Home » The PARIS Forums » PARIS: Main » Audio Furniture - Test Results Stand
| Audio Furniture - Test Results Stand [message #67558] |
Tue, 02 May 2006 15:47 |
DC
Messages: 722
Registered: July 2005
|
Senior Member |
|
|
remeIIS (probably the most flexible
current system) and Roland TD20 (perhaps with Hart pads).
To be fair, while the DDrum 4 with the currently available pads gives up
positional sensing on those pads, the other sets don't offer positional
sensing at all. So if you don't need positional sensing I'd throw the
currently available version of the DDrum 4 into the mix.
The DDrum 3 (only available used) could be a nice addition to the DDrum
4 for additional trigger inputs and custom sampling.
I have the DDrum 4 cast precision kit for live performance and studio
triggering, augmented by an Alesis D4 for additional trigger inputs,
along with Battery 2 for very customizable recording kits. Someday the
DDrum 5 may be much like this setup but more integrated.
Cheers,
-Jamie
http://www.JamieKrutz.com
John wrote:
> Most electronic drums suck on doing authentic hi-hat. So I"m looking for
> a drum set that does hi-hat like a real one. The TD20 is amazing but 5 grand.
>
> lJamie K <Meta@Dimensional.com> wrote:
>> Not sure what you mean. What are you wanting the hihats to do specifically?
>>
>> Cheers,
>> -Jamie
>> http://www.JamieKrutz.com
>>
>>
>> John wrote:
>>> Can any do hi-hats like the TD20 roland?
>>>
>>> Jamie K <Meta@Dimensional.com> wrote:
>>>> The Yamaha DTXtremeIIs also supports sample import via smartmedia cards.
>>>>
>>>> DDrum 4 supports one shot sampling import via MIDI.
>>>>
>>>> DDrum 3 supports multi-layered sampling.
>>>>
>>>> DDrum 5 should be something special in another year or three.
>>>>
>>>> You don't necessarily need a dedicated computer to run Battery 2, BFD
> or
>>>> Superior.
>>>>
>>>> BTW, Battery 2 lets import any .wav file or combination of files. You
>
>>>> can trigger them by velocity and even round robin left/right hits, it's
>>>> very flexible.
>>>>
>>>> Cheers,
>>>> -Jamie
>>>> http://www.JamieKrutz.com
>>>>
>>>>
>>>> Don Nafe wrote:
>>>>> Ah forgot about the DM Pro
>>>>>
>>>>> dcn
>>>>>
>>>>>
>>>>> "Aaron Allen" <nospam@not_here.dude> wrote in message news:44679c53@linux...
>>>>>> Not so fast :)
>>>>>>
>>>>>> My DM Pro allows me to purchase a blank 8 Mb card and load my own samples
>>>>>> in it. If there is another hardware drum specific machine/unit that
> allows
>>>>>> this I am not aware of it... with stuff out there like Drumagog I don't
>>>>>> expect that to change. One could however, do what you're saying with
>>> the
>>>>>> MPC and a drum trigger convertor.. which opens a whole world up. The
>>>>>> closest thing to that I know of is the SPD series from Roland.
>>>>>>
>>>>>> And yes, that was a good find on the roland kit John.
>>>>>>
>>>>>> AA
>>>>>>
>>>>>> "Don Nafe" <dnafe@magma.ca> wrote in message news:44679a4b$1@linux...
>>>>>>> Actually only the ddrum brain allows you to sample (I think)...the
> other
>>>>>>> option would be buying the pads and picking up an Akai MPC 2000 or
>
>>>>>>> 3000...which I believe allow you to load all sorts of samples
>>>>>>>
>>>>>>> Don
>>>>>>>
>>>>>>> ps. yes that was the steal of the century
>>>>>>>
>>>>>>>
>>>>>>> "John" <no@no.com> wrote in message news:44677633$1@linux...
>>>>>>>> And it doesn't appear that the Rolands let you load samples. So if
>>> you
>>>>>>>> get
>>>>>>>> tired of the sounds you're screwed.
>>>>>>>>
>>>>>>>> "Don Nafe" <dnafe@magma.ca> wrote:
>>>>>>>>> If you're picky about the sound of cymbals hihats etc I think most
>>> will
>>>>>>>>> disappoint you, of course YMMV.
>>>>>>>>>
>>>>>>>>> the TD 20, ddrum etc are the top of the line (read $$$$) and the
> TD20
>>>>>>>>> has
>>>>>>>>> room for dozens of kits so I'd start my search there...also look
> at
>>> the
>>>>>>>>> Roland pads they're not too shabby.
>>>>>>>>>
>>>>>>>>> And Deej - Pierre at Hart is now recommending th new line of Roland
>>> drum
>>>>>>>>> triggers as the best on the market...in fact he raved about them
>>>>>>>>>
>>>>>>>>> Don
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> "John" <no@no.com> wrote in message news:44676c05$1@linux...
>>>>>>>>>> I'm really don't want a dedicated computer for drums so, are there
>>> any
>>>>>>>>>> expandable
>>>>>>>>>> sound modules that have DW quality drums and such where I can edit
>>>>>>>>>> them
>>>>>>>>>> (volumes/pans)
>>>>>>>>>> through midi and add sounds to them? Ideally I'd like a dozen
>
>>>>>>>>>> different
>>>>>>>>>> kits with pro rock and jazz kits and a few kits with wacky sounds.
>>>>>>>>>>
>>>>>>>>>> Also, what electronic drum kits are the best for realistic hi-hats?
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>> "Don Nafe" <dnafe@magma.ca> wrote:
>>>>>>>>>>> Hart dynamics are as good as they come. as for the sounds on the
>>> TD 12
>>>>>>>>>>> module, you will need to tweak them a bit and for me electronics
>>> still
>>>>>>>>>>> sound
>>>>>>>>>>> fake but I am being incredible picky when I say that.
>>>>>>>>>>>
>>>>>>>>>>> In reality you'll have more control over your drums, use fewer
> tracks,
>>>>>>>> be
>>>>>>>>>>> able to easily alter drum tracks and as long as 1) the drums aren't
>>>>>>>>>>> incredibly prominent and 2) you learn how to tweak them, they
> can
>>> be a
>>>>>>>>>>> quite
>>>>>>>>>>> realistic replacement for acoustic drums.
>>>>>>>>>>>
>>>>>>>>>>> That being said you may want to look into BFD and/or DKFH as an
>>>>>>>>>>> accompaniment to this kit
>>>>>>>>>>>
>>>>>>>>>>> YMMV
>>>>>>>>>>>
>>>>>>>>>>> Don
>>>>>>>>>>>
>>>>>>>>>>> "John" <no@no.com> wrote in message news:44674516$1@linux...
>>>>>>>>>>>> I'm looking for a stand alone system with great rock / jazz drum
>>>>>>>>>>>> sets.
>>>>>>>>>>>> Any
>>>>>>>>>>>> ideas? I like the demo of this drumset but don't know if their
>>>>>>>>>>>> sounds
>>>>>>>>>>>> are
>>>>>>>>>>>> any good.
>>>>>>>>>>>>
>>>>>>>>>>>> http://www.hartdynamics.tv/video/QT_HS_VIDEO/drumsets/HART_S TUDIO_MASTER_6-4_TD12.html
>>>>>> I choose Polesoft Lockspam to fight spam, and you?
>>>>>> http://www.polesoft.com/refer.html
>>>>>>
>Dude, I've seen it kill IE after first launch and only allow the user in
that first launch session put in a FULL url.. meaning, no shortcuts like
www.whatever.com , instead making you type the full http://www.whatever.com
........ -wierd- stuff happens. I would rule nothing out when it comes to
that particular clsid.
AA
"jef knight" <thestudio@allknightmusic.com> wrote in message
news:44689fc9$1@linux...
> "it can freeze/halt an unbelievable number of things on your system over
> it..."
> would that also explain why my logitec mx518 gaming mouse fails to come
> back on after re-open my laptop?
>
> thanks aaron, now that I see what's up here I'll dig in....
> jef
>
> Aaron Allen wrote:
>
>> http://support.microsoft.com/kb/918165
>>
>> http://www.uvm.edu/cit/IT-news/2006spring/?Page=announce/bad kb.html&SM=announce/annmenu.html
>> < http://www.uvm.edu/cit/IT-news/2006spring/?Page=announce/bad kb.html&SM=announce/annmenu.html>
>> and lastly, look for a file on your computer called Verclsid.exe
>> It's a version Class ID identifier.. basically put, MS wants to verify
>> things that run/execute are what they say they are. Real world isn't so
>> simple, and it can freeze/halt an unbelievable number of things on your
>> system over it.... including a taskbar. HP in particular has issues with
>> this thing, although it's not limited to HP.
>> AA
>>
>> "jef knight" <thestudio@allknightmusic.com
>> <mailto:thestudio@allknightmusic.com>> wrote in message
>> news:4464bb89@linux...
>> all of the above, aaron! what's the deal?
>>
>> Aaron Allen wrote:
>>
>>> Jef, do you have a HP printer, camera, scanner and/or software?
>>> Look for the installation of KB908531 in your add/remove
>>> programs. If you have it let me know, I think I know why you'd be
>>> seeing that problem.
>>> AA
>>>
>>> "jef knight" <thestudio@allknightmusic.com
>>> <mailto:thestudio@allknightmusic.com>> wrote in message
>>> news:44649581@linux...
>>> this happens on my laptop all the time deej. dunno what
>>> causes it but a reboot fixes it.
>>> j
>>>
>>> DJ wrote:
>>>
>>>>Yeah!!! It's back.
>>>>
>>>>;o)
>>>>
>>>>"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>>>>news:4463f95a@linux...
>>>>
>>>>>Tried it..........didn't work. I just booted into Safe Mode and it
>>>>>showed
>>>>>up. Now I'm rebooting again and hopefully it will show up again.
>>>>>
>>>>>;O}
>>>>>"Neil" <OIUOIU@OIU.com> wrote in message news:4463f386$1@linux...
>>>>>
>>>>>>position your cursor at the bottom of the screen, click on the very
>>>>>>edge
>>>>>>
>>>>>of
>>>>>
>>>>>>the screen & drag upwards... it should expand.
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>>>>
>>>>>>>I just had to swap monitors on a machine running Win 95. I had been
>>>>>>>
>>>>using
>>>>
>>>>>>a
>>>>>>
>>>>>>>17" Samsung LCD. I switched to an old E-systems 15" CRT. The taskbar
>>>>>>>at
>>>>>>>
>>>>>>the
>>>>>>
>>>>>>>bottom has disappeared. The computer l,oaded the proper driver for
>>>>>>>the
>>>>>>>
>>>>>CRT
>>>>>
>>>>>>>and I have adjucted the resolution to where it should be, but no
>>>>>>>
>>>>taskbar
>>>>
>>>>>>>shows up at the bottom of the screen.
>>>>>>>
>>>>>>>Am I hallucinating...........(again)?
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>> I choose Polesoft Lockspam to fight spam, and you?
>>> http://www.polesoft.com/refer.html
>>yeah dude, I'm going with the Red means it's on thing here.. audio is about
ears more than meters. You dont hear it? don't sweat it.
And yea, BT said a little red red on the clippy is ok.. it's sustained notes
that don't vibe with red on the 8 in.
AA
"Cujo" <chris@nospamapplemanstudio.com> wrote in message
news:4468ed6b$1@linux...
>
>
> Attenuated to the max!
> I talked to one ME who told me not to worry about it.
> Looking for a few more votes too.
>
>
> EK Sound <askme@nospam.com> wrote:
>>What do you mean by mix bus return? are you inserting a piece of gear
>>onto the mix bus? if so attenuate slightly there.
>>
>>David.
>>
>>Cujo wrote:
>>
>>> Well, another vote in that direction.
