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some eats to start [message #69168]

Sun, 11 June 2006 03:55

rick

Messages: 1976
Registered: February 2006

Senior Member

st continually reinvent what =
we do=20
to remain fresh and appealing to our customers.
I believe that one of the first things =
that must be=20
done is to set the stage for our audiences. I recently had the pleasure =
of=20
seeing the Blue Man Group in Toronto. From the minute that I walked =
through the=20
door there was a total =91Blue Man experience=92. This approach must be =
considered=20
from the orchestras. I feel it is unacceptable and scruffy to be able to =
watch=20
the musicians wandering around on stage practicing the pieces they will =
be=20
performing while the audience is walking in. It doesn=92t happen at the =
Opera, the=20
Ballet or at the theatre. Even a bar or wedding Band doesn=92t spend the =

beginnings of their set practicing and warming up =96 how has it become =
acceptable=20
for an orchestra to do so? Players can arrive to warm up on stage but =
depart=20
once =93doors open=94 which I as a soloist need to do =96 it would be =
absurd to see=20
any soloist warming up on stage whilst the audience is being seated. =
Setting and=20
dressing the stage, presenting the performance appropriately and =
engagingly with=20
performers who appear happy to be there and welcoming to the audience =
are small=20
and totally inexpensive steps which will radically change the current =
orchestral=20
experience. 
To further expand on possibilities, the =
increasingly=20
affordable technological opportunities available to us all allows a =
degree of=20
audience participation and involvement which was previously unaffordable =
except=20
for special occasions. It is now possible to run a visual presentation =
during a=20
performance which expands the experience to the audience. Lighting and =
sound=20
which I have only briefly touched on so far are also options which =
greatly=20
enhance the experience yet are perceived as changing a 'Classical' =
performance=20
into a Pops show. The direct inference being that a Pops show is =
substandard =96=20
who has the audacity to suggest that to be true?
I am a performer now because at the age =
of 12 I saw=20
my school orchestra on stage during an assembly which whetted my =
interest in=20
percussion. I was encouraged by my Head-teacher, school  teachers, =
and=20
subject teacher to take the opportunity to participate in music-making. =
I was=20
lucky that this universal enthusiasm and vision was prevalent throughout =
the=20
whole school for all subjects. This was an unusual situation and is now=20
virtually unheard of after successive governments in the UK, America and =
other=20
countries have continued to cut back on funding for the Arts and for =
education=20
in the Arts. On the rare occasions when a younger audience is present we =
should=20
not be compounding the problem with aloof and distant performances. If =
the=20
performer is not excited by the prospect of their performance, how can =
our=20
audiences be expected to be excited. So, our question is: why should an =
audience=20
come to our concerts? 
Despite the classical orchestras being =
perhaps the=20
older of the Arts we have not learnt new tricks. The pop world, theatre, =
dance=20
and the graphic and written arts have all reinvented themselves and =
where=20
deserved, thrive. This is also known as evolution.
Is this old dog going to learn new tricks =
or should=20
it be taken to the Vet for that final, kind, last injection ? =

Every single time someone comes through =
the doors of=20
our venues it is the opportunity to plant a new seed, to inspire . =
Perhaps they=20
could become the next great performer, perhaps the inspired performance =
they see=20
will inspire still further and another great incarnation will occur. =
Perhaps=20
they will feel compelled to donate to the Arts or perhaps they may =
simply and=20
quietly buy a subscription ticket.
Please consider your actions, your =
inactions and=20
remember to ask, =93What can I do to make a difference =
today?=94
Evelyn Glennie OBE, June 2006 =
</DIV>
<DIV> I choose Polesoft Lockspam to fight spam, =
and=20
you? <A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A>   </DIV></BODY ></HTML>

------=_NextPart_000_0029_01C6B343.42464500--Hi DJ,
Samsung type ram will work fine such as OCZ, Super Talent, Corsair ,
etc. I would get cl2

You mean the interrupt affinity one?

Chris

DJ wrote:
> Chris,
>
> What's be best reccommended RAM for the K8NS-Ultra 939? I'm thinking of
> buying a couple of 1G RAM sticks and putting this to use somehow. I may even
> try that AMD patch to see if I can get a dual core CPU to work with Paris.
>
> Thanks,
>
> DJ
>
>
> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
> news:44cb809d$1@linux...
>
>>Hi,
>> Is this the Paris machine?
>>If so then good luck.
>>
>>Personally I would try to find a Gigabyte K8NS-Ultra 939 motherboard
>>with a single core AMD Athlon 3800 cpu.
>>
>>If this isn't for the Paris box then a Intel Core 2 based motherboard
>>and CPU will be the fastest thing going.
>>
>>
>>Chris
>>
>>
>>Uptown Jimmy wrote:
>>
>>>The best computer techs in Athens gave me bad news: my motherboard is
>
> fried,
>
>>>and everything else as well, probably.
>>>
>>>The guy recommended an Intel board/chip combo. Anybody bought a new
>
> motherboard/chip/RAM
>
>>>combo recently?
>>>
>>>I'm gonna miss my Northwood P4/RDRAM combo.
>>>
>>>BTW, he told me that the RAM is highly valuable on Ebay, that is if it
>
> isn't
>
>>>fried, too.....
>>>
>>>BTW, thanks for everybody's help. I fear the day our little group is
>
> gone.
>
>>>Jimmy
>>
>>--
>>Chris Ludwig
>>ADK
>>chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>www.adkproaudio.com <http://www.adkproaudio.com/>
>>(859) 635-5762
>
>
>

