| Anyone running Paris on a PCI / PCI-E combo MB? [message #75883] |
Sun, 12 November 2006 16:09  |
Kim
Messages: 1246 Registered: October 2005
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Senior Member |
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/>
If you have your amp REALLY loud then you can push your submix faders up
moderately with the master pulled down and then you can push the submix faders
to make sure you are not just trying to get volume gain.
Keep pulling the master down as you push submix faders up. This way you'll
get the volume you want and will be listening to the sound and not trying
to just get it louder.
This makes it easy to hear distortion. Then, turn your amp down and push
your masters up to distortion and back off a bit. Of course meters are selected
post fader here.
"Uptown Jimmy" <johnson314@bellsouth.net> wrote:
>I'm referring ONLY to mixing here, not tracking.
>
>I forbid any clipping during tracking, period.
>
>Jimmy
>
>
>"John" <no@no.com> wrote in message news:457ddb84$1@linux...
>>
>> Clip in Mec inputs bad
>> This corresponds with prefader meters.
>>
>> Clip in postfader meters is ok.
>>
>> To get close to an accurate reading, turn off any insert FXs, unclick
the
>> all-EQ switch, make sure trim is set to zero, and set "show meters as
>post
>>
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| Re: Anyone running Paris on a PCI / PCI-E combo MB? [message #80783 is a reply to message #75883] |
Tue, 27 February 2007 23:15  |
Amuse
 Messages: 90 Registered: February 2006
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Member |
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erb¡K sort
of a spring-y sound in a way, and has a tuning/detuning function, as well¡K
haven¡¦t found a damn thing BESIDES piano that it sounds good on, but it
does sound really good on that sometimes!
Product Page: http://www.pspaudioware.com/indexjp.html
Download: http://www.pspaudioware.com/download/full/PSPpv.exe
Gvst GDelay:
Need a very simple, highly controllable mono delay? This is it. This one
definitely seems to have some artifacts going on, so I¡¦d recommend it for
things like slapbacks or ¡§old-skool¡¨ type stuff.
Product Page: http://www.gvst.co.uk/gdelay.htm
Download: http://www.gvst.co.uk/dlgvst/GDelay.zip
RoomMachine 844:
A really good room simulator¡K works equally well as an insert on a submix
(like for a drum submix wherein you want to place the drums in a room) or
as a send-return-type of effect using fully-wet settings on the output. Controls
are very useful, and has early-reflection variance capabilities using the
¡§distance¡¨ control (distance from the source to the simulated mics), and
a stereo spread selector on each side (L&R) independently.
Product Page: http://www.silverspike.com/?Products:RoomMachine_844
Download: http://www.silverspike.com/Download/RoomMachine844.zip
***EQ¡¦s/Spectral***:
Voxengo EssEQ:
The EQ segment of vst plugins is really lacking in useful, high-quality,
musical EQ¡¦s, IMO; and while this is certa
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