Home » The PARIS Forums » PARIS: Main » Multiple_EDS_Connection_wizard_insight_needed
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| Re: Multiple_EDS_Connection_wizard_insight_needed [message #61761 is a reply to message #61757] |
Thu, 22 December 2005 10:40   |
Rod Lincoln
Messages: 883
Registered: September 2005
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Senior Member |
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--------------070300060104000708090907--That's a little tempting for me to pair up with an M-Audio fader/knob box
for VSTi editing. That's so much of what I do and none of the control surfaces
seem to really do that terrible well. The Houston I had was OK but not much
better than that. Hmmmm . . . .
TCB
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Yikes!!!! That's cheap. Now I wonder if they're getting ready to discontinue
>it.
>
>;o}
>
>"James McCloskey" <excelsm@hotmail.com> wrote in message
>news:43c029b6$1@linux...
>>
>> Hey Deej! You were just talking about the Tascam US-2400, you probably
>already
>> know this, there has been a price drop. Last time I checked prices they
>> wanted about $1100.00. Check it out.
>>
>> http://www.musiciansfriend.com/srs7/g=home/search/detail/bas e_pid/706947/
>>
>> James
>
>The Dimitrios LA2A is:
Threshold -75.1 db
Ratio 1.10:1
Attack 0.00126 sec
Release 0.052 sec
lookahead 0.000
output 6.3 db
---------
Bill's UAD 1176LN is:
UAD1 1176LN "Gentle Vocal Comp" preset
Check out Bill L's compresor to match the UAD 1176LN. He starts with the
gentle crush and then:
-67.4db 1.25:1
0.0030 0.0076
0.007 8.7
Sounds good, too. Up to 14 dB of reduction. The important settings to
change for your vocal application would be the threshold and the output.
I set the threshold so I was gettin g up to around 14 dB of reduction.
-------------
Another one of Bill's
Subject:
Here Is a Good Vocal Setting for Paris Compressor
I started out doing some tests of Chuck's NoLIMIT, which devolved into a
compressor plugin shoot-out. I didn't go totally crazy - really I was just
trying to see if I could get the regular Paris compressor to sound like the
UAD1 1176LN "Gentle Vocal Comp" preset. While I was at it, I threw in Waves
Ren Comp on a vocal setting. I then tweaked the Paris and the Waves to sound
as close to the 1176 as I could get them. I then tested them on male and
female vocal. The listeners were myself and my wife, who is an excellent
singer and a pianist, and actually has great ears (and she digs doing these
tests).
The winner by a very, very small margin was the UAD1. After that came the
Paris comp, and last was the Waves. My wife said the Waves sounded slightly
"metallic", which I interpreted to mean it had artifacts and was a little
flangey sounding. I agree, but it didn't sound bad, just not as good. The
UAD1 just sounded the most pleasing. The Paris compressor was really close
though - totally usable IMHO - and I thought it might be useful for some
folks if I shared the settings I arrived at, especially as the Paris comp is
by far the hardest compressor plug I have ever knobulated.
I started with the "gentle crush" setting (I mention this because there has
been a theory that there is a different algorithm used in the "Opto"
setting. I have no idea whether this is true, nor do I know which algo is in
the gentle crush.)
-67.4db 1.25:1
0.0030 0.0076
0.007 8.7
The important settings to change for your vocal application would be the
threshold and the output. I set the threshold so I was getting up to around
14 dB of reduction. Hope this may be useful to those who don't have a UAD1.
As to the NoLimit plug, I found it not so useful on vocals. Maybe I didn't
set it right - not sure. I wish it has a meter (Chuck, was that why you were
asking about good examples of plug in meters?) I will be testing it for
mastering program tomorrow. I will let y'all know what I think.
Bill
Gantt Kushner wrote:
> What are the settings? I couldn't view the pic in the previous post...
>
> Gantt
>
> Tom Bruhl wrote:
>
>> It wasn't as soft sounding as the UAD La2a.I think increasing the
>> ratio a little bit helped. Not a badstarting point though. Give it a
>> try if you haven't. Thanks Dimitrios.T.
>gluey huh?
DJ wrote:
> I'm processing one of the kick tracks ( mic on beater) and one of the snare
> tracks (underneath on snares) with a touch of my SPL TD, other than that,
> what my ears are telling me right now is that the rest of this mix will only
> be processed with a little subtractive and shelving EQ and some
> ambience......no compressors....at least not yet. Much of this has to do
> with using Cubase into Paris, I think. There's something *gluey* going on
> here with just a touch of the NoLimit on the mix bus that I'm liking. We'll
> see as this goes along.
>
>I finally got around to getting a Transient Designer, and I
wonder why I waited--very cool piece :)
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>I'm processing one of the kick tracks ( mic on beater) and one of the snare
>tracks (underneath on snares) with a touch of my SPL TD, other than that,
>what my ears are telling me right now is that the rest of this mix will
only
>be processed with a little subtractive and shelving EQ and some
>ambience......no compressors....at least not yet. Much of this has to do
>with using Cubase into Paris, I think. There's something *gluey* going on
>here with just a touch of the NoLimit on the mix bus that I'm liking. We'll
>see as this goes along.
>
>I'm with you on all of this. The one warning about buying big box machines
is to be sure you know all of the peripherals you'll want to use. The days
of all memory being the same and any AGP card working are long, long gone.
So check to be sure that you have the right number of PCI-E and regular PCI
cards and all of that jazz.
And once you have it be sure to head over to www.debian.org so you can dual
boot the Windows machine with the greatest operating system you've ever used.
TCB
"Mike R." <emarenot@yahoo.com> wrote:
>I enjoy building too, but I agree with you, the prices at some of these
big
>box stores are really low. We were looking at the e machines at Best Buy
a
>couple of months ago. I did some checking on the web and the quality of
the
>current machines seems to be pretty high. Just an FYI, my dad is using
a
>1.5 year old Dell to run Photoshop CS and ALOT of plugins on photos from
a
>10+ megapixle camera. He's been very happy with the processing speed.
>Good luck.
>MR
>
>"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message
>news:43c072d4$1@linux...
>>
>> First off, Happy New Year to all! Now, down to business ;-)I am looking
>for
>> a new PC for the studio. It will primarily handle e-mail, internet
>access
>> and Photoshop duties. I usualy build my own systems, but there seems to
be
>> great "bang for the buck" these days right off of the shelf (Best Buy,
>Circuit
>> City, etc.)I'm am curious to know if any of you have found any amazing
>deals
>> on PC's that I might have missed.
>>
>> Thanks
>>
>> Tyrone
>
>I'm running a 7 meter Canare 75ohm BNC cable from my WC to my WC distributor
box. From the distributor box I'm running 3 x Zaolla 1 meter BNC cables to
each of my 3 x MECs, a 6' Canare to a BNC splitter with a couple of generic
Markertek 75ohm 6" BNC cables from the splitter outs to the BNC inputs of my
HDSP 9652's and a 5 meter Hosa BNC cable from the distro box to my HDSP
Multiface. Quite a mixed bag.....but working OK here.
"JD" <no@nospam.com> wrote in message news:43c18639$1@linux...
>
> The sixty four thousand question! Is there really that much of a
difference
> in sound quality and sync between expensive and inexpensive BNC cables?
>
> I'm about to buy BNC cables again, and I'd hate to pay $60.00 for a cable
> when I could have paid $10.00.
>
> Recommendations for good but less expensive BNC cables?
>
> ThanksMorgan........I'm not sure whether to offer you my utmost respect or deepest
sympathy...........both I guess ;0). That looks like a serious challenge my
friend. Surely you are using some kind of major voltage regulator as the
first device in the AC chain. I can't even imagine what would happen to that
digitally codependent beast if even one device exceeded it's tolerance on a
spike or sag. House of cards.
I'd love to see this thing up close.
;o)
"Morgan" <morganp@ntplx.net> wrote in message news:43c1a7e2@linux...
> Hi Deej,
> I am now going through a similar Clock challenge, We are presently
> working with Euphonix / Steinberg / C-Lab on a sample accurate
> POST solution using NUENDO and a similar DUAL OPTERON like the one
> we did @ Lakewood with Brian Tankersley.
>
> The Block Diagrams for this setup are like a subway system map,
> There are over 10 Lucid Clock distributors ( 6 outs each ) in the audio
> path - a similar amount of Video as well.
>
> This project lead me to a new Clock source -
> http://www.antelopeaudio.com
> These guys do a better job than Apogee , and for less $$
> I have worked out some group buy details with these guys as well.
>
> Here are some pix of the equipment room - the floor below
> the Mix Room. This is a fraction of the gear :)
>
> Morgan :)
>
>
>
>
> DJ wrote:
> > I'm using the WC output from a Mytek A/D converter sending to a Lucid
GenX6
> > whic is set to distribute incoming clock signal, then taking the 6 clock
> > outputs from the GenX6 which are distributing the Mytek clock signal and
> > sending one output to a pair of RME HDSP 9652's by using a BNC splitter,
> > another output is sent to an RME Multiface, another is sent to a Lexicon
> > Studio 32 reverb and the last 3 are being sent to my 3 x MECs. One
> > interesting thing is that the two HDSP 9652's would lock to the incoming
> > clock signal when sending an independent feed to each one, but the
Multiface
> > would not sync to it's spearate WC signal and Paris would not sync to
it's 3
> > x WC inputs until the BNC splitter was used to send the same clock
output to
> > the two HDSP 9652's. It took me about a week of trial-and-error
> > troubleshooting, threats of violence and attempted bribes to get this
> > happening. I was even considering joining a church.
> >
> > ;o)
> >
> >
> >
> > "Don Nafe" <dnafe@magma.ca> wrote in message news:43c13353$1@linux...
> >
> >>Hey Deej
> >>
> >>Just wondering
> >>
> >>Don
> >>
> >>
> >
> >
> >
>
------------------------------------------------------------ ----------------
----
------------------------------------------------------------ ----------------
----
------------------------------------------------------------ ----------------
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------=_NextPart_000_0779_01C614BF.FFEEFFC0
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charset="iso-8859-1"
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I wet myself.
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:43c20366$1@linux...
Morgan........I'm not sure whether to offer you my utmost respect or =
deepest
sympathy...........both I guess ;0). That looks like a serious =
challenge my
friend. Surely you are using some kind of major voltage regulator as =
the
first device in the AC chain. I can't even imagine what would happen =
to that
digitally codependent beast if even one device exceeded it's tolerance =
on a
spike or sag. House of cards.
I'd love to see this thing up close.
;o)
"Morgan" <morganp@ntplx.net> wrote in message news:43c1a7e2@linux...
> Hi Deej,
> I am now going through a similar Clock challenge, We are presently
> working with Euphonix / Steinberg / C-Lab on a sample accurate
> POST solution using NUENDO and a similar DUAL OPTERON like the one
> we did @ Lakewood with Brian Tankersley.
>
> The Block Diagrams for this setup are like a subway system map,
> There are over 10 Lucid Clock distributors ( 6 outs each ) in the =
audio
> path - a similar amount of Video as well.
>
> This project lead me to a new Clock source -
> http://www.antelopeaudio.com
> These guys do a better job than Apogee , and for less $$
> I have worked out some group buy details with these guys as well.
>
> Here are some pix of the equipment room - the floor below
> the Mix Room. This is a fraction of the gear :)
>
> Morgan :)
>
>
>
>
> DJ wrote:
> > I'm using the WC output from a Mytek A/D converter sending to a =
Lucid
GenX6
> > whic is set to distribute incoming clock signal, then taking the 6 =
clock
> > outputs from the GenX6 which are distributing the Mytek clock =
signal and
> > sending one output to a pair of RME HDSP 9652's by using a BNC =
splitter,
> > another output is sent to an RME Multiface, another is sent to a =
Lexicon
> > Studio 32 reverb and the last 3 are being sent to my 3 x MECs. One
> > interesting thing is that the two HDSP 9652's would lock to the =
incoming
> > clock signal when sending an independent feed to each one, but the
Multiface
> > would not sync to it's spearate WC signal and Paris would not sync =
to
it's 3
> > x WC inputs until the BNC splitter was used to send the same clock
output to
> > the two HDSP 9652's. It took me about a week of trial-and-error
> > troubleshooting, threats of violence and attempted bribes to get =
this
> > happening. I was even considering joining a church.
> >
> > ;o)
> >
> >
> >
> > "Don Nafe" <dnafe@magma.ca> wrote in message =
news:43c13353$1@linux...
