Home » The PARIS Forums » PARIS: Main » OT - Environmental - This could be the answer to a lot of BIG problems we face
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| Re: OT - Environmental - This could be the answer to a lot of BIG problems we face [message #69188 is a reply to message #69182] |
Sun, 11 June 2006 12:02   |
excelav
Messages: 2130
Registered: July 2005
Location: Metro Detroit
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Senior Member |
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>
>I have Paris 3.0 authorized on one computer Im trying to Authorize a second
computer but it wont authorize .the first computer was running Sys 9.1 and
its good.the second computer only runs sys 9.2 could this be my problem.
Paris runs in 9.2 but it wont authorize I type in the reponse and nothing
happens
Its been ten years since I authorized the first computer maby I have forgot
something'
Need HELP
Thanks
Clifforddo you have any specs on the unit...jitter...etc?
thanks
rick"Miguel Vigil" <nospam@nospam.com> wrote:
>Good interview, and don't forget to check out the
>> MP3s at the end, textbook Paris sound in the hands of a skilled
>> engineer/producer/musician.
>
>
>And don't forget to check Tommy's online examples (2nd button from left)
>to listen to over two dozen full length songs.
>
>http://www.steelguitartracksonline.com/index.html
>
>Thanks for the heads up Bill...!
>
>
>El Miguel
>
>
>
>"Bill Terry" <bterry73@gmail.com> wrote in message news:44ca3643$1@linux...
>>
>> My pal Tommy Detamore recently did an interview on this web site:
>> http://rocketsounds.com/index.php
>>
>> As many of you know, Tommy runs a Paris based studio in Floresville, TX,
>> near San Antonio. The interviewer was apparently quite interested in
>> Paris,
>> and why Tommy uses it.. Good interview, and don't forget to check out
the
>> MP3s at the end, textbook Paris sound in the hands of a skilled
>> engineer/producer/musician.
>
>"Tommy Detamore" <cherryrdg@aol.com> wrote:
>
>"Miguel Vigil" <nospam@nospam.com> wrote:
>>Good interview, and don't forget to check out the
>>> MP3s at the end, textbook Paris sound in the hands of a skilled
>>> engineer/producer/musician.
>>
>>
>>And don't forget to check Tommy's online examples (2nd button from left)
>>to listen to over two dozen full length songs.
>>
>>http://www.steelguitartracksonline.com/index.html
>>
>>Thanks for the heads up Bill...!
>>
>>
>>El Miguel
>>
>>
>>
>>"Bill Terry" <bterry73@gmail.com> wrote in message news:44ca3643$1@linux...
>>>
>>> My pal Tommy Detamore recently did an interview on this web site:
>>> http://rocketsounds.com/index.php
>>>
>>> As many of you know, Tommy runs a Paris based studio in Floresville,
TX,
>>> near San An
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| Re: OT - Environmental - This could be the answer to a lot of BIG problems we face [message #69196 is a reply to message #69184] |
Sun, 11 June 2006 19:23 |
Bill Lorentzen
Messages: 140
Registered: June 2005
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Senior Member |
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id." -- David St.HubbinsOn Tue, 01 Aug 2006 01:18:00 GMT, cygnus_diespamdie@ctgonline.org
(Paul Braun) wrote:
>Since I rarely use automation, this is the one reason I went to grab
>the moldy manuals that I threw out last week....
>
>How the hell do I record fader automation?
>
Nevermind. I figgered it out myownself. Hold down "mute" and "solo"
at the same time until "solo" blinks fast. Then hit the channel
select button for each track until they blink fast.
Play, rewind, and watch the magic happen.
pab
"Enjoy every sandwich." -- Warren Zevon
"It's a fine line, between clever and stupid." -- David St.HubbinsYeh, but where's the bit where two giant dogs romp through the house chasing
a skunk...?
;o)
Cheers,
Kim.
"Jeremy Luzier" <j.luzier@comcast.net> wrote:
>setup....
>
>a7n8x-e deluxe.
>xp2800
>4 ide drives
>1- usb drive
>1- usb dvd drive
>3 uad-1
>1- digi 9652
>1 - digi 9636
>antec true power 2 480 watts
>
>my computer sits in a 'machine' room that has no heat or a/c. i have the
>case open and a fan blowing on it. during the summer the average mobo temp
>is 27 C and cpu temp is 44 C while under full load (70-90% perf meter in
>nuendo). the west wall of the 'machine' room is the west wall of my house.
>during the winter when temps outside are much cooler... the average mobo
>temp is 25 C, cpu around 39/40.
>
>before december 05 my system didn't not have the 9636... only the 9652.
i
>was very happy with the setup.
>
>in december 05 i installed the 9636 which runs out to a rosetta 800...
>everyone gets clock from the big ben.
>
>everything worked like a frickin charm... i was stoked. pci bus jammed
>packed....
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| Re: OT - Environmental - This could be the answer to a lot of BIG problems we face [message #69199 is a reply to message #69181] |
Sun, 11 June 2006 20:52 |
DC
Messages: 722
Registered: July 2005
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Senior Member |
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.steelguitartracksonline.com/index.html
>>>
>>>Thanks for the heads up Bill...!
>>>
>>>
>>>El Miguel
>>>
>>>
>>>
>>>"Bill Terry" <bterry73@gmail.com> wrote in message news:44ca3643$1@linux...
>>>>
>>>> My pal Tommy Detamore recently did an interview on this web site:
>>>> http://rocketsounds.com/index.php
>>>>
>>>> As many of you know, Tommy runs a Paris based studio in Floresville,
>TX,
>>>> near San Antonio. The interviewer was apparently quite interested in
>
>>>> Paris,
>>>> and why Tommy uses it.. Good interview, and don't forget to check out
>>the
>>>> MP3s at the end, textbook Paris sound in the hands of a skilled
>>>> engineer/producer/musician.
>>>
>>>
>>
>
>Thanks guys...I'm proud of this one, both for myself and Paris :). A little
>embarrassed though, knowing that you killer steel players have listened
to
>some of my hacking!
>
>All the best to all,
>
>Tommy
>Paul, I have one of the original manuals around here
somewhere... if you need a section copied out of it, let me
know (I assume that would be ok to do, since they're out of
publication), and I can mail the pages to you.
Neil
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| Re: OT - Environmental - This could be the answer to a lot of BIG problems we face [message #69233 is a reply to message #69202] |
Mon, 12 June 2006 09:14 |
DC
Messages: 722
Registered: July 2005
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Senior Member |
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it ever was.
> >> > >
> >> > >Here is what i did.
> >> > >
> >> > >i switched around the i/o of the 9636 and 9652. Now the rosetta 800
> >goes
> >> > i/o
> >> > >of the 9652 and 8 PARIS channels go i/o of the 9636.
> >> > >
> >> > >Now everything in my setup gets clocked by a big ben. SO now the
> >rosetta
> >> > 800
> >> > >is connected to a card that is getting clock... and the rosetta is
> >> getting
> >> > >clock directly from the big ben.
> >> > >
> >> > >i setup a project with audio running through all the channels i use
> in
> >a
> >> > >mix. loaded up all 3 uad's. removed the fan that was blowing on the
> >mobo.
> >> > >the temp got up to 36 C... NOT ONE DROP OUT.
> >> > >
> >> > >i am keeping my fingers crossed... but damn this looks fixed. COULD
> >THIS
> >> > >HAVE BEEN A CLOCK ISSUE ALL ALONG... and for some reason the extra
> >> > >temperature of spring just triggered the problem????
> >> > >
> >> > >my a7n8x-e is RAWKIN again... i know this is an old board but
damn...
> >all
> >> > 5
> >> > >pci slots full... and it goes.
> >> > >
> >> > >what do you guys think?
> >> > >
> >> > >
> >> > >
> >> > >p.s. i must credit DJ. i could have never posted this had he not
> >> pioneered
> >> > >the art of "the frustrated-my computer is fucked-let me run 1239586
> >> channels
> >> > >of lightpipe through 4 different computers clocked through a bnc
cable
> >> stuck
> >> > >up my horses arss... and it works... ah fuck it i am mixing inside
> >> PARIS!!"
> >> > >
> >> > >;-)
> >> > >
> >> > >
> >> > >
> >> >
> >>
> >>
> >
> >
>That's the spec for the Hosa wdc-427.
thanks,
-CarlI'm not sure what the "ppm" stands for, exactly (parts per million comes to
mind though I'm not sure how that would apply to a clock signal), but it has
to do with the internal clock accuracy-the Lucid GENx192 has internal clock
accuracy: ± 25 ppm according to it's spec sheet.
http://www.sweetwater.com/store/detail/GENx192/
The Rosendahl Nanosync specs are :
temperature compensated VCXO; +/- 0.5 ppm @ ambient temperature 15 - 30
Celsius
http://www.rosendahl-studiotechnik.de/nanosyncs.html
This Rosendahl unit is a more expensive WC.than the Lucid.
I'm using a Lucid GENX6 in my studio which probably has about the same specs
as the GENX192 and it's a step up from the Paris clock to be sure.
Since less is probably a good thing, I'd say that the ± 10 ppm would be
better than the ± 25 ppm (Lucid) , at least on paper. Now whether an $80.00
Hosa WC is *really* superior in accuracy to a $700.00 Lucid WC is another
question altogether but then again, the HOSA unit is very basic...no frills.
..
I'd say that if you're hearing a positive difference, don't sweat it. After
all, we all know that a $1000.00 Paris rig sounds better than a $40,000.00
PTHD rig so there are a few nice surprises out there still.
If it sounds right, it "is" right.