>>> It is of course the mix buss return clipping. so I want to be carefull,
>>>
>>>
>>>
>>>
>>>
>>> EK Sound <askme@nospam.com> wrote:
>>>
>>>>Red means on... ;-) Does it sound good? if so, who cares about the odd
>
>>>>channel clip... I know I don't.
>>>>
>>>>David.
>>>>
>>>>Cujo wrote:
>>>>
>>>>>I just posted aboout this over at GS, I need some opinions form Paris
>>>
>>> users.
>>>
>>>>>This is regarding a mix due today.
>>>>>here is the scenario, I am running this mix through a pair of BAE 312;s
>>>
>>> for
>>>
>>>>>some coloration, the thing sounds great perfect ablsolutely brilliant,
>>>
>>> don't
>>>
>>>>>touch a thing type or deal, however, as I was dumping the mix down, I
>>>
>>> noticed
>>>
>>>>>on snare hit clipping the 8in lights...just one snare hit in the whole
>>>
>>> song.
>>>
>>>>>Now I tried muting the snare tracks, and of course the clip lights did
>>>
>>> not
>>>
>>>>>fire.
>>>>>So, I tried grouping the snare tracks and ducking them with automation,
>>>
>>> no
>>>
>>>>>good, even all the way down they still clip!
>>>>>So the only way to avoid this is to back down the submix faders goin
> inot
>>>>>the 312's but I really feel this is diminsihing the enitre mix.
>>>>>I want to know if it should just let it slide, as I can not hear it,
> and
>>>>>the mix sounds better over all left alone and hot.,
>>>>>
>>>>>I do rememebr BT sayin clipping the lights was ok on drums no?
>>>>>
>>>>>Anyway, this track is maybe one of the coolest things I have ever
>>>>>worked
>>>>>on, to all or any of you Clash fans out there, this is gonna blow your
>>>
>>> minds
>>>
>>>>>(i hope!)
>>>>>So thanks for the help.
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.htmlLeave it alone...leave it alone...one more time...leave it alone.
--
Martin Harrington
www.lendanear-sound.com
"Cujo" <chris@nospamapplemanstudio.com> wrote in message
news:4468d9d6$1@linux...
>
>
> I just posted aboout this over at GS, I need some opinions form Paris
> users.
> This is regarding a mix due today.
> here is the scenario, I am running this mix through a pair of BAE 312;s
> for
> some coloration, the thing sounds great perfect ablsolutely brilliant,
> don't
> touch a thing type or deal, however, as I was dumping the mix down, I
> noticed
> on snare hit clipping the 8in lights...just one snare hit in the whole
> song.
> Now I tried muting the snare tracks, and of course the clip lights did not
> fire.
> So, I tried grouping the snare tracks and ducking them with automation, no
> good, even all the way down they still clip!
> So the only way to avoid this is to back down the submix faders goin inot
> the 312's but I really feel this is diminsihing the enitre mix.
> I want to know if it should just let it slide, as I can not hear it, and
> the mix sounds better over all left alone and hot.,
>
> I do rememebr BT sayin clipping the lights was ok on drums no?
>
> Anyway, this track is maybe one of the coolest things I have ever worked
> on, to all or any of you Clash fans out there, this is gonna blow your
> minds
> (i hope!)
> So thanks for the help.rick <parnell68@hotmail.com> wrote:
>gene,
>
>Are you running the new 424 PCIe cards? If yes, have you noticed a
>difference in the audio? One last question. Have you tried the Black
>Lion Mods?
>
I have the new card but I am in the middle of projects, so I am still using
my dual 2X G5 for my primary Mac. I have played around with the Quad and
the 424 PCIe and I hope to have it installed soon. It just about doubles
the amount of real work I can get done on one computer. That’s a good thing.
Far less need for two or more computers running at the same time. I think
the sound of most DAWs are better when you are not stressing the processor,
so I am not surprised to find that large projects sound better to me on the
Quad, but don’t think that it has anything to do with the PCI interface.
I get away with using the Mytek converters for about 90% of my work so I
have not had my MOTU boxes updated by Black Lion. My 2408's are basically
a large ADAT I/O matrix. I have no doubt that the Black Lion upgrades are
worth the price.
Genegene,
i think once you get the PCIe card in you'll notice another step up in
the sound quality. i've got min installed in the 16x slot and i will
say that there was both improvement in the bass and top end. it's
almost liked all the information is finally allowed to pass through
the bus. my motu gear is slated to get the Black Lion mods in july;
i'm anxious to hear the difference.
On 16 May 2006 10:48:14 +1000, "gene lennon"
<glennon@NOSPmyrealbox.com> wrote:
>
>rick <parnell68@hotmail.com> wrote:
>>gene,
>>
>>Are you running the new 424 PCIe cards? If yes, have you noticed a
>>difference in the audio? One last question. Have you tried the Black
>>Lion Mods?
>>
>I have the new card but I am in the middle of projects, so I am still using
>my dual 2X G5 for my primary Mac. I have played around with the Quad and
>the 424 PCIe and I hope to have it installed soon. It just about doubles
>the amount of real work I can get done on one computer. That’s a good thing.
>Far less need for two or more computers running at the same time. I think
>the sound of most DAWs are better when you are not stressing the processor,
>so I am not surprised to find that large projects sound better to me on the
>Quad, but don’t think that it has anything to do with the PCI interface.
>
>I get away with using the Mytek converters for about 90% of my work so I
>have not had my MOTU boxes updated by Black Lion. My 2408's are basically
>a large ADAT I/O matrix. I have no doubt that the Black Lion upgrades are
>worth the price.
>Genewhat's you GS name?
On 16 May 2006 05:43:18 +1000, "Cujo" <chris@nospamapplemanstudio.com>
wrote:
>
>
>I just posted aboout this over at GS, I need some opinions form Paris users.
>This is regarding a mix due today.
>here is the scenario, I am running this mix through a pair of BAE 312;s for
>some coloration, the thing sounds great perfect ablsolutely brilliant, don't
>touch a thing type or deal, however, as I was dumping the mix down, I noticed
>on snare hit clipping the 8in lights...just one snare hit in the whole song.
>Now I tried muting the snare tracks, and of course the clip lights did not
>fire.
>So, I tried grouping the snare tracks and ducking them with automation, no
>good, even all the way down they still clip!
>So the only way to avoid this is to back down the submix faders goin inot
>the 312's but I really feel this is diminsihing the enitre mix.
>I want to know if it should just let it slide, as I can not hear it, and
>the mix sounds better over all left alone and hot.,
>
>I do rememebr BT sayin clipping the lights was ok on drums no?
>
>Anyway, this track is maybe one of the coolest things I have ever worked
>on, to all or any of you Clash fans out there, this is gonna blow your minds
>(i hope!)
>So thanks for the help.and which category...
On 16 May 2006 05:43:18 +1000, "Cujo" <chris@nospamapplemanstudio.com>
wrote:
>
>
>I just posted aboout this over at GS, I need some opinions form Paris users.
>This is regarding a mix due today.
>here is the scenario, I am running this mix through a pair of BAE 312;s for
>some coloration, the thing sounds great perfect ablsolutely brilliant, don't
>touch a thing type or deal, however, as I was dumping the mix down, I noticed
>on snare hit clipping the 8in lights...just one snare hit in the whole song.
>Now I tried muting the snare tracks, and of course the clip lights did not
>fire.
>So, I tried grouping the snare tracks and ducking them with automation, no
>good, even all the way down they still clip!
>So the only way to avoid this is to back down the submix faders goin inot
>the 312's but I really feel this is diminsihing the enitre mix.
>I want to know if it should just let it slide, as I can not hear it, and
>the mix sounds better over all left alone and hot.,
>
>I do rememebr BT sayin clipping the lights was ok on drums no?
>
>Anyway, this track is maybe one of the coolest things I have ever worked
>on, to all or any of you Clash fans out there, this is gonna blow your minds
>(i hope!)
>So thanks for the help.I am Cujo over there too,
Mastering.
A big whig ME just called me and said not to worry either.
I do hear it now, but it is not unmusical, more like an extra cracking snare.
rick <parnell68@hotmail.com> wrote:
>and which category...
>
>On 16 May 2006 05:43:18 +1000, "Cujo" <chris@nospamapplemanstudio.com>
>wrote:
>
>>
>>
>>I just posted aboout this over at GS, I need some opinions form Paris users.
>>This is regarding a mix due today.
>>here is the scenario, I am running this mix through a pair of BAE 312;s
for
>>some coloration, the thing sounds great perfect ablsolutely brilliant,
don't
>>touch a thing type or deal, however, as I was dumping the mix down, I noticed
>>on snare hit clipping the 8in lights...just one snare hit in the whole
song.
>>Now I tried muting the snare tracks, and of course the clip lights did
not
>>fire.
>>So, I tried grouping the snare tracks and ducking them with automation,
no
>>good, even all the way down they still clip!
>>So the only way to avoid this is to back down the submix faders goin inot
>>the 312's but I really feel this is diminsihing the enitre mix.
>>I want to know if it should just let it slide, as I can not hear it, and
>>the mix sounds better over all left alone and hot.,
>>
>>I do rememebr BT sayin clipping the lights was ok on drums no?
>>
>>Anyway, this track is maybe one of the coolest things I have ever worked
>>on, to all or any of you Clash fans out there, this is gonna blow your
minds
>>(i hope!)
>>So thanks for the help.
>Brent Averill 312 Mic PRe's,
The Clash were one of the great bands of all time for sure. Pure I would
call em.
Underated by people who do not know anything but "rock the casbah" and "Should
I Stay Or Should I Go" (not bad for little singles though)
"BR" <nospam@nospam.com> wrote:
>"I want to know if it should just let it slide, as I can not hear it, and
>the mix sounds better over all left alone and hot."
>
>Just let it slide :-)
>
>Bjorn R (Clash fan)
>
>PS. What's a pair of BAE 312's?
>
>"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>news:4468d9d6$1@linux...
>>
>>
>> I just posted aboout this over at GS, I need some opinions form Paris
>users.
>> This is regarding a mix due today.
>> here is the scenario, I am running this mix through a pair of BAE 312;s
>for
>> some coloration, the thing sounds great perfect ablsolutely brilliant,
>don't
>> touch a thing type or deal, however, as I was dumping the mix down, I
>noticed
>> on snare hit clipping the 8in lights...just one snare hit in the whole
>song.
>> Now I tried muting the snare tracks, and of course the clip lights did
not
>> fire.
>> So, I tried grouping the snare tracks and ducking them with automation,
no
>> good, even all the way down they still clip!
>> So the only way to avoid this is to back down the submix faders goin inot
>> the 312's but I really feel this is diminsihing the enitre mix.
>> I want to know if it should just let it slide, as I can not hear it, and
>> the mix sounds better over all left alone and hot.,
>>
>> I do rememebr BT sayin clipping the lights was ok on drums no?
>>
>> Anyway, this track is maybe one of the coolest things I have ever worked
>> on, to all or any of you Clash fans out there, this is gonna blow your
>minds
>> (i hope!)
>> So thanks for the help.
>
>Their album "London Calling" was named the best album of the 80's, by
Rolling Stone Magazine, despite the fact that it was released in '79. I saw
them in concert in 1981, great rock'n roll. Too bad that Joe Strummer went
away.
Bjorn R
"Cujo" <chris@nospamapplemanstudio.com> wrote in message
news:4469ad7e$1@linux...
>
>
> Brent Averill 312 Mic PRe's,
>
> The Clash were one of the great bands of all time for sure. Pure I would
> call em.
> Underated by people who do not know anything but "rock the casbah" and
"Should
> I Stay Or Should I Go" (not bad for little singles though)
>
>
> "BR" <nospam@nospam.com> wrote:
> >"I want to know if it should just let it slide, as I can not hear it, and
> >the mix sounds better over all left alone and hot."
