Something like that which will react automatically though when inserting
any vst effect.
There is a free program called vstspy which when run detects the actual latency
of the vst plugins and not only ,many many more info about each vst !
So there is definetely a possibility to take this further making it a vst
plugin itself and then reacting by putting just a delay of the corresponding
samples.
Regards,
Dimitrios
"thesandbox" <matt@sandboxproductions.com> wrote:
>
>Isn't that what(and how) the UAD-1 Delay Compensator Plug-in WAS SUPPOSED
>to be used for....maybe trying to get to the bottom of that would be a place
>to start in making something work in PARIS????
>
>Matt
>
>"John" <no@no.com> wrote:
>>
>>If someone could do that, Paris would be SO much better. And I know DJ
>alone
>>would pay up to $20,000 for it. He's rolling in dough. hehe
>>
>>John
>>
>>"Dimitrios" <musurgio@otenet.gr> wrote:
>>>
>>>Hi,
>>>I think though that someone could build a VST plugin that could work as
>>delay
>>>compensator.
>>>That plugin could be loaded on every Paris audio track say at the bottom
>>>VST slot so every vst added on any audio track would "inform" all vst
instances
>>>for the delay it introduces so that plugin
>>>would delay all other tracks for the amount needed.
>>>For instance say that a DX Waves rencomp gives a 64 samples latency.
>>>So this plugin will recognise that (all plugins send timing info) and
would
>>>delay all "other" instances to automatically get delayed for that amount.
>>>Now lets say you put another rencomp on another track, so the "plugin"
>on
>>>that track would inform all others to get delayed for another 64 samples
>>>etc...
>>>
>>>I would like to be a VST plugin because most are VST, UAD1 are ONLY vst
>>from
>>>now on...
>>>This way working from inside chainer we can have all the added benefits...
>>>
>>>Anyone wants to do it ?
>>>
>>>I have the "code" from multifxvst wrapper !
>>>Maybe that could help?
>>>
>>>Regards,
>>>Dimitrios
>>>Maybe that more easy to do and would get paid a lot less than the above
>>amount
>>>of money.
>>>If I had the programming skills thats what I would do.
>>>Anyone knows programming ?
>>>I could give him more details about my idea...
>>>
>>
>Like what FXpansion does?
Don
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:4445155e$1@linux...
>
> would you guys be willing to pay for a VST to EDS FX wrapper? What do you
> think it would be worth?
>
>
> "James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>I'm kind of thinking out loud.
>>
>>What kind of native plugins would you guys like to see developed for
>>Paris?
>>
>>
>>What do you think you guys would be willing to pay for these plugins?
>>
>>If we could get the algorithms ported from the Ensoniq DP pro, what would
>>you guys be willing to pay for that?
>>
>>I'm not sure that this is possible, but, what would you guys be willing
> to
>>pay for automatic plugin delay compensation?
>>
>>If you could have somebody do coding work for Paris, what would you have
>>them do? What would you be willing to pay for this software/service?
>>
>>I may have somebody interested.
>>
>>James
>I have not tried FXpansion yet. Will it wrap a VST and run it natively on
the EDS1000 card? With out latency?
"Don Nafe" <dnafe@magma.ca> wrote:
>Like what FXpansion does?
>
>Don
>
>"James McCloskey" <excelsm@hotmail.com> wrote in message
>news:4445155e$1@linux...
>>
>> would you guys be willing to pay for a VST to EDS FX wrapper? What do
you
>> think it would be worth?
>>
>>
>> "James McCloskey" <excelsm@hotmail.com> wrote:
>>>
>>>I'm kind of thinking out loud.
>>>
>>>What kind of native plugins would you guys like to see developed for
>>>Paris?
>>>
>>>
>>>What do you think you guys would be willing to pay for these plugins?
>>>
>>>If we could get the algorithms ported from the Ensoniq DP pro, what would
>>>you guys be willing to pay for that?
>>>
>>>I'm not sure that this is possible, but, what would you guys be willing
>> to
>>>pay for automatic plugin delay compensation?
>>>
>>>If you could have somebody do coding work for Paris, what would you have
>>>them do? What would you be willing to pay for this software/service?
>>>
>>>I may have somebody interested.
>>>
>>>James
>>
>
>Let me see that...