;o)
Deej
a "Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote in message
news:44cff599$1@linux...
> That's the spec for the Hosa wdc-427.
>
> thanks,
> -Carl
>
>Interesting. I think this little Hosa is a winner. I'm certainly going to
hang on to the little guy.
-Carl
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:44d00c3c@linux...
> I'm not sure what the "ppm" stands for, exactly (parts per million comes
to
> mind though I'm not sure how that would apply to a clock signal), but it
has
> to do with the internal clock accuracy-the Lucid GENx192 has internal
clock
> accuracy: ± 25 ppm according to it's spec sheet.
>
>
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| Re: OT - Environmental - This could be the answer to a lot of BIG [message #69234 is a reply to message #69232] |
Mon, 12 June 2006 09:20 |
dc[3]
Messages: 895
Registered: September 2005
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Senior Member |
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"_blank">http://www.sweetwater.com/store/detail/GENx192/
>
> The Rosendahl Nanosync specs are :
> temperature compensated VCXO; +/- 0.5 ppm @ ambient temperature 15 - 30
> Celsius
>
> http://www.rosendahl-studiotechnik.de/nanosyncs.html
>
> This Rosendahl unit is a more expensive WC.than the Lucid.
>
> I'm using a Lucid GENX6 in my studio which probably has about the same
specs
> as the GENX192 and it's a step up from the Paris clock to be sure.
>
> Since less is probably a good thing, I'd say that the ± 10 ppm would be
> better than the ± 25 ppm (Lucid) , at least on paper. Now whether an
$80.00
> Hosa WC is *really* superior in accuracy to a $700.00 Lucid WC is another
> question altogether but then again, the HOSA unit is very basic...no
frills.
> .
> I'd say that if you're hearing a positive difference, don't sweat it.
After
> all, we all know that a $1000.00 Paris rig sounds better than a $40,000.00
> PTHD rig so there are a few nice surprises out there still.
>
> If it sounds right, it "is" right.
>
> ;o)
>
> Deej
>
>
>
>
>
> a "Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote in message
> news:44cff599$Report message to a moderator
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| Re: OT - Environmental - This could be the answer to a lot of BIG [message #69249 is a reply to message #69234] |
Mon, 12 June 2006 14:59 |
Dedric Terry
Messages: 788
Registered: June 2007
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Senior Member |
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st the settings for the bandpass? I'd like to give it
>a shot to see if I can make this thing not suck.
>
>As long as I'm unemployed, dammit, I'm going to teach myself how to
>mix.....
>
>pab
>
>"Enjoy every sandwich." -- Warren Zevon
>
>"Here at Microsoft, Quality is job, oh, I dunno, maybe 7 or 8?"PPM = Peak Programme Meter.
--
Martin Harrington
www.lendanear-sound.com
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:44d00c3c@linux...
> I'm not sure what the "ppm" stands for, exactly (parts per million comes
> to
> mind though I'm not sure how that would apply to a clock signal), but it
> has
> to do with the internal clock accuracy-the Lucid GENx192 has internal
> clock
> accuracy: ± 25 ppm according to it's spec sheet.
>
> http://www.sweetwater.com/store/detail/GENx192/
>
> The Rosendahl Nanosync specs are :
> temperature compensated VCXO; +/- 0.5 ppm @ ambient temperature 15 - 30
> Celsius
>
> http://www.rosendahl-studiotechnik.de/nanosyncs.html
>
> This Rosendahl unit is a more expensive WC.than the Lucid.
>
> I'm using a Lucid GENX6 in my studio which probably has about the same
> specs
> as the GENX192 and it's a step up from the Paris clock to be sure.
>
> Since less is probably a good thing, I'd say that the ± 10 ppm would be
> better than the ± 25 ppm (Lucid) , at least on paper. Now whether an
> $80.00
> Hosa WC is *really* superior in accuracy to a $700.00 Lucid WC is another
> question altogether but then again, the HOSA unit is very basic...no
> frills.
> .
> I'd say that if you're hearing a positive difference, don't sweat it.
> After
> all, we all know that a $1000.00 Paris rig sounds better than a $40,000.00
> PTHD rig so there are a few nice surprises out there still.
>
> If it sounds right, it "is" right.
>
> ;o)
>
> Deej
>
>
>
>
>
> a "Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote in message
> news:44cff599$1@linux...
>> That's the spec for the Hosa wdc-427.
>>
>> thanks,
>> -Ca
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| Re: OT - Environmental - This could be the answer to a lot of BIG problems we face [message #69250 is a reply to message #69181] |
Mon, 12 June 2006 14:58 |
TCB
Messages: 1261
Registered: July 2007
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Senior Member |
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rl
>>
>>
>
>thanx carl i really appreciate your efforts and help.
On Tue, 1 Aug 2006 18:31:40 -0500, "Carl Amburn"
<carlamburn@hotNOSPAMmail.com> wrote:
>So.... I wrote to Hosa, and got this response back within an hour or two
>(which I find very cool)....... I was also sent a pdf, which basically says
>the same thing.
>
>Carl,
>
>The WDC-427 Word Clock Generator is Clock-accurate to +/- 10 ppm. See
>attached cut sheet.
>
>It is also rack mountable by using our model PPP-000 19" mounting frame
>which will hold a total of four Hosa Modular Series units, including a
>fiber-optic patch bay, a fiber-optic splitter, an XLR patcher, and balanced
>and/or unbalanced 1/4" patch bay modules.
>
>More info:
>http://www.hosatech.com/hosa/products/WDC-427.html
>http://www.hosatech.com/hosa/products/patchbays.html
>http://www.hosatech.com/hosa/products/PPP-000.html
>
>Please let me know if I can help further.
>
>Regards,
>LW
>Hosa
>
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:ek4uc2h1pu1lf9r0g6apod1o1mbm054jt6@4ax.com...
>> hey carl,
>>
>> yeah i've been to the site but i didn't see any specs on the jitter
>> rate...ie..10-20 picoseconds etc. i was hoping that the unit shipped
>> with a spec sheet as to it's stuff...wow, there's a technical term.
>>
>> thanx
>>
>> On Mon, 31 Jul 2006 13:35:13 -0500, "Carl Amburn"
>&g
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| Re: OT - Environmental - This could be the answer to a lot of BIG problems we face [message #69255 is a reply to message #69236] |
Mon, 12 June 2006 17:06 |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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mmercially on a limited basis? If
so there are a bunch of other considerations to deal with, but if it's just
a matter of some musician friends/acquaintances dropping by occasionally
that she doesn't know, this would likely happen anyway and until she knows
them, they are strangers anyway.
A marriage should be a win-win. Yes, it brings about change and
accommodation, but cert6ain basic things are deal breakers and they are best
addressed "prior to".
Also........think about all of the gear you can buy if you're not supporting
a family (OK......OK........sorry, I couldn't resist)
;o)
"Kim" <hiddensounds@hotmail.com> wrote in message news:44d09de1$1@linux...
>
>
> Gee. I have no answers, but I just wanted to say I hope you work out a
compromise.
> That sounds like a toughie. The only thing I can suggest is something
like...
> ...finding another studio you can rent and work in to record other
acts,
> and perhaps keep a personal studio in your place for your own use and to
> do tweaks on other projects when you get inspired. etc etc.
>
> Ideally you'd need to find another studio that uses the same system
(Paris?)
> as what you use, but if you use Paris that could be difficult. I hate to
> say it but with this kind of dillemma it may be worth switching systems so
> you can find a local studio that is compatible with your system.
>
> I can't beleive I said that. ;o)
>
> Only option I can see... ...that way you could still work on music,
albeit
> in other places, and bring the tunes home to make tweaks etc.
>
> The other thing I would say, and this is kinda none of my business, but
she
> has to understand how important music is to you. I can see her issue for
> sure, especially with her having a daughter about and all, but she needs
> to make space for your needs as well. One thing I would be keen to find
out
> is whether or not down the track she may be willing to change her tact
once
> her daughter is older or whatever. I mean when her daughter is 15 it's not
> impossible that her daughter will bring home people just as scary as any
> muso. ;o) No reflection upon your girlfriend's daughter at all of course,
> as I wouldn't know her from a bar of soap... except the soap would likely
> to be smaller, shaped like soap, etc etc. ;o)
>
> It would be relevant to me, given the situation, to find out whether the
> ban is eternal or whether you could make a pact that "Once all the kids
are
> 15" (for example) you can get back to doing music in your own place. No
doubt
> you don't want to wait that long...
>
> ...hmm, I don't know.
>
> That's my 2 cents anyhow... from a guy who's girlfriend is still Paris.
> ;o) ...no, not THAT Paris. ;o)
>
> Cheers,
> Kim.
>
> "Anonym
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| Re: OT - Environmental - This could be the answer to a lot of BIGproblems we face [message #69269 is a reply to message #69233] |
Mon, 12 June 2006 20:21 |
Jamie K
Messages: 1115
Registered: July 2006
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Senior Member |
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br />
Another guy built a double deep garage From the front of the house it looks
like a big two car garage. It's approximately 26 wide x 52 deep. The first
22' is garage and the rest is studio, about 26x 30 with separate entrances.
I hope this gives you some Ideas.
James
"Anonymous" <Anonymous@your.domain> wrote:
>
>I frequent this newsgroup , but would like to remain anonymous
>for this question for my own reasons.
>
> An interesting conversation arose last night at home.
>My girlfriend of 2 years (whom I am considering marrying) expressed her
objection
>to having my studio in the house or
>even as a seperate building next to the house that we may
>share in the future. Her concern is bringing strangers to
>our house. She feels that is "asking for trouble".
