| A new Kawai MP-9000 and a crazy idea that just might work... [message #56440] |
Sat, 30 July 2005 21:13  |
Kim
Messages: 1246
Registered: October 2005
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Senior Member |
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a href="mailto:432109e3@linux..." target="_blank">432109e3@linux...
> The operative word here is "demo"... if they want radio
> ready, they have to be prepared to pay for radio quality
> mixes. Impress upon them that the extra time spent doing
> detailed mixes will reap rewards in other areas, and
> ultimately improve the listeners perception of the group.
>
> David.
>
>
> DJ wrote:
> > The client wants a radio ready product but doesn't want to allow me to
spend
> > the time to critically listen to *roughs*. Lots of stuff can sneak
through
> > and notes need to be made for each track.
> >
> > I'm listening to something right now that needs a de-esser on parts of
the
> > lead vox of a song. We were in a hurry and it slipped through the
tracks.
> >
> > ;o(
> >
> >Well, either you all are a tite click, or you're smart enough not to take
attachments from strangers...
wasn't thinking....
Hello,
I am not new to PARIS but I've been away from music for a few years. I've
dug out my PARIS system recently and started aquiring gear to augment the
system. I have been lurking here and at gearslutz.com for several months and
have learned quite a bit. I see that some of you are using other DAWs with
PARIS. I'd like to do the same. I also have some decent outboard gear I'm
using.
Right now, I have PARIS set up on it's own, using some outboard gear as
inserts and aux. FX. I've also found a way to use the Aux sends as busses so
that I may strap stereo dynamics across a multiple track sub. I do very
little editing, and don't really use any PARIS effects. I esentially am
using PARIS as you would a tape deck and desk, I do use the editor for track
alignment with multi mic sources, and I will on ocasion remove a flub, but I
did that with mutes back in the day anyway.
I have a second computer running SX which has an RME HDSP 96/52 in it. I
really only use it to transfer SX tracks from another studio into PARIS, but
I think I'd eventually like to either begin recording into SX or even
upgrade to Nuendo, and simply use PARIS as a mixer. THe main reason dor this
is to use the SX latenc compensation. I also have a couple UAD-1s and some
soft synths that I may or may not use (I have 8 analog channels of decent
compression and EQ, and prefer using these, printing them to disk as I need
more channels). My ultimate goal is to eventually replace PARIS with either
a mixer (probably a neotek) or a summing box (probably an API). The bigest
problem is that PARIS is SO easy to use for me compared to SX. I'm from the
old school. Learned on a 4 track
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