You mean that to be able to run VST plugins on Paris dsp's ?
That would be great...
Is though a Paris dsp sufficient to run any VST plugin ?
I am sure if it does the vst plugins will sound BETTER running on Paris dsp...
I would pay for 150$
Dimitrios
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>would you guys be willing to pay for a VST to EDS FX wrapper? What do you
>think it would be worth?
>
>
>"James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>I'm kind of thinking out loud.
>>
>>What kind of native plugins would you guys like to see developed for Paris?
>>
>>
>>What do you think you guys would be willing to pay for these plugins?
>>
>>If we could get the algorithms ported from the Ensoniq DP pro, what would
>>you guys be willing to pay for that?
>>
>>I'm not sure that this is possible, but, what would you guys be willing
>to
>>pay for automatic plugin delay compensation?
>>
>>If you could have somebody do coding work for Paris, what would you have
>>them do? What would you be willing to pay for this software/service?
>>
>>I may have somebody interested.
>>
>>James
>Dear Don,
Would you ever believe that FXpansion by itself would wanna suicide and make
a VST to EDS wrapper ?
And also without latency ?
Nice thought,
Regards,
Dimitrios
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>I have not tried FXpansion yet. Will it wrap a VST and run it natively
on
>the EDS1000 card? With out latency?
>
>"Don Nafe" <dnafe@magma.ca> wrote:
>>Like what FXpansion does?
>>
>>Don
>>
>>"James McCloskey" <excelsm@hotmail.com> wrote in message
>>news:4445155e$1@linux...
>>>
>>> would you guys be willing to pay for a VST to EDS FX wrapper? What do
>you
>>> think it would be worth?
>>>
>>>
>>> "James McCloskey" <excelsm@hotmail.com> wrote:
>>>>
>>>>I'm kind of thinking out loud.
>>>>
>>>>What kind of native plugins would you guys like to see developed for
>>>>Paris?
>>>>
>>>>
>>>>What do you think you guys would be willing to pay for these plugins?
>>>>
>>>>If we could get the algorithms ported from the Ensoniq DP pro, what would
>>>>you guys be willing to pay for that?
>>>>
>>>>I'm not sure that this is possible, but, what would you guys be willing
>>> to
>>>>pay for automatic plugin delay compensation?
>>>>
>>>>If you could have somebody do coding work for Paris, what would you have
>>>>them do? What would you be willing to pay for this software/service?
>>>>
>>>>I may have somebody interested.
>>>>
>>>>James
>>>
>>
>>
>"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>James,
>I'm with Deej. Auto delay comp and native effects on auxes
>would be easily worth the $300 to me. Major issues at this point.
>
Add my name to the list of those who want and would pay well for the above.This is a multi-part message in MIME format.
------=_NextPart_000_0184_01C662F9.EFE29320
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
We'll all need 8 card systems.
"Dimitrios" <musurgio@otenet.gr> wrote in message =
news:444525f4$1@linux...
Let me see that...
You mean that to be able to run VST plugins on Paris dsp's ?
That would be great...
Is though a Paris dsp sufficient to run any VST plugin ?
I am sure if it does the vst plugins will sound BETTER running on =
Paris dsp...
I would pay for 150$
Dimitrios
"James McClosk
|
|
|
|
| Re: I'm off to bed..............time for the server to go down [message #65728 is a reply to message #65695] |
Sat, 25 March 2006 02:18 |
rick
Messages: 1976
Registered: February 2006
|
Senior Member |
|
|
I would, but it's not an huge issue as PDC.
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:44454216$1@linux...
>
> What do you think the problem is with XP not working with multiple Adat
cards?
> Is this a fix you guys would be willing to pay for?
>
> "James McCloskey" <excelsm@hotmail.com> wrote:
> >
> >I'm kind of thinking out loud.
> >
> >What kind of native plugins would you guys like to see developed for
Paris?
> >
> >
> >What do you think you guys would be willing to pay for these plugins?
> >
> >If we could get the algorithms ported from the Ensoniq DP pro, what would
> >you guys be willing to pay for that?
> >
> >I'm not sure that this is possible, but, what would you guys be willing
> to
> >pay for automatic plugin delay compensation?
> >
> >If you could have somebody do coding work for Paris, what would you have
> >them do? What would you be willing to pay for this software/service?