>Writing, recording and playing music is my passion and
>an emotional release for me. I can't imagine not having it
>further than arms length away from me. It also is not feasable
>to rent a studio space when I don't intend on doing it full
>time as a business. Any advise would be greatly appreciated.
>I posted here because I figured this would be the one place
>where people would understand where I am coming from.
>I understand where she is coming from since she has a little
>daughter, but music is a huge part of who I am.
>I am torn.
>
>Thanks.
>
>
>I played one set in a Biker Bar when I was about 19, called "The Brass Rail"
(every one I knew caled it the "Brass Knuckle") when the "gang" showed up,
one of the guys asked if he and his friends could play our instruments. Our
singer said something to the effect of "No, we came too far and are getting
paid too little to put up with this". After that, it was kind of a blur,
and all I can remember was the club owner walking up to the band...right
then, paying us for the night, and telling us to leave...immediatly....please.
No kidding.
Rod.........who is still alive.
ahh....the memories
"Aaron Allen" <nospam@not_here.dude> wrote:
>I'm afraid I have a similar story.... only it was my guitar player to a
big
>hairy ugly biker in a biker bar. ......
><shudders>
>
>His line.. "ok.. here's your free bird, pal {flip}"
>it was funny however to watch the rest of the band on stage split like the
>red sea from this particular gtr player and the crowd make the *oooooo*
>sound, followed by cricket noises.
>
>AA
>
>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>news:44d10097$1@linux...
>>
>> I once responded to that request by flipping the drunk parton "the bird"
>> and
>> yelling "HERE, NO CHARGE"
>> She got so pissed we finally had to play it to shut her up.
>> Rod
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>.......and it's so funny to watch a drunks play air guitar to the triple
>>>leads at the end. I actually saw one guy become so frenetic that he
>>>exhausted himself and passed out.
>>>
>>>"Aaron Allen" <nospam@not_here.dude> wrote in message
>>>news:44d0a289$1@linux...
>>>> http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:9glvadzk e8w3
>>>>
>>>> it's a 9 minute redneck odyssey.
>>>> For a band here in the states, it's the reason you carry lollipops to
>> a
>>>show
>>>> :)
>>>>
>>>> AA
>>>>
>>>>
>>>> "Kim" <hiddensounds@hotmail.com> wrote in message
>>>> news:44d099a2$1@linux...
>>>> >
>>>> >
>>>> > Freebird? Don't know that one...
>>>> >
>>>> > ...cover band generally do Tainted Love and Jessie's Girl to death
>>>> > down
>>>> > here though also... ...at least mine did. ;o)
>>>> >
>>>> > Cheers,
>>>> > Kim.
>>>> >
>>>> > "Aaron Allen" <nospam@not_here.dude> wrote:
>>>> >>Keep a bag of lollipops to bounce from the skulls of those that shout
>>>> >>Freebird, Tainted Love or Jessie's Girl at you.
>>>> >>
>>>> >>AA
>>>> >>
>>>> >>
>>>> >>"Dubya Mark Wilson" <mark.xspam@avidrecording.com> wrote in message
>>>> >>news:44cf3109@linux...
>>>> >>> W.
>>>> >>>
>>>> >>> Off to Sri Lanka in a few hours. Spicey gig at the Columbo Holiday
>>>Inn.
>>>> >>>
>>>> >>
>>>> >>
>>>> >>I choose Polesoft Lockspam to fight spam, and you?
>>>> >>http://www.polesoft.com/refer.html
>>>> >>
>>>> >>
>>>> >
>>>>
>>>>
>>>
>>>
>>
>
>I'll second that one, got a little keybrd at my mouse hand for macros, what
a time saver, works awesome.
Rob
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
news:44cf8c5e$1@linux...
>
> Macro express works nicley for this.
> Rod
> "Mark McCurdy" <gmmccurdy@hotmail.com> wrote:
> >Is there a keyboard command or C16 sequence to arm all tracks at once?
> >
> >
>thanks, John.
The other day, when I was delving i
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| Re: OT - Environmental - This could be the answer to a lot of BIG [message #69270 is a reply to message #69249] |
Mon, 12 June 2006 20:31 |
Deej [1]
Messages: 2149
Registered: January 2006
|
Senior Member |
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nto the recesses of my brain for old cool
tunes, one that crossed my mind was "I just can't wit to get moving" from
Buffalo Springfield. That's the tune I'll always associate with him. Don't
know why.
I'll look for it the new CD. thanks again.
-steve
"John Macy" <spamlessjohn@johnmacy.com> wrote:
>
>Richie Furay, founder of Buffalo Springfield and Poco
>has released his first secular CD in many, many years
>called "Heartbeat of Love". It features a stellar band
>of studio players from Nashville, and has lots of guests
>including Neil Young, Stephen Stills, Timothy B. Schmitt,
>Kenny Loggins, Paul Cotton, Rusty Young, Jim Horn and others.
>
>I had the honor of recording, mixing and co-producing the
>record. It was tracked at Quad Studios in Nashville (where
>"Harvest" and many other classic records were done) into
>ProTools, but all of the overdubs and the mix were done in
>Paris here in Colorado.
>
>If you are a fan of classic Southern Cal country rock, you'll
>like this one. It is currently available at Richie's website,
>along with a just released autobiography, at:
>
>www.richiefuray.com
>
>:)
>
>On 2 Aug 2006 17:40:52 +1000, "steve the artguy"
<artguy@somethingorother.net> wrote:
>
>Hey, Paul!
>
>just for the heck of it, I searched the archives and came up with this one:
>
>http://www.svn.net/artguy/paris.notes/9-30-02
>
Doood!!! Sweet! That's what I was looking for.
Thanks.
I love this group....
With any luck, I'll finally learn how to do all this shit...
pabThis is a multi-part message in MIME format.
------=_NextPart_000_004A_01C6B690.02BEC380
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
I have a jazz session coming up and the producer wants to
mix on Cubase at his place if my two mix isn't all there. We are=20
recording all tracks live here to Paris multitrack. We'll be at 24 bit=20
and don't expect overdubs. I think all tracks will automatically line =
up right?
What do you use to convert 24bit .pafs to 24bit .wavs for Cubase 3.0?
Thanks for your suggestions as always!
Tom
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_004A_01C6B690.02BEC380
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I have a jazz session coming up and the =
producer=20
wants to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my two =
mix isn't all=20
there. We are </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>recording all tracks live </FONT><FONT =
face=3DArial=20
size=3D2>here to Paris multitrack. We'll be at 24 bit =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
face=3DArial=20
size=3D2>overdubs. I think all tracks will automatically line up=20
right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit .pafs =
to 24bit=20
..wavs for Cubase 3.0?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as =
always!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BODY ></HTML>
------=_NextPart_000_004A_01C6B690.02BEC380--On 2 Aug 2006 22:11:13 +1000, "Anonymous" <Anonymous@your.domain>
wrote:
>Writing, recording and playing music is my passion and
>an emotional release for me. I can't imagine not having it
>further than arms length away from me. It also is not feasable
>to rent a studio space when I don't intend on doing it full
>time as a business. Any advise would be greatly appreciated.
>I posted here because I figured this would be the one place
>where people would understand where I am coming from.
>I understand where she is coming from since she has a little
>daughter, but music is a huge part of who I am.
A friend of mine who is also a professional musician (has been his
entire life, practically) built a fully-professional studio up above
his 2-car attached garage. His wife had originally wanted it for
another bedroom, but realized that by having the studio at the house,
he would have quick access when inspiration struck, the commute would
be very short, and ulitmately, she would see him more. The studio is
mostly for his own use, whether it be one of his projects, the band
he's in, or projects for other friends of his.
The studio is completely soundproof to the rest of the house. There
is a heavy steel door between the studio and the upstairs hallway, and
there is a completely isolated and separate outside entrance so that
clients never actually enter the house. It's understood that his
world is on the other side of the door, and it's off-limits to anyone
else, unless he invites you in.
Works very well. And he lives in a very upscale neighborhood. And his
family is completely on board with this - he and his wife have been
married for 34 years now - he was a musician when they met, so she
knows that music is what makes him tick.
pabIn the audio window, select "export audio object as" rinse and repeat.
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>I have a jazz session coming up and the producer wants to
>mix on Cubase at his place if my two mix isn't all there. We are=20
>recording all tracks live here to Paris multitrack. We'll be at 24 bit=20
>and don't expect overdubs. I think all tracks will automatically line =
>up right?
>
>What do you use to convert 24bit .pafs to 24bit .wavs for Cubase 3.0?
>Thanks for your suggestions as always!
>Tom
>
>
>
>I choose Polesoft Lockspam to fight spam, and you?
>http://www.polesoft.com/refer.html
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>I have a jazz session coming up and the
=
>producer=20
>wants to</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my two =
>mix isn't all=20
>there. We are </FONT></DIV>
><DIV><FONT face=3DArial size=3D2>recording all tracks live </FONT><FONT
=
>face=3DArial=20
>size=3D2>here to Paris multitrack. We'll be at 24 bit =
></FONT></DIV>
><DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
>face=3DArial=20
>size=3D2>overdubs. I think all tracks will automatically line up=20
>right?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit .pafs
=
>to 24bit=20
>.wavs for Cubase 3.0?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as =
>always!</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
>and=20
>you?<BR><A=20
>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>.html</A> </FONT></DIV></BODY></HTML>
>
>I actualy have a macro that does each file for me. I hit 1 button, and go
get a drink.
Rod
"rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>
>In the audio window, select "export audio object as" rinse and repeat.