> >
> >Just let it slide :-)
> >
> >Bjorn R (Clash fan)
> >
> >PS. What's a pair of BAE 312's?
> >
> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
> >news:4468d9d6$1@linux...
> >>
> >>
> >> I just posted aboout this over at GS, I need some opinions form Paris
> >users.
> >> This is regarding a mix due today.
> >> here is the scenario, I am running this mix through a pair of BAE 312;s
> >for
> >> some coloration, the thing sounds great perfect ablsolutely brilliant,
> >don't
> >> touch a thing type or deal, however, as I was dumping the mix down, I
> >noticed
> >> on snare hit clipping the 8in lights...just one snare hit in the whole
> >song.
> >> Now I tried muting the snare tracks, and of course the clip lights did
> not
> >> fire.
> >> So, I tried grouping the snare tracks and ducking them with automation,
> no
> >> good, even all the way down they still clip!
> >> So the only way to avoid this is to back down the submix faders goin
inot
> >> the 312's but I really feel this is diminsihing the enitre mix.
> >> I want to know if it should just let it slide, as I can not hear it,
and
> >> the mix sounds better over all left alone and hot.,
> >>
> >> I do rememebr BT sayin clipping the lights was ok on drums no?
> >>
> >> Anyway, this track is maybe one of the coolest things I have ever
worked
> >> on, to all or any of you Clash fans out there, this is gonna blow your
> >minds
> >> (i hope!)
> >> So thanks for the help.
> >
> >"Cujo" <chris@nospamapplemanstudio.com> wrote:
>
>
>I am Cujo over there too,
>Mastering.
>A big whig ME just called me and said not to worry either.
>I do hear it now, but it is not unmusical, more like an extra cracking snare.
If it's just one clip & it bugs you, but you don't want to
change the sound you've got going, don't forget you could
always just edit that one peak down a bit lower.
Neil:-) Thanks for the BD wishes guys!
David.
rick wrote:
> well dave...if that's your real name...happy b sumnabeeeeee
>
> On Sat, 13 May 2006 16:33:31 -0600, "DJ"
> <animix_spam-this-ahole_@animas.net> wrote:
>
>
>>I'll bet we can find some online strippers and have a party........oh
>>wait......that's for getting married, I think.
>>
>
>rick <parnell68@hotmail.com> wrote:
>gene,
>
>i think once you get the PCIe card in you'll notice another step up in
>the sound quality. i've got min installed in the 16x slot and i will
>say that there was both improvement in the bass and top end. it's
>almost liked all the information is finally allowed to pass through
>the bus. my motu gear is slated to get the Black Lion mods in july;
>i'm anxious to hear the difference.
>
>On 16 May 2006 10:48:14 +1000, "gene lennon"
><glennon@NOSPmyrealbox.com> wrote:
>
>>
I hope you are right about the sound improvements. I’m just not looking forward
to a complete reinstall. Especially the re-authorization process (NI primarily
…Yuck. It will be a battle.)
Right now the quad makes an excellent Node for Logic, but I still like DP
better.
Genethey really ought to name it ...almost logic. ;o)
On 17 May 2006 01:23:42 +1000, "gene lennon"
<glennon@NOSPmyrealbox.com> wrote:
>
>rick <parnell68@hotmail.com> wrote:
>>gene,
>>
>>i think once you get the PCIe card in you'll notice another step up in
>>the sound quality. i've got min installed in the 16x slot and i will
>>say that there was both improvement in the bass and top end. it's
>>almost liked all the information is finally allowed to pass through
>>the bus. my motu gear is slated to get the Black Lion mods in july;
>>i'm anxious to hear the difference.
>>
>>On 16 May 2006 10:48:14 +1000, "gene lennon"
>><glennon@NOSPmyrealbox.com> wrote:
>>
>>>
>
>I hope you are right about the sound improvements. I’m just not looking forward
>to a complete reinstall. Especially the re-authorization process (NI primarily
> …Yuck. It will be a battle.)
>
>Right now the quad makes an excellent Node for Logic, but I still like DP
>better.
>
>GeneYou mean in a wave editor?
yeah I thought of that, but I mut admit to being a tad paraniod about any
unwanted side effects.
I tried the auommtion deal, no worries, the mix has been approved,
"Neil" <OIUOIU@OIU.com> wrote:
>
>"Cujo" <chris@nospamapplemanstudio.com> wrote:
>>
>>
>>I am Cujo over there too,
>>Mastering.
>>A big whig ME just called me and said not to worry either.
>>I do hear it now, but it is not unmusical, more like an extra cracking
snare.
>
>If it's just one clip & it bugs you, but you don't want to
>change the sound you've got going, don't forget you could
>always just edit that one peak down a bit lower.
>
>NeilAnd one late one...
Happy Birthday David!
DC
EK Sound <askme@nospam.com> wrote:
>:-) Thanks for the BD wishes guys!
>
>David.
>
>rick wrote:
>> well dave...if that's your real name...happy b sumnabeeeeee
>>
>> On Sat, 13 May 2006 16:33:31 -0600, "DJ"
>> <animix_spam-this-ahole_@animas.net> wrote:
>>
>>
>>>I'll bet we can find some online strippers and have a party........oh
>>>wait......that's for getting married, I think.
>>>
>>
>>So, you sound like a real fan, I was lucky to catch the "real" Clash in about
1982 then followed the "cut The Crap" lineup for about 6 shows (they were
still good) and I saw 2 Strummer Mescalaro shows whcih were hands down the
best of all.
His 3 Mescalaro discs are all great, but I like the first. I think Topper
headon may be one of rocks greatest unknown drummers.
Ok, I have to tell you about this project, it is a compilation of 37 bands
doing a tribute to "Sandinista" bands on it besides mine are The Smithereens,
Camper Van Bethoven, Steve Wynn (Dream Syndicate), jason Ringenberg and many
many more. My band (The Blizzard of 78) has collaborated with Reggea star
Mikey Dread, who worked on 5 or so tunes on the original, The track is a
lot of fun. But I look forward to hearing the rest of the stuff on this thing
too, should be very intersting.
"BR" <nospam@nospam.com> wrote:
>Their album "London Calling" was named the best album of the 80's, by
>Rolling Stone Magazine, despite the fact that it was released in '79. I
saw
>them in concert in 1981, great rock'n roll. Too bad that Joe Strummer went
>away.
>
>Bjorn R
>
>
>"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>news:4469ad7e$1@linux...
>>
>>
>> Brent Averill 312 Mic PRe's,
>>
>> The Clash were one of the great bands of all time for sure. Pure I would
>> call em.
>> Underated by people who do not know anything but "rock the casbah" and
>"Should
>> I Stay Or Should I Go" (not bad for little singles though)
>>
>>
>> "BR" <nospam@nospam.com> wrote:
>> >"I want to know if it should just let it slide, as I can not hear it,
and
>> >the mix sounds better over all left alone and hot."
>> >
>> >Just let it slide :-)
>> >
>> >Bjorn R (Clash fan)
>> >
>> >PS. What's a pair of BAE 312's?
>> >
>> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>> >news:4468d9d6$1@linux...
>> >>
>> >>
>> >> I just posted aboout this over at GS, I need some opinions form Paris
>> >users.
>> >> This is regarding a mix due today.
>> >> here is the scenario, I am running this mix through a pair of BAE 312;s
>> >for
>> >> some coloration, the thing sounds great perfect ablsolutely brilliant,
>> >don't
>> >> touch a thing type or deal, however, as I was dumping the mix down,
I
>> >noticed
>> >> on snare hit clipping the 8in lights...just one snare hit in the whole
>> >song.
>> >> Now I tried muting the snare tracks, and of course the clip lights
did
>> not
>> >> fire.
>> >> So, I tried grouping the snare tracks and ducking them with automation,
>> no
>> >> good, even all the way down they still clip!
>> >> So the only way to avoid this is to back down the submix faders goin
>inot
>> >> the 312's but I really feel this is diminsihing the enitre mix.
>> >> I want to know if it should just let it slide, as I can not hear it,
>and
>> >> the mix sounds better over all left alone and hot.,
>> >>
>> >> I do rememebr BT sayin clipping the lights was ok on drums no?
>> >>
>> >> Anyway, this track is maybe one of the coolest things I have ever
>worked
>> >> on, to all or any of you Clash fans out there, this is gonna blow your
>> >minds
>> >> (i hope!)
>> >> So thanks for the help.
>> >
>> >
>
>Check out the new Macbook pro! So I was a week late on the date; )
http://www.apple.com/macbook/macbook.htmlPretty snazzy looking box. I'm mixing some stuff for video now. I visited
the post engineer yesterday and he was running Final Cut on a G5 with a
30(something) inch Apple cinema display. It was mighty impressive.
;o)
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:4469f357$1@linux...
>
> Check out the new Macbook pro! So I was a week late on the date; )
>
> http://www.apple.com/macbook/macbook.htmlDid he really say " a little red red on the clippy is ok"? That's soooooo
cute.
;O)
"Aaron Allen" <nospam@not_here.dude> wrote in message news:44691650@linux...
> yeah dude, I'm going with the Red means it's on thing here.. audio is
about
> ears more than meters. You dont hear it? don't sweat it.
> And yea, BT said a little red red on the clippy is ok.. it's sustained
notes
> that don't vibe with red on the 8 in.
>
> AA
>
>
> "Cujo" <chris@nospamapplemanstudio.com> wrote in message
> news:4468ed6b$1@linux...
> >
> >
> > Attenuated to the max!
> > I talked to one ME who told me not to worry about it.
> > Looking for a few more votes too.
> >
> >
> > EK Sound <askme@nospam.com> wrote:
> >>What do you mean by mix bus return? are you inserting a piece of gear
> >>onto the mix bus? if so attenuate slightly there.
> >>
> >>David.
> >>
> >>Cujo wrote:
> >>
> >>> Well, another vote in that direction.
> >>> It is of course the mix buss return clipping. so I want to be
carefull,
> >>>
> >>>
> >>>
> >>>
> >>>
> >>> EK Sound <askme@nospam.com> wrote:
> >>>
> >>>>Red means on... ;-) Does it sound good? if so, who cares about the odd
> >
> >>>>channel clip... I know I don't.
> >>>>
> >>>>David.
> >>>>
> >>>>Cujo wrote:
> >>>>
> >>>>>I just posted aboout this over at GS, I need some opinions form Paris
> >>>
> >>> users.
> >>>
> >>>>>This is regarding a mix due today.
> >>>>>here is the scenario, I am running this mix through a pair of BAE
312;s
> >>>
> >>> for
> >>>
> >>>>>some coloration, the thing sounds great perfect ablsolutely
brilliant,
> >>>
> >>> don't
> >>>
> >>>>>touch a thing type or deal, however, as I was dumping the mix down, I
> >>>
> >>> noticed
> >>>
> >>>>>on snare hit clipping the 8in lights...just one snare hit in the
whole
> >>>
> >>> song.
> >>>
> >>>>>Now I tried muting the snare tracks, and of course the clip lights
did
> >>>
> >>> not
> >>>
> >>>>>fire.
> >>>>>So, I tried grouping the snare tracks and ducking them with
automation,
> >>>
> >>> no
> >>>
> >>>>>good, even all the way down they still clip!
> >>>>>So the only way to avoid this is to back down the submix faders goin
> > inot
> >>>>>the 312's but I really feel this is diminsihing the enitre mix.
> >>>>>I want to know if it should just let it slide, as I can not hear it,
> > and
> >>>>>the mix sounds better over all left alone and hot.,
> >>>>>
> >>>>>I do rememebr BT sayin clipping the lights was ok on drums no?
> >>>>>
> >>>>>Anyway, this track is maybe one of the coolest things I have ever
> >>>>>worked
> >>>>>on, to all or any of you Clash fans out there, this is gonna blow
your
> >>>
> >>> minds
> >>>
> >>>>>(i hope!)