> >
> >>Hey Deej
> >>
> >>Just wondering
> >>
> >>Don
> >>
> >>
> >
> >
> >
>
=
------------------------------------------------------------ -------------=
---
----
=
------------------------------------------------------------ -------------=
---
----
=
------------------------------------------------------------ -------------=
---
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------=_NextPart_000_0779_01C614BF.FFEEFFC0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I wet myself.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
=
href=3D"news:43c20366$1@linux">news:43c20366$1@linux</A>...</DIV>Morgan..=
.......I'm=20
not sure whether to offer you my utmost respect or=20
deepest<BR>sympathy...........both I guess ;0). That looks like a =
serious=20
challenge my<BR>friend. Surely you are using some kind of major =
voltage=20
regulator as the<BR>first device in the AC chain. I can't even imagine =
what=20
would happen to that<BR>digitally codependent beast if even one device =
exceeded it's tolerance on a<BR>spike or sag. House of =
cards.<BR><BR>I'd love=20
to see this thing up close.<BR><BR>;o)<BR><BR>"Morgan" <<A=20
href=3D"mailto:morganp@ntplx.net">morganp@ntplx.net</A>> wrote in =
message <A=20
href=3D"news:43c1a7e2@linux">news:43c1a7e2@linux</A>...<BR>> Hi =
Deej,<BR>>=20
I am now going through a similar Clock challenge, We are =
presently<BR>>=20
working with Euphonix / Steinberg / C-Lab on a sample accurate<BR>> =
POST=20
solution using NUENDO and a similar DUAL OPTERON like the one<BR>> =
we did @=20
Lakewood with Brian Tankersley.<BR>><BR>> The Block Diagrams for =
this=20
setup are like a subway system map,<BR>> There are over 10 Lucid =
Clock=20
distributors ( 6 outs each ) in the audio<BR>> path - a similar =
amount of=20
Video as well.<BR>><BR>> This project lead me to a new Clock =
source=20
-<BR>> <A=20
=
href=3D"http://www.antelopeaudio.com">http://www.antelopeaudio.com</A><BR=
>>=20
These guys do a better job than Apogee , and for less $$<BR>> I =
have worked=20
out some group buy details with these guys as well.<BR>><BR>> =
Here are=20
some pix of the equipment room - the floor below<BR>> the Mix Room. =
This is=20
a fraction of the gear :)<BR>><BR>> Morgan=20
:)<BR>><BR>><BR>><BR>><BR >> DJ wrote:<BR>> > I'm =
using=20
the WC output from a Mytek A/D converter sending to a =
Lucid<BR>GenX6<BR>>=20
> whic is set to distribute incoming clock signal, then taking the =
6=20
clock<BR>> > outputs from the GenX6 which are distributing the =
Mytek=20
clock signal and<BR>> > sending one output to a pair of RME HDSP =
9652's=20
by using a BNC splitter,<BR>> > another output is sent to an RME =
Multiface, another is sent to a Lexicon<BR>> > Studio 32 reverb =
and the=20
last 3 are being sent to my 3 x MECs. One<BR>> > interesting =
thing is=20
that the two HDSP 9652's would lock to the incoming<BR>> > clock =
signal=20
when sending an independent feed to each one, but =
the<BR>Multiface<BR>>=20
> would not sync to it's spearate WC signal and Paris would not =
sync=20
to<BR>it's 3<BR>> > x WC inputs until the BNC splitter was used =
to send=20
the same clock<BR>output to<BR>> > the two HDSP 9652's. It took =
me about=20
a week of trial-and-error<BR>> > troubleshooting, threats of =
violence=20
and attempted bribes to get this<BR>> > happening. I was =
even=20
considering joining a church.<BR>> ><BR>> > ;o)<BR>>=20
><BR>> ><BR>> ><BR>> > "Don Nafe" <<A=20
href=3D"mailto:dnafe@magma.ca">dnafe@magma.ca</A>> wrote in message =
<A=20
href=3D"news:43c13353$1@linux">news:43c13353$1@linux</A>...<BR>> =
><BR>>=20
>>Hey Deej<BR>> >><BR>> >>Just =
wondering<BR>>=20
>><BR>> >>Don<BR>> >><BR>> >><BR>> =
><BR>> ><BR>>=20
=
><BR>><BR><BR><BR>-------------------------------------------------=
---------------------------<BR>----<BR><BR><BR><BR><BR ><BR><BR>----------=
------------------------------------------------------------ ------ <BR>---=
-<BR><BR><BR><BR><BR><BR><BR>--------------------------------------------=
--------------------------------<BR>----<BR><BR><BR><BR ><BR></BLOCKQUOTE>=
</BODY></HTML>
------=_NextPart_000_0779_01C614BF.FFEEFFC0--The way I used to do it was to route the outputs of my midi sound module
into a record enabled Paris audio track. then, but muting allof the midi
tracks but the ones I was bouncing to the respective audio track, I could
bounce 2 at a time this way until I finally got all of my midi drum tracks
recorded as audio tracks. I did this for quite a while actually, until I
finally broke down and got myself a 2nd computer and started syncing it up
via ADAT.
Deej
"Richard Faylor" <RichardFaylor@yahoo.com> wrote in message
news:43c00c68$1@linux...
>
> For some time I've used an old MIDI program and interface
(Vision/Studio64X)
> to create drum loops. Lately, I want to incorpoate those loops into Paris
> projects. I've figured out how to import them onto the Paris playing field
> at track 19 and I've got Paris triggering the MIDI from there, but what's
> the best way to convert the MIDI track to an audio track? Would just
"Bouncing
> to disk" do the trick, or is there another way?
>
> Many thanks!
> Richard"Pete Ruthenburg" <ruthenburg@sbcglobal.net> wrote:
>
> So is anybody using this?Seems like it could be useful or is it
>just popular with the electronica/dance crowd?Obviously the
>orchestral type sounds don't compare to other libraries,but it
>seems like you get alot for the money.
> Or is that the selling point;alot of good but not great sounds
>for the money.
>
>Petedebian the greatest os? i laugh. maybe if you want to wait till your
dead for the latest package to come out. i've swithced to fedora and
archlinux on all my workstations and servers because debian packages
take so freaking long to come out. it may be stable but some of us
can't wait 2 years for a package that other distros have usably stable a
couple weeks after they come out.
tcb wrote:
> I'm with you on all of this. The one warning about buying big box machines
> is to be sure you know all of the peripherals you'll want to use. The days
> of all memory being the same and any AGP card working are long, long gone.
> So check to be sure that you have the right number of PCI-E and regular PCI
> cards and all of that jazz.
>
> And once you have it be sure to head over to www.debian.org so you can dual
> boot the Windows machine with the greatest operating system you've ever used.
>
>
> TCB
>
> "Mike R." <emarenot@yahoo.com> wrote:
>
>>I enjoy building too, but I agree with you, the prices at some of these
>
> big
>
>>box stores are really low. We were looking at the e machines at Best Buy
>
> a
>
>>couple of months ago. I did some checking on the web and the quality of
>
> the
>
>>current machines seems to be pretty high. Just an FYI, my dad is using
>
> a
>
>>1.5 year old Dell to run Photoshop CS and ALOT of plugins on photos from
>
> a
>
>>10+ megapixle camera. He's been very happy with the processing speed.
>>Good luck.
>>MR
>>
>>"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message
>>news:43c072d4$1@linux...
>>
>>>First off, Happy New Year to all! Now, down to business ;-)I am looking
>>
>>for
>>
>>>a new PC for the studio. It will primarily handle e-mail, internet
>>
>>access
>>
>>>and Photoshop duties. I usualy build my own systems, but there seems to
>
> be
>
>>>great "bang for the buck" these days right off of the shelf (Best Buy,
>>
>>Circuit
>>
>>>City, etc.)I'm am curious to know if any of you have found any amazing
>>
>>deals
>>
>>>on PC's that I might have missed.
>>>
>>>Thanks
>>>
>>>Tyrone
>>
>>
>This one is really serious virtual instrument-general music tool.Worth of
money, surely.
"Pete Ruthenburg" <ruthenburg@sbcglobal.net> wrote:
>
> So is anybody using this?Seems like it could be useful or is it
>just popular with the electronica/dance crowd?Obviously the
>orchestral type sounds don't compare to other libraries,but it
>seems like you get alot for the money.
> Or is that the selling point;alot of good but not great sounds
>for the money.
>
>PeteIf you want more recent you can a) put the "testing" and "unstable" repositories
in your apt-get setup or b) install manually. IMHO debian "testing" is probably
a little more stable than the production Fedora, but it's pretty close as
far as being current. Debian unstable is still pretty solid, most of the
problems I run into are when something goes into the kernel that I was loading
as a module, in which case I just grub back to the previous kernel until
I have time to work out what's going on.
TCB
John <no@no.com> wrote:
>debian the greatest os? i laugh. maybe if you want to wait till your
>dead for the latest package to come out. i've swithced to fedora and
>archlinux on all my workstations and servers because debian packages
>take so freaking long to come out. it may be stable but some of us
>can't wait 2 years for a package that other distros have usably stable a
>couple weeks after they come out.
>
>
>
>tcb wrote:
>> I'm with you on all of this. The one warning about buying big box machines
>> is to be sure you know all of the peripherals you'll want to use. The
days
>> of all memory being the same and any AGP card working are long, long gone.
>> So check to be sure that you have the right number of PCI-E and regular
PCI
>> cards and all of that jazz.
>>
>> And once you have it be sure to head over to www.debian.org so you can
dual
>> boot the Windows machine with the greatest operating system you've ever
used.
>>
>>
>> TCB
>>
>> "Mike R." <emarenot@yahoo.com> wrote:
>>
>>>I enjoy building too, but I agree with you, the prices at some of these
>>
>> big
>>
>>>box stores are really low. We were looking at the e machines at Best
Buy
>>
>> a
>>
>>>couple of months ago. I did some checking on the web and the quality
of
>>
>> the
>>
>>>current machines seems to be pretty high. Just an FYI, my dad is using
>>
>> a
>>
>>>1.5 year old Dell to run Photoshop CS and ALOT of plugins on photos from
>>
>> a
>>
>>>10+ megapixle camera. He's been very happy with the processing speed.
>>>Good luck.
>>>MR
>>>
>>>"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message
>>>news:43c072d4$1@linux...
>>>
>>>>First off, Happy New Year to all! Now, down to business ;-)I am looking
>>>
>>>for
>>>
>>>>a new PC for the studio. It will primarily handle e-mail, internet
>>>
>>>access
>>>
>>>>and Photoshop duties. I usualy build my own systems, but there seems
to
>>
>> be
>>
>>>>great "bang for the buck" these days right off of the shelf (Best Buy,
>>>
>>>Circuit
>>>
>>>>City, etc.)I'm am curious to know if any of you have found any amazing
>>>
>>>deals
>>>
>>>>on PC's that I might have missed.
>>>>
>>>>Thanks
>>>>
>>>>Tyrone
>>>
>>>
>>they all have their pros and cons.
TCB wrote:
> If you want more recent you can a) put the "testing" and "unstable" repositories
> in your apt-get setup or b) install manually. IMHO debian "testing" is probably
> a little more stable than the production Fedora, but it's pretty close as
> far as being current. Debian unstable is still pretty solid, most of the
> problems I run into are when something goes into the kernel that I was loading
> as a module, in which case I just grub back to the previous kernel until
> I have time to work out what's going on.
>
> TCB
>
> John <no@no.com> wrote:
>
>>debian the greatest os? i laugh. maybe if you want to wait till your
>>dead for the latest package to come out. i've swithced to fedora and
>>archlinux on all my workstations and servers because debian packages
>>take so freaking long to come out. it may be stable but some of us
>>can't wait 2 years for a package that other distros have usably stable a
>
>
>>couple weeks after they come out.
>>
>>
>>
>>tcb wrote:
>>
>>>I'm with you on all of this. The one warning about buying big box machines
>>>is to be sure you know all of the peripherals you'll want to use. The
>
> days
>
>>>of all memory being the same and any AGP card working are long, long gone.
>>>So check to be sure that you have the right number of PCI-E and regular
>
> PCI
>
>>>cards and all of that jazz.
>>>
>>>And once you have it be sure to head over to www.debian.org so you can
>
> dual
>
>>>boot the Windows machine with the greatest operating system you've ever
>
> used.
>
>>>
>>>TCB
>>>
>>>"Mike R." <emarenot@yahoo.com> wrote:
>>>
>>>
>>>>I enjoy building too, but I agree with you, the prices at some of these
>>>
>>>big
>>>
>>>
>>>>box stores are really low. We were looking at the e machines at Best
>
> Buy
>
>>>a
>>>
>>>
>>>>couple of months ago. I did some checking on the web and the quality
>
> of
>
>>>the
>>>
>>>
>>>>current machines seems to be pretty high. Just an FYI, my dad is using
>>>
>>>a
>>>
>>>
>>>>1.5 year old Dell to run Photoshop CS and ALOT of plugins on photos from
>>>
>>>a
>>>
>>>
>>>>10+ megapixle camera. He's been very happy with the processing speed.
>>>>Good luck.
>>>>MR
>>>>
>>>>"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message
>>>>news:43c072d4$1@linux...