>"Tom Bruhl" <arpegio@comcast.net> wrote:
>>
>>
>>I have a jazz session coming up and the producer wants to
>>mix on Cubase at his place if my two mix isn't all there. We are=20
>>recording all tracks live here to Paris multitrack. We'll be at 24 bit=20
>>and don't expect overdubs. I think all tracks will automatically line
=
>>up right?
>>
>>What do you use to convert 24bit .pafs to 24bit .wavs for Cubase 3.0?
>>Thanks for your suggestions as always!
>>Tom
>>
>>
>>
>>I choose Polesoft Lockspam to fight spam, and you?
>>http://www.polesoft.com/refer.html
>>
>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>><HTML><HEAD>
>><META http-equiv=3DContent-Type content=3D"text/html; =
>>charset=3Diso-8859-1">
>><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
>><STYLE></STYLE>
>></HEAD>
>><BODY bgColor=3D#ffffff>
>><DIV><FONT face=3DArial size=3D2>I have a jazz session coming up and the
>=
>>producer=20
>>wants to</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my two =
>>mix isn't all=20
>>there. We are </FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>recording all tracks live </FONT><FONT
>=
>>face=3DArial=20
>>size=3D2>here to Paris multitrack. We'll be at 24 bit =
>></FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
>>face=3DArial=20
>>size=3D2>overdubs. I think all tracks will automatically line up=20
>>right?</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>><DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit .pafs
>=
>>to 24bit=20
>>.wavs for Cubase 3.0?</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as =
>>always!</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
>>and=20
>>you?<BR><A=20
>>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>>.html</A> </FONT></DIV></BODY></HTML>
>>
>>
>This is a multi-part message in MIME format.
------=_NextPart_000_0015_01C6B691.8B6B0E40
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Can you not just select to record the project files as wav? I'm pretty =
sure I've done this before.=20
-Carl=20
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:44d173db@linux...
I have a jazz session coming up and the producer wants to
mix on Cubase at his place if my two mix isn't all there. We are=20
recording all tracks live here to Paris multitrack. We'll be at 24 =
bit=20
and don't expect overdubs. I think all tracks will automatically line =
up right?
What do you use to convert 24bit .pafs to 24bit .wavs for Cubase 3.0?
Thanks for your suggestions as always!
Tom
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_0015_01C6B691.8B6B0E40
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Can you not just select to record the =
project files=20
as wav? I'm pretty sure I've done this before. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>-Carl </FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:44d173db@linux">news:44d173db@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I have a jazz session coming up and =
the producer=20
wants to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my two =
mix isn't=20
all there. We are </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>recording all tracks live =
</FONT><FONT face=3DArial=20
size=3D2>here to Paris multitrack. We'll be at 24 bit =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
face=3DArial=20
size=3D2>overdubs. I think all tracks will automatically line up =
right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit =
..pafs to 24bit=20
.wavs for Cubase 3.0?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as=20
always!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BLOCKQUOTE ></BODY></HTML>
------=_NextPart_000_0015_01C6B691.8B6B0E40--This is a multi-part message in MIME format.
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Thanks Rod,
I select all files and do that while still in 24 bit mode right?
Do I need to rename or anything else ? Probably set a new
record path to help isolate the files.=20
If all are recorded in one pass then no rendering should be needed =
right?
When in Cubase what type of wavs are these? Single monos right?
Are they considered broadcast wavs in Cubase?
Tom
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message =
news:44d182c5$1@linux...
I actualy have a macro that does each file for me. I hit 1 button, and =
go
get a drink.
Rod
"rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>
>In the audio window, select "export audio object as" rinse and =
repeat.=20
>"Tom Bruhl" <arpegio@comcast.net> wrote:
>>
>>
>>I have a jazz session coming up and the producer wants to
>>mix on Cubase at his place if my two mix isn't all there. We =
are=3D20
>>recording all tracks live here to Paris multitrack. We'll be at 24 =
bit=3D20
>>and don't expect overdubs. I think all tracks will automatically =
line
=3D
>>up right?
>>
>>What do you use to convert 24bit .pafs to 24bit .wavs for Cubase =
3.0?
>>Thanks for your suggestions as always!
>>Tom
>>
>>
>>
>>I choose Polesoft Lockspam to fight spam, and you?
>>http://www.polesoft.com/refer.html =20
>>
>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>><HTML><HEAD>
>><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
>>charset=3D3Diso-8859-1">
>><META content=3D3D"MSHTML 6.00.2800.1400" name=3D3DGENERATOR>
>><STYLE></STYLE>
>></HEAD>
>><BODY bgColor=3D3D#ffffff>
>><DIV><FONT face=3D3DArial size=3D3D2>I have a jazz session coming up =
and the
>=3D
>>producer=3D20
>>wants to</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>mix on Cubase at his place if =
my two =3D
>>mix isn't all=3D20
>>there. We are </FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>recording all tracks live =
</FONT><FONT
>=3D
>>face=3D3DArial=3D20
>>size=3D3D2>here to Paris multitrack. We'll be at 24 bit =3D
>></FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>and don't expect </FONT><FONT =
=3D
>>face=3D3DArial=3D20
>>size=3D3D2>overdubs. I think all tracks will automatically line =
up=3D20
>>right?</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>What do you use to convert =
24bit .pafs
>=3D
>>to 24bit=3D20
>>.wavs for Cubase 3.0?</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>Thanks for your suggestions as =
=3D
>>always!</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
>><DIV><FONT size=3D3D2><BR><BR>I choose Polesoft Lockspam to fight =
spam, =3D
>>and=3D20
>>you?<BR><A=3D20
=
>>href=3D3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/r=
efer=3D
>>.html</A> </FONT></DIV></BODY></HTML>
>>
>>
>
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Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks Rod,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I select all files and do that while =
still in 24=20
bit mode right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Do I need to rename or anything =
else ? =20
Probably set a new</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>record path to help isolate the=20
files.</FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>If all are recorded in one pass then no =
rendering=20
should be needed right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>When in Cubase what type of wavs are =
these? =20
Single monos right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Are they considered broadcast wavs in=20
Cubase?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Rod Lincoln" <<A=20
=
href=3D"mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A>&g=
t;=20
wrote in message <A=20
href=3D"news:44d182c5$1@linux">news:44d182c5$1@linux</A>...</DIV><BR>I =
actualy=20
have a macro that does each file for me. I hit 1 button, and go<BR>get =
a=20
drink.<BR>Rod<BR>"rod Lincoln" <<A=20
=
href=3D"mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A>&g=
t;=20
wrote:<BR>><BR>>In the audio window, select "export audio object =
as"=20
rinse and repeat. <BR>>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
wrote:<BR>>><BR>>><BR>>>I have a jazz session coming =
up and=20
the producer wants to<BR>>>mix on Cubase at his place if my two =
mix=20
isn't all there. We are=3D20<BR>>>recording all tracks =
live here to=20
Paris multitrack. We'll be at 24 bit=3D20<BR>>>and don't =
expect=20
overdubs. I think all tracks will automatically =
line<BR>=3D<BR>>>up=20
right?<BR>>><BR>>>What do you use to convert 24bit .pafs =
to 24bit=20
.wavs for Cubase 3.0?<BR>>>Thanks for your suggestions as=20
=
always!<BR>>>Tom<BR>>><BR>>> <BR>>><BR>>>I =
choose=20
Polesoft Lockspam to fight spam, and=20
you?<BR>>>http://www.polesoft.com/refer.html =20
<BR>>><BR>>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
=
Transitional//EN"><BR>>><HTML><HEAD> <BR>>><=
META=20
http-equiv=3D3DContent-Type content=3D3D"text/html;=20
=3D<BR>>>charset=3D3Diso-8859-1"><BR >>><META =
content=3D3D"MSHTML=20
6.00.2800.1400"=20
=
name=3D3DGENERATOR><BR>>><STYLE></STYLE> <BR>>>=
</HEAD><BR>>><BODY=20
bgColor=3D3D#ffffff><BR>>><DIV><FONT face=3D3DArial=20
size=3D3D2>I have a jazz session coming up and=20
the<BR>>=3D<BR>>>producer=3D20<BR>>>wants=20
to</FONT></DIV><BR>>><DIV><FONT =
face=3D3DArial=20
size=3D3D2>mix on Cubase at his place if my two =3D<BR>>>mix =
isn't=20
all=3D20<BR>>>th
|
|
|
|
| Re: OT - Environmental - This could be the answer to a lot of BIG [message #69279 is a reply to message #69270] |
Tue, 13 June 2006 07:33 |
Jamie K
Messages: 1115
Registered: July 2006
|
Senior Member |
|
|
arts per million
> >> > comes
> >> > to
> >> > mind though I'm not sure how that would apply to a clock signal), but
> >> > it
> >> > has
> >> > to do with the internal clock accuracy-the Lucid GENx192 has internal
> >> > clock
> >> > accuracy: ± 25 ppm according to it's spec sheet.
> >> >
> >> > http://www.sweetwater.com/store/detail/GENx192/
> >> >
> >> > The Rosendahl Nanosync specs are :
> >> > temperature compensated VCXO; +/- 0.5 ppm @ ambient temperature 15 -
30
> >> > Celsius
> >> >
> >> > http://www.rosendahl-studiotechnik.de/nanosyncs.html
> >> >
> >> > This Rosendahl unit is a more expensive WC.than the Lucid.
> >> >
> >> > I'm using a Lucid GENX6 in my studio which probably has about the
same
> >> > specs
> >> > as the GENX192 and it's a step up from the Paris clock to be sure.