> >
> >I may have somebody interested.
> >
> >James
>Hey DJ,
I haven't been able to get this to work perfectly either. Everything is
setup right, and Cubase even locks, but always shifts in the beginning ...
within the first 4 measures it speeds up and slows down like a pendulum
until it gets a good lock. After that it is very stable.
Any ideas?
J
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:444575c0$1@linux...
> If you are running a Hammerfall HDSP card, just set Cubase to sync to ASIO
> positioning protocall, attach a 9 pin serial cable from the Paris ADAT
> sync
> port out to the HDSP ADAT sync port in. In the HDSP control panel, set the
> HDSP to sync to ADAT sync.
>
> Cubasse SX should now sync to the C-16.
>
> Deej
>
> "BR" <nospam@nospam.com> wrote in message news:444574a7$1@linux...
>> I'm trying to find some instructions I think you put out a while a go,
>> regarding Paris sync to Cubase SX via ADAT and RME card. I think it was a
>> Word-document. Do you still have it? My system is a little sluggish, I
>> may
>> have overlooked something in the set-up.
>>
>> Bjorn R
>>
>>
>
>I think you misread my post.
You dirty, dirty, dyslexic old man.
Let's be clear: HE got the mic, SHE got the Powerbook.
And if she had kept it, she would have over-sung her horribly pedestrian
songs into it.
I don't know what she would have used for a preamp/EQ/compressor, or for a
DAW, though, because those are his.....
Let's review for clarity: he/she, his/hers, etc. You can do it, I just know
it. You are a very smart man.
Jimmy
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:44457ab4@linux...
> now what does she intend to do with a Microtech Gefell?
>
> "uptown jimmy" <johnson314@bellsouth.net> wrote in message
> news:444579f5$1@linux...
> > Actually.....ha....good point, but.....ha....
> >
> > ....ahem.....
> >
> > ....she took the soon-to-be-worthless Powerbook and he kept the
$3,000.00
> > Microtech-Geffel tube mic as trade when they split up the stuff.
> >
> > I'd say that he came out on top, in a big way. To put it very, very,
very,
> > very mildly.
> >
> > But don't tell the trollop.
> >
> > Jimmy
> >
> >
> > "Aaron Allen" <nospam@not_here.dude> wrote in message
> news:444569c9@linux...
> > > Wouldn't it be cheaper to hire Guido to get that one back from Houdini
> > > chick, LOL?
> > > AA
> > >
> > >
> > > "uptown jimmy" <johnson314@bellsouth.net> wrote in message
> > > news:4445448c@linux...
> > > > Howdy!
> > > >
> > > > Does anybody know if Apple has rolled out All of their new
> Intel-powerd
> > > > laptops? I can't figure it out.
> > > >
> > > > Swen wants to replace his big, bad top-o-the-line Powerbook with the
> > Intel
> > > > version, as his newly-ex-girlfriend has absconded with with the old
> > one...
> > > >
> > > > Jimmy
> > > >
> > > >
> > >
> > >
> > > I choose Polesoft Lockspam to fight spam, and you?
> > > http://www.polesoft.com/refer.html
> > >
> > >
> >
> >
>
>"W. Mark Wilson" <wmarkwilson@integrity.com> wrote:
>This makes the 8th and/or 9th time I've read here that someone wants to
know
>where this guy is. I did some light sleuthing; here's what I found in 3
>minutes. If this is him, I figger I'm owed at least a McDonald's gift
>certificate or something.
Drive down to El Paso, I'll buy you a Big Mac lolThat's pretty normal. There is a little pre-roll slop. This can be somewhat
mitigated by settings in Cubase, I think. I've never worried about it. I
always give my projects a little slack to accommodate this.If I'm punching
and Paris is controlling the timeline, I make sure to provide enough hang
time to the talent so that the two apps can lock tight before the *artist*
screws up the take again during the punch.
;o)
"Ted" <sonicartproductions@hotmail.com> wrote in message
news:44457c26@linux...
> Hey DJ,
> I haven't been able to get this to work perfectly either. Everything is
> setup right, and Cubase even locks, but always shifts in the beginning ...
> within the first 4 measures it speeds up and slows down like a pendulum
> until it gets a good lock. After that it is very stable.
> Any ideas?
> J
>
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:444575c0$1@lin
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