> >>>>>So thanks for the help.
>
>
> I choose Polesoft Lockspam to fight spam, and you?
> http://www.polesoft.com/refer.html
>
>Advice taken
"Martin Harrington" <lendan@bigpond.net.au> wrote:
>Leave it alone...leave it alone...one more time...leave it alone.
>--
>Martin Harrington
>www.lendanear-sound.com
>
>"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>news:4468d9d6$1@linux...
>>
>>
>> I just posted aboout this over at GS, I need some opinions form Paris
>> users.
>> This is regarding a mix due today.
>> here is the scenario, I am running this mix through a pair of BAE 312;s
>> for
>> some coloration, the thing sounds great perfect ablsolutely brilliant,
>> don't
>> touch a thing type or deal, however, as I was dumping the mix down, I
>> noticed
>> on snare hit clipping the 8in lights...just one snare hit in the whole
>> song.
>> Now I tried muting the snare tracks, and of course the clip lights did
not
>> fire.
>> So, I tried grouping the snare tracks and ducking them with automation,
no
>> good, even all the way down they still clip!
>> So the only way to avoid this is to back down the submix faders goin inot
>> the 312's but I really feel this is diminsihing the enitre mix.
>> I want to know if it should just let it slide, as I can not hear it, and
>> the mix sounds better over all left alone and hot.,
>>
>> I do rememebr BT sayin clipping the lights was ok on drums no?
>>
>> Anyway, this track is maybe one of the coolest things I have ever worked
>> on, to all or any of you Clash fans out there, this is gonna blow your
>> minds
>> (i hope!)
>> So thanks for the help.
>
>Some great musicians there. And Mickey Dread is a legend, didn't they even
mention him in one of their songs? Never got into Jones (B.A.D.) or
Strummers solo stuff. I think they were kind of Lennon/McCartney, best
together. And Topper Headon is underrated, I think he even produced or
co-produced Combat Rock. What song are your band doing?
Bjorn R
PS. Some Clash fans mistook me for beeing Paul Simonon once, at a bar the
Clash supposed to attend after a consert. I played along, have had a few
beers. I even wrote autographs. (I was young then :-)
"Cujo" <chris@nospamapplemanstudio.com> wrote in message
news:4469f1b0$1@linux...
>
>
> So, you sound like a real fan, I was lucky to catch the "real" Clash in
about
> 1982 then followed the "cut The Crap" lineup for about 6 shows (they were
> still good) and I saw 2 Strummer Mescalaro shows whcih were hands down the
> best of all.
> His 3 Mescalaro discs are all great, but I like the first. I think Topper
> headon may be one of rocks greatest unknown drummers.
>
> Ok, I have to tell you about this project, it is a compilation of 37 bands
> doing a tribute to "Sandinista" bands on it besides mine are The
Smithereens,
> Camper Van Bethoven, Steve Wynn (Dream Syndicate), jason Ringenberg and
many
> many more. My band (The Blizzard of 78) has collaborated with Reggea
star
> Mikey Dread, who worked on 5 or so tunes on the original, The track is a
> lot of fun. But I look forward to hearing the rest of the stuff on this
thing
> too, should be very intersting.
>
>
> "BR" <nospam@nospam.com> wrote:
> >Their album "London Calling" was named the best album of the 80's, by
> >Rolling Stone Magazine, despite the fact that it was released in '79. I
> saw
> >them in concert in 1981, great rock'n roll. Too bad that Joe Strummer
went
> >away.
> >
> >Bjorn R
> >
> >
> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
> >news:4469ad7e$1@linux...
> >>
> >>
> >> Brent Averill 312 Mic PRe's,
> >>
> >> The Clash were one of the great bands of all time for sure. Pure I
would
> >> call em.
> >> Underated by people who do not know anything but "rock the casbah" and
> >"Should
> >> I Stay Or Should I Go" (not bad for little singles though)
> >>
> >>
> >> "BR" <nospam@nospam.com> wrote:
> >> >"I want to know if it should just let it slide, as I can not hear it,
> and
> >> >the mix sounds better over all left alone and hot."
> >> >
> >> >Just let it slide :-)
> >> >
> >> >Bjorn R (Clash fan)
> >> >
> >> >PS. What's a pair of BAE 312's?
> >> >
> >> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
> >> >news:4468d9d6$1@linux...
> >> >>
> >> >>
> >> >> I just posted aboout this over at GS, I need some opinions form
Paris
> >> >users.
> >> >> This is regarding a mix due today.
> >> >> here is the scenario, I am running this mix through a pair of BAE
312;s
> >> >for
> >> >> some coloration, the thing sounds great perfect ablsolutely
brilliant,
> >> >don't
> >> >> touch a thing type or deal, however, as I was dumping the mix down,
> I
> >> >noticed
> >> >> on snare hit clipping the 8in lights...just one snare hit in the
whole
> >> >song.
> >> >> Now I tried muting the snare tracks, and of course the clip lights
> did
> >> not
> >> >> fire.
> >> >> So, I tried grouping the snare tracks and ducking them with
automation,
> >> no
> >> >> good, even all the way down they still clip!
> >> >> So the only way to avoid this is to back down the submix faders goin
> >inot
> >> >> the 312's but I really feel this is diminsihing the enitre mix.
> >> >> I want to know if it should just let it slide, as I can not hear it,
> >and
> >> >> the mix sounds better over all left alone and hot.,
> >> >>
> >> >> I do rememebr BT sayin clipping the lights was ok on drums no?
> >> >>
> >> >> Anyway, this track is maybe one of the coolest things I have ever
> >worked
> >> >> on, to all or any of you Clash fans out there, this is gonna blow
your
> >> >minds
> >> >> (i hope!)
> >> >> So thanks for the help.
> >> >
> >> >
> >
> >Word.
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:4469f7d6$1@linux...
> Did he really say " a little red red on the clippy is ok"? That's soooooo
> cute.
>
> ;O)
>
> "Aaron Allen" <nospam@not_here.dude> wrote in message
> news:44691650@linux...
>> yeah dude, I'm going with the Red means it's on thing here.. audio is
> about
>> ears more than meters. You dont hear it? don't sweat it.
>> And yea, BT said a little red red on the clippy is ok.. it's sustained
> notes
>> that don't vibe with red on the 8 in.
>>
>> AA
>>
>>
>> "Cujo" <chris@nospamapplemanstudio.com> wrote in message
>> news:4468ed6b$1@linux...
>> >
>> >
>> > Attenuated to the max!
>> > I talked to one ME who told me not to worry about it.
>> > Looking for a few more votes too.
>> >
>> >
>> > EK Sound <askme@nospam.com> wrote:
>> >>What do you mean by mix bus return? are you inserting a piece of gear
>> >>onto the mix bus? if so attenuate slightly there.
>> >>
>> >>David.
>> >>
>> >>Cujo wrote:
>> >>
>> >>> Well, another vote in that direction.
>> >>> It is of course the mix buss return clipping. so I want to be
> carefull,
>> >>>
>> >>>
>> >>>
>> >>>
>> >>>
>> >>> EK Sound <askme@nospam.com> wrote:
>> >>>
>> >>>>Red means on... ;-) Does it sound good? if so, who cares about the
>> >>>>odd
>> >
>> >>>>channel clip... I know I don't.
>> >>>>
>> >>>>David.
>> >>>>
>> >>>>Cujo wrote:
>> >>>>
>> >>>>>I just posted aboout this over at GS, I need some opinions form
>> >>>>>Paris
>> >>>
>> >>> users.
>> >>>
>> >>>>>This is regarding a mix due today.
>> >>>>>here is the scenario, I am running this mix through a pair of BAE
> 312;s
>> >>>
>> >>> for
>> >>>
>> >>>>>some coloration, the thing sounds great perfect ablsolutely
> brilliant,
>> >>>
>> >>> don't
>> >>>
>> >>>>>touch a thing type or deal, however, as I was dumping the mix down,
>> >>>>>I
>> >>>
>> >>> noticed
>> >>>
>> >>>>>on snare hit clipping the 8in lights...just one snare hit in the
> whole
>> >>>
>> >>> song.
>> >>>
>> >>>>>Now I tried muting the snare tracks, and of course the clip lights
> did
>> >>>
>> >>> not
>> >>>
>> >>>>>fire.
>> >>>>>So, I tried grouping the snare tracks and ducking them with
> automation,
>> >>>
>> >>> no
>> >>>
>> >>>>>good, even all the way down they still clip!
>> >>>>>So the only way to avoid this is to back down the submix faders goin
>> > inot
>> >>>>>the 312's but I really feel this is diminsihing the enitre mix.
>> >>>>>I want to know if it should just let it slide, as I can not hear it,
>> > and
>> >>>>>the mix sounds better over all left alone and hot.,
>> >>>>>
>> >>>>>I do rememebr BT sayin clipping the lights was ok on drums no?
>> >>>>>
>> >>>>>Anyway, this track is maybe one of the coolest things I have ever
>> >>>>>worked
>> >>>>>on, to all or any of you Clash fans out there, this is gonna blow
> your
>> >>>
>> >>> minds
>> >>>
>> >>>>>(i hope!)
>> >>>>>So thanks for the help.
>>
>>
>> I choose Polesoft Lockspam to fight spam, and you?
>> http://www.polesoft.com/refer.html
>>
>>
>
>DOn;t take this the wrong way, but you must be on hadsome dude, Paul was
the face of the band no? We did a strange song called Silicon on Saphire,
it is a dub of Washington Bullets, but with Mikey we came up with somehting
very fun and cool! I wish I coud share, soon I hope.
"BR" <nospam@nospam.com> wrote:
>Some great musicians there. And Mickey Dread is a legend, didn't they even
>mention him in one of their songs? Never got into Jones (B.A.D.) or
>Strummers solo stuff. I think they were kind of Lennon/McCartney, best
>together. And Topper Headon is underrated, I think he even produced or
>co-produced Combat Rock. What song are your band doing?
>
>Bjorn R
>
>PS. Some Clash fans mistook me for beeing Paul Simonon once, at a bar the
>Clash supposed to attend after a consert. I played along, have had a few
>beers. I even wrote autographs. (I was young then :-)
>
>
>
>"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>news:4469f1b0$1@linux...
>>
>>
>> So, you sound like a real fan, I was lucky to catch the "real" Clash in
>about
>> 1982 then followed the "cut The Crap" lineup for about 6 shows (they were
>> still good) and I saw 2 Strummer Mescalaro shows whcih were hands down
the
>> best of all.
>> His 3 Mescalaro discs are all great, but I like the first. I think Topper
>> headon may be one of rocks greatest unknown drummers.
>>
>> Ok, I have to tell you about this project, it is a compilation of 37 bands
>> doing a tribute to "Sandinista" bands on it besides mine are The
>Smithereens,
>> Camper Van Bethoven, Steve Wynn (Dream Syndicate), jason Ringenberg and
>many
>> many more. My band (The Blizzard of 78) has collaborated with Reggea
>star
>> Mikey Dread, who worked on 5 or so tunes on the original, The track is
a
>> lot of fun. But I look forward to hearing the rest of the stuff on this
>thing
>> too, should be very intersting.
>>
>>
>> "BR" <nospam@nospam.com> wrote:
>> >Their album "London Calling" was named the best album of the 80's, by
>> >Rolling Stone Magazine, despite the fact that it was released in '79.
I
>> saw
>> >them in concert in 1981, great rock'n roll. Too bad that Joe Strummer
>went
>> >away.
>> >
>> >Bjorn R
>> >
>> >
>> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>> >news:4469ad7e$1@linux...
>> >>
>> >>
>> >> Brent Averill 312 Mic PRe's,
>> >>
>> >> The Clash were one of the great bands of all time for sure. Pure I
>would
>> >> call em.