> >> >
> >> > Since less is probably a good thing, I'd say that the ± 10 ppm would
be
> >> > better than the ± 25 ppm (Lucid) , at least on paper. Now whether an
> >> > $80.00
> >> > Hosa WC is *really* superior in accuracy to a $700.00 Lucid WC is
> > another
> >> > question altogether but then again, the HOSA unit is very basic...no
> >> > frills.
> >> > .
> >> > I'd say that if you're hearing a positive difference, don't sweat it.
> >> > After
> >> > all, we all know that a $1000.00 Paris rig sounds better than a
> > $40,000.00
> >> > PTHD rig so there are a few nice surprises out there still.
> >> >
> >> > If it sounds right, it "is" right.
> >> >
> >> > ;o)
> >> >
> >> > Deej
> >> >
> >> >
> >> >
> >> >
> >> >
> >> > a "Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote in message
> >> > news:44cff599$1@linux...
> >> >> That's the spec for the Hosa wdc-427.
> >> >>
> >> >> thanks,
> >> >> -Carl
> >> >>
> >> >>
> >> >
> >> >
> >>
> >>
> >
> >
>
>oh hell tony the original put me out of business mac is dead this is
the new core duo that replaced it. until this latest event it's
actually been pretty decent. i intentionally bought a refurb figuring
that it should work so i don't have a clue as to what' happened. i've
read that there has been an increase in the number of logic board
failures and if it loses it's mind again i'm going to take it in for
testing.
On Wed, 2 Aug 2006 11:31:10 -0500, "Tony Benson"
<tony@standinghampton.com> wrote:
>Rick,
>
>Did you piss off a Voodoo Priestess at some point? I think you may be
>cursed. ;>) Seriously, in the nearly 20 years I've been using Macs, I
>haven't had even a fraction of the troubles you've had with that one
>machine. If I could afford to do so, I'd send you out one of my (perfectly
>normal working) Macs, and let you use it for a while. If my hypothesis is
>correct, it should crash right after you turn it on. ;>)
>
>What does loosing half the OS even mean??? Really, I'm curious as to how
>that could happen. What were the symptoms, errors, etc.?
>
>Tony
>
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:rq4uc2tv62t01ioqva29ebj65l2iu87ud6@4ax.com...
>>
>> "maybe if I turned the Mac on as well.."
>> unfortunately that doesn't always work either.
>>
>> ;o)...i'm still trying to figure out why/how half the OS disappeared
>> the other day...
>>
>> On Mon, 31 Jul 2006 17:49:25 -0500, Paul Braun
>> <cygnus_nospam@ctgonline.org> wrote:
>>
>>>On Mon, 31 Jul 2006 16:43:10 -0400, "Don Nafe" <dnafe@magma.ca> wrote:
>>>
>>>>Turn your amp on
>>>>
>>>>Sorry had to
>>>>
>>>Thanks! Well, that, plus maybe if I turned the Mac on as well...
>>>
>>>;-P
>>
>so now you know why the shovel sits just inside the door...;o)
On 3 Aug 2006 02:44:37 +1000, "john" <no@no.com> wrote:
>
>hey, i was drunk that night !!!
>
>rick <parnell68@hotmail.com> wrote:
>>my studio is 300' in front of my house and in the past 9 years i have
>>not had a single problem with the people coming here. i wish i had
>>the money when i built the place to add a bathroom out there but the
>>extra 20 g's was just too much. the house also closes at 9 pm. for
>>the potty trail. plus i've had to put signs up to wipe feet or take
>>off shoes when entering the house as most are not smart enough to do
>>so on their own if it's been raining or snowing.
>>
>>
>>
>>On 2 Aug 2006 22:11:13 +1000, "Anonymous" <Anonymous@your.domain>
>>wrote:
>>
>>>
>>>I frequent this newsgroup , but would like to remain anonymous
>>>for this question for my own reasons.
>>>
>>> An interesting conversation arose last night at home.
>>>My girlfriend of 2 years (whom I am considering marrying) expressed her
>objection
>>>to having my studio in the house or
>>>even as a seperate building next to the house that we may
>>>share in the future. Her concern is bringing strangers to
>>>our house. She feels that is "asking for trouble".
>>>Writing, recording and playing music is my passion and
>>>an emotional release for me. I can't imagine not having it
>>>further than arms length away from me. It also is not feasable
>>>to rent a studio space when I don't intend on doing it full
>>>time as a business. Any advise would be greatly appreciated.
>>>I posted here because I figured this would be the one place
>>>where people would understand where I am coming from.
>>>I understand where she is coming from since she has a little
>>>daughter, but music is a huge part of who I am.
>>>I am torn.
>>>
>>>Thanks.
>>>
>>>
>>i think you could be standing right in front of "the thing that ate
deej's brain" for days and still miss something...in this case the you
i used means any bipedal creature that gets a woody over gear.
On 3 Aug 2006 11:08:30 +1000, "Neil" <OIUOIU@OIU.com> wrote:
>
>Deej, you shouldn't have to recable anything (OK, maybe I'm not
>thinking specficially about YOUR rig lol!). When you're doing
>Hi-Rez, just set your Cubase Project Setup menu to 96k (or
>whatever), and your Multiface software settings to "external"
>clock/sync; then when you're doing normal rez, set your Project
>Setup dropdown menu to 44.1k, and your Multiface software
>settings to "internal" clock/sync.
>
>Or have I missed something in your convoluted nightmare of an
>Eniac system? lol
>
>Neil
>
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>I may have to order one of these too. It's a real hassle to recable my
>>Cubase rig for Hi Rez recording. With this I could hook it up, set it to
>>96k, then keep it turned off while I'm using Paris, but if I don't want
>to
>>have Paris clocking the native DAW or need higher sample rates, I can keep
>>Paris turned off and just use the the little Hoser.
>>
>>;oD
>>
>>"Aaron Allen" <nospam@not_here.dude> wrote in message news:44d14071@linux...
>>> Nope, but I've ordered it.
>>> AA
>>>
>>>
>>> "rich" <studiodog_99@yahoo.com> wrote in message news:44d104c0$1@linux...
>>> >
>>> > Thanks for the info - $80 and it sounds better than the Paris clock
>-
>>> > outstanding!!
>>> > Anyone else have one yet?
>>> >
>>> > "Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote:
>>> >>That's the spec for the Hosa wdc-427.
>>> >>
>>> >>thanks,
>>> >>-Carl
>>> >>
>>> >>
>>> >
>>>
>>>
>>> I choose Polesoft Lockspam to fight spam, and you?
>>> http://www.polesoft.com/refer.html
>>>
>>>
>>
>>it's not truncated to 16 bit but just recorded at 16 bit.
On Thu, 3 Aug 2006 01:14:04 -0400, "Tom Bruhl" <arpegio@comcast.net>
wrote:
>Carl,
>I think they are truncated to 16 bit. Maybe I'm wrong?
>Tom
> "Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote in message news:44d1839f$1@linux...
> Can you not just select to record the project files as wav? I'm pretty sure I've done this before.
>
> -Carl
> "Tom Bruhl" <arpegio@comcast.net> wrote in message news:44d173db@linux...
> I have a jazz session coming up and the producer wants to
> mix on Cubase at his place if my two mix isn't all there. We are
> recording all tracks live here to Paris multitrack. We'll be at 24 bit
> and don't expect overdubs. I think all tracks will automatically line up right?
>
> What do you use to convert 24bit .pafs to 24bit .wavs for Cubase 3.0?
> Thanks for your suggestions as always!
> Tom
>
>
>
> I choose Polesoft Lockspam to fight spam, and you?
> http://www.polesoft.com/refer.htmljust when my natural color (pasty white) was returning i'm now a new
shade of green...but congrats anyway.
On 3 Aug 2006 10:19:03 +1000, "John Macy" <spamlessjohn@johnmacy.com>
wrote:
>
>Richie Furay, founder of Buffalo Springfield and Poco
>has released his first secular CD in many, many years
>called "Heartbeat of Love". It features a stellar band
>of studio players from Nashville, and has lots of guests
>including Neil Young, Stephen Stills, Timothy B. Schmitt,
>Kenny Loggins, Paul Cotton, Rusty Young, Jim Horn and others.
>
>I had the honor of recording, mixing and co-producing the
>record. It was tracked at Quad Studios in Nashville (where
>"Harvest" and many other classic records were done) into
>ProTools, but all of the overdubs and the mix were done in
>Paris here in Colorado.
>
>If you are a fan of classic Southern Cal country rock, you'll
>like this one. It is currently available at Richie's website,
>along with a just released autobiography, at:
>
>www.richiefuray.com
>
>:)
>well that sure helps explain the other day when a band here was
getting frantic over a "missing" member and were ready to dial 911
when it was suggested to them that maybe they should check the amp
room first and see if the guy sitting on the floor playing guitar with
the headphones on was him... these are also the same guys that when
one puts a drink down on the floor it's almost a race to see who will
be first to walk by and kick it over.
On 3 Aug 2006 13:30:46 +1000, "Rod Lincoln"
<rlincoln@nospam.kc.rr.com> wrote:
>
>I played one set in a Biker Bar when I was about 19, called "The Brass Rail"
>(every one I knew caled it the "Brass Knuckle") when the "gang" showed up,
>one of the guys asked if he and his friends could play our instruments. Our
>singer said something to the effect of "No, we came too far and are getting
>paid too little to put up with this". After that, it was kind of a blur,
>and all I can remember was the club owner walking up to the band...right
>then, paying us for the night, and telling us to leave...immediatly....please.