>>>>
>>>>
>>>>>First off, Happy New Year to all! Now, down to business ;-)I am looking
>>>>
>>>>for
>>>>
>>>>
>>>>>a new PC for the studio. It will primarily handle e-mail, internet
>>>>
>>>>access
>>>>
>>>>
>>>>>and Photoshop duties. I usualy build my own systems, but there seems
>
> to
>
>>>be
>>>
>>>
>>>>>great "bang for the buck" these days right off of the shelf (Best Buy,
>>>>
>>>>Circuit
>>>>
>>>>
>>>>>City, etc.)I'm am curious to know if any of you have found any amazing
>>>>
>>>>deals
>>>>
>>>>
>>>>>on PC's that I might have missed.
>>>>>
>>>>>Thanks
>>>>>
>>>>>Tyrone
>>>>
>>>>
>Hopefully, some of you experts can clear this up:
I have PARIS on my home desktop, Windows XP Athlon AMD 1400.
I have done all sorts of cleaning, tweaking, etc., and maxed
out the RAM at 1GB. Despite all of this work, and the fact that
it runs "only" about 26 processes at a time, the CPU load
"idles" at about 50%. Wassup??????!!!!
My laptop at work, a Compaq Evo N1000v, Pentium 4 XP, on which
I have done no tweaking or cleaning, idles at 8-10% CPU load.
This is with 41 processes running, including a lot of junk.
I have tried two different programs, Spped Up My PC and Tweak
XP, with no appreciable effect on the CPU load.
Is it my McAfee Virus shield thing? It doesn't show any
activity, but is enabled. if I need to disable it, how can I
continue to scan incoming e-mail?
Any light shed on this would be most welcome!!!!
Christhat's an edmund programming feature and cannot be changed as far as i
know. from all the bugs in this thing we're lucky it runs at all
Chris Lang wrote:
> Hopefully, some of you experts can clear this up:
>
> I have PARIS on my home desktop, Windows XP Athlon AMD 1400.
> I have done all sorts of cleaning, tweaking, etc., and maxed
> out the RAM at 1GB. Despite all of this work, and the fact that
> it runs "only" about 26 processes at a time, the CPU load
> "idles" at about 50%. Wassup??????!!!!
>
> My laptop at work, a Compaq Evo N1000v, Pentium 4 XP, on which
> I have done no tweaking or cleaning, idles at 8-10% CPU load.
> This is with 41 processes running, including a lot of junk.
>
> I have tried two different programs, Spped Up My PC and Tweak
> XP, with no appreciable effect on the CPU load.
>
> Is it my McAfee Virus shield thing? It doesn't show any
> activity, but is enabled. if I need to disable it, how can I
> continue to scan incoming e-mail?
>
> Any light shed on this would be most welcome!!!!
>
> ChrisExcept the price.... ridiculous!
David.
Martin Harrington wrote:
> No Problems with V5Is it my McAfee Virus shield thing? It doesn't show any
activity, but is enabled. if I need to disable it, how can I
continue to scan incoming e-mail?
Most likely it is. You should be able to turn it off as follows:
Start>Run>type msconfig>OK>Startup>find the McAffee app that is running and
untick the arrow in the box>reboot
You will get a message upon restarting saying that you are operating in a
different mode. Just untick the checkmark in the box that asks if you want
to be remended every time you start your computer.
If this works, then all you have to do is turn off McAffee when you are
using your machine as a DAW, then reenable McAfee in the Startup
configuration before you use log on to the internet.
You definitely shouldn't be having 50% CPU usage when idling, but if this is
a Dell, Compaq, HP, IBM,Gateway or any other *branded* computer, if probably
has all sorts of proprietary crap running in the background.
Another issue may be that your hrd drive is running in PIO mode instead of
DMA mode. You might check this in the devide manager in the IDS controllers
section of the Devices tree.
Good luck,
Deej
"Chris Lang" <yo@yo.yo> wrote in message news:43c2a595$1@linux...
>
> Hopefully, some of you experts can clear this up:
>
> I have PARIS on my home desktop, Windows XP Athlon AMD 1400.
> I have done all sorts of cleaning, tweaking, etc., and maxed
> out the RAM at 1GB. Despite all of this work, and the fact that
> it runs "only" about 26 processes at a time, the CPU load
> "idles" at about 50%. Wassup??????!!!!
>
> My laptop at work, a Compaq Evo N1000v, Pentium 4 XP, on which
> I have done no tweaking or cleaning, idles at 8-10% CPU load.
> This is with 41 processes running, including a lot of junk.
>
> I have tried two different programs, Spped Up My PC and Tweak
> XP, with no appreciable effect on the CPU load.
>
> Is it my McAfee Virus shield thing? It doesn't show any
> activity, but is enabled. if I need to disable it, how can I
> continue to scan incoming e-mail?
>
> Any light shed on this would be most welcome!!!!
>
> ChrisIt's been a long time, and I remember there was a way, but how do I go back
and fourth betweeen Paris v3.0 and 2.2?
I have a project in my 3.0, in CT. but I need my friend up un Mass. to add
something on it for me.
I was going to bring my project up to his house and let him do his thing,
then was hoping to bring it back to my house to do more with it, but he has
v 2.2 and I have v3.0. I thought I remembered a way to go between them.
If not...........Can I just bring the 2 track mix of my project to his house,
have him put in in Paris 2.2, and add his music, then bring that back to
my project, and just put his .paf files back into my original project? Would
that line up properly?
Any suggestions?
Thanks ............LouChris,
You can also startup the task manager (start > run > taskmgr or the
"three finger salute") Switch to the processes tab and click on the cpu
header to sort by usage (if it shows all zeros click it once more to
flip it to descending sort). Check out what process are taking up cpu
time. Normally, if something is not misbehaving, the System Idle
Process will show at 98-99%. Whatever is using the cpu, identify it and
if possible eliminate it (if it is not obvious, find it by searching
your hard drive for the exe/dll. See if anyone claims ownership (i.e.
microsoft,McAfee) on the files properties pages. If not, you might want
to eliminate it from the config.)
Hope this helps,
JH
Chris Lang wrote:
> Hopefully, some of you experts can clear this up:
>
> I have PARIS on my home desktop, Windows XP Athlon AMD 1400.
> I have done all sorts of cleaning, tweaking, etc., and maxed
> out the RAM at 1GB. Despite all of this work, and the fact that
> it runs "only" about 26 processes at a time, the CPU load
> "idles" at about 50%. Wassup??????!!!!
>
> My laptop at work, a Compaq Evo N1000v, Pentium 4 XP, on which
> I have done no tweaking or cleaning, idles at 8-10% CPU load.
> This is with 41 processes running, including a lot of junk.
>
> I have tried two different programs, Spped Up My PC and Tweak
> XP, with no appreciable effect on the CPU load.
>
> Is it my McAfee Virus shield thing? It doesn't show any
> activity, but is enabled. if I need to disable it, how can I
> continue to scan incoming e-mail?
>
> Any light shed on this would be most welcome!!!!
>
> ChrisOk, OK!!!!.......you guys are pissin' me off because I don't grok this and
I'm thinking I need to start my learning curve and I just don't have
time...........but I've always figured Gnu would be a cool pet.
Hell.......we've already got horses so what could it hurt?
guess I'll have to find the time.
"John" <no@no.com> wrote in message news:43c282c2$1@linux...
> they all have their pros and cons.
>
> TCB wrote:
> > If you want more recent you can a) put the "testing" and "unstable"
repositories
> > in your apt-get setup or b) install manually. IMHO debian "testing" is
probably
> > a little more stable than the production Fedora, but it's pretty close
as
> > far as being current. Debian unstable is still pretty solid, most of the
> > problems I run into are when something goes into the kernel that I was
loading
> > as a module, in which case I just grub back to the previous kernel until
> > I have time to work out what's going on.
> >
> > TCB
> >
> > John <no@no.com> wrote:
> >
> >>debian the greatest os? i laugh. maybe if you want to wait till your
> >>dead for the latest package to come out. i've swithced to fedora and
> >>archlinux on all my workstations and servers because debian packages
> >>take so freaking long to come out. it may be stable but some of us
> >>can't wait 2 years for a package that other distros have usably stable a
> >
> >
> >>couple weeks after they come out.
> >>
> >>
> >>
> >>tcb wrote:
> >>
> >>>I'm with you on all of this. The one warning about buying big box
machines
> >>>is to be sure you know all of the peripherals you'll want to use. The
> >
> > days
> >
> >>>of all memory being the same and any AGP card working are long, long
gone.
> >>>So check to be sure that you have the right number of PCI-E and regular
> >
> > PCI
> >
> >>>cards and all of that jazz.
> >>>
> >>>And once you have it be sure to head over to www.debian.org so you can
> >
> > dual
> >
> >>>boot the Windows machine with the greatest operating system you've ever
> >
> > used.
> >
> >>>
> >>>TCB
> >>>
> >>>"Mike R." <emarenot@yahoo.com> wrote:
> >>>
> >>>
> >>>>I enjoy building too, but I agree with you, the prices at some of
these
> >>>
> >>>big
> >>>
> >>>
> >>>>box stores are really low. We were looking at the e machines at Best
> >
> > Buy
> >
> >>>a
> >>>
> >>>
> >>>>couple of months ago. I did some checking on the web and the quality
> >
> > of
> >
> >>>the
> >>>
> >>>
> >>>>current machines seems to be pretty high. Just an FYI, my dad is
using
> >>>
> >>>a
> >>>
> >>>
> >>>>1.5 year old Dell to run Photoshop CS and ALOT of plugins on photos
from
> >>>
> >>>a
> >>>
> >>>
> >>>>10+ megapixle camera. He's been very happy with the processing speed.
> >>>>Good luck.
> >>>>MR
> >>>>
> >>>>"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message
> >>>>news:43c072d4$1@linux...
> >>>>
> >>>>
> >>>>>First off, Happy New Year to all! Now, down to business ;-)I am
looking
> >>>>
> >>>>for
> >>>>
> >>>>
> >>>>>a new PC for the studio. It will primarily handle e-mail, internet
> >>>>
> >>>>access
> >>>>
> >>>>
> >>>>>and Photoshop duties. I usualy build my own systems, but there seems
> >
> > to
> >
> >>>be
> >>>
> >>>
> >>>>>great "bang for the buck" these days right off of the shelf (Best
Buy,
> >>>>
> >>>>Circuit
> >>>>
> >>>>
> >>>>>City, etc.)I'm am curious to know if any of you have found any
amazing
> >>>>
> >>>>deals
> >>>>
> >>>>
> >>>>>on PC's that I might have missed.
> >>>>>
> >>>>>Thanks
> >>>>>
> >>>>>Tyrone
> >>>>
> >>>>
> >I'm doing a mix here. We've got a lot of acoustic instruments goin on this
mix and the client/producer/songwriter/arranger is sitting in on the mix
making decisions as t6o which instruments he wants up in the holes in the
mix, since we have many options. The players on this project are really good
and it's sorta' agonizing for him to sacrifice hearing one part when another
equally good riff is being played on the same timeline and a decision has to
be made as to one or the other. Well, this is all part of the game and just
takes time. What's making me nuts is that the client really respects these
players. These guys, as good as they are, occasionally had a clam or two as
far as the number of notes that may have been played over a certain passage.
He doesn't want to change this stuff our of *respect* for the performance.
It just doesn't work in some cases and sounds like a trainwreck in others. I
can easily fix it in the editor, but he's uncomfortable with this. This mix
isn't going to work with certain of these unedited passages......it just
won't........trust me. My problem is, and this is why I could never last
long in a band, is that I *know* what needs to be done and everyone else is
wrong............am I right?
;o)Hey Deej,
Sounds like you could use those Karass Institute negotiation tapes...
How about "Even though we need to respect the players the song is more important."
Some of the best players have ended up on the cutting room floor!
Good luck!
Mark
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>I'm doing a mix here. We've got a lot of acoustic instruments goin on this
>mix and the client/producer/songwriter/arranger is sitting in on the mix
>making decisions as t6o which instruments he wants up in the holes in the
>mix, since we have many options. The players on this project are really
good
>and it's sorta' agonizing for him to sacrifice hearing one part when another
>equally good riff is being played on the same timeline and a decision has
to
>be made as to one or the other. Well, this is all part of the game and just
>takes time. What's making me nuts is that the client really respects these
>players. These guys, as good as they are, occasionally had a clam or two
as
>far as the number of notes that may have been played over a certain passage.
>He doesn't want to change this stuff our of *respect* for the performance.
>It just doesn't work in some cases and sounds like a trainwreck in others.
I
>can easily fix it in the editor, but he's uncomfortable with this. This
mix
>isn't going to work with certain of these unedited passages......it just
>won't........trust me. My problem is, and this is why I could never last
>long in a band, is that I *know* what needs to be done and everyone else
is
>wrong............am I right?