>> >> Underated by people who do not know anything but "rock the casbah"
and
>> >"Should
>> >> I Stay Or Should I Go" (not bad for little singles though)
>> >>
>> >>
>> >> "BR" <nospam@nospam.com> wrote:
>> >> >"I want to know if it should just let it slide, as I can not hear
it,
>> and
>> >> >the mix sounds better over all left alone and hot."
>> >> >
>> >> >Just let it slide :-)
>> >> >
>> >> >Bjorn R (Clash fan)
>> >> >
>> >> >PS. What's a pair of BAE 312's?
>> >> >
>> >> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>> >> >news:4468d9d6$1@linux...
>> >> >>
>> >> >>
>> >> >> I just posted aboout this over at GS, I need some opinions form
>Paris
>> >> >users.
>> >> >> This is regarding a mix due today.
>> >> >> here is the scenario, I am running this mix through a pair of BAE
>312;s
>> >> >for
>> >> >> some coloration, the thing sounds great perfect ablsolutely
>brilliant,
>> >> >don't
>> >> >> touch a thing type or deal, however, as I was dumping the mix down,
>> I
>> >> >noticed
>> >> >> on snare hit clipping the 8in lights...just one snare hit in the
>whole
>> >> >song.
>> >> >> Now I tried muting the snare tracks, and of course the clip lights
>> did
>> >> not
>> >> >> fire.
>> >> >> So, I tried grouping the snare tracks and ducking them with
>automation,
>> >> no
>> >> >> good, even all the way down they still clip!
>> >> >> So the only way to avoid this is to back down the submix faders
goin
>> >inot
>> >> >> the 312's but I really feel this is diminsihing the enitre mix.
>> >> >> I want to know if it should just let it slide, as I can not hear
it,
>> >and
>> >> >> the mix sounds better over all left alone and hot.,
>> >> >>
>> >> >> I do rememebr BT sayin clipping the lights was ok on drums no?
>> >> >>
>> >> >> Anyway, this track is maybe one of the coolest things I have ever
>> >worked
>> >> >> on, to all or any of you Clash fans out there, this is gonna blow
>your
>> >> >minds
>> >> >> (i hope!)
>> >> >> So thanks for the help.
>> >> >
>> >> >
>> >
>> >
>
>You have to open the "FX Projects" It is a ".ppj"file..(named
reverb,flanger,etc.. then open the FX in Paris, and save it in the bottom
"project" folder...
"audio ike" <isaias440@aol.com> wrote in message news:4467ec9c$1@linux...
>
> I was working on a project the other day and suddenly discovered that all
> of my eds effect presets where missing. What happened? In my emu paris
folder
> I have the paris_fx.var (default) file and another of the same, without
the
> default. I am running paris
> 3.0 on an XP machine. Someone please give me some direction or solutions.
>
> Thanks
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Pretty snazzy looking box. I'm mixing some stuff for video now. I visited
>the post engineer yesterday and he was running Final Cut on a G5 with a
>30(something) inch Apple cinema display. It was mighty impressive.
>
>;o)
I just ordered FCP HD. It was a 199.00 upgrade from any of the pro line products.
Great price and I can’t wait. Videography here I come. Now I need a HDR FX1.
GeneLooking forward to hear this record.
Bjorn R (who look more like Robert Duvall these days :-)
"Cujo" <chris@nospamapplemanstudio.com> wrote in message
news:446a29fd$1@linux...
>
>
> DOn;t take this the wrong way, but you must be on hadsome dude, Paul was
> the face of the band no? We did a strange song called Silicon on Saphire,
> it is a dub of Washington Bullets, but with Mikey we came up with
somehting
> very fun and cool! I wish I coud share, soon I hope.
>
>
>
> "BR" <nospam@nospam.com> wrote:
> >Some great musicians there. And Mickey Dread is a legend, didn't they
even
> >mention him in one of their songs? Never got into Jones (B.A.D.) or
> >Strummers solo stuff. I think they were kind of Lennon/McCartney, best
> >together. And Topper Headon is underrated, I think he even produced or
> >co-produced Combat Rock. What song are your band doing?
> >
> >Bjorn R
> >
> >PS. Some Clash fans mistook me for beeing Paul Simonon once, at a bar the
> >Clash supposed to attend after a consert. I played along, have had a few
> >beers. I even wrote autographs. (I was young then :-)
> >
> >
> >
> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
> >news:4469f1b0$1@linux...
> >>
> >>
> >> So, you sound like a real fan, I was lucky to catch the "real" Clash in
> >about
> >> 1982 then followed the "cut The Crap" lineup for about 6 shows (they
were
> >> still good) and I saw 2 Strummer Mescalaro shows whcih were hands down
> the
> >> best of all.
> >> His 3 Mescalaro discs are all great, but I like the first. I think
Topper
> >> headon may be one of rocks greatest unknown drummers.
> >>
> >> Ok, I have to tell you about this project, it is a compilation of 37
bands
> >> doing a tribute to "Sandinista" bands on it besides mine are The
> >Smithereens,
> >> Camper Van Bethoven, Steve Wynn (Dream Syndicate), jason Ringenberg and
> >many
> >> many more. My band (The Blizzard of 78) has collaborated with Reggea
> >star
> >> Mikey Dread, who worked on 5 or so tunes on the original, The track is
> a
> >> lot of fun. But I look forward to hearing the rest of the stuff on this
> >thing
> >> too, should be very intersting.
> >>
> >>
> >> "BR" <nospam@nospam.com> wrote:
> >> >Their album "London Calling" was named the best album of the 80's, by
> >> >Rolling Stone Magazine, despite the fact that it was released in '79.
> I
> >> saw
> >> >them in concert in 1981, great rock'n roll. Too bad that Joe Strummer
> >went
> >> >away.
> >> >
> >> >Bjorn R
> >> >
> >> >
> >> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
> >> >news:4469ad7e$1@linux...
> >> >>
> >> >>
> >> >> Brent Averill 312 Mic PRe's,
> >> >>
> >> >> The Clash were one of the great bands of all time for sure. Pure I
> >would
> >> >> call em.
> >> >> Underated by people who do not know anything but "rock the casbah"
> and
> >> >"Should
> >> >> I Stay Or Should I Go" (not bad for little singles though)
> >> >>
> >> >>
> >> >> "BR" <nospam@nospam.com> wrote:
> >> >> >"I want to know if it should just let it slide, as I can not hear
> it,
> >> and
> >> >> >the mix sounds better over all left alone and hot."
> >> >> >
> >> >> >Just let it slide :-)
> >> >> >
> >> >> >Bjorn R (Clash fan)
> >> >> >
> >> >> >PS. What's a pair of BAE 312's?
> >> >> >
> >> >> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
> >> >> >news:4468d9d6$1@linux...
> >> >> >>
> >> >> >>
> >> >> >> I just posted aboout this over at GS, I need some opinions form
> >Paris
> >> >> >users.
> >> >> >> This is regarding a mix due today.
> >> >> >> here is the scenario, I am running this mix through a pair of BAE
> >312;s
> >> >> >for
> >> >> >> some coloration, the thing sounds great perfect ablsolutely
> >brilliant,
> >> >> >don't
> >> >> >> touch a thing type or deal, however, as I was dumping the mix
down,
> >> I
> >> >> >noticed
> >> >> >> on snare hit clipping the 8in lights...just one snare hit in the
> >whole
> >> >> >song.
> >> >> >> Now I tried muting the snare tracks, and of course the clip
lights
> >> did
> >> >> not
> >> >> >> fire.
> >> >> >> So, I tried grouping the snare tracks and ducking them with
> >automation,
> >> >> no
> >> >> >> good, even all the way down they still clip!
> >> >> >> So the only way to avoid this is to back down the submix faders
> goin
> >> >inot
> >> >> >> the 312's but I really feel this is diminsihing the enitre mix.
> >> >> >> I want to know if it should just let it slide, as I can not hear
> it,
> >> >and
> >> >> >> the mix sounds better over all left alone and hot.,
> >> >> >>
> >> >> >> I do rememebr BT sayin clipping the lights was ok on drums no?
> >> >> >>
> >> >> >> Anyway, this track is maybe one of the coolest things I have ever
> >> >worked
> >> >> >> on, to all or any of you Clash fans out there, this is gonna blow
> >your
> >> >> >minds
> >> >> >> (i hope!)
> >> >> >> So thanks for the help.
> >> >> >
> >> >> >
> >> >
> >> >
> >
> >hehehehehehe So does Paul!
"BR" <nospam@nospam.com> wrote:
>Looking forward to hear this record.
>
>Bjorn R (who look more like Robert Duvall these days :-)
>
>
>"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>news:446a29fd$1@linux...
>>
>>
>> DOn;t take this the wrong way, but you must be on hadsome dude, Paul was
>> the face of the band no? We did a strange song called Silicon on Saphire,
>> it is a dub of Washington Bullets, but with Mikey we came up with
>somehting
>> very fun and cool! I wish I coud share, soon I hope.
>>
>>
>>
>> "BR" <nospam@nospam.com> wrote:
>> >Some great musicians there. And Mickey Dread is a legend, didn't they
>even
>> >mention him in one of their songs? Never got into Jones (B.A.D.) or
>> >Strummers solo stuff. I think they were kind of Lennon/McCartney, best
>> >together. And Topper Headon is underrated, I think he even produced or
>> >co-produced Combat Rock. What song are your band doing?
>> >
>> >Bjorn R
>> >
>> >PS. Some Clash fans mistook me for beeing Paul Simonon once, at a bar
the
>> >Clash supposed to attend after a consert. I played along, have had a
few
>> >beers. I even wrote autographs. (I was young then :-)
>> >
>> >
>> >
>> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>> >news:4469f1b0$1@linux...
>> >>
>> >>
>> >> So, you sound like a real fan, I was lucky to catch the "real" Clash
in
>> >about
>> >> 1982 then followed the "cut The Crap" lineup for about 6 shows (they
>were
>> >> still good) and I saw 2 Strummer Mescalaro shows whcih were hands down
>> the
>> >> best of all.
>> >> His 3 Mescalaro discs are all great, but I like the first. I think
>Topper
>> >> headon may be one of rocks greatest unknown drummers.
>> >>
>> >> Ok, I have to tell you about this project, it is a compilation of 37
>bands
>> >> doing a tribute to "Sandinista" bands on it besides mine are The
>> >Smithereens,
>> >> Camper Van Bethoven, Steve Wynn (Dream Syndicate), jason Ringenberg
and
>> >many
>> >> many more. My band (The Blizzard of 78) has collaborated with Reggea
>> >star
>> >> Mikey Dread, who worked on 5 or so tunes on the original, The track
is
>> a
>> >> lot of fun. But I look forward to hearing the rest of the stuff on
this
>> >thing
>> >> too, should be very intersting.
>> >>
>> >>
>> >> "BR" <nospam@nospam.com> wrote:
>> >> >Their album "London Calling" was named the best album of the 80's,
by
>> >> >Rolling Stone Magazine, despite the fact that it was released in '79.
>> I
>> >> saw
>> >> >them in concert in 1981, great rock'n roll. Too bad that Joe Strummer
>> >went
>> >> >away.
>> >> >
>> >> >Bjorn R
>> >> >
>> >> >
>> >> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>> >> >news:4469ad7e$1@linux...
>> >> >>
>> >> >>
>> >> >> Brent Averill 312 Mic PRe's,
>> >> >>
>> >> >> The Clash were one of the great bands of all time for sure. Pure
I
>> >would
>> >> >> call em.
>> >> >> Underated by people who do not know anything but "rock the casbah"
>> and
>> >> >"Should
>> >> >> I Stay Or Should I Go" (not bad for little singles though)
>> >> >>
>> >> >>
>> >> >> "BR" <nospam@nospam.com> wrote:
>> >> >> >"I want to know if it should just let it slide, as I can not hear
>> it,
>> >> and
>> >> >> >the mix sounds better over all left alone and hot."