>
>No kidding.
>
>Rod.........who is still alive.
>
>ahh....the memories
>"Aaron Allen" <nospam@not_here.dude> wrote:
>>I'm afraid I have a similar story.... only it was my guitar player to a
>big
>>hairy ugly biker in a biker bar. ......
>><shudders>
>>
>>His line.. "ok.. here's your free bird, pal {flip}"
>>it was funny however to watch the rest of the band on stage split like the
>
>>red sea from this particular gtr player and the crowd make the *oooooo*
>
>>sound, followed by cricket noises.
>>
>>AA
>>
>>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>>news:44d10097$1@linux...
>>>
>>> I once responded to that request by flipping the drunk parton "the bird"
>
>>> and
>>> yelling "HERE, NO CHARGE"
>>> She got so pissed we finally had to play it to shut her up.
>>> Rod
>>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>>.......and it's so funny to watch a drunks play air guitar to the triple
>>>>leads at the end. I actually saw one guy become so frenetic that he
>>>>exhausted himself and passed out.
>>>>
>>>>"Aaron Allen" <nospam@not_here.dude> wrote in message
>>>>news:44d0a289$1@linux...
>>>>> http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:9glvadzk e8w3
>>>>>
>>>>> it's a 9 minute redneck odyssey.
>>>>> For a band here in the states, it's the reason you carry lollipops to
>>> a
>>>>show
>>>>> :)
>>>>>
>>>>> AA
>>>>>
>>>>>
>>>>> "Kim" <hiddensounds@hotmail.com> wrote in message
>>>>> news:44d099a2$1@linux...
>>>>> >
>>>>> >
>>>>> > Freebird? Don't know that one...
>>>>> >
>>>>> > ...cover band generally do Tainted Love and Jessie's Girl to death
>
>>>>> > down
>>>>> > here though also... ...at least mine did. ;o)
>>>>> >
>>>>> > Cheers,
>>>>> > Kim.
>>>>> >
>>>>> > "Aaron Allen" <nospam@not_here.dude> wrote:
>>>>> >>Keep a bag of lollipops to bounce from the skulls of those that shout
>>>>> >>Freebird, Tainted Love or Jessie's Girl at you.
>>>>> >>
>>>>> >>AA
>>>>> >>
>>>>> >>
>>>>> >>"Dubya Mark Wilson" <mark.xspam@avidrecording.com> wrote in message
>>>>> >>news:44cf3109@linux...
>>>>> >>> W.
>>>>> >>>
>>>>> >>> Off to Sri Lanka in a few hours. Spicey gig at the Columbo Holiday
>>>>Inn.
>>>>> >>>
>>>>> >>
>>>>> >>
>>>>> >>I choose Polesoft Lockspam to fight spam, and you?
>>>>> >>http://www.polesoft.com/refer.html
>>>>> >>
>>>>> >>
>>>>> >
>>>>>
>>>>>
>>>>
>>>>
>>>
>>
>>Congratulations !!
Dimitrios
"John Macy" <spamlessjohn@johnmacy.com> wrote:
>
>Richie Furay, founder of Buffalo Springfield and Poco
>has released his first secular CD in many, many years
>called "Heartbeat of Love". It features a stellar band
>of studio players from Nashville, and has lots of guests
>including Neil Young, Stephen Stills, Timothy B. Schmitt,
>Kenny Loggins, Paul Cotton, Rusty Young, Jim Horn and others.
>
>I had the honor of recording, mixing and co-producing the
>record. It was tracked at Quad Studios in Nashville (where
>"Harvest" and many other classic records were done) into
>ProTools, but all of the overdubs and the mix were done in
>Paris here in Colorado.
>
>If you are a fan of classic Southern Cal country rock, you'll
>like this one. It is currently available at Richie's website,
>along with a just released autobiography, at:
>
>www.richiefuray.com
>
>:)
>
>But when you export from audio bin as objects how can Cubase know where are
the starting and ending points of these wavefiles ??
I think the only way (please correct me if I am wrong) is to render all files
as to all have the same starting point so they can be loaded in Cubase...
Regards,
DImitrios
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>I have a jazz session coming up and the producer wants to
>mix on Cubase at his place if my two mix isn't all there. We are=20
>recording all tracks live here to Paris multitrack. We'll be at 24 bit=20
>and don't expect overdubs. I think all tracks will automatically line =
>up right?
>
>What do you use to convert 24bit .pafs to 24bit .wavs for Cubase 3.0?
>Thanks for your suggestions as always!
>Tom
>
>
>
>I choose Polesoft Lockspam to fight spam, and you?
>http://www.polesoft.com/refer.html
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>I have a jazz session coming up and the
=
>producer=20
>wants to</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my two =
>mix isn't all=20
>there. We are </FONT></DIV>
><DIV><FONT face=3DArial size=3D2>recording all tracks live </FONT><FONT
=
>face=3DArial=20
>size=3D2>here to Paris multitrack. We'll be at 24 bit =
></FONT></DIV>
><DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
>face=3DArial=20
>size=3D2>overdubs. I think all tracks will automatically line up=20
>right?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit .pafs
=
>to 24bit=20
>.wavs for Cubase 3.0?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as =
>always!</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
>and=20
>you?<BR><A=20
>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>.html</A> </FONT></DIV></BODY></HTML>
>
>Hi,
It would be great to share all these nice macro templates like the one that
extracts all audio to wavefiles etc...
Regards,
DimitriosMy apologies Carl, we were obviously, (looking back at the original post),
talking about 2 different animals.
--
Martin Harrington
www.lendanear-sound.com
"Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote in message
news:44d1b48e$1@linux...
> Heya Martin - I'm sure that PPM "metering" is exactly what you are talking
> about. Apples and oranges here perhaps? The quartz crystal (what drive the
> phase locked loop (pll) circuits in these word clocks) specs I was looking
> to define are listed as this......
>
> Quartz Crystal Application Notes
> Definition of Terms
>
> Nominal frequency: The specified center frequency of the crystal. Unit of
> frequency is Hertz (Hz). Quartz crystals are specified in kHz or MHz.
>
> Frequency tolerance: The maximum allowable frequency deviation from a
> specified nominal frequency at ambient room temperature (25°C + 3°C).
> Frequency tolerance is expressed in percent (%) or parts per millions
> (ppm).
>
>
>
> "Martin Harrington" <lendan@bigpond.net.au> wrote in message
> news:44d1aac9$1@linux...
>> With all due respect, Carl, on all modern recording systems, PPM metering
> is
>> peak programme.
>> --
>> Martin Harrington
>> www.lendanear-sound.com
>>
>> "Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote in message
>> news:44d105c0$1@linux...
>> > Ok, after a little research - DJ's guess is correct. ppm stands for
> "parts
>> > per million", and is a measurement of oscillation - the amplitude or
>> > amplitude variance.
>> >
>> > -Carl
>> >
>> > "Martin Harrington" <lendan@bigpond.net.au> wrote in message
>> > news:44d06029@linux...
>> >> PPM = Peak Programme Meter.
>> >> --
>> >> Martin Harrington
>> >> www.lendanear-sound.com
>> >>
>> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>> >> news:44d00c3c@linux...
>> >> > I'm not sure what the "ppm" stands for, exactly (parts per million
>> >> > comes
>> >> > to
>> >> > mind though I'm not sure how that would apply to a clock signal),
>> >> > but
>> >> > it
>> >> > has
>> >> > to do with the internal clock accuracy-the Lucid GENx192 has
>> >> > internal
>> >> > clock
>> >> > accuracy: ± 25 ppm according to it's spec sheet.
>> >> >
>> >> > http://www.sweetwater.com/store/detail/GENx192/
>> >> >
>> >> > The Rosendahl Nanosync specs are :
>> >> > temperature compensated VCXO; +/- 0.5 ppm @ ambient temperature 15 -
> 30
>> >> > Celsius
>> >> >
>> >> > http://www.rosendahl-studiotechnik.de/nanosyncs.html
>> >> >
>> >> > This Rosendahl unit is a more expensive WC.than the Lucid.
>> >> >
>> >> > I'm using a Lucid GENX6 in my studio which probably has about the
> same
>> >> > specs
>> >> > as the GENX192 and it's a step up from the Paris clock to be sure.
>> >> >
>> >> > Since less is probably a good thing, I'd say that the ± 10 ppm would
> be
>> >> > better than the ± 25 ppm (Lucid) , at least on paper. Now whether an
>> >> > $80.00
>> >> > Hosa WC is *really* superior in accuracy to a $700.00 Lucid WC is
>> > another
>> >> > question altogether but then again, the HOSA unit is very basic...no
>> >> > frills.
>> >> > .
>> >> > I'd say that if you're hearing a positive difference, don't sweat
>> >> > it.
>> >> > After
>> >> > all, we all know that a $1000.00 Paris rig sounds better than a
>> > $40,000.00
>> >> > PTHD rig so there are a few nice surprises out there still.
>> >> >
>> >> > If it sounds right, it "is" right.
>> >> >
>> >> > ;o)
>> >> >
>> >> > Deej
>> >> >
>> >> >
>> >> >
>> >> >
>> >> >
>> >> > a "Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote in message
>> >> > news:44cff599$1@linux...
>> >> >> That's the spec for the Hosa wdc-427.
>> >> >>
>> >> >> thanks,
>> >> >> -Carl
>> >> >>
>> >> >>
>> >> >
>> >> >
>> >>
>> >>
>> >
>> >
>>
>>
>
>This is a multi-part message in MIME format.