--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762> You mean the interrupt affinity one?

Not sure what you mean here, but thanks for the advice. If there is some
kind of RAM that affects interrupts, it's news to me. Looks like the Samsung
RAM is going pretty cheap these days.

Deej

"Chris Ludwig" <

Report message to a moderator

Re: some eats to start [message #69171 is a reply to message #69168]

Sun, 11 June 2006 08:32

Bill Lorentzen

Messages: 140
Registered: June 2005

Senior Member

proaudio.com/" target="_blank">http://www.adkproaudio.com/>
> (859) 635-5762Tommy would be cutting the best sounding stuff
coming out of Texas regardless of the platform,
however Paris makes it sound that much better...

One fine steel player, too.

Did I mention one of the nice guys, too... :)

"Bill Terry" <bterry73@gmail.com> wrote:
>
>My pal Tommy Detamore recently did an interview on this web site: http://rocketsounds.com/index.php
>
>As many of you know, Tommy runs a Paris based studio in Floresville, TX,
>near San Antonio. The interviewer was apparently quite interested in Paris,
>and why Tommy uses it.. Good interview, and don't forget to check out the
>MP3s at the end, textbook Paris sound in the hands of a skilled engineer/producer/musician.HI DJ,
Thought you were talking about cpu affinity patch not the dual core
driver patch.

You might try this tool for running Paris on the dual core. Not sure if
it will effect the control 16 or not though.

Search download and install the rktools.exe from Microsoft's web site.
Read the resource kit help file. This is the section that you want to
read up on "Intfiltr.exe: Interrupt Affinity Filter". Make sure you do a
back up of your system sense your doing some registry editing.
Also make make sure you set the EDS cards to use the first CPU. don't
spread them out across the 2.
YOu'll have to boot into safe mode to fix it if it doesnt work.

Chris

DJ wrote:
>>You mean the interrupt affinity one?
>
>
> Not sure what you mean here, but thanks for the advice. If there is some
> kind of RAM that affects interrupts, it's news to me. Looks like the Samsung
> RAM is going pretty cheap these days.
>
> Deej
>
> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
> news:44cbfc15$1@linux...
>
>>Hi DJ,
>>Samsung type ram will work fine such as OCZ, Super Talent, Corsair ,
>>etc. I would get cl2
>>
>>You mean the interrupt affinity one?
>>
>>
>>
>>Chris
>>
>>
>>DJ wrote:
>>
>>>Chris,
>>>
>>>What's be best reccommended RAM for the K8NS-Ultra 939? I'm thinking of
>>>buying a couple of 1G RAM sticks and putting this to use somehow. I may
>
> even
>
>>>try that AMD patch to see if I can get a dual core CPU to work with
>
> Paris.
>
>>>Thanks,
>>>
>>>DJ
>>>
>>>
>>>"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
>>>news:44cb809d$1@linux...
>>>
>>>
>>>>Hi,
>>>> Is this the Paris machine?
>>>>If so then good luck.
>>>>
>>>>Personally I would try to find a Gigabyte K8NS-Ultra 939 motherboard
>>>>with a single core AMD Athlon 3800 cpu.
>>>>
>>>>If this isn't for the Paris box then a Intel Core 2 based motherboard
>>>>and CPU will be the fastest thing going.
>>>>
>>>>
>>>>Chris
>>>>
>>>>
>>>>Uptown Jimmy wrote:
>>>>
>>>>
>>>>>The best computer techs in Athens gave me bad news: my motherboard is
>>>
>>>fried,
>>>
>>>
>>>>>and everything else as well, probably.
>>>>>
>>>>>The guy recommended an Intel board/chip combo. Anybody bought a new
>>>
>>>motherboard/chip/RAM
>>>
>>>
>>>>>combo recently?
>>>>>
>>>>>I'm gonna miss my Northwood P4/RDRAM combo.
>>>>>
>>>>>BTW, he told me that the RAM is highly valuable on Ebay, that is if it
>>>
>>>isn't
>>>
>>>
>>>>>fried, too.....
>>>>>
>>>>>BTW, thanks for everybody's help. I fear the day our little group is
>>>
>>>gone.
>>>
>>>
>>>>>Jimmy
>>>>
>>>>--
>>>>Chris Ludwig
>>>>ADK
>>>>chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>>>www.adkproaudio.com <http://www.adkproaudio.com/>
>>>>(859) 635-5762
>>>
>>>
>>>
>>--
>>Chris Ludwig
>>ADK
>>chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
>>www.adkproaudio.com <http://www.adkproaudio.com/>
>>(859) 635-5762
>
>
>

--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762You weenie! Where's your sense of adventure!

