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Optimum Stereo Signal Recording with the Jecklin Disk [message #59467] Sun, 23 October 2005 23:30 Go to next message
excelav is currently offline  excelav   
Messages: 2130
Registered: July 2005
Location: Metro Detroit
Senior Member
r /> >
>>For whatever it's worth, I cut about 90% of my sessions
>>in 16 bit--it sounds fantastic, especially for the punchy
>>stuff. If it's real quiet acoustic stuff I go to the 24
Re: Optimum Stereo Signal Recording with the Jecklin Disk [message #59479 is a reply to message #59467] Mon, 24 October 2005 07:57 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
cts, 16 bit is the way to go.
>> (Mike R.)
>>
>> "John Macy" <spamlessjohn@johnmacy.com> wrote:
>>
>>>For whatever it's worth, I cut about 90% of my sessions
>>>in 16 bit--it sounds fantastic, especially for the punchy
>>>stuff. If it's real quiet acoustic stuff I go to the 24
>>>bit. My mastering guy in Nashville (Randy LeRoy at Final Stage)
>>>agrees, and says it sounds as good or better than most 24 bit stuff.
>>>
>>>
>>>
>>>"Edna" <edna@texomaonline.com> wrote:
>>>
>>>>Am lookin
Re: Optimum Stereo Signal Recording with the Jecklin Disk [message #59480 is a reply to message #59467] Mon, 24 October 2005 08:00 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
g at picking up a used Pro system very reasonable and nearby.
>>>
>>>Was
>>>
>>>>wondering if the Pro MEC has 24 bit converters? Owner sez yes, but I
have
>>>>heard the old and new MECs are the same.
>>>>Thanks,
>>>>Edna
>>>>
>>>>
>>>
>>Well, it wouldn't be the first time Behringer was in trouble for patent
infringement. Remember the Mackie mixer debacle?

Tony


"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:438ba5ec@linux...
Re: Optimum Stereo Signal Recording with the Jecklin Disk [message #59481 is a reply to message #59479] Mon, 24 October 2005 08:38 Go to previous messageGo to next message
EK Sound is currently offline  EK Sound   CANADA
Messages: 939
Registered: June 2005
Senior Member

>I am actually trying to source a Behringer product right now
> (gasp!!!!.....yeah....I know ;o). The only Behringer product that I have
> ever used that worked well and as advertized is an AD/DA/format converter
> called the Ultramatch Pro SRC 2496. I've got one and need another one in
> order to do something else bizarre with my routing matrix. Anyway, I have
> scoured the internet for one of these to no avail. I was talking to a
> retailer in Nashville earlier today and was told that this and the ADA8000
> may not be showing up again due to a patent infringement situation
> involving
> Apogee. I'm wondering if this is true. Anyone else heard this? Anyone got
> an
> Ultramatch Pro FS? I need one yesterday. They are backordered everythere
> with mid-January as the projected date for filling orders.
>
>I'm aware that's it's been posted about not clicking on assertion failed messages
until you save as, but I got one this morning, and just for kicks I kept
going, ignoring the message.I went fo
Re: Optimum Stereo Signal Recording with the Jecklin Disk [message #59491 is a reply to message #59479] Mon, 24 October 2005 11:14 Go to previous messageGo to next message
excelav is currently offline  excelav   
Messages: 2130
Registered: July 2005
Location: Metro Detroit
Senior Member
om">OO@OIU.com</A>&gt; wrote =
in=20
message <A=20
=
href=3D"news:438d3fe0$1@linux">news:438d3fe0$1@linux</A>...</DIV><BR>Whic=
h begs=20
the response: He looks bored, therefore he IS bored,<BR>which means =
I'M=20
bored... he may be a great technician, but IMO<BR>he's got no feel =
whatsoever.=20
I love to hear fast playing, but<BR>it's got have smoe enthusiasm =
behind it;=20
Cory's post reminded<BR>me that he plays that way (on a couple of =
clips I've=20
heard);<BR>and that kinda stuff is nice to hear, but this guy/kid=20
does<BR>nothing for me.<BR><BR>Neil<BR><BR><BR><BR>"tonehouse" &lt;<A=20
href=3D"mailto:zmcleod@comcast.net">zmcleod@comcast.net</A>&gt;=20
wrote:<BR>&gt;Yikes ! It's not only what he plays..but it looks so =
EASY....the=20
other band<BR>&gt;members might as well go to McDonalds or something =
while=20
this kid plays....<BR>&gt;"DC" &lt;<A=20
href=3D
Re: Optimum Stereo Signal Recording with the Jecklin Disk [message #59499 is a reply to message #59480] Mon, 24 October 2005 13:30 Go to previous messageGo to next message
Dale is currently offline  Dale   
Messages: 77
Registered: September 2005
Member
Dimitrios
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>I am actually trying to source a Behringer product right now
>>(gasp!!!!.....yeah....I know ;o). The only Behringer product that I have
>>ever used that worked well and as advertized is an AD/DA/format converter
>>called the Ultramatch Pro SRC 2496. I've got one and need another one in
>>order to do something else bizarre with my routing matrix. Anyway, I have
>>scoured the internet for one of these to no avail. I was talking to a
>>retailer in Nashville earlier today and was told that this and the ADA8000
>>may not be showing up again due to a patent infringement situation
>>involving
>>Apogee. I'm wondering if this is true. Anyone else heard this? Anyone got
> an
>>Ultramatch Pro FS? I need one yesterday. They are backordered everythere
>>with mid-January as the projected date for filling orders.
Re: Optimum Stereo Signal Recording with the Jecklin Disk [message #59501 is a reply to message #59467] Mon, 24 October 2005 14:26 Go to previous message
DC is currently offline  DC
Messages: 722
Registered: July 2005
Senior Member
> >>band
>>members might as well go to McDonalds or something while this kid
>>plays....
>>"DC" <dc@spamsony.com> wrote in message news:4388ba1a$1@linux...
>>>
>>> "Tom Bruhl" <Arpegio@comcast.net> wrote:
>>> >Just plain spooky.
>>> >
>>> >Tom
>>>
>>>
>>> I've seen the same thing in young classical players. When you get
>>> to know them a bit you realize it is a savant-like quickness in the
>>> mind that allows them to play at such unearthly levels. In a way, it
>>> is like Rain Man, if you know what I mean.
>>>
>>> Now comes the hard part. They have to learn everything else
>>> about music, and really apply themselves in the next few years to
>>> even maintain their current levels of playing. The *worst* thing that
>>> can happen is adults fawning over them and praising them to the
>>> sky and comparing them to the greats, and getting them record
>>> deals. Yet this is usually what happens. When it does, the prodigy
>>> disappears and is never heard from again.
>>>
>>> In classical, if you have a great teacher, they keep your nose to the
>>> wheel, and let you know that you have along way to go. The
>>> parents will be smart, and reserved with their praise and exposure of
>>> the child to the public.
>>>
>>> Then you can end up with another Mozart, but it is rare today; fame
>>> is too much of a drug to most people.
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