>> >> >> >
>> >> >> >Just let it slide :-)
>> >> >> >
>> >> >> >Bjorn R (Clash fan)
>> >> >> >
>> >> >> >PS. What's a pair of BAE 312's?
>> >> >> >
>> >> >> >"Cujo" <chris@nospamapplemanstudio.com> wrote in message
>> >> >> >news:4468d9d6$1@linux...
>> >> >> >>
>> >> >> >>
>> >> >> >> I just posted aboout this over at GS, I need some opinions form
>> >Paris
>> >> >> >users.
>> >> >> >> This is regarding a mix due today.
>> >> >> >> here is the scenario, I am running this mix through a pair of
BAE
>> >312;s
>> >> >> >for
>> >> >> >> some coloration, the thing sounds great perfect ablsolutely
>> >brilliant,
>> >> >> >don't
>> >> >> >> touch a thing type or deal, however, as I was dumping the mix
>down,
>> >> I
>> >> >> >noticed
>> >> >> >> on snare hit clipping the 8in lights...just one snare hit in
the
>> >whole
>> >> >> >song.
>> >> >> >> Now I tried muting the snare tracks, and of course the clip
>lights
>> >> did
>> >> >> not
>> >> >> >> fire.
>> >> >> >> So, I tried grouping the snare tracks and ducking them with
>> >automation,
>> >> >> no
>> >> >> >> good, even all the way down they still clip!
>> >> >> >> So the only way to avoid this is to back down the submix faders
>> goin
>> >> >inot
>> >> >> >> the 312's but I really feel this is diminsihing the enitre mix.
>> >> >> >> I want to know if it should just let it slide, as I can not hear
>> it,
>> >> >and
>> >> >> >> the mix sounds better over all left alone and hot.,
>> >> >> >>
>> >> >> >> I do rememebr BT sayin clipping the lights was ok on drums no?
>> >> >> >>
>> >> >> >> Anyway, this track is maybe one of the coolest things I have
ever
>> >> >worked
>> >> >> >> on, to all or any of you Clash fans out there, this is gonna
blow
>> >your
>> >> >> >minds
>> >> >> >> (i hope!)
>> >> >> >> So thanks for the help.
>> >> >> >
>> >> >> >
>> >> >
>> >> >
>> >
>> >
>
>Ok, I am producing some work right now that calls for something special.
My idead is getting a large group of people together for a background vocal
session. I am talking 15 or so.
Can someone explain to me the best way to set up speakers out of phase so
it cancels out the caranking basic track i want them to sing to? I think
I will need big cheepo home speakers to crank up loud and big..not an extra
pair of 6.5;s or whatever..how did they do this stuff?I've been looking back through earlier postings and found a bit
of info on Dual Core processors. Someone mentioned problems with
the C16 in particular. Since installing the dual core processor,
I have had just such problems. The C16 will lock up, mouse
functions still work and I can save a project, but I cannot play
or move the "now line". Some times I have to restart Paris
several times to get things working.
Has anyone discovered any work arounds to the dual core problems?
I hate to give up the dual core since it solved some other
bottleneck problems I was having with other programs. Since
installing the dual core processor, my old Waves pluggins stopped
working in my Samplitude program as well!
Any help out there?
RobFigure 8 pattern mics in a large fairly dead space. The speakers are
placed on either side of the mic in the dead zone, exactly the same
distance away from the mic. You can experiment with inverting the
polarity of one of the speakers as well. What I have also done is run
a pass of "just track" then flipped the phase on playback and blended
it with the track with the vocals on it. It is imperative that
NOTHING moves when doing this.... dynamics processing is also not an
option with this method.
David.
Cujo wrote:
> Ok, I am producing some work right now that calls for something special.
> My idead is getting a large group of people together for a background vocal
> session. I am talking 15 or so.
> Can someone explain to me the best way to set up speakers out of phase so
> it cancels out the caranking basic track i want them to sing to? I think
> I will need big cheepo home speakers to crank up loud and big..not an extra
> pair of 6.5;s or whatever..how did they do this stuff?
>A better solution, IMO, is to not use speakers, but to have
one person wear headphones & lead the rest... the lead person
acts as a conductor, marking the tempo, and sings/hums a
reference note a couple beats before they're supposed to come
in, and off you go.
Neil
EK Sound <askme@nospam.com> wrote:
>Figure 8 pattern mics in a large fairly dead space. The speakers are
>placed on either side of the mic in the dead zone, exactly the same
>distance away from the mic. You can experiment with inverting the
>polarity of one of the speakers as well. What I have also done is run
>a pass of "just track" then flipped the phase on playback and blended
>it with the track with the vocals on it. It is imperative that
>NOTHING moves when doing this.... dynamics processing is also not an
>option with this method.
>
>David.
>
>Cujo wrote:
>> Ok, I am producing some work right now that calls for something special.
>> My idead is getting a large group of people together for a background
vocal
>> session. I am talking 15 or so.
>> Can someone explain to me the best way to set up speakers out of phase
so
>> it cancels out the caranking basic track i want them to sing to? I think
>> I will need big cheepo home speakers to crank up loud and big..not an
extra
>> pair of 6.5;s or whatever..how did they do this stuff?
>>I had a situation where I had to "stack" a 96 voice choir... I used
small PA boxes to direct the track at the choir and made sure the mics
were behind the speakers. I then phase inverted one pass to help
cancel some of the track leakage... worked great, and we didn't have
to buy 80 more headphones! :-)
David.
Neil wrote:
> A better solution, IMO, is to not use speakers, but to have
> one person wear headphones & lead the rest... the lead person
> acts as a conductor, marking the tempo, and sings/hums a
> reference note a couple beats before they're supposed to come
> in, and off you go.
>
> Neil
>
>
> EK Sound <askme@nospam.com> wrote:
>
>>Figure 8 pattern mics in a large fairly dead space. The speakers are
>>placed on either side of the mic in the dead zone, exactly the same
>>distance away from the mic. You can experiment with inverting the
>>polarity of one of the speakers as well. What I have also done is run
>>a pass of "just track" then flipped the phase on playback and blended
>>it with the track with the vocals on it. It is imperative that
>>NOTHING moves when doing this.... dynamics processing is also not an
>>option with this method.
>>
>>David.
>>
>>Cujo wrote:
>>
>>>Ok, I am producing some work right now that calls for something special.
>>>My idead is getting a large group of people together for a background
>
> vocal
>
>>>session. I am talking 15 or so.
>>>Can someone explain to me the best way to set up speakers out of phase
>
> so
>
>>>it cancels out the caranking basic track i want them to sing to? I think
>>>I will need big cheepo home speakers to crank up loud and big..not an
>
> extra
>
>>>pair of 6.5;s or whatever..how did they do this stuff?
>>>
>
>>Some times I have to restart Paris several times to get things working
Are you caying that you can get it working normally after a few restarts? If
so, then you've suceeded where no one else has.
"Rob" <rob@westfieldorgan.com> wrote in message news:446a4467$1@linux...
>
> I've been looking back through earlier postings and found a bit
> of info on Dual Core processors. Someone mentioned problems with
> the C16 in particular. Since installing the dual core processor,
> I have had just such problems. The C16 will lock up, mouse
> functions still work and I can save a project, but I cannot play
> or move the "now line". Some times I have to restart Paris
> several times to get things working.
>
> Has anyone discovered any work arounds to the dual core problems?
> I hate to give up the dual core since it solved some other
> bottleneck problems I was having with other programs. Since
> installing the dual core processor, my old Waves pluggins stopped
> working in my Samplitude program as well!
>
> Any help out there?
>
> RobWord, indeed
;o)
"Aaron Allen" <nospam@not_here.dude> wrote in message news:446a1a44@linux...
> Word.
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:4469f7d6$1@linux...
> > Did he really say " a little red red on the clippy is ok"? That's
soooooo
> > cute.
> >
> > ;O)
> >
> > "Aaron Allen" <nospam@not_here.dude> wrote in message
> > news:44691650@linux...
> >> yeah dude, I'm going with the Red means it's on thing here.. audio is
> > about
> >> ears more than meters. You dont hear it? don't sweat it.
> >> And yea, BT said a little red red on the clippy is ok.. it's sustained
> > notes
> >> that don't vibe with red on the 8 in.
> >>
> >> AA
> >>
> >>
> >> "Cujo" <chris@nospamapplemanstudio.com> wrote in message
> >> news:4468ed6b$1@linux...
> >> >
> >> >
> >> > Attenuated to the max!
> >> > I talked to one ME who told me not to worry about it.
> >> > Looking for a few more votes too.
> >> >
> >> >
> >> > EK Sound <askme@nospam.com> wrote:
> >> >>What do you mean by mix bus return? are you inserting a piece of gear
> >> >>onto the mix bus? if so attenuate slightly there.
> >> >>
> >> >>David.
> >> >>
> >> >>Cujo wrote:
> >> >>
> >> >>> Well, another vote in that direction.
> >> >>> It is of course the mix buss return clipping. so I want to be
> > carefull,
> >> >>>
> >> >>>
> >> >>>
> >> >>>
> >> >>>
> >> >>> EK Sound <askme@nospam.com> wrote:
> >> >>>
> >> >>>>Red means on... ;-) Does it sound good? if so, who cares about the
> >> >>>>odd
> >> >
> >> >>>>channel clip... I know I don't.
> >> >>>>
> >> >>>>David.
> >> >>>>
> >> >>>>Cujo wrote:
> >> >>>>
> >> >>>>>I just posted aboout this over at GS, I need some opinions form
> >> >>>>>Paris
> >> >>>
> >> >>> users.
> >> >>>
> >> >>>>>This is regarding a mix due today.
> >> >>>>>here is the scenario, I am running this mix through a pair of BAE
> > 312;s
> >> >>>
> >> >>> for
> >> >>>
> >> >>>>>some coloration, the thing sounds great perfect ablsolutely
> > brilliant,
> >> >>>
> >> >>> don't
> >> >>>
> >> >>>>>touch a thing type or deal, however, as I was dumping the mix
down,
> >> >>>>>I
> >> >>>
> >> >>> noticed
> >> >>>
> >> >>>>>on snare hit clipping the 8in lights...just one snare hit in the
> > whole
> >> >>>
> >> >>> song.
> >> >>>
> >> >>>>>Now I tried muting the snare tracks, and of course the clip lights
> > did
> >> >>>
> >> >>> not
> >> >>>
> >> >>>>>fire.
> >> >>>>>So, I tried grouping the snare tracks and ducking them with
> > automation,
> >> >>>
> >> >>> no
> >> >>>
> >> >>>>>good, even all the way down they still clip!
> >> >>>>>So the only way to avoid this is to back down the submix faders
goin
> >> > inot
> >> >>>>>the 312's but I really feel this is diminsihing the enitre mix.
> >> >>>>>I want to know if it should just let it slide, as I can not hear
it,
> >> > and
> >> >>>>>the mix sounds better over all left alone and hot.,
> >> >>>>>
> >> >>>>>I do rememebr BT sayin clipping the lights was ok on drums no?
> >> >>>>>
> >> >>>>>Anyway, this track is maybe one of the coolest things I have ever
> >> >>>>>worked
> >> >>>>>on, to all or any of you Clash fans out there, this is gonna blow
> > your
> >> >>>
> >> >>> minds
> >> >>>
> >> >>>>>(i hope!)
> >> >>>>>So thanks for the help.
> >>
> >>
> >> I choose Polesoft Lockspam to fight spam, and you?
> >> http://www.polesoft.com/refer.html
> >>
> >>
> >
> >
>
>The black one is pretty cool. If it were $500 cheaper I'd but it as a Debian
portable.
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>Check out the new Macbook pro! So I was a week late on the date; )
>
>http://www.apple.com/macbook/macbook.html......that's not a Dell Inspiron???