......and I still wanna know if the right turn signal mod is cool or no!

"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>news:44cbe242$1@linux...
>> Well, it came yesterday. I opened it up and there is an eitire minimanual
>> fust for the installation. It doesn't really look that hard to do but,
>after
>> reading the manual and determining that, for my needs, it's parttly
>overkill
>> and partly not ready for prime time, I decided to try reloading the driver
>> for my Houston controller to see if I could get it's functionality up
to
>> speed for controlling VST plugins and now it seems to be doing as it
>should
>> so I'm really contemplating whether or not to even screw around with this
>> thing and all of the hoops Native Instruments requires the user to jump
>> through just to register it so that it can function. Basically, for my
>> purposes, it's just a VST plugin wrapper that would allow control of
>plugin
>> parameters once those parameters are mapped to the controller. Since my
>> Houston controller is working properly now, I'm thinking "what's the
>point?"
>> I'm really too busy to jack around with this kind of unnecessary
>redundancy.
>>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>> news:44c794f0@linux...
>> > NI KORE
>> > http://www.native-instruments.com/index.php?id=kore_us
>> >
>> > I've got a line on a system that is returnable, no questions asked.
>> >
>> > Forum reports lots of bugs.........as in this thing is such a POS it
>> should
>> > have never have even been released. This is precisely why I want to
try
>> > it.......Things are going wayyyyy to smopothly around here. Everything
>is
>> > working and I am bored/ feel the need for pain . I'm going to cheat
>though
>> > and Ghost my system before I install it so if it hoses everything, I
can
>> > punt it and go back to my mundane life as it once was.
>> >
>> > It appears to be primarily a controller for VSTi's but I want to use
it
>as
>> a
>> > plugin controller as my outdated Steiny Houston is buggy as hell with
>> UAD-1
>> > plugs and often crashes the system so I am reduced to mousing. The
>> > literature on this KORE thingy indicates that it can be used to tweak
>> > parameters on VST plugins but I doubt if it will work the way *I* want
>it
>> to
>> > because forum members are reporting that it doesn't have PDC for DSP
>based
>> > plugins like UAD-/POCO. However, methinks they may be trying to
>implement
>> it
>> > as an audio interface as well so this may (possibly-as in 1000 mile
long
>> > shot) be part of the problem though I doubt it.........plus, NI is
>saying
>> > that they

Report message to a moderator

Re: some eats to start [message #69190 is a reply to message #69168]

Sun, 11 June 2006 19:55

emarenot

Messages: 345
Registered: June 2005

Senior Member

st heve him get her a
> POD v1 or V2 on EBay and use the extra money to buy one of these for her:
>
> http://www.fretlight.com/
>
> I picked one up last Chrismas and it's an amazing learning tool.
>
>
> "Don Nafe" <dnafe@magma.ca> wrote in message news:44ce0fa9@linux...
>> Hi All
>>
>> Got a friend who wants to buy a guitar and a POD for his daughter...which
>> brands should I be looking at.
>>
>> on a different note saw an ad for a
>>
>> Jay Turser Vintage Series Stratocastor
>> tunner, cable and gig bag
>> Vox VR15
>> $300
>>
>> Anyone familiar with this set up
>>
>> thanks
>>
>> Don
>>
>>
>>
>
>Hey Rick,

Well, I'm not really sure exactly how to check it. Need some input for that.
You can find some specs on Hosa's site - http://www.hosatech.com

Let me know if there's anything I can do.....

-Carl

"rick" <parnell68@hotmail.com> wrote in message
news:6ugrc29rv5rknvnfvbq9kk3gek5vnlceos@4ax.com...
> do you have any specs on the unit...jitter...etc?
>
> thanks
> rickthanks DJ.