------=_NextPart_000_005A_01C6B6D4.CB08C770
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
render and export as....I th
|
|
|
|
| Re: OT - Environmental - This could be the answer to a lot of BIG [message #69281 is a reply to message #69279] |
Tue, 13 June 2006 07:49 |
Deej [1]
Messages: 2149
Registered: January 2006
|
Senior Member |
|
|
r />
the producer=20
wants to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my two =
mix isn't=20
all there. We are </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>recording all tracks live =
</FONT><FONT face=3DArial=20
size=3D2>here to Paris multitrack. We'll be at 24 bit =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
face=3DArial=20
size=3D2>overdubs. I think all tracks will automatically line up =
right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit =
..pafs to 24bit=20
.wavs for Cubase 3.0?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as=20
always!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BLOCKQUOTE ></BODY></HTML>
------=_NextPart_000_005A_01C6B6D4.CB08C770--Good on ya, John!
Neil
"John Macy" <spamlessjohn@johnmacy.com> wrote:
>
>Richie Furay, founder of Buffalo Springfield and Poco
>has released his first secular CD in many, many years
>called "Heartbeat of Love". It features a stellar band
>of studio players from Nashville, and has lots of guests
>including Neil Young, Stephen Stills, Timothy B. Schmitt,
>Kenny Loggins, Paul Cotton, Rusty Young, Jim Horn and others.
>
>I had the honor of recording, mixing and co-producing the
>record. It was tracked at Quad Studios in Nashville (where
>"Harvest" and many other classic records were done) into
>ProTools, but all of the overdubs and the mix were done in
>Paris here in Colorado.
>
>If you are a fan of classic Southern Cal country rock, you'll
>like this one. It is currently available at Richie's website,
>along with a just released autobiography, at:
>
>www.richiefuray.com
>
>:)
>
>Setting Paris to record as waves only works if your at 16 bit.
To export 24 bit waves. First render all files. I'd do this even if everything
was recorded in one piece. Make sure all jails are empty, etc, and only used
files are on the playing field. Set a new record path to a folder caled ("song
name)Waves" Open the audio window, and select unused, do a control B(NOT
control shift B)to clear out unused files. Do a save as under another name,
like "(song name)wave export". Still being the audio window, do a select
all, then lock files, then select locked. Then do a control E (export audio
objects)and as each file pops up, select wave for the file type (you can
rename it but you don't have to). That's it. The PAF to wave converter probably
works also, but since I have the above steps on a macro, it's just as fast,
so I've never used it.
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Thanks Rod,
>I select all files and do that while still in 24 bit mode right?
>Do I need to rename or anything else ? Probably set a new
>record path to help isolate the files.=20
>
>If all are recorded in one pass then no rendering should be needed =
>right?
>
>When in Cubase what type of wavs are these? Single monos right?
>Are they considered broadcast wavs in Cubase?
>Tom
>
> "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message =
>news:44d182c5$1@linux...
>
> I actualy have a macro that does each file for me. I hit 1 button, and
=
>go
> get a drink.
> Rod
> "rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
> >
> >In the audio window, select "export audio object as" rinse and =
>repeat.=20
> >"Tom Bruhl" <arpegio@comcast.net> wrote:
> >>
> >>
> >>I have a jazz session coming up and the producer wants to
> >>mix on Cubase at his place if my two mix isn't all there. We =
>are=3D20
> >>recording all tracks live here to Paris multitrack. We'll be at 24
=
>bit=3D20
> >>and don't expect overdubs. I think all tracks will automatically =
>line
> =3D
> >>up right?
> >>
> >>What do you use to convert 24bit .pafs to 24bit .wavs for Cubase =
>3.0?
> >>Thanks for your suggestions as always!
> >>Tom
> >>
> >>
> >>
> >>I choose Polesoft Lockspam to fight spam, and you?
> >>http://www.polesoft.com/refer.html =20
> >>
> >><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> >><HTML><HEAD>
> >><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
> >>charset=3D3Diso-8859-1">
> >><META content=3D3D"MSHTML 6.00.2800.1400" name=3D3DGENERATOR>
> >><STYLE></STYLE>
> >></HEAD>
> >><BODY bgColor=3D3D#ffffff>
> >><DIV><FONT face=3D3DArial size=3D3D2>I have a jazz session coming up
=
>and the
> >=3D
> >>producer=3D20
> >>wants to</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>mix on Cubase at his place if =
>my two =3D
> >>mix isn't all=3D20
> >>there. We are </FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>recording all tracks live =
></FONT><FONT
> >=3D
> >>face=3D3DArial=3D20
> >>size=3D3D2>here to Paris multitrack. We'll be at 24 bit =3D
> >></FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>and don't expect </FONT><FONT =
>=3D
> >>face=3D3DArial=3D20
> >>size=3D3D2>overdubs. I think all tracks will automatically line =
>up=3D20
> >>right?</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>What do you use to convert =
>24bit .pafs
> >=3D
> >>to 24bit=3D20
> >>.wavs for Cubase 3.0?</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>Thanks for your suggestions as
=
>=3D
> >>always!</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> >><DIV><FONT size=3D3D2><BR><BR>I choose Polesoft Lockspam to fight =
>spam, =3D
> >>and=3D20
> >>you?<BR><A=3D20
> =
>>>href=3D3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/r=
>efer=3D
> >>.html</A> </FONT></DIV></BODY></HTML>
> >>
> >>
> >
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Thanks Rod,</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>I select all files and do that while =
>still in 24=20
>bit mode right?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Do I need to rename or anything =
>else ? =20
>Probably set a new</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>record path to help isolate the=20
>files.</FONT> </DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>If all are recorded in one pass then no
=
>rendering=20
>should be needed right?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>When in Cubase what type of wavs are =
>these? =20
>Single monos right?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Are they considered broadcast wavs in=20
>Cubase?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Rod Lincoln" <<A=20
> =
>href=3D"mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A>&g=
>t;=20
> wrote in message <A=20
> href=3D"news:44d182c5$1@linux">news:44d182c5$1@linux</A>...</DIV><BR>I
=
>actualy=20
> have a macro that does each file for me. I hit 1 button, and go<BR>get
=
>a=20
> drink.<BR>Rod<BR>"rod Lincoln" <<A=20
> =
>href=3D"mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A>&g=
>t;=20
> wrote:<BR>><BR>>In the audio window, select "export audio object =
>as"=20
> rinse and repeat. <BR>>"Tom Bruhl" <<A=20
> href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
> wrote:<BR>>><BR>>><BR>>>I have a jazz session coming =
>up and=20
> the producer wants to<BR>>>mix on Cubase at his place if my two =
>mix=20
> isn't all there. We are=3D20<BR>>>recording all tracks =
>live here to=20
> Paris multitrack. We'll be at 24 bit=3D20<BR>>>and don't =
>expect=20
> overdubs. I think all tracks will automatically =
>line<BR>=3D<BR>>>up=20
> right?<BR>>><BR>>>What do you use to convert 24bit .pafs =
>to 24bit=20
> .wavs for Cubase 3.0?<BR>>>Thanks for your suggestions as=20
> =
>always!<BR>>>Tom<BR>>><BR>>><BR>>><BR>>>I =
>choose=20
> Polesoft Lockspam to fight spam, and=20
> you?<BR>>>http://www.polesoft.com/refer.html =20
> <BR>>><BR>>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
>
> =
>Transitional//EN"><BR>>><HTML><HEAD><BR>>><=
>META=20
> http-equiv=3D3DContent-Type content=3D3D"text/html;=20
> =3D<BR>>>charset=3D3Diso-8859-1"><BR>>><META =
>content=3D3D"MSHTML=20
> 6.00.2800.1400"=20
> =
>name=3D3DGENERATOR><BR>>><STYLE></STYLE><BR>>>=
></HEAD><BR>>><BODY=20
> bgColor=3D3D#ffffff><BR>>><DIV><FONT face=3D3DArial=20
> size=3D3D2>I have a jazz session coming up and=20
> the<BR>>=3D<BR>>>producer=3D20<BR>>>wants=20
> to</FONT></DIV><BR>>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>mix on Cubase at his place if my two =3D<BR>>>mix =
>isn't=20
> all=3D20<BR>>>there. We are=20
> </FONT></DIV><BR>>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>recording all tracks live=20
> =
></FONT><FONT<BR>>=3D<BR>>>face=3D3DArial=3D20<BR>>&g=
>t;size=3D3D2>here=20
> to Paris multitrack. We'll be at 24 bit=20
> =
>=3D<BR>>></FONT></DIV><BR>>><DIV><FONT=20
> face=3D3DArial size=3D3D2>and don't expect </FONT><FONT=20
> =3D<BR>>>face=3D3DArial=3D20<BR>>>size=3D3D2>overdubs. =
>I think all=20
> tracks will automatically line=20
> =
>up=3D20<BR>>>right?</FONT></DIV><BR>>><DIV>=
><FONT=20
> face=3D3DArial size=3D3D2></FONT>=20
> </DIV><BR>>><DIV><FONT face=3D3DArial =
>size=3D3D2>What do=20
> you use to convert 24bit .pafs<BR>>=3D<BR>>>to=20
> 24bit=3D20<BR>>>.wavs for Cubase=20
> 3.0?</FONT></DIV><BR>>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>Thanks for your suggestions as=20
> =
>=3D<BR>>>always!</FONT></DIV><BR>>><DIV><=
>;FONT=20
> face=3D3DArial=20
> =
>size=3D3D2>Tom</FONT></DIV><BR>>><DIV><FONT=
>=20
> face=3D3DArial size=3D3D2></FONT>=20
> </DIV><BR>>><DIV><FONT =
>size=3D3D2><BR><BR>I=20
> choose Polesoft Lockspam to fight spam,=20
> =
>=3D<BR>>>and=3D20<BR>>>you?<BR><A=3D20<BR>>>hr=
>ef=3D3D"<A=20
> =
>href=3D'http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>'>http://www.polesoft.com/refer.html">http://www.polesoft.com/refer</A=
>>=3D<BR>>>.html</A>=20
> =
></FONT></DIV></BODY></HTML><BR>>><BR>>&g=
>t;<BR>><BR></BLOCKQUOTE></BODY></HTML>
>
>I see it is a .bat file....how or where is it installed
thanks
Don> Another guy built a double deep garage From the front of the house it
> looks
> like a big two car garage. It's approximately 26 wide x 52 deep. The
> first
> 22' is garage and the rest is studio, about 26x 30 with separate
> entrances.