>
>;o)
>
>Deej,
Rule #1: You are always right.
Even when you're wrong! ;>)
The truth is, if you were hired to mix the project with the direction of the
producer, then he's got the final say. It's really hard to "detach" your
self from these kind's of things, but it has to be done. All you can do is
tactfully make observations or suggestions. After that, it's out of your
hands. If you are really attached to this project, make your own mix after
the producer leaves and have it handy to show the group/producer if they
decide changes need to be made.
Tony
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43c2ba35$1@linux...
> I'm doing a mix here. We've got a lot of acoustic instruments goin on this
> mix and the client/producer/songwriter/arranger is sitting in on the mix
> making decisions as t6o which instruments he wants up in the holes in the
> mix, since we have many options. The players on this project are really
> good
> and it's sorta' agonizing for him to sacrifice hearing one part when
> another
> equally good riff is being played on the same timeline and a decision has
> to
> be made as to one or the other. Well, this is all part of the game and
> just
> takes time. What's making me nuts is that the client really respects these
> players. These guys, as good as they are, occasionally had a clam or two
> as
> far as the number of notes that may have been played over a certain
> passage.
> He doesn't want to change this stuff our of *respect* for the performance.
> It just doesn't work in some cases and sounds like a trainwreck in others.
> I
> can easily fix it in the editor, but he's uncomfortable with this. This
> mix
> isn't going to work with certain of these unedited passages......it just
> won't........trust me. My problem is, and this is why I could never last
> long in a band, is that I *know* what needs to be done and everyone else
> is
> wrong............am I right?
>
> ;o)
>
>My $.02... why bother using good players if you aren't going to let
their best shine through? Would he leave an out of tune guitar in the
mix?... probably not.
David.
DJ wrote:
> I'm doing a mix here. We've got a lot of acoustic instruments goin on this
> mix and the client/producer/songwriter/arranger is sitting in on the mix
> making decisions as t6o which instruments he wants up in the holes in the
> mix, since we have many options. The players on this project are really good
> and it's sorta' agonizing for him to sacrifice hearing one part when another
> equally good riff is being played on the same timeline and a decision has to
> be made as to one or the other. Well, this is all part of the game and just
> takes time. What's making me nuts is that the client really respects these
> players. These guys, as good as they are, occasionally had a clam or two as
> far as the number of notes that may have been played over a certain passage.
> He doesn't want to change this stuff our of *respect* for the performance.
> It just doesn't work in some cases and sounds like a trainwreck in others. I
> can easily fix it in the editor, but he's uncomfortable with this. This mix
> isn't going to work with certain of these unedited passages......it just
> won't........trust me. My problem is, and this is why I could never last
> long in a band, is that I *know* what needs to be done and everyone else is
> wrong............am I right?
>
> ;o)
>
>Thanks Jeff!
I have done that before, and here is the mystery:
The System Idle shows 98-99, yet the CPU load still
hovers at around 50%. Apparently, nothing is happening,
but it needs 50% load for that "nothing" to happen.
Whaa???
Thanks for your suggestions,
Chris
Jeff hoover <jkhoover@excite.com> wrote:
>Chris,
>
>You can also startup the task manager (start > run > taskmgr or the
>"three finger salute") Switch to the processes tab and click on the cpu
>header to sort by usage (if it shows all zeros click it once more to
>flip it to descending sort). Check out what process are taking up cpu
>time. Normally, if something is not misbehaving, the System Idle
>Process will show at 98-99%. Whatever is using the cpu, identify it and
>if possible eliminate it (if it is not obvious, find it by searching
>your hard drive for the exe/dll. See if anyone claims ownership (i.e.
>microsoft,McAfee) on the files properties pages. If not, you might want
>to eliminate it from the config.)
>
>Hope this helps,
>
>JH
>
>
>Chris Lang wrote:
>> Hopefully, some of you experts can clear this up:
>>
>> I have PARIS on my home desktop, Windows XP Athlon AMD 1400.
>> I have done all sorts of cleaning, tweaking, etc., and maxed
>> out the RAM at 1GB. Despite all of this work, and the fact that
>> it runs "only" about 26 processes at a time, the CPU load
>> "idles" at about 50%. Wassup??????!!!!
>>
>> My laptop at work, a Compaq Evo N1000v, Pentium 4 XP, on which
>> I have done no tweaking or cleaning, idles at 8-10% CPU load.
>> This is with 41 processes running, including a lot of junk.
>>
>> I have tried two different programs, Spped Up My PC and Tweak
>> XP, with no appreciable effect on the CPU load.
>>
>> Is it my McAfee Virus shield thing? It doesn't show any
>> activity, but is enabled. if I need to disable it, how can I
>> continue to scan incoming e-mail?
>>
>> Any light shed on this would be most welcome!!!!
>>
>> ChrisWhat is telling you there is a 50% load?
JH
Chris Lang wrote:
> Thanks Jeff!
>
> I have done that before, and here is the mystery:
> The System Idle shows 98-99, yet the CPU load still
> hovers at around 50%. Apparently, nothing is happening,
> but it needs 50% load for that "nothing" to happen.
> Whaa???
>
> Thanks for your suggestions,
>
> Chris
>
>
> Jeff hoover <jkhoover@excite.com> wrote:
>
>>Chris,
>>
>>You can also startup the task manager (start > run > taskmgr or the
>>"three finger salute") Switch to the processes tab and click on the cpu
>
>
>>header to sort by usage (if it shows all zeros click it once more to
>>flip it to descending sort). Check out what process are taking up cpu
>
>
>>time. Normally, if something is not misbehaving, the System Idle
>>Process will show at 98-99%. Whatever is using the cpu, identify it and
>
>
>>if possible eliminate it (if it is not obvious, find it by searching
>>your hard drive for the exe/dll. See if anyone claims ownership (i.e.
>>microsoft,McAfee) on the files properties pages. If not, you might want
>
>
>>to eliminate it from the config.)
>>
>>Hope this helps,
>>
>>JH
>>
>>
>>Chris Lang wrote:
>>
>>>Hopefully, some of you experts can clear this up:
>>>
>>>I have PARIS on my home desktop, Windows XP Athlon AMD 1400.
>>>I have done all sorts of cleaning, tweaking, etc., and maxed
>>>out the RAM at 1GB. Despite all of this work, and the fact that
>>>it runs "only" about 26 processes at a time, the CPU load
>>>"idles" at about 50%. Wassup??????!!!!
>>>
>>>My laptop at work, a Compaq Evo N1000v, Pentium 4 XP, on which
>>>I have done no tweaking or cleaning, idles at 8-10% CPU load.
>>>This is with 41 processes running, including a lot of junk.
>>>
>>>I have tried two different programs, Spped Up My PC and Tweak
>>>XP, with no appreciable effect on the CPU load.
>>>
>>>Is it my McAfee Virus shield thing? It doesn't show any
>>>activity, but is enabled. if I need to disable it, how can I
>>>continue to scan incoming e-mail?
>>>
>>>Any light shed on this would be most welcome!!!!
>>>
>>>Chris
>
>Deej, He needs to remember, "LESS IS MORE", be ruthless.
Sounds like the stuff is not arranged too well if there are no holes to
breath anywhere.
BTW, yes, you're right....
--
Martin Harrington
www.lendanear-sound.com
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43c2ba35$1@linux...
> I'm doing a mix here. We've got a lot of acoustic instruments goin on this
> mix and the client/producer/songwriter/arranger is sitting in on the mix
> making decisions as t6o which instruments he wants up in the holes in the
> mix, since we have many options. The players on this project are really
> good
> and it's sorta' agonizing for him to sacrifice hearing one part when
> another
> equally good riff is being played on the same timeline and a decision has
> to
> be made as to one or the other. Well, this is all part of the game and
> just
> takes time. What's making me nuts is that the client really respects these
> players. These guys, as good as they are, occasionally had a clam or two
> as
> far as the number of notes that may have been played over a certain
> passage.
> He doesn't want to change this stuff our of *respect* for the performance.
> It just doesn't work in some cases and sounds like a trainwreck in others.
> I
> can easily fix it in the editor, but he's uncomfortable with this. This
> mix
> isn't going to work with certain of these unedited passages......it just
> won't........trust me. My problem is, and this is why I could never last
> long in a band, is that I *know* what needs to be done and everyone else
> is
> wrong............am I right?
>
> ;o)
>
>I see everyone's point here. I'm making an alternative mix (PITA, but
nessessary in this case) this project is going to be marketed at his venue
on BroadwayNYC and it's going get a lot of exposure elsewhere as
well.......plus there's going to be a big CD release party with a lot of
critical ears present.....and my name will be all over this as the
recording/mix and most likely the mastering engineer as well (I'm really
trying to talk him out of that one but his budget is limited at this point)
Thanks for the feedback.
;o)
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43c2ba35$1@linux...
> I'm doing a mix here. We've got a lot of acoustic instruments goin on this
> mix and the client/producer/songwriter/arranger is sitting in on the mix
> making decisions as t6o which instruments he wants up in the holes in the
> mix, since we have many options. The players on this project are really
good
> and it's sorta' agonizing for him to sacrifice hearing one part when
another
> equally good riff is being played on the same timeline and a decision has
to
> be made as to one or the other. Well, this is all part of the game and
just
> takes time. What's making me nuts is that the client really respects these
> players. These guys, as good as they are, occasionally had a clam or two
as
> far as the number of notes that may have been played over a certain
passage.
> He doesn't want to change this stuff our of *respect* for the performance.
> It just doesn't work in some cases and sounds like a trainwreck in others.
I
> can easily fix it in the editor, but he's uncomfortable with this. This
mix
> isn't going to work with certain of these unedited passages......it just
> won't........trust me. My problem is, and this is why I could never last
> long in a band, is that I *know* what needs to be done and everyone else
is
> wrong............am I right?
>
> ;o)
>
>Hey guys, thanks so much for all the info....much appreciated! My wife just
informed me that her job is offereing a special "friends and family" discount
through Dell. I've not seen anything that really seemed that great yet, but
I'm still checking.
Thanks again!Lou, if memory serves me correctly, you can import projects from 2.2 to 3.0,
but not in reverse. Obviously, your 2 track method will work and things should
line up if you grid-locked your originating tracks in 3.0.
Best of luck!
Tyrone
"Louis Guarino Jr." <Kateeba@snet.net> wrote:
>
>It's been a long time, and I remember there was a way, but how do I go back
>and fourth betweeen Paris v3.0 and 2.2?
>
>I have a project in my 3.0, in CT. but I need my friend up un Mass. to add
>something on it for me.
>
>I was going to bring my project up to his house and let him do his thing,
>then was hoping to bring it back to my house to do more with it, but he
has
>v 2.2 and I have v3.0. I thought I remembered a way to go between them.
>
>
>If not...........Can I just bring the 2 track mix of my project to his house,
>have him put in in Paris 2.2, and add his music, then bring that back to
>my project, and just put his .paf files back into my original project?
Would
>that line up properly?
>
>Any suggestions?
>
>Thanks ............LouSooo, how many producers does it take to change a light bulb?
I dunno... waddya YOU think?
heh heh
Listen, *everyone* thinks they know how something should be
mixed, just like everyone knows how something should be arranged
and could have done it better if you had just let them.
But you have to trust your instincts. We have all left "little" clams
in, and lived to regret it haven't we? Some clams work, and some
don't. You clearly can tell that these won't.
I would do a mix with Mr. Producer absent and then show it to him.
This is how Wally Traugott mastered "Dark Side of the Moon".
He got the tape via courier, but the producer had not arrived yet
from England (I think the producer was Alan Parsons, but don't
quote me) so Wally just did it the way he wanted to with no one
else in the room.
Well, they loved it so much they wouldn't let him change a thing and
this is the record we all know and love.
The question is whether your producer is man enough to admit
it if you nail it. It takes a big heart and small ego to admit that
it came out perfectly without his involvement, but if he loves the
music more than his ego, he can do so.
Whose vision is the right one is a huge subject that deserves a book
written on it. Many different visions can produce good results,
but only one is likely to lift the track to real success. Just like a
good audio engineer knows what a lot of people will call "good
sound" a good producer will understand which parts elevate the
song and which parts make it boring. For instance, the famous
Clapton "Crossroads" solo was never played as such by Eric. It was
edited (by Tom Dowd) together from a much longer jam. To this
day Eric has to hear "hey man! that was the definitive guitar solo
of your career!! Eric hates to hear that, as you can imagine. Sure
worked though, didn't it?
Tom Dowd had great ears and vision to match.
The worst situation of all is when someone simply does not have
what it takes to make these decisions, but *needs* to anyway for
self-validation or other such bullsh*t.
Also, wometimes we resort to standard arrangements,sounds and
techniques like it has always been done before, when what the
tune needed was doing it "wrong" in a creative way. John Lennon
walks in the control room and plugs his guitar into the board.