"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:44cd8145@linux...
> Ok then........beware of the evil HP.....
> ;o)
>
> "Aaron Allen" <nospam@not_here.dude> wrote in message
> news:44cd7b64$1@linux...
> > Memory serving, Chuck quit making this one available due to a bug in a
> freq
> > band... I can't remember if it was the low or the high pass, but one of
> them
> > oscillated out of control. My guess is he didn't post that up in the
last
> > free batch for that reason.
> >
> > AA
> >
> >
> > >
> > > "Jeremy Luzier" <j.luzier@comcast.net> wrote in message
> > > news:44cd51ea@linux...
> > >> yes DJ i am trying to find the FreQ.
> > >>
> > >> where can i pay for this thing.... "yo Chuck?"
> > >>
> > >> somebody??
> > >>
> > >> thanks.
> > >>
> > >>
> > >> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> > >> news:44cb6c56@linux...
> > >> > If this is the FreQ he's talking about, it's definitely usable on
the
> > >> global
> > >> > master.
> > >> >
> > >> > "john" <everything@forfree.com> wrote in message
> > > news:44cb3225$1@linux...
> > >> > >
> > >> > > http://homepage.mac.com/osxlover/ParisFAQs/ParisEQ11.zip
> > >> > > from www.parisfaqs.com
> > >> > >
> > >> > > I don't know about the global master though.
> > >> >
> > >> >
> > >>
> > >>
> > >
> > >
> > >
> >
> >
> > I choose Polesoft Lockspam to fight spam, and you?
> > http://www.polesoft.com/refer.html
> >
> >
>
>I mixed a project, thought I was done, moved it into a folder called
"done".

Artist listened, would like to hear the one guitar brought out some
more, so I went back in and opened the project up.

All the files and overviews show up, audio bin doesn't show any
orphans. I hit "play", and while the thing runs, and the now line
moves, I'm getting no meter action and no audio. Already checked the
patch bay. Tried resetting file path, tried resetting record path to
new folder.

Any ideas?

pabHi Clifford,

The challenge/response is unique for each computer. You'll need to send the
challenge strings from your new computer to Intelligent Devices for the response
codes. I had to do this when I upgraded to a G4 machine.

I think their email address is "support@intdevices.com".

Hope this helps!

Mark

"Clifford Coulter" <coultron@earthlink.net> wrote:
>
>I have Paris 3.0 authorized on one computer Im trying to Authorize a second
>computer but it wont authorize .the first computer was running Sys 9.1 and
>its good.the second computer only runs sys 9.2 could this be my problem.
>Paris runs in 9.2 but it wont authorize I type in the reponse and nothing
>happens
>Its been ten years since I authorized the first computer maby I have forgot
>something'
>
>Need HELP
>
>Thanks
>CliffordCheck the null on your faders.

Do a save as, and see if the save as plays if you put the new file in
the original folder.

Reboot.

DC

Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>I mixed a project, thought I was done, moved it into a folder called
>"done".
>
>Artist listened, would like to hear the one guitar brought out some
>more, so I went back in and opened the project up.
>
>All the files and overviews show up, audio bin doesn't show any
>orphans. I hit "play", and while the thing runs, and the now line
>moves, I'm getting no meter action and no audio. Already checked the
>patch bay. Tried resetting file path, tried resetting record path to
>new folder.
>
>Any ideas?
>
>pabTurn your amp on

Sorry had to

D

"DC" <dc@spammersinhell.com> wrote in message news:44ce63d0$1@linux...
>
> Check the null on your faders.
>
> Do a save as, and see if the save as plays if you put the new file in
> the original folder.
>
> Reboot.
>
> DC
>
>
> Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>>I mixed a project, thought I was done, moved it into a folder called
>>"done".
>>
>>Artist listened, would like to hear the one guitar brought out some
>>more, so I went back in and opened the project up.
>>
>>All the files and overviews show up, audio bin doesn't show any
>>orphans. I hit "play", and while the thing runs, and the now line
>>moves, I'm getting no meter action and no audio. Already checked the
>>patch bay. Tried resetting file path, tried resetting record path to
>>new folder.
>>
>>Any ideas?
>>
>>pab
>It might be a good idea to also check your patchbay settings and also
perhaps your EDS card assignments on the global mixer. Ehh - I'm not on a
mac tho'.

rock on,
-Carl

"Paul Braun" <cygnus_nospam@ctgonline.org> wrote in message
news:d0osc2t1356r9du24bju6d9usen9fnm4mi@4ax.com...
> I mixed a project, thought I was done, moved it into a folder called
> "done".
>
> Artist listened, would like to hear the one guitar brought out some
> more, so I went back in and opened the project up.
>
> All the files and overviews show up, audio bin doesn't show any
> orphans. I hit "play", and while the thing runs, and the now line
> moves, I'm getting no meter action and no audio. Already checked the
> patch bay. Tried resetting file path, tried resetting record path to
> new folder.
>
> Any ideas?
>
> pabDon't forget the "always monitor inputs" or whatever

Don

"Carl Amburn" <carlamburn@hotNOSPAMmail.com> wrote in message
news:44ce6eac@linux...
> It might be a good idea to also check your patchbay settings and also
> perhaps your EDS card assignments on the global mixer. Ehh - I'm not on a
> mac tho'.
>
> ro

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