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| Re: where are the paris drivers located [message #72560 is a reply to message #72548] |
Sun, 17 September 2006 07:49  |
John [1]
Messages: 2229 Registered: September 2005
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Senior Member |
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t="_blank">emarenot@yahoo.com> wrote:
>>Hey Kim,
>>Nice work. Revolution of the Mind stayed with me throughout the day.
Also
>>nifty was how clear the Paris sound came through. Man, it was like cool
>>water on my ears.
>>Cheers,
>>MR
>>
>>"Kim" <hiddensounds@hotmail.com> wrote in message news:451df184$1@linux...
>>>
>>>
>>> For anyone who wants to check out some tunes from your favourite newsgroup
>>> host, please check out:
>>>
>>> http://www.myspace.com/drschnauberg
>>>
>>> I'm in the midst of a work ethic/method revolution, where I try and
>>produce
>>> songs within the space of only a couple of hours. All these tunes are
>>recorded
>>> mostly on my GNX-4 looper, then transferred to Paris and vocals and solos
>>> are added. It's usually about a 2-2.5 hour turnaround for a complete
song.
>>>
>>> And yes some of the recording methods are dodgy... yes I need to get
>a
>>pop
>>> filter for the mic, and yes the harmonies in Revision need work, but
hey,
>>> it's music, I'm getting it done quickly, and I'm having fun, and I think
>>> the vibe is there. :o)
>>>
>>> Tell me what you think...
>>>
>>> Cheers,
>>> Kim.
>>
>>
>Looks like each UAD-1 plugin is creating 33ms of latency in Cubase SX (1470
samples).plus the buffer of 512 samples. This will vary by a few, but I
haven't gotten that anal about it yet. Using Delaycomp in SX is just an
PITA. It's do'able, but requires you to route *every* track in the mix
through SX with a large incremental setting on the Delaycomp that is reduced
by 1 increment every time you add a plugin. Here's a quick and dirty
solution I've come up with. It's a few samples o
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