Overdrives the desk like crazy. The engineers are going oh NO!!
You can't do that!! But he insisted, and so we have "Revolution".
Vision. There is no substitute. If you know how something should
be, you should find a way to make it that way if you can.
Of course, don't punch out the producer... Well if you do, be sure to
post pictures of it...
heh
DC
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>I'm doing a mix here. We've got a lot of acoustic instruments goin on this
>mix and the client/producer/songwriter/arranger is sitting in on the mix
>making decisions as t6o which instruments he wants up in the holes in the
>mix, since we have many options. The players on this project are really
good
>and it's sorta' agonizing for him to sacrifice hearing one part when another
>equally good riff is being played on the same timeline and a decision has
to
>be made as to one or the other. Well, this is all part of the game and just
>takes time. What's making me nuts is that the client really respects these
>players. These guys, as good as they are, occasionally had a clam or two
as
>far as the number of notes that may have been played over a certain passage.
>He doesn't want to change this stuff our of *respect* for the performance.
>It just doesn't work in some cases and sounds like a trainwreck in others.
I
>can easily fix it in the editor, but he's uncomfortable with this. This
mix
>isn't going to work with certain of these unedited passages......it just
>won't........trust me. My problem is, and this is why I could never last
>long in a band, is that I *know* what needs to be done and everyone else
is
>wrong............am I right?
>
>;o)
>
>I remember Brian T recommending the 48KHz default project years ago, but I
just didn't listen because I thoght that I had to have both the clock and
the project at 48KHz.
In my ongoing hit or miss *lock to external clock* saga, I've pretty much
achieved a reliable sync setup with a few toggles of the sync source in
Paris from WC to Internal, then back again. However, muy IF2 units haven't
been working properly and I like to use them as returns for the cue mix as
well as for tracking in large tracking sessions. Well, my default project
has been set a 44.1 KHZ. Even though it has been recommended to set this at
48KHz, I've kept it at 44.1 because if I have my WC module set to 48KHz at
boot up, I have to set my Paris project to 44.1 (or open up a preexisting
44.1 project) and then scroll through 96KHz to return to 44.1 on my WC.
Well, this wrecke the timing in Paris.........thus the default project and
the clock being set at 44.1. Well guess ****'in what????.........I can set
my default project.ppj to 48KHz with the clock still set at 44.1Khz and
everything locks up tight as a drum, including my IF2 modules. then all I
have to do is just open an existing 44.1 .ppj and I'm good to go without all
of this toggling back and forth crap.
Pointy hat is thoroughly ensconsced upon head right about now.
Deejwish I had me some IF2s.... You're a pimp!
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43c2d446$1@linux...
>I remember Brian T recommending the 48KHz default project years ago, but I
> just didn't listen because I thoght that I had to have both the clock and
> the project at 48KHz.
>
> In my ongoing hit or miss *lock to external clock* saga, I've pretty much
> achieved a reliable sync setup with a few toggles of the sync source in
> Paris from WC to Internal, then back again. However, muy IF2 units haven't
> been working properly and I like to use them as returns for the cue mix as
> well as for tracking in large tracking sessions. Well, my default project
> has been set a 44.1 KHZ. Even though it has been recommended to set this
> at
> 48KHz, I've kept it at 44.1 because if I have my WC module set to 48KHz at
> boot up, I have to set my Paris project to 44.1 (or open up a preexisting
> 44.1 project) and then scroll through 96KHz to return to 44.1 on my WC.
> Well, this wrecke the timing in Paris.........thus the default project and
> the clock being set at 44.1. Well guess ****'in what????.........I can set
> my default project.ppj to 48KHz with the clock still set at 44.1Khz and
> everything locks up tight as a drum, including my IF2 modules. then all I
> have to do is just open an existing 44.1 .ppj and I'm good to go without
> all
> of this toggling back and forth crap.
>
> Pointy hat is thoroughly ensconsced upon head right about now.
>
> Deej
>
>You can certainly go from 2.2 to 3 by simply loading the project on 3. There
is a method of getting from version 3 back to 2.2 also. I'm 80% sure that
it simply involved removing every single Aux bus effect (including sends
I think) from the 3 project and then you could simply load it in 2.2. You
just need to set everything aux send related back to what it defaults to
and the project will load back in to 2.2.
....I think...
....I know it is possible. I have done it.
Cheers,
Kim.
"Tyrone Corbett" <tyronecorbett@comcast.net> wrote:
>
>Lou, if memory serves me correctly, you can import projects from 2.2 to
3.0,
>but not in reverse. Obviously, your 2 track method will work and things
should
>line up if you grid-locked your originating tracks in 3.0.
>
>Best of luck!
>
>Tyrone
>
>"Louis Guarino Jr." <Kateeba@snet.net> wrote:
>>
>>It's been a long time, and I remember there was a way, but how do I go
back
>>and fourth betweeen Paris v3.0 and 2.2?
>>
>>I have a project in my 3.0, in CT. but I need my friend up un Mass. to
add
>>something on it for me.
>>
>>I was going to bring my project up to his house and let him do his thing,
>>then was hoping to bring it back to my house to do more with it, but he
>has
>>v 2.2 and I have v3.0. I thought I remembered a way to go between them.
>>
>>
>>If not...........Can I just bring the 2 track mix of my project to his
house,
>>have him put in in Paris 2.2, and add his music, then bring that back to
>>my project, and just put his .paf files back into my original project?
>Would
>>that line up properly?
>>
>>Any suggestions?
>>
>>Thanks ............Lou
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>My problem is, and this is why I could never last
>long in a band, is that I *know* what needs to be done and everyone else
is
>wrong............am I right?
I did post, did I not, the diagram of the live setup I have created in order
that I can create a full band sound live on stage all by myself without anybody
else playing with me and hence playing the wrong thing. ;o)
I've been right for a long time, it's just other people are wrong so often
that they can't see it. ;o)
Cheers,
Kim.I actually remember that. I always though it funny that you had no problems
with not having your default set at 48. I, on the other hand, listened to
the wisdom of the master.
80P
Rod
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>I remember Brian T recommending the 48KHz default project years ago, but
I
>just didn't listen because I thoght that I had to have both the clock and
>the project at 48KHz.
>
>In my ongoing hit or miss *lock to external clock* saga, I've pretty much
>achieved a reliable sync setup with a few toggles of the sync source in
>Paris from WC to Internal, then back again. However, muy IF2 units haven't
>been working properly and I like to use them as returns for the cue mix
as
>well as for tracking in large tracking sessions. Well, my default project
>has been set a 44.1 KHZ. Even though it has been recommended to set this
at
>48KHz, I've kept it at 44.1 because if I have my WC module set to 48KHz
at
>boot up, I have to set my Paris project to 44.1 (or open up
|
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|
| Re: Multiple_EDS_Connection_wizard_insight_needed [message #61764 is a reply to message #61761] |
Thu, 22 December 2005 10:55 |
Dimitrios
Messages: 1056
Registered: August 2005
|
Senior Member |
|
|
is will remove the original copy),
3) Reboot, install 3.0, Reboot.
Now you can use the installed 3.0, and also still run the 2.x copy
wherever you have it. You can even move it back to the original location.
Kim wrote:
> You can certainly go from 2.2 to 3 by simply loading the project on 3. There
> is a method of getting from version 3 back to 2.2 also. I'm 80% sure that
> it simply involved removing every single Aux bus effect (including sends
> I think) from the 3 project and then you could simply load it in 2.2. You
> just need to set everything aux send related back to what it defaults to
> and the project will load back in to 2.2.
>
> ...I think...
>
> ...I know it is possible. I have done it.
>
> Cheers,
> Kim.
>
> "Tyrone Corbett" <tyronecorbett@comcast.net> wrote:
>
>>Lou, if memory serves me correctly, you can import projects from 2.2 to
>
> 3.0,
>
>>but not in reverse. Obviously, your 2 track method will work and things
>
> should
>
>>line up if you grid-locked your originating tracks in 3.0.
>>
>>Best of luck!
>>
>>Tyrone
>>
>>"Louis Guarino Jr." <Kateeba@snet.net> wrote:
>>
>>>It's been a long time, and I remember there was a way, but how do I go
>
> back
>
>>>and fourth betweeen Paris v3.0 and 2.2?
>>>
>>>I have a project in my 3.0, in CT. but I need my friend up un Mass. to
>
> add
>
>>>something on it for me.
>>>
>>>I was going to bring my project up to his house and let him do his thing,
>>>then was hoping to bring it back to my house to do more with it, but he
>>
>>has
>>
>>>v 2.2 and I have v3.0. I thought I remembered a way to go between them.
>>>
>>>
>>>If not...........Can I just bring the 2 track mix of my project to his
>
> house,
>
>>>have him put in in Paris 2.2, and add his music, then bring that back to
>>>my project, and just put his .paf files back into my original project?
>
>
>>Would
>>
>>>that line up properly?
>>>
>>>Any suggestions?
>>>
>>>Thanks ............Lou
>>
>Well, I must not have been good last year cuz when I asked justcron for
only 3 presents (ski boat, jet ski and motocross, though I did add on
some yorkville monitors and an allen and heath 16:2 mixwizard) he only
sent me one and it wasn't even one of them on my list.
Imagine my wife's surprise when she opened a fedex box with live
"lobster" cochroaches. I just thank you for keeping them in a plastic
container. It was hilarious to me but my wife was freaking out,
seriously freaking out. Meanwhile I'm reading to her how they make
great pets (according to the enclosed document) but she really didn't
want to adopt them. Sorry. I mean you could have just sent a bag of
primo weed (it's still not too late)! hehe
Merry Christmas Justcron and I thought it was hilarous.
JohnI do hate to hurt gods creatures, but I must say, yumm,
Did he send any live oysters? Oh I loves me some oysters.
Chrin is from up here in Boston right?
John <no@no.com> wrote:
>Well, I must not have been good last year cuz when I asked justcron for
>only 3 presents (ski boat, jet ski and motocross, though I did add on
>some yorkville monitors and an allen and heath 16:2 mixwizard) he only
>sent me one and it wasn't even one of them on my list.
>
>Imagine my wife's surprise when she opened a fedex box with live
>"lobster" cochroaches. I just thank you for keeping them in a plastic
>container. It was hilarious to me but my wife was freaking out,
>seriously freaking out. Meanwhile I'm reading to her how they make
>great pets (according to the enclosed document) but she really didn't
>want to adopt them. Sorry. I mean you could have just sent a bag of
>primo weed (it'
|
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| Re: Multiple_EDS_Connection_wizard_insight_needed [message #61766 is a reply to message #61761] |
Thu, 22 December 2005 09:59 |
erlilo
Messages: 405
Registered: June 2005
|
Senior Member |
|
|
s surprise when she opened a fedex box with live "lobster"
> cochroaches. I just thank you for keeping them in a plastic container.
> It was hilarious to me but my wife was freaking out, seriously freaking
> out. Meanwhile I'm reading to her how they make great pets (according to
> the enclosed document) but she really didn't want to adopt them. Sorry.
> I mean you could have just sent a bag of primo weed (it's still not too
> late)! hehe
>
> Merry Christmas Justcron and I thought it was hilarous.
>
> JohnThrow the puppy up in mono and see where everything sits...then EQ / process
to get everything in it's place then put it back in stereo and see what
happens...may help.
May not
Don
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:43c2ba35$1@linux...
> I'm doing a mix here. We've got a lot of acoustic instruments goin on this
> mix and the client/producer/songwriter/arranger is sitting in on the mix
> making decisions as t6o which instruments he wants up in the holes in the
> mix, since we have many options. The players on this project are really
> good
> and it's sorta' agonizing for him to sacrifice hearing one part when
> another
> equally good riff is being played on the same timeline and a decision has
> to
> be made as to one or the other. Well, this is all part of the game and
> just
> takes time. What's making me nuts is that the client really respects these
> players. These guys, as good as they are, occasionally had a clam or two
> as
> far as the number of notes that may have been played over a certain
> passage.
> He doesn't want to change this stuff our of *respect* for the performance.
> It just doesn't work in some cases and sounds like a trainwreck in others.
> I
> can easily fix it in the editor, but he's uncomfortable with this. This
> mix
> isn't going to work with certain of these unedited passages......it just
> won't........trust me. My problem is, and this is why I could never last
> long in a band, is that I *know* what needs to be done and everyone else
> is
> wrong............am I right?
>
> ;o)
>
>LOL! Nice work guys.
Funny, I never thought of roaches as pets... ;o)
Cheers,
Kim.
"justcron" <pachinko@hydrorecords.com> wrote:
>The website said they make good pets!
>
>:)
>
>all in good fun amigo.
>
>"John" <no@no.com> wrote in message news:43c2e8e7@linux...