>
This is the way I'm setup, love it. I do mostly commercial and some of my
own stuff as well. Of course, things are pretty mellow around here, most
session wrap-up by 11 or 12:00PM. I have never had any big issues in 4 years
of operation. My wife does her thing (vet) and I do mine (biomed
tech/studio) and we meet in the middle for some family time, no surprises,
going on 14 years.
Good luck bro, straight up, no surprises, the only way to go.
http://www.studiomanitou.com/Construction/images/house.jpgDear Dr. Neil and Uncle Ricky,
1. 4 x MECs and a Mytek A/D converter are being clocked by a Lucid GenX6
2. The GenX6 is an old one that is limited to 48k
3. Using the Mytek as a master clock hasn't been as successful as I had
hoped with Paris, therefore it is slaved to the Lucid.
4. The MECs are clocking 3 x RME cards via ADAT sync.
5. Simultaneously hooking up a WC to the RME cards while they are synced to
Paris ADAT causes the system to crash hard.
6. The Three RME cards have 75 ohm terminator caps on the BNC clock outputs.
7. The three RME cards do not have terminators on the BNC clock inputs
8. In order to use the RME cards in standalone mode at 44.1, I have to have
the Paris DAW and MECs running and Paris booted.
9. Cubase cannot be run at over 48k unless it is using the RME clock
10. In order to use the RME clock, I would have to daisy chain the RME cards
which would mean disconnecting and reconnecting certain cables which would
have to be reconfigured after every session and this would require some
minimal effore on my part involving approsximately 5 bending and stretching
movements along with some possible rotational efforst involving the wrist,
not to mention the walk around the desk to the machine room.
11. If the Hosa clock was just hooked up to the the 3 x RME BNC inputs and
the Mytek converter BNC input, and tuned off, It would not be sending a
conflicting clock signal to the RME cards when they were being clocked from
the MECs and I wouldn't have to crawl around in my machine room and recable
a bunch of stuff.
12. If I wanted to record HiRez, I could just not boot the Paris DAW and
flip a switch to start the HOSA WC, the boot the Cubase DAW, make a couple
of chaznges to the settings in the HDSP control panel to change it from ADAT
sync to WC sync (an incredible hassle, but nothing is perfect, I guess) and
then I'b be good to go for 88.1 or 96k tracking to my Mytek A/D converter
and my Multiface.
..........and truly guys, I can't possibly imagine why you would ask such a
question at all when something like this is so obvious in the first place. I
mean, this is on page 1 of the DAW 101 workbook.........right?
;o)
"rick" <parnell68@hotmail.com> wrote in message
news:4pe3d2lkg9ag4ogni2p14hh9kbf7c3qidp@4ax.com...
> i think you could be standing right in front of "the thing that ate
> deej's brain" for days and still miss something...in this case the you
> i used means any bipedal creature that gets a woody over gear.
>
> On 3 Aug 2006 11:08:30 +1000, "Neil" <OIUOIU@OIU.com> wrote:
>
> >
> >Deej, you shouldn't have to recable anything (OK, maybe I'm not
> >thinking specficially about YOUR rig lol!). When you're doing
> >Hi-Rez, just set your Cubase Project Setup menu to 96k (or
> >whatever), and your Multiface software settings to "external"
> >clock/sync; then when you're doing normal rez, set your Project
> >Setup dropdown menu to 44.1k, and your Multiface software
> >settings to "internal" clock/sync.
> >
> >Or have I missed something in your convoluted nightmare of an
> >Eniac system? lol
> >
> >Neil
> >
> >
> >"DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >>I may have to order one of these too. It's a real hassle to recable my
> >>Cubase rig for Hi Rez recording. With this I could hook it up, set it to
> >>96k, then keep it turned off while I'm using Paris, but if I don't want
> >to
> >>have Paris clocking the native DAW or need higher sample rates, I can
keep
> >>Paris turned off and just use the the little Hoser.
> >>
> >>;oD
> >>
> >>"Aaron Allen" <nospam@not_here.dude> wrote in message
news:44d14071@linux...
> >>> Nope, but I've ordered it.
> >>> AA
> >>>
> >>>
> >>> "rich" <studiodog_99@yahoo.com> wrote in message
news:44d104c0$1@linux...
> >>> >
> >>> > Thanks for the info - $80 and it sounds better than the Paris clock
> >-
> >>> > outstanding!!
> >>> > Anyone else have one yet?
> >>> >
> >>> > "Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote:
> >>> >>That's the spec for the Hosa wdc-427.
> >>> >>
> >>> >>thanks,
> >>> >>-Carl
> >>> >>
> >>> >>
> >>> >
> >>>
> >>>
> >>> I choose Polesoft Lockspam to fight spam, and you?
> >>> http://www.polesoft.com/refer.html
> >>>
> >>>
> >>
> >>
>This is a multi-part message in MIME format.
------=_NextPart_000_0157_01C6B6DA.041EF020
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Tom,
If you've got Wavelab, just render the .paf's so that they all have a =
00:00 starting point, then batch process them as .wavs in WL. I do this =
over a gigabit LAN network with the destination set to the audio file of =
a corresponding Cubase project and then they are ready to import to the =
Cubase project when I open it up. Very smooth procedure.
Deej
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:44d173db@linux...
I have a jazz session coming up and the producer wants to
mix on Cubase at his place if my two mix isn't all there. We are=20
recording all tracks live here to Paris multitrack. We'll be at 24 =
bit=20
and don't expect overdubs. I think all tracks will automatically line =
up right?
What do you use to convert 24bit .pafs to 24bit .wavs for Cubase 3.0?
Thanks for your suggestions as always!
Tom
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_0157_01C6B6DA.041EF020
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Tom,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>If you've got Wavelab, just render the =
..paf's so=20
that they all have a 00:00 starting point, then batch process them as =
..wavs in=20
WL. I do this over a gigabit LAN network with the destination set to the =
audio=20
file of a corresponding Cubase project and then they are ready to import =
to the=20
Cubase project when I open it up. Very smooth procedure.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Deej</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:44d173db@linux">news:44d173db@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I have a jazz session coming up and =
the producer=20
wants to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my two =
mix isn't=20
all there. We are </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>recording all tracks live =
</FONT><FONT face=3DArial=20
size=3D2>here to Paris multitrack. We'll be at 24 bit =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
face=3DArial=20
size=3D2>overdubs. I think all tracks will automatically line up =
right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit =
..pafs to 24bit=20
.wavs for Cubase 3.0?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as=20
always!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BLOCKQUOTE ></BODY></HTML>
------=_NextPart_000_0157_01C6B6DA.041EF020--This is a multi-part message in MIME format.
------=_NextPart_000_001B_01C6B6ED.27915C60
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
DJ,
I have old Wavelab 3 and it only works with 16 bit pafs. It's also
in another computer. I don't think it will be my best option.
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44d20dac$1@linux...
Tom,
If you've got Wavelab, just render the .paf's so that they all have a =
00:00 starting point, then batch process them as .wavs in WL. I do this =
over a gigabit LAN network with the destination set to the audio file of =
a corresponding Cubase project and then they are ready to import to the =
Cubase project when I open it up. Very smooth procedure.
Deej
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:44d173db@linux...
I have a jazz session coming up and the producer wants to
mix on Cubase at his place if my two mix isn't all there. We are=20
recording all tracks live here to Paris multitrack. We'll be at 24 =
bit=20
and don't expect overdubs. I think all tracks will automatically =
line up right?
What do you use to convert 24bit .pafs to 24bit .wavs for Cubase =
3.0?
Thanks for your suggestions as always!
Tom
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_001B_01C6B6ED.27915C60
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>DJ,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have old Wavelab 3 and it only works =
with 16 bit=20
pafs. It's also</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>in another computer. I don't =
think it will be=20
my best option.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:44d20dac$1@linux">news:44d20dac$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Tom,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>If you've got Wavelab, just render =
the .paf's so=20
that they all have a 00:00 starting point, then batch process them as =
..wavs in=20
WL. I do this over a gigabit LAN network with the destination set to =
the audio=20
file of a corresponding Cubase project and then they are ready to =
import to=20
the Cubase project when I open it up. Very smooth =
procedure.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Deej</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:44d173db@linux">news:44d173db@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I have a jazz session coming up and =
the=20
producer wants to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my =
two mix isn't=20
all there. We are </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>recording all tracks live =
</FONT><FONT=20
face=3DArial size=3D2>here to Paris multitrack. We'll be at 24 =
bit=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
face=3DArial=20
size=3D2>overdubs. I think all tracks will automatically line =
up=20
right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit =
..pafs to 24bit=20
.wavs for Cubase 3.0?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as=20
always!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT size=3D2>&l
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