| Just got this email from Toontrack [message #63408] |
Thu, 19 January 2006 11:43  |
Tony Benson
Messages: 453
Registered: June 2006
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Senior Member |
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ything to Paris, then rendering the tracks at 00:00:00:00,
then batch processing them in Wavelab as .wav's and importing them to a
Cubase Sx mix template. I do patch my Multiface into Paris digitally when
tracking sometimes, but I mostly use it's AD/DA's as insert sends and
returns while mixing. Having that auto compensation in SX is a dream come
true.
Deej
Deej
"Neil" <OIOI@err.com> wrote in message news:43feaa8e$1@linux...
>
> Interesting... so the key in this case must be bringing it out
> of SX before summing, because, and I can guarantee this, 32-
> bit float-point or not, that if you hammer those channels in SX
> and then try to sum it in the same app, you're going to get
> real ugly, real fast (we're talking clip city, my bro-man.. I
> hate to say it, but it's true anyway... it's pure digital, what
> do we expect, right?).
>
> So, are you taking the SX channels out individually, or are
> you taking them out through an SX bus feed? I assume either way
> you're going through your Multiface and then into Paris, right?
>
> I think this is a pretty relevant question for this group, since
> it seems to have become more of a sort of:
> " FormerOrPerhapsStillPartiallyParisUsersWhoHaveSinceMigratedT oCubaseSX "
> group, as opposed to a strict: "ParisUsersGroup"
>
> Neil
>
>
>
>
> "
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