>> Well, I must not have been good last year cuz when I asked justcron for
>> only 3 presents (ski boat, jet ski and motocross, though I did add on
some
>> yorkville monitors and an allen and heath 16:2 mixwizard) he only sent
me
>> one and it wasn't even one of them on my list.
>>
>> Imagine my wife's surprise when she opened a fedex box with live "lobster"
>> cochroaches. I just thank you for keeping them in a plastic container.
>> It was hilarious to me but my wife was freaking out, seriously freaking
>> out. Meanwhile I'm reading to her how they make great pets (according
to
>> the enclosed document) but she really didn't want to adopt them. Sorry.
>> I mean you could have just sent a bag of primo weed (it's still not too
>> late)! hehe
>>
>> Merry Christmas Justcron and I thought it was hilarous.
>>
>> John
>
>I was really hoping you were some rich nut and was just going to blow
about $50k for shock value. I'm still open to that :-) hehe
justcron wrote:
> The website said they make good pets!
>
> :)
>
> all in good fun amigo.
>
> "John" <no@no.com> wrote in message news:43c2e8e7@linux...
>
>>Well, I must not have been good last year cuz when I asked justcron for
>>only 3 presents (ski boat, jet ski and motocross, though I did add on some
>>yorkville monitors and an allen and heath 16:2 mixwizard) he only sent me
|
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|
| Re: Multiple_EDS_Connection_wizard_insight_needed [message #61767 is a reply to message #61766] |
Thu, 22 December 2005 12:04 |
Dimitrios
Messages: 1056
Registered: August 2005
|
Senior Member |
|
|
/>
>>one and it wasn't even one of them on my list.
>>
>>Imagine my wife's surprise when she opened a fedex box with live "lobster"
>>cochroaches. I just thank you for keeping them in a plastic container.
>>It was hilarious to me but my wife was freaking out, seriously freaking
>>out. Meanwhile I'm reading to her how they make great pets (according to
>>the enclosed document) but she really didn't want to adopt them. Sorry.
>>I mean you could have just sent a bag of primo weed (it's still not too
>>late)! hehe
>>
>>Merry Christmas Justcron and I thought it was hilarous.
>>
>>John
>
>
>Running XP on Drive 1 and using drive 2 for Paris audio files, should I
keep the swap file on drive 1 or should it go on drive 2? I have 512
ram currently. Thanks,
Johnanyone? Rod? DJ?
John wrote:
> is there an app that can measure the latencies or a table that has them
> all listed ?
>
> John wrote:
>
>> how do you measure/find out the latency of vst and dx plugs?General wisdom is often that your swap file should be on drive 2, however
for audio use I often figure it's better to be on drive 1 with the OS, so
that drive 2 is left alone to deal with audio streaming. The last thing you
want is for the drive to be interrupted when it's somewhere 3/4 of the way
through the drive streaming 30 tracks, and have to skip to the start of the
drive to edit the swap file then back to the end of the drive again before
a streaming error occurs.
I figure leave the OS and swap file together on drive 1 so that drive 2 only
has to deal with audio, which is the hardest part of the job obviously.
Cheers,
Kim.
John <no@no.com> wrote:
>Running XP on Drive 1 and using drive 2 for Paris audio files, should I
>keep the swap file on drive 1 or should it go on drive 2? I have 512
>ram currently. Thanks,
>JohnHere's some posts from the NG archives that may help you:
A list of zero latency plugins. Long thread too... pretty sure you'll find
a lot of others listed in the thread.
http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=169304&utag=
Brian T on how to measure latency:
http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=141875&utag=
Cheers,
Kim.
John <no@no.com> wrote:
>anyone? Rod? DJ?
>
>John wrote:
>> is there an app that can measure the latencies or a table that has them
>> all listed ?
>>
>> John wrote:
>>
>>> how do you measure/find out the latency of vst and dx plugs?PS. The search button on the web interface is a wonderful thing. ;o)
Cheers,
Kim.
"Kim" <hiddensounds@hotmail.com> wrote:
>
>
>Here's some posts from the NG archives that may help you:
>
>A list of zero latency plugins. Long thread too... pretty sure you'll find
>a lot of others listed in the thread.
> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=169304&utag=
>
>Brian T on how to measure latency:
> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=141875&utag=
>
>Cheers,
>Kim.
>
>John <no@no.com> wrote:
>>anyone? Rod? DJ?
>>
>>John wrote:
>>> is there an app that can measure the latencies or a table that has them
>
>>> all listed ?
>>>
>>> John wrote:
>>>
>>>> how do you measure/find out the latency of vst and dx plugs?
>Hey, I tried smoking those roaches but they won't stay lit !
John wrote:
> I was really hoping you were some rich nut and was just going to blow
> about $50k for shock value. I'm still open to that :-) hehe
>
> justcron wrote:
>
>> The website said they make good pets!
>>
>> :)
>>
>> all in good fun amigo.
>>
>> "John" <no@no.com> wrote in message news:43c2e8e7@linux...
>>
>>> Well, I must not have been good last year cuz when I asked justcron
>>> for only 3 presents (ski boat, jet ski and motocross, though I did
&g
|
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|
| Re: Multiple_EDS_Connection_wizard_insight_needed [message #61768 is a reply to message #61767] |
Thu, 22 December 2005 11:33 |
erlilo
Messages: 405
Registered: June 2005
|
Senior Member |
|
|
t;>> add on some yorkville monitors and an allen and heath 16:2 mixwizard)
>>> he only sent me one and it wasn't even one of them on my list.
>>>
>>> Imagine my wife's surprise when she opened a fedex box with live
>>> "lobster" cochroaches. I just thank you for keeping them in a
>>> plastic container. It was hilarious to me but my wife was freaking
>>> out, seriously freaking out. Meanwhile I'm reading to her how they
>>> make great pets (according to the enclosed document) but she really
>>> didn't want to adopt them. Sorry. I mean you could have just sent a
>>> bag of primo weed (it's still not too late)! hehe
>>>
>>> Merry Christmas Justcron and I thought it was hilarous.
>>>
>>> John
>>
>>
>>
>>Yeah....The TD is cool isn't it? As for my formerly unprocessed mix,
well......uhhh.....yeah.....it sounds really good unprocessed.......it
sounds even better with some Distressors here and there, an Avalon EQ and
comp, a TL Audio tube EQ fronting an RNC into a pair of Jensen JT11's, a
couple of UAD-1 Pultecs and an 1176, etc. So much for *purity*......;o)
"John Macy" <spamlessjohn@johnmacy.com> wrote in message
news:43c1bc58$1@linux...
>
> I finally got around to getting a Transient Designer, and I
> wonder why I waited--very cool piece :)
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >I'm processing one of the kick tracks ( mic on beater) and one of the
snare
> >tracks (underneath on snares) with a touch of my SPL TD, other than that,
> >what my ears are telling me right now is that the rest of this mix will
> only
> >be processed with a little subtractive and shelving EQ and some
> >ambience......no compressors....at least not yet. Much of this has to do
> >with using Cubase into Paris, I think. There's something *gluey* going on
> >here with just a touch of the NoLimit on the mix bus that I'm liking.
We'll
> >see as this goes along.
> >
> >
>Wait, Are you saying he shipped actual cockroaches?
I thought he sent you Lobsters. Those do look like big bugs
John <no@no.com> wrote:
>Hey, I tried smoking those roaches but they won't stay lit !
>
>John wrote:
>> I was really hoping you were some rich nut and was just going to blow
>> about $50k for shock value. I'm still open to that :-) hehe
>>
>> justcron wrote:
>>
>>> The website said they make good pets!
>>>
>>> :)
>>>
>>> all in good fun amigo.
>>>
>>> "John" <no@no.com> wrote in message news:43c2e8e7@linux...
>>>
>>>> Well, I must not have been good last year cuz when I asked justcron
>>>> for only 3 presents (ski boat, jet ski and motocross, though I did
>>>> add on some yorkville monitors and an allen and heath 16:2 mixwizard)
>>>> he only sent me one and it wasn't even one of them on my list.
>>>>
>>>> Imagine my wife's surprise when she opened a fedex box with live
>>>> "lobster" cochroaches. I just thank you for keeping them in a
>>>> plastic container. It was hilarious to me but my wife was freaking
>>>> out, seriously freaking out. Meanwhile I'm reading to her how they
>>>> make great pets (according to the enclosed document) but she really
>>>> didn't want to adopt them. Sorry. I mean you could have just sent a
>>>> bag of primo weed (it's still not too late)! hehe
>>>>
>>>> Merry Christmas Justcron and I thought it was hilarous.
>>>>
>>>> John
>>>
>>>
>>>
>>>I love google but John, you don;t get the Impressive Defensive Smell,
from http://www.angelfire.com/oh2/Roaches/
The Lobster cockroach is commonly kept in the U.S. but usually just as a
food source... due to their ease of rearing and palatability. The body of
this roach is soft enough for almost all predators, there is a high meat
to shell ratio, they do not seem to be able to hide as well as many other
roaches, and finally, they do not have the impressive defensive smell of
many roaches.
"Cujo" <chris@nospamapplemanstudio.com> wrote:
>
>
>Wait, Are you saying he shipped actual cockroaches?
>I thought he sent you Lobsters. Those do look like big bugs
>
>
>John <no@no.com> wrote:
>>Hey, I tried smoking those roaches but they won't stay lit !
>>
>>John wrote:
>>> I was really hoping you were some rich nut and was just going to blow
>
>>> about $50k for shock value. I'm still open to that :-) hehe
>>>
>>> justcron wrote:
>>>
>>>> The website said they make good pets!
>>>>
>>>> :)
>>>>
>>>> all in good fun amigo.
>>>>
>>>> "John" <no@no.com> wrote in message news:43c2e8e7@linux...
>>>>
>>>>> Well, I must not have been good last year cuz when I asked justcron
>
>>>>> for only 3 presents (ski boat, jet ski and motocross, though I did
>>>>> add on some yorkville monitors and an allen and heath 16:2 mixwizard)
>
>>>>> he only sent me one and it wasn't even one of them on my list.
>>>>>
>>>>> Imagine my wife's surprise when she opened a fedex box with live
>>>>> "lobster" cochroaches. I just thank you for keeping them in a
>>>>> plastic container. It was hilarious to me but my wife was freaking
>>>>> out, seriously freaking out. Meanwhile I'm reading to her how they
>
>>>>> make great pets (according to the enclosed document) but she really
>
>>>>> didn't want to adopt them. Sorry. I mean you could have just sent
a
>
>>>>> bag of primo weed (it's still not too late)! hehe
>>>>>
>>>>> Merry Christmas Justcron and I thought it was hilarous.
>>>>>
>>>>> John
>>>>
>>>>
>>>>
>>>>In the Treepad info under "XP setup" there are some recommendations for OS,
Temp, Data, and swap files. It does require more that 2 drives though.
Edna
"John" <no@no.com> wrote in message news:43c2f853@linux...
> Running XP on Drive 1 and using drive 2 for Paris audio files, should I
> keep the swap file on drive 1 or should it go on drive 2? I have 512
> ram currently. Thanks,
> Johncujo, i'm saying actual cockroaches !!!!!!!!! There were about 20 of
em in a clear plastic container.
Cujo wrote:
> Wait, Are you saying he shipped actual cockroaches?
> I thought he sent you Lobsters. Those do look like big bugs
>
>
> John <no@no.com> wrote:
>
>>Hey, I tried smoking those roaches but they won't stay lit !
>>
>>John wrote:
>>
>>>I was really hoping you were some rich nut and was just going to blow
>
>
>>>about $50k for shock value. I'm still open to that :-) hehe
>>>
>>>justcron wrote:
>>>
>>>
>>>>The website said they make good pets!
>>>>
>>>>:)
>>>>
>>>>all in good fun amigo.
>>>>
>>>>"John" <no@no.com> wrote in message news:43c2e8e7@linux...
>>>>
>>>>
>>>>>Well, I must not have been good last year cuz when I asked justcron
>
>
>>>>>for only 3 presents (ski boat, jet ski and motocross, though I did
>>>>>add on some yorkville monitors and an allen and heath 16:2 mixwizard)
>
>
>>>>>he only sent me one and it wasn't even one of them on my list.
>>>>>
>>>>>Imagine my wife's surprise when she opened a fedex box with live
>>>>>"lobster" cochroaches. I just thank you for keeping them in a
>>>>>plastic container. It was hilarious to me but my wife was freaking
>>>>>out, seriously freaking out. Meanwhile I'm reading to her how they
>
>
>>>>>make great pets (according to the enclosed document) but she really
>
>
>>>>>didn't want to adopt them. Sorry. I mean you could have just sent a
>
>
>>>>>bag of primo weed (it's still not too late)! hehe
>>>>>
>>>>>Merry Christmas Justcron and I thought it was hilarous.
