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| Re: Derek Bailey passed away [message #62021 is a reply to message #61976] |
Thu, 29 December 2005 10:44   |
Tony Benson
Messages: 453
Registered: June 2006
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Senior Member |
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tude & sonar, and
> I get great results from each.
>
> However, do I feel that without some fader package, upgraded onverters, off
> shelf DSP cards, the experience and workflow suffers greatly.
>
> My origanl post was only to point out that since Paris demise, no other
> manufacture
> has brought to market a "Total Solution" package for the mid ground. Yes
> we have the software like Nuendo, but, what about matching some hardware
> with it, and a SPec'd system (Mac/PC) that's sold as a Package.
>
> Now we only have LE, and all the naitives. You'releft to piece-mill a package
> yourself. But, It's been my experience as a DAW consultant/Builder, that
> wayy too much time is spent on
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| Re: Derek Bailey passed away [message #62090 is a reply to message #62058] |
Fri, 30 December 2005 08:57 |
Tony Benson
Messages: 453
Registered: June 2006
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Senior Member |
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ie DBX digital mixer (Dual touch screens)that also had the capability
>to record up to 128 24/96 audio tracks. Using the same cool editing found
>in their earlier Hard disk recorder MDR2496. The mix has the capabilities
>to add up to 3or 4 UAD cards, as well as third party FX for the mixer.
This
>would be a ground breaking product. Even though Tascam tried it, their SX-1
>was cool, but was too limited. Actualy, the SA-1 was a Ensoniq/EMU product
>first, then made it's was over to Tascam..I digress..
>I still hoping that the Yamaha/Steinberg marrige would yield a very cool
>DM2000 metts Nuendo or 02R-96 meets Cubase sx . All in one units..
>
>As things stands now in our current state of Personal computers based DAW,
>we really have not had any ground breaking technology save for newer faster
>Cpus.. Inwhich, I for one am tired of chasing the speed demon.Enough already..I
>say this and I work as a IT Network Consultant.. Okay :) i digress again..:)
>
>
>I guess this post grew out of neverending post over on www.gearslutz.com
>about Ribbon mics, Summing buss's, 5k mics, 4k pre-amps, 4k converters..
>I'm thinking, why do I want to keep sinking good money into "dressing up
>a naitive DAW to try to sound as good as Paris does for (2,700.00 Orginal
>list)??? Those guys, bless their hearts are into dreaming that if they sink
>another 5-10k in analoge summing gear, tey will have that magic ssound..
>So, I'm thinkink, 'Why have we gone backwards in this dAW game?? Is it that
>Digi has such a strangle hold on the industry,that they can dictate jsut
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