;Op
"TCB" <nobody@ishere.com> wrote in message news:446a575e$1@linux...
>
> The black one is pretty cool. If it were $500 cheaper I'd but it as a
Debian
> portable.
>
> "James McCloskey" <excelsm@hotmail.com> wrote:
> >
> >Check out the new Macbook pro! So I was a week late on the date; )
> >
> >http://www.apple.com/macbook/macbook.html
>I would not touch anything with Western Union unless you know the person
well. That often seems to be the chosen method for scammers.
"John" <no@no.com> wrote in message news:4468c444$1@linux...
>
> I spotted 3 of these already. The auctions are 1 day and they want money
> by Western Union in ROMANIA !!! They were for the Roland TD20 $5500 set
> for $1500. The auctions have been pulled but here's what the guy in
> Romania
> emailed me. WILD !
>
> http://rafb.net/paste/results/lCz5eL18.html
>
>Did you check here:
http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=175456&utag=
I think one of these switches is your best hope, though I haven't heard a
proper confirmation that it works.
Cheers,
Kim.
"Rob" <rob@westfieldorgan.com> wrote:
>
>I've been looking back through earlier postings and found a bit
>of info on Dual Core processors. Someone mentioned problems with
>the C16 in particular. Since installing the dual core processor,
>I have had just such problems. The C16 will lock up, mouse
>functions still work and I can save a project, but I cannot play
>or move the "now line". Some times I have to restart Paris
>several times to get things working.
>
>Has anyone discovered any work arounds to the dual core problems?
>I hate to give up the dual core since it solved some other
>bottleneck problems I was having with other programs. Since
>installing the dual core processor, my old Waves pluggins stopped
>working in my Samplitude program as well!
>
>Any help out there?
>
>RobHmmm, am I one of the fortunate ones? Yes I can get the system to work normally,
sometimes for up to 1/2 hr or so, sometimes for 30 seconds, but it does work.
If I am working in Samplitude, I use Paris as my monitoring system. Even
if the C16 is locked up, the audio monitoring system still works normally.
By your response, I am gathering that there probably is no known cure at
this time. Oh well! Thanks DJ.
Rob
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>Some times I have to restart Paris several times to get things working
>
>Are you caying that you can get it working normally after a few restarts?
If
>so, then you've suceeded where no one else has.
>
>"Rob" <rob@westfieldorgan.com> wrote in message news:446a4467$1@linux...
>>
>> I've been looking back through earlier postings and found a bit
>> of info on Dual Core processors. Someone mentioned problems with
>> the C16 in particular. Since installing the dual core processor,
>> I have had just such problems. The C16 will lock up, mouse
>> functions still work and I can save a project, but I cannot play
>> or move the "now line". Some times I have to restart Paris
>> several times to get things working.
>>
>> Has anyone discovered any work arounds to the dual core problems?
>> I hate to give up the dual core since it solved some other
>> bottleneck problems I was having with other programs. Since
>> installing the dual core processor, my old Waves pluggins stopped
>> working in my Samplitude program as well!
>>
>> Any help out there?
>>
>> Rob
>
>thanks, Kim. I'll research that a bit to see if I can figure out how to implment
that switch. I'll post to let you know if it worked.
Rob
"Kim" <hiddensounds@hotmail.com> wrote:
>
>
>Did you check here:
>
> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=175456&utag=
>
>I think one of these switches is your best hope, though I haven't heard
a
>proper confirmation that it works.
>
>Cheers,
>Kim.
>
>"Rob" <rob@westfieldorgan.com> wrote:
>>
>>I've been looking back through earlier postings and found a bit
>>of info on Dual Core processors. Someone mentioned problems with
>>the C16 in particular. Since installing the dual core processor,
>>I have had just such problems. The C16 will lock up, mouse
>>functions still work and I can save a project, but I cannot play
>>or move the "now line". Some times I have to restart Paris
>>several times to get things working.
>>
>>Has anyone discovered any work arounds to the dual core problems?
>>I hate to give up the dual core since it solved some other
>>bottleneck problems I was having with other programs. Since
>>installing the dual core processor, my old Waves pluggins stopped
>>working in my Samplitude program as well!
>>
>>Any help out there?
>>
>>Rob
>I would very much appreciate some feedback, as it's a fairly important issue
for people which we haven't really resolved yet...
....and people keep asking, and I keep giving them this link, but I don't
yet know if it can be made to work...
Cheers,
Kim.
"Rob" <rob@westfieldorgan.com> wrote:
>
>thanks, Kim. I'll research that a bit to see if I can figure out how to
implment
>that switch. I'll post to let you know if it worked.
>
>Rob
>
>"Kim" <hiddensounds@hotmail.com> wrote:
>>
>>
>>Did you check here:
>>
>> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=175456&utag=
>>
>>I think one of these switches is your best hope, though I haven't heard
>a
>>proper confirmation that it works.
>>
>>Cheers,
>>Kim.
>>
>>"Rob" <rob@westfieldorgan.com> wrote:
>>>
>>>I've been looking back through earlier postings and found a bit
>>>of info on Dual Core processors. Someone mentioned problems with
>>>the C16 in particular. Since installing the dual core processor,
>>>I have had just such problems. The C16 will lock up, mouse
>>>functions still work and I can save a project, but I cannot play
>>>or move the "now line". Some times I have to restart Paris
>>>several times to get things working.
>>>
>>>Has anyone discovered any work arounds to the dual core problems?
>>>I hate to give up the dual core since it solved some other
>>>bottleneck problems I was having with other programs. Since
>>>installing the dual core processor, my old Waves pluggins stopped
>>>working in my Samplitude program as well!
>>>
>>>Any help out there?
>>>
>>>Rob
>>
>By the way, don't just check that one post... check the whole thread...
http://news.parisnewsgroup.com/cgi-bin/dnewsweb?utag=&gr oup=IDEA.EMUEnsoniqPARIS&xrelated=175456&cmd_related =Related+Items
Cheers,
Kim.
"Rob" <rob@westfieldorgan.com> wrote:
>
>thanks, Kim. I'll research that a bit to see if I can figure out how to
implment
>that switch. I'll post to let you know if it worked.
>
>Rob
>
>"Kim" <hiddensounds@hotmail.com> wrote:
>>
>>
>>Did you check here:
>>
>> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=175456&utag=
>>
>>I think one of these switches is your best hope, though I haven't heard
>a
>>proper confirmation that it works.
>>
>>Cheers,
>>Kim.
>>
>>"Rob" <rob@westfieldorgan.com> wrote:
>>>
>>>I've been looking back through earlier postings and found a bit
>>>of info on Dual Core processors. Someone mentioned problems with
>>>the C16 in particular. Since installing the dual core processor,
>>>I have had just such problems. The C16 will lock up, mouse
>>>functions still work and I can save a project, but I cannot play
>>>or move the "now line". Some times I have to restart Paris
>>>several times to get things working.
>>>
>>>Has anyone discovered any work arounds to the dual core problems?
>>>I hate to give up the dual core since it solved some other
>>>bottleneck problems I was having with other programs. Since
>>>installing the dual core processor, my old Waves pluggins stopped
>>>working in my Samplitude program as well!
>>>
>>>Any help out there?
>>>
>>>Rob
>>
>Thanks, Kim. I did check the whole thread. Here is what I've
tried:
I tried the "/intaffinity" switch in the boot.ini to no availe.
I tried using the Interupt Affinity tool in win2003 resource kit.
That tool actually prevented Paris from loading. I got an error
on startup. I used it on the Schertzo driver. should I have
used it elseware?
The only thing that seems to work is the boot.ini switch
"/onecpu". This even brought back my Waves pluggins for
Samplitude.
At this point in time, I will probably just dual boot, one with
the /onecpu switch for when i need to do a lot of work in Paris,
or Samplitude. Unfortunately, it's usually when I am using
Samplitude that I have another task (CD duplication) running
in the background. That's when the extra cpu works well. Oh
well, it's only the Waves pluggins that seem to be affected
with Samplitude. they're getting old anyway, new would probably
sound better.
If there are more suggestions out there, I'll try them.
Rob
"Kim" <hiddensounds@hotmail.com> wrote:
>
>
>By the way, don't just check that one post... check the whole thread...
>
> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?utag=&gr oup=IDEA.EMUEnsoniqPARIS&xrelated=175456&cmd_related =Related+Items
>
>Cheers,
>Kim.
>
>"Rob" <rob@westfieldorgan.com> wrote:
>>
>>thanks, Kim. I'll research that a bit to see if I can figure out how to
>implment
>>that switch. I'll post to let you know if it worked.
>>
>>Rob
>>
>>"Kim" <hiddensounds@hotmail.com> wrote:
>>>
>>>
>>>Did you check here:
>>>
>>> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=175456&utag=
>>>
>>>I think one of these switches is your best hope, though I haven't heard
>>a
>>>proper confirmation that it works.
>>>
>>>Cheers,
>>>Kim.
>>>
>>>"Rob" <rob@westfieldorgan.com> wrote:
>>>>
>>>>I've been looking back through earlier postings and found a bit
>>>>of info on Dual Core processors. Someone mentioned problems with
>>>>the C16 in particular. Since installing the dual core processor,
>>>>I have had just such problems. The C16 will lock up, mouse
>>>>functions still work and I can save a project, but I cannot play
>>>>or move the "now line". Some times I have to restart Paris
>>>>several times to get things working.
>>>>
>>>>Has anyone discovered any work arounds to the dual core problems?
>>>>I hate to give up the dual core since it solved some other
>>>>bottleneck problems I was having with other programs. Since
>>>>installing the dual core processor, my old Waves pluggins stopped
>>>>working in my Samplitude program as well!
>>>>
>>>>Any help out there?
>>>>
>>>>Rob
>>>
>>
>http://www.artlebedev.com/portfolio/optimus/Apple does have a very good industrial design team, and while the Dell 630m
I use now as my Debian portable is easy on the eyes that Mac is better looking.
And it's available in vampire black which appeals to me. But I sure ain't
paying no $1500 for it.
TCB
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>.....that's not a Dell Inspiron???
>
>
>;Op
>
>"TCB" <nobody@ishere.com> wrote in message news:446a575e$1@linux...
>>
>> The black one is pretty cool. If it were $500 cheaper I'd but it as a
>Debian
>> portable.
>>
>> "James McCloskey" <excelsm@hotmail.com> wrote:
>> >
>> >Check out the new Macbook pro! So I was a week late on the date; )
>> >
>> >http://www.apple.com/macbook/macbook.html
>>
>
>Rob,
According to the PARIS manual, you can't connect an IF2 directly to an EDS
card in a multi-card system.
Cheers,
Stewart.
Rob Arsenault wrote in message <446731d5@linux>...
>Ted, I wonder if this would work for me? Here is the setup. I have a 2 card
>sys with Mec on 1 card and 442 on the other (BNCed together). I have a 3rd
>card stored in box (backup) along with a spare 442 and 2 IF2s. I don't have
>a master clock gen to use a third interface so the spare 442 is out but I
>was wondering If I could use and IF2 on the third card if I was to install
>it to do the drum buss comp thing? I know you need a clock gen to do 3 MECs
>or 3 442s but to 2 MECs and an IF2 plugged directly onto the third card,
>anyone ever tested this?
>
>Thanks
>Rob
>
>
>"Ted" <sonicartproductions@hotmail.com> wrote in message
>news:44664a60$1@linux...
>> If you don't mind blowing a whole Card on it and have a hardware
>> compressor --- this is what I do (maybe not the purist way, but I like it
>> ...):
>>
>> Assign all drums to any stereo aux.
>>
>> Set that aux to post (so your fader moves matter)
>>
>> mute the card you are doing this on (in the global mixer)
>>
>> send the aux to an output (it will still send despite the fact that the
>card
>> itself is muted in global stereo bus)
>>
>> Split that output
>>
>> send one signal right back into the in of another card (since it is in
>> realtime either live input, or an aux return)
>>
>> send the copy through an analog comp. and return in the same manner.