>>>>>
>>>>>John
>>>>
>>>>
>>>>
>>>>I leave mine on C - never had any issues. Ideally, you'd kill the swap and
buy a boatload of RAM but I've found that XP handles it a LllLLLLoooottts
better than 98/ME and it isn't necessary anymore. Just give it at least 512,
GB if you can and let it ride factory settings.
AA
"John" <no@no.com> wrote in message news:43c2f853@linux...
> Running XP on Drive 1 and using drive 2 for Paris audio files, should I
> keep the swap file on drive 1 or should it go on drive 2? I have 512 ram
> currently. Thanks,
> JohnWhen you get ready Tyrone, gimme a shout. I'll walk you through it bro.
AA
"Tyrone Corbett" <tyronecorbnett@comcast.net> wrote in message
news:43c2cf82$1@linux...
>
> Hey guys, thanks so much for all the info....much appreciated! My wife
> just
> informed me that her job is offereing a special "friends and family"
> discount
> through Dell. I've not seen anything that really seemed that great yet,
> but
> I'm still checking.
>
> Thanks again!You got it Kim.. kill ALL auxes and it should load up in 2.xx just fine from
a version 3 save. Worst case, send the dude rendered stem tracks and have
him render a final track(s) for you starting at the same time on all of them
to import to your project.
AA
"Kim" <hiddensounds@hotmail.com> wrote in message news:43c2d8c3$1@linux...
>
>
> You can certainly go from 2.2 to 3 by simply loading the project on 3.
> There
> is a method of getting from version 3 back to 2.2 also. I'm 80% sure that
> it simply involved removing every single Aux bus effect (including sends
> I think) from the 3 project and then you could simply load it in 2.2. You
> just need to set everything aux send related back to what it defaults to
> and the project will load back in to 2.2.
>
> ...I think...
>
> ...I know it is possible. I have done it.
>
> Cheers,
> Kim.
>
> "Tyrone Corbett" <tyronecorbett@comcast.net> wrote:
>>
>>Lou, if memory serves me correctly, you can import projects from 2.2 to
> 3.0,
>>but not in reverse. Obviously, your 2 track method will work and things
> should
>>line up if you grid-locked your originating tracks in 3.0.
>>
>>Best of luck!
>>
>>Tyrone
>>
>>"Louis Guarino Jr." <Kateeba@snet.net> wrote:
>>>
>>>It's been a long time, and I remember there was a way, but how do I go
> back
>>>and fourth betweeen Paris v3.0 and 2.2?
>>>
>>>I have a project in my 3.0, in CT. but I need my friend up un Mass. to
> add
>>>something on it for me.
>>>
>>>I was going to bring my project up to his house and let him do his thing,
>>>then was hoping to bring it back to my house to do more with it, but he
>>has
>>>v 2.2 and I have v3.0. I thought I remembered a way to go between
>>>them.
>>>
>>>
>>>If not...........Can I just bring the 2 track mix of my project to his
> house,
>>>have him put in in Paris 2.2, and add his music, then bring that back to
>>>my project, and just put his .paf files back into my original project?
>
>>Would
>>>that line up properly?
>>>
>>>Any suggestions?
>>>
>>>Thanks ............Lou
>>
>"Aaron Allen" <nospam@not_here.dude> wrote:
>Just give it at least 512GB if you can...
WOOHA!! That's a big swap file... or ram... or whatever it is you were
saying. ;o)
I assume you're saying give XP at least 512MB of ram?Correct, give XP 512 or better. However in the scheme of things a swap file
is typically 1.5 times the amount of RAM you have.
Given that, 512 ain't so much :)
AA
"Kim" <hiddensounds@hotmail.com> wrote in message news:43c315c1$1@linux...
>
> "Aaron Allen" <nospam@not_here.dude> wrote:
>>Just give it at least 512GB if you can...
>
> WOOHA!! That's a big swap file... or ram... or whatever it is you were
> saying. ;o)
>
> I assume you're saying give XP at least 512MB of ram?A lot could be said here.
I think you should talk him in to recutting the necessary parts, kind of
a, A mix/cut, B mix/cut. Tell him this wouldn't be redoing everything, this
would be giving him more options to choose from. Offer to do this for free,
tell him you just want the project to be all that it can be. Tell him you
know your stuff, and ask him to trust you. Tell him you'd feel much better
about the project this way. This would give him more choices, plus he would
have the final say anyways. Tell him that this would be a chance for you
to really show him what you can do (What you can really do for him!). If
he doesn't like it he won't have to use it, but you think more than likely
he would use at least some of the recuts.
If he goes for it, do your own great mix and present it to him. Then tell
him that if he uses it you wouldn't want any extra credits. Hopefully he
will hear/see the light.
I know you love your work, so doing extra work for free won't kill you, putting
out a piece of crap with your name on it would.
Remember, it never goes quite the way you would like it to in life.
Good luck!
James
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>I'm doing a mix here. We've got a lot of acoustic instruments goin on this
>mix and the client/producer/songwriter/arranger is sitting in on the mix
>making decisions as t6o which instruments he wants up in the holes in the
>mix, since we have many options. The players on this project are really
good
>and it's sorta' agonizing for him to sacrifice hearing one part when another
>equally good riff is being played on the same timeline and a decision has
to
>be made as to one or the other. Well, this is all part of the game and just
>takes time. What's making me nuts is that the client really respects these
>players. These guys, as good as they are, occasionally had a clam or two
as
>far as the number of notes that may have been played over a certain passage.
>He doesn't want to change this stuff our of *respect* for the performance.
>It just doesn't work in some cases and sounds like a trainwreck in others.
I
>can easily fix it in the editor, but he's uncomfortable with this. This
mix
>isn't going to work with certain of these unedited passages......it just
>won't........trust me. My problem is, and this is why I could never last
>long in a band, is that I *know* what needs to be done and everyone else
is
>wrong............am I right?
>
>;o)
>
>John <no@no.com> wrote:
>cujo, i'm saying actual cockroaches !!!!!!!!! There were about 20 of
>em in a clear plastic container.
And here I thought you guys were talking about attorneys. Same difference
to me.
>
>Cujo wrote:
>> Wait, Are you saying he shipped actual cockroaches?
>> I thought he sent you Lobsters. Those do look like big bugs
>>
>>
>> John <no@no.com> wrote:
>>
>>>Hey, I tried smoking those roaches but they won't stay lit !
>>>
>>>John wrote:
>>>
>>>>I was really hoping you were some rich nut and was just going to blow
>>
>>
>>>>about $50k for shock value. I'm still open to that :-) hehe
>>>>
>>>>justcron wrote:
>>>>
>>>>
>>>>>The website said they make good pets!
>>>>>
>>>>>:)
>>>>>
>>>>>all in good fun amigo.
>>>>>
>>>>>"John" <no@no.com> wrote in message news:43c2e8e7@linux...
>>>>>
>>>>>
>>>>>>Well, I must not have been good last year cuz when I asked justcron
>>
>>
>>>>>>for only 3 presents (ski boat, jet ski and motocross, though I did
>>>>>>add on some yorkville monitors and an allen and heath 16:2 mixwizard)
>>
>>
>>>>>>he only sent me one and it wasn't even one of them on my list.
>>>>>>
>>>>>>Imagine my wife's surprise when she opened a fedex box with live
>>>>>>"lobster" cochroaches. I just thank you for keeping them in a
>>>>>>plastic container. It was hilarious to me but my wife was freaking
>>>>>>out, seriously freaking out. Meanwhile I'm reading to her how they
>>
>>
>>>>>>make great pets (according to the enclosed document) but she really
>>
>>
>>>>>>didn't want to adopt them. Sorry. I mean you could have just sent
a
>>
>>
>>>>>>bag of primo weed (it's still not too late)! hehe
>>>>>>
>>>>>>Merry Christmas Justcron and I thought it was hilarous.
>>>>>>
>>>>>>John
>>>>>
>>>>>
>>>>>
>>>>>Doh, I just got this.. there be a comma in between that 512 and GB pardner
LOL
AA
"Kim" <hiddensounds@hotmail.com> wrote in message news:43c315c1$1@linux...
>
> "Aaron Allen" <nospam@not_here.dude> wrote:
>>Just give it at least 512GB if you can...
>
> WOOHA!! That's a big swap file... or ram... or whatever it is you were
> saying. ;o)
>
> I assume you're saying give XP at least 512MB of ram?OH! Right I get it... ok, that makes more sense. ;o)
Cheers,
Kim.
"Aaron Allen" <nospam@not_here.dude> wrote:
>Doh, I just got this.. there be a comma in between that 512 and GB pardner
>LOL
>
>AA
>
>"Kim" <hiddensounds@hotmail.com> wrote in message news:43c315c1$1@linux...
>>
>> "Aaron Allen" <nospam@not_here.dude> wrote:
>>>Just give it at least 512GB if you can...
>>
>> WOOHA!! That's a big swap file... or ram... or whatever it is you were
>> saying. ;o)
>>
>> I assume you're saying give XP at least 512MB of ram?
>
>yeah, sorry man.. my humor hasn't arrived yet for the night, I'm still in
the day gig 'computer guy' mode running remote admin stuff.
AA
"Kim" <hiddensounds@hotmail.com> wrote in message news:43c3224a@linux...
>
>
> OH! Right I get it... ok, that makes more sense. ;o)
>
> Cheers,
> Kim.
>
> "Aaron Allen" <nospam@not_here.dude> wrote:
>>Doh
|
|
|
|
| Re: Multiple_EDS_Connection_wizard_insight_needed [message #61774 is a reply to message #61768] |
Thu, 22 December 2005 15:05 |
Dimitrios
Messages: 1056
Registered: August 2005
|
Senior Member |
|
|
>>>> I have done all sorts of cleaning, tweaking, etc., and maxed
>>>> out the RAM at 1GB. Despite all of this work, and the fact that
>>>> it runs "only" about 26 processes at a time, the CPU load
>>>> "idles" at about 50%. Wassup??????!!!!
>>>>
>>>> My laptop at work, a Compaq Evo N1000v, Pentium 4 XP, on which
>>>> I have done no tweaking or cleaning, idles at 8-10% CPU load.
>>>> This is with 41 processes running, including a lot of junk.
>>>>
>>>> I have tried two different programs, Spped Up My PC and Tweak
>>>> XP, with no appreciable effect on the CPU load.
>>>>
>>>> Is it my McAfee Virus shield thing? It doesn't show any
>>>> activity, but is enabled. if I need to disable it, how can I
>>>> continue to scan incoming e-mail?
>>>>
>>>> Any light shed on this would be most welcome!!!!
>>>>
>>>> Chris
>>>
>>>--
>>>Chris Ludwig
>>>ADK
>>>chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>>www.adkproaudio.com <http://www.adkproaudio.com/>
>>>(859) 635-5762
>>
>He just left. I put the mix up that I did this afternoon. It differs quite a
bit from the one we did last night. I carved out the sloppy clams and
retuned the notes that were butting heads that I thought would work for what
we were trying to achieve. I also did some comping of this and that and
dropped it on the4 timeline where needed. I took him on a tour of both mixes
and showed him exactly what I did and why.
He loved it. We just finished remixing the song with a few more decisions he
made based on my basic groundwork. I think they were good decisions. His
last words before leaving tonight were" OK man, you just go ahead and get it
done and call me when you feel like we're close. I trust your judgment."
Life is good.
:o)
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:43c31d75$1@linux...
>
> A lot could be said here.
>
> I think you should talk him in to recutting the necessary parts, kind of
> a, A mix/cut, B mix/cut. Tell him this wouldn't be redoing everything,
this
> would be giving him more options to choose from. Offer to do this for
free,
> tell him you just want the project to be all that it can be. Tell him
you
> know your stuff, and ask him to trust you. Tell him you'd feel much
better
> about the project this way. This would give him more choices, plus he
would
> have the final say anyways. Tell him that this would be a chance for you
> to really show him what you can do (What you can really do for him!). If
> he doesn't like it he won't have to use it, but you think more than likely
> he would use at least some of the recuts.
>
> If he goes for it, do your own great mix and present it to him. Then tell
> him that if he uses it you wouldn't want any extra credits. Hopefully he
> will hear/see the light.
>
> I know you love your work, so doing extra work for free won't kill you,
putting
> out a piece of crap with your name on it would.
>
> Remember, it never goes quite the way you would like it to in life.
>
> Good luck!
>
> James
>
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >I'm doing a mix here. We've got a lot of acoustic instruments goin on
this
> >mix and the client/producer/songwriter/arranger is sitting in on the mix
> >making decisions as t6o which instruments he wants up in the holes in the
> >mix, since we have many options. The players on this project are really
> good
> >and it's sorta' agonizing for him to sacrifice hearing one part when
another
> >equally good riff is being played on the same timeline and a decision has
> to
> >be made as to one or the other. Well, this is all part of the game and
just
> >takes time. What's making me nuts is that the client really respects
these
> >players. These guys, as good as they are, occasionally had a clam or two
> as
> >far as the number of notes that may have been played over a certain
passage.
> >He doesn't want to change this stuff our of *respect* for the
performance.
> >It just doesn't work in some cases and sounds like a trainwreck in
others.
> I
> >can easily fix it in the editor, but he's uncomfortable with this. This
> mix
> >isn't going to work with certain of these unedited passages......it just
> >won't........trust me. My problem is, and this is why I could never last
> >long in a band, is that I *know* what needs to be done and everyone else
> is
> >wrong............am I right?
> >
> >;o)
> >
> >Yes! Good result. Sounds like a good guy.
DC
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>He just left. I put the mix up that I did this afternoon. It differs quite
a
>bit from the one we did last night. I carved out the sloppy clams and
>retuned the notes that were butting heads that I thought would work for
what
>we were trying to achieve. I also did some comping of this and that and
>dropped it on the4 timeline where needed. I took him on a tour of both mixes
>and showed him exactly what I did and why.
>
>He loved it. We just finished remixing the song with a few more decisions
he
>made based on my basic groundwork. I think they were good decisions. His
>last words before leaving tonight were" OK man, you just go ahead and get
it
>done and call me when you feel like we're close. I trust your judgment."
>
>Life is good.
>
>:o)
>
>
>"James McCloskey" <excelsm@hotmail.com> wrote in message
>news:43c31d75$1@linux...
>>
>> A lot could be said here.
>>
>> I think you should talk him in to recutting the necessary parts, kind
of
>> a, A mix/cut, B mix/cut. Tell him this wouldn't be redoing everything,
>this
>> would be giving him more options to choose from. Offer to do this for
>free,
>> tell him you just want the project to be all that it can be. Tell him
>you
>> know your stuff, and ask him to trust you. Tell him you'd feel much
>better
>> about the project this way. This would give him more choices, plus he
>would
>> have the final say anyways. Tell him that this would be a chance for
you
>> to really show him what you can do (What you can really do for him!).
If
>> he doesn't like it he won't have to use it, but you think more than likely
>> he would use at least some of the recuts.
>>
>> If he goes for it, do your own great mix and present it to him. Then
tell
>> him that if he uses it you wouldn't want any extra credits. Hopefully
he
>> will hear/see the light.
>>
>> I know you love your work, so doing extra work for free won't kill you,
>putting
>> out a piece of crap with your name on it would.
>>
>> Remember, it never goes quite the way you would like it to in life.
>>
>> Good luck!
>>
>> James
>>
>>
>>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >I'm doing a mix here. We've got a lot of acoustic instruments goin on
>this
>> >mix and the client/producer/songwriter/arranger is sitting in on the
mix
>> >making decisions as t6o which instruments he wants up in the holes in
the
>> >mix, since we have many options. The players on this project are really
>> good
>> >and it's sorta' agonizing for him to sacrifice hearing one part when
>another
>> >equally good riff is being played on the same timeline and a decision
has
>> to
>> >be made as to one or the other. Well, this is all part of the game and
>just
>> >takes time. What's making me nuts is that the client really respects
>these
>> >players. These guys, as good as they are, occasionally had a clam or
two
>> as
>> >far as the number of notes that may have been played over a certain
>passage.
>> >He doesn't want to change this stuff our of *respect* for the
>performance.
>> >It just doesn't work in some cases and sounds like a trainwreck in
>others.
>> I
>> >can easily fix it in the editor, but he's uncomfortable with this. This
>> mix
>> >isn't going to work with certain of these unedited passages......it just
>> >won't........trust me. My problem is, and this is why I could never last
>> >long in a band, is that I *know* what needs to be done and everyone else
>> is
>> >wrong............am I right?
>> >
>> >;o)
>> >
>> >
>
>Hi Chris,
No significant difference when rewired that I've noticed (although I haven't
A/B'd mixes to be sure) - the main differences are using better reverbs,
etc. It doesn't sound bad on its' own, but it does sound better remixed
elsewhere with better fx plugins. I think an earlier version sounded pretty
lame in general due to a limited mix engine, but that seems to be better
now.
Reason synths and effects just aren't designed to be monster emulations, but
rather a compromise between sound and cpu efficiency. That is where I think
Reason shines - you get a lot of sound and creativity capability for a
modest cpu hit - it seems to be a rather efficiently coded app.
Regards,
Dedric
PS: I wrote a review of it for Audiomidi.com if anyone is interested in a
little more info, at least from my perspective (assuming I actually know
what I'm talking about, which is always open for debate ;-).
On 1/9/06 8:54 PM, in article 43c32fad$1@linux, "Chris Ludwig"
<chrisl@adkproaudio.com> wrote:
> HI Dedric,
> You dead on in your description.
>
> Do you notice that it sound better when rewired thru Nuendo?
>
> Chris
>
> Dedric Terry wrote:
>
>> Using it here with Nuendo via rewire - works great. There are other synths
>> and effects that sound better than comparable components in Reason, but for
>> putting together electronica, dance, and even pop or rap rhythm tracks it's
>> a cool app. It's also a great app to use for some composing work on the
>> road on a laptop as it's cpu friendly - you can get a lot of tracks/sounds
>> going pretty easily for sketching out ideas.
>>
>> Combinator patches are a bit more applicable for standalone synth use since
>> you can layer/combine synths and effects to create broader and more dynamic
>> sounds.
>>
>> For the money, it's a lot of fun, and can be quite useful. I believe the
>> track for the show Alias was composed on a laptop with Reason, FWIW.
>>
>> I'm doing some tracks in it, but remixing in Nuendo for better reverbs, EQ,
>> etc.
>>
>> Dedric
>>
>> On 1/6/06 10:44 AM, in article 43be9e63$1@linux, "Pete Ruthenburg"
>> <ruthenburg@sbcglobal.net> wrote:
>>
>>
>>> So is anybody using this?Seems like it could be useful or is it
>>> just popular with the electronica/dance crowd?Obviously the
>>> orchestral type sounds don't compare to other libraries,but it
>>> seems like you get alot for the money.
>>> Or is that the selling point;alot of good but not great sounds
>>> for the money.
>>>
>>> Pete
>>
>>How do you route a fader to spdif
John <no@no.com> wrote:
>No, you only have to assign the fader (that you routed to spdif) to
>another fader on the same submix. Not the example routes the processed
>channel 10 to 11 on the same submix.
>
>Clifford Coulter wrote:
>> Thanks John I think I got it.
>>
>> It looks like you have to assign the track to a seperate sub mix
>> I hope thats it
>>
>> Clifford
>>
>> John <no@no.com> wrote:
>>
>>>You can route to the SPDIF out and then back in on a different channel.
>>>
>>>SPDIF Rendering
>>>--------------------------
>>>Patchbay workaround for bouncing tracks and rendering plugins
>>>
>>>Tired of zeroing/clearing a mix to bounce a track or tracks to a new
>>>file? Or wish you could render native plugins while listening and
>>>adjusting in context. No problem.
>>>
>>>Open the Patch Bay. Clear all your SPDIF I/O connections. Physically (as
>>
>>
>>>in, on the back of your Paris 442 or MEC) loop your Paris SPDIF in to
>>>your Paris SPDIF out with a short cable. Go back to the Patch Bay.
>>>
>>>In the Patch Bay, connect the "Mixer Insert" SEND of the source channel
>>
>>
>>>for the bounce to the left SPDIF output (dL) on your 442 or MEC. Connect
>>
>>
>>>the SPDIF left input (dL) back to the same channel's "Mixer Insert"
>>>Return to complete the loop. Now connect the same left SPDIF output to
>>>the "Submixer Input" of the Destination channel you want to
>>>bounce/record to. Select "External" on the EDS insert on the source channel.
>>>
>>>Enable Record on the Destination channel. That's it. Record away. You
>>
>>
>>>can use your mixer normally while you bounce with no ill effect. And in
>>
>>
>>>a case of good fortune, since the EDS inserts are after the native
>>>inserts, any active plugins will be printed while bouncing. Great for
>>>rendering AutoTune or various other plugin settings for different song
>>>sections. For the price of time and disk space, you have unlimited plugins.
>>>
>>>Example. You have a track on track 10 and you want to render this to
>>>track 11. In the Patchbay:
>>> Mixer-A channel 11 connects to MEC-Master-A Digital In Left
>>> MEC-Master-A Digital In Left connects to Mixer-A-Insert Return10
>>> MEC-Master-A Digital Out Left connects to Mixer-A-Insert Send10
>>> Select "External" on the EDS insert on the source channel.
>>>
>>>
>>>Clifford Coulter wrote:
>>>
>>>>Hello
>>>>
>>>>I have a 2 EDS card Paris System and a Mec. with no extra cards in it
>>>>running on a Macintosh
>>>>I would like to know if it is possible to route Channel one to the Digital
>>>>out
>>>>and send it to my other computer, process it and send back to the Digital
>>>>in and route it back into channel one
>>>>
>>>>if not how do I get any channel routed to an external device and back
>>
>> into
>>
>>>>PARIS
>>>>
>>>>Thanks
>>>>
>>>>Clifford
>>>>
>>
>>sheesh.. I mean * www.microsoft.com *
"Aaron Allen" <nospam@not_here.dude> wrote in message
news:43c340ac$1@linux...
> you got a spyware problem bro?
>
> Go to http:\\housecall.antivirus.com and scan the whole computer. Sounds
> like a hidden process to me.
> Also, go to www.micorosoft.com and get their sony rootkit tool if you
> think there's even a "slight" chance you put a Sony audio CD in your drive
> that has this malware built in
>
> AA
>
>
>
> "Chris Lang" <yo@yo.yo> wrote in message news:43c33ec6$1@linux...
>>
>> OK, so I disabled all McAfee-related processes, and anything
>> else that looked expendable. No effect. None. CPU load
>> still hovering at 50+%. The task manager screen shows nothing
>> happening; just System Idle. at 93-99. Yet somehow, the CPU
>> load remains at 50+.
>>
>> Any other ideas? Thanks, Chris
>>
>>
>> "Chris Lang" <yo@yo.yo> wrote:
>>>
>>>K7T Turbo 2...
>>>
>>>In response to Jeff's earlier question, the task manager
>>>screen has a reading of the CPU load, as does the main
>>>screen in the WinTask program; Tweak XP also agrees that
>>>it is at 50%.
>>>
>>>I will try DJ's suggestion to disable all the McAfee stuff.
>>>
>>>
>>>Thanks to everyone for your input- Chris
>>>
>>>
>>>
>>>Chris Ludwig <chrisl@adkproaudio.com> wrote:
>>>>Hi Chris,
>>>>What motherboard are you using?
>>>>
>>>>Chris
>>>>
>>>>
>>>>Chris Lang wrote:
>>>>
>>>>> Hopefully, some of you experts can clear this up:
>>>>>
>>>>> I have PARIS on my home desktop, Windows XP Athlon AMD 1400.
>>>>> I have done all sorts of cleaning, tweaking, etc., and maxed
>>>>> out the RAM at 1GB. Despite all of this work, and the fact that
>>>>> it runs "only" about 26 processes at a time, the CPU load
>>>>> "idles" at about 50%. Wassup??????!!!!
>>>>>
>>>>> My laptop at work, a Compaq Evo N1000v, Pentium 4 XP, on which
>>>>> I have done no tweaking or cleaning, idles at 8-10% CPU load.
>>>>> This is with 41 processes running, including a lot of junk.
>>>>>
>>>>> I have tried two different programs, Spped Up My PC and Tweak
>>>>> XP, with no appreciable effect on the CPU load.
>>>>>
>>>>> Is it my McAfee Virus shield thing? It doesn't show any
>>>>> activity, but is enabled. if I need to disable it, how can I
>>>>> continue to scan incoming e-mail?
>>>>>
>>>>> Any light shed on this would be most welcome!!!!
>>>>>
>>>>> Chris
>>>>
>>>>--
>>>>Chris Ludwig
>>>>ADK
>>>>chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>>>www.adkproaudio.com <http://www.adkproaudio.com/>
>>>>(859) 635-5762
>>>
>>
>
>Yes!
Tony
On 1/9/06 11:24 PM, in article 43c34572@linux, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
> He just left. I put the mix up that I did this afternoon. It differs quite a
> bit from the one we did last night. I carved out the sloppy clams and
> retuned the notes that were butting heads that I thought would work for what
> we were trying to achieve. I also did some comping of this and that and
> dropped it on the4 timeline where needed. I took him on a tour of both mixes
> and showed him exactly what I did and why.
>
> He loved it. We just finished remixing the song with a few more decisions he
> made based on my basic groundwork. I think they were good decisions. His
> last words before leaving tonight were" OK man, you just go ahead and get it
> done and call me when you feel like we're close. I trust your judgment."
>
> Life is good.
>
> :o)
>
>
> "James McCloskey" <excelsm@hotmail.com> wrote in message
> news:43c31d75$
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