>>
>> your other auxes (like drum verbs, and even additional tracks) from the
>> muted card can be returned the same way via analog chain (as with the
>> drums), spdif (from one mec to another) or even an adat card from one mec
>to
>> another.
>>
>> I bought a DA16X to gain decent sounding outs which also provides me with
>> great stereo outs for my monitoring.
>>
>> Cheers,
>> Ted
>>
>>
>
>Rob,
Thanks for the update. Good to know that you've at least made some progress
of some kind. At least you can make it work. I guess the waves plugs must
have dual processor issues also.
Cheers,
Kim.
"Rob" <rob@westfieldorgan.com> wrote:
>
>Thanks, Kim. I did check the whole thread. Here is what I've
>tried:
>
>I tried the "/intaffinity" switch in the boot.ini to no availe.
>I tried using the Interupt Affinity tool in win2003 resource kit.
>That tool actually prevented Paris from loading. I got an error
>on startup. I used it on the Schertzo driver. should I have
>used it elseware?
>The only thing that seems to work is the boot.ini switch
>"/onecpu". This even brought back my Waves pluggins for
>Samplitude.
>At this point in time, I will probably just dual boot, one with
>the /onecpu switch for when i need to do a lot of work in Paris,
>or Samplitude. Unfortunately, it's usually when I am using
>Samplitude that I have another task (CD duplication) running
>in the background. That's when the extra cpu works well. Oh
>well, it's only the Waves pluggins that seem to be affected
>with Samplitude. they're getting old anyway, new would probably
>sound better.
>
>If there are more suggestions out there, I'll try them.
>
>Rob
>
>"Kim" <hiddensounds@hotmail.com> wrote:
>>
>>
>>By the way, don't just check that one post... check the whole thread...
>>
>> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?utag=&gr oup=IDEA.EMUEnsoniqPARIS&xrelated=175456&cmd_related =Related+Items
>>
>>Cheers,
>>Kim.
>>
>>"Rob" <rob@westfieldorgan.com> wrote:
>>>
>>>thanks, Kim. I'll research that a bit to see if I can figure out how to
>>implment
>>>that switch. I'll post to let you know if it worked.
>>>
>>>Rob
>>>
>>>"Kim" <hiddensounds@hotmail.com> wrote:
>>>>
>>>>
>>>>Did you check here:
>>>>
>>>> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=175456&utag=
>>>>
>>>>I think one of these switches is your best hope, though I haven't heard
>>>a
>>>>proper confirmation that it works.
>>>>
>>>>Cheers,
>>>>Kim.
>>>>
>>>>"Rob" <rob@westfieldorgan.com> wrote:
>>>>>
>>>>>I've been looking back through earlier postings and found a bit
>>>>>of info on Dual Core processors. Someone mentioned problems with
>>>>>the C16 in particular. Since installing the dual core processor,
>>>>>I have had just such problems. The C16 will lock up, mouse
>>>>>functions still work and I can save a project, but I cannot play
>>>>>or move the "now line". Some times I have to restart Paris
>>>>>several times to get things working.
>>>>>
>>>>>Has anyone discovered any work arounds to the dual core problems?
>>>>>I hate to give up the dual core since it solved some other
>>>>>bottleneck problems I was having with other programs. Since
>>>>>installing the dual core processor, my old Waves pluggins stopped
>>>>>working in my Samplitude program as well!
>>>>>
>>>>>Any help out there?
>>>>>
>>>>>Rob
>>>>
>>>
>>
>dude, count me in.
That's just swweeeeet. Wonder what it'll go for and how available it
actually is :)
AA
"Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
>
> http://www.artlebedev.com/portfolio/optimus/
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.htmlRob,
One more suggestion.
I noticed that the /INTAFFINITY switch sends all the interrupts to the second
processor. I notice you didn't say that this caused major issues, just that
you tried it "to no availe" which I assume means that it didn't hurt, it
just didn't solve the problem.
Check this out:
http://www.sybase.com/detail?id=1010600
And this:
http://www.microsoft.com/resources/documentation/windows/xp/ all/proddocs/en-us/taskman_assign_process.mspx?mfr=true
I was thinking that maybe the reason /INTAFFINITY isn't working is that the
Paris application is getting loaded on the 1st CPU, whereas /INTAFFINITY
is sending the interrupts to the second CPU, hence you still get the issues.
I'm thinking that maybe, just maybe, if you can set the Paris application
to use the second CPU as well, that perhaps having the Paris app plus the
interrupts going to one CPU might fix it.
You may need to set the Schertzo driver to that CPU also using that tool,
though it sounds like you had trouble with that. I'd try it without first
and see.
The way I figure there are two possibilities as to what causes it. Either
all of Paris needs to be on one CPU all together including the app, plus
interrupts etc, or it's Paris and some components of the OS, in which case
it's all going to get more complex.
First thing I'd be doing is take every possible step to force Paris and all
it's related components on to a single CPU, which would require both /intaffinity
as well as setting the affinity of the Paris app. Indeed you may have to
set the affinity of some other components of Paris that I'm not aware of.
Just throwing some ideas up.
Cheers,
Kim.
"Rob" <rob@westfieldorgan.com> wrote:
>
>Thanks, Kim. I did check the whole thread. Here is what I've
>tried:
>
>I tried the "/intaffinity" switch in the boot.ini to no availe.
>I tried using the Interupt Affinity tool in win2003 resource kit.
>That tool actually prevented Paris from loading. I got an error
>on startup. I used it on the Schertzo driver. should I have
>used it elseware?
>The only thing that seems to work is the boot.ini switch
>"/onecpu". This even brought back my Waves pluggins for
>Samplitude.
>At this point in time, I will probably just dual boot, one with
>the /onecpu switch for when i need to do a lot of work in Paris,
>or Samplitude. Unfortunately, it's usually when I am using
>Samplitude that I have another task (CD duplication) running
>in the background. That's when the extra cpu works well. Oh
>well, it's only the Waves pluggins that seem to be affected
>with Samplitude. they're getting old anyway, new would probably
>sound better.
>
>If there are more suggestions out there, I'll try them.
>
>Rob
>
>"Kim" <hiddensounds@hotmail.com> wrote:
>>
>>
>>By the way, don't just check that one post... check the whole thread...
>>
>> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?utag=&gr oup=IDEA.EMUEnsoniqPARIS&xrelated=175456&cmd_related =Related+Items
>>
>>Cheers,
>>Kim.
>>
>>"Rob" <rob@westfieldorgan.com> wrote:
>>>
>>>thanks, Kim. I'll research that a bit to see if I can figure out how to
>>implment
>>>that switch. I'll post to let you know if it worked.
>>>
>>>Rob
>>>
>>>"Kim" <hiddensounds@hotmail.com> wrote:
>>>>
>>>>
>>>>Did you check here:
>>>>
>>>> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=175456&utag=
>>>>
>>>>I think one of these switches is your best hope, though I haven't heard
>>>a
>>>>proper confirmation that it works.
>>>>
>>>>Cheers,
>>>>Kim.
>>>>
>>>>"Rob" <rob@westfieldorgan.com> wrote:
>>>>>
>>>>>I've been looking back through earlier postings and found a bit
>>>>>of info on Dual Core processors. Someone mentioned problems with
>>>>>the C16 in particular. Since installing the dual core processor,
>>>>>I have had just such problems. The C16 will lock up, mouse
>>>>>functions still work and I can save a project, but I cannot play
>>>>>or move the "now line". Some times I have to restart Paris
>>>>>several times to get things working.
>>>>>
>>>>>Has anyone discovered any work arounds to the dual core problems?
>>>>>I hate to give up the dual core since it solved some other
>>>>>bottleneck problems I was having with other programs. Since
>>>>>installing the dual core processor, my old Waves pluggins stopped
>>>>>working in my Samplitude program as well!
>>>>>
>>>>>Any help out there?
>>>>>
>>>>>Rob
>>>>
>>>
>>
>very cool
Don
"Aaron Allen" <nospam@not_here.dude> wrote in message
news:446bad35$1@linux...
> dude, count me in.
> That's just swweeeeet. Wonder what it'll go for and how available it
> actually is :)
>
> AA
>
> "Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
>>
>> http://www.artlebedev.com/portfolio/optimus/
>
>
> I choose Polesoft Lockspam to fight spam, and you?
> http://www.polesoft.com/refer.html
>Don't forget the midi driver.
AA
"Kim" <hiddensounds@hotmail.com> wrote in message news:446bb0ec$1@linux...
>
>
> Rob,
>
> One more suggestion.
>
> I noticed that the /INTAFFINITY switch sends all the interrupts to the
> second
> processor. I notice you didn't say that this caused major issues, just
> that
> you tried it "to no availe" which I assume means that it didn't hurt, it
> just didn't solve the problem.
>
> Check this out:
> http://www.sybase.com/detail?id=1010600
> And this:
> http://www.microsoft.com/resources/documentation/windows/xp/ all/proddocs/en-us/taskman_assign_process.mspx?mfr=true
>
> I was thinking that maybe the reason /INTAFFINITY isn't working is that
> the
> Paris application is getting loaded on the 1st CPU, whereas /INTAFFINITY
> is sending the interrupts to the second CPU, hence you still get the
> issues.
> I'm thinking that maybe, just maybe, if you can set the Paris application
> to use the second CPU as well, that perhaps having the Paris app plus the
> interrupts going to one CPU might fix it.
>
> You may need to set the Schertzo driver to that CPU also using that tool,
> though it sounds like you had trouble with that. I'd try it without first
> and see.
>
> The way I figure there are two possibilities as to what causes it. Either
> all of Paris needs to be on one CPU all together including the app, plus
> interrupts etc, or it's Paris and some components of the OS, in which case
> it's all going to get more complex.
>
> First thing I'd be doing is take every possible step to force Paris and
> all
> it's related components on to a single CPU, which would require both
> /intaffinity
> as well as setting the affinity of the Paris app. Indeed you may have to
> set the affinity of some other components of Paris that I'm not aware of.
>
> Just throwing some ideas up.
>
> Cheers,
> Kim.
>
> "Rob" <rob@westfieldorgan.com> wrote:
>>
>>Thanks, Kim. I did check the whole thread. Here is what I've
>>tried:
>>
>>I tried the "/intaffinity" switch in the boot.ini to no availe.
>>I tried using the Interupt Affinity tool in win2003 resource kit.
>>That tool actually prevented Paris from loading. I got an error
>>on startup. I used it on the Schertzo driver. should I have
>>used it elseware?
>>The only thing that seems to work is the boot.ini switch
>>"/onecpu". This even brought back my Waves pluggins for
>>Samplitude.
>>At this point in time, I will probably just dual boot, one with
>>the /onecpu switch for when i need to do a lot of work in Paris,
>>or Samplitude. Unfortunately, it's usually when I am using
>>Samplitude that I have another task (CD duplication) running
>>in the background. That's when the extra cpu works well. Oh
>>well, it's only the Waves pluggins that seem to be affected
>>with Samplitude. they're getting old anyway, new would probably
>>sound better.
>>
>>If there are more suggestions out there, I'll try them.
>>
>>Rob
>>
>>"Kim" <hiddensounds@hotmail.com> wrote:
>>>
>>>
>>>By the way, don't just check that one post... check the whole thread...
>>>
>>> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?utag=&gr oup=IDEA.EMUEnsoniqPARIS&xrelated=175456&cmd_related =Related+Items
>>>
>>>Cheers,
>>>Kim.
>>>
>>>"Rob" <rob@westfieldorgan.com> wrote:
>>>>
>>>>thanks, Kim. I'll research that a bit to see if I can figure out how to
>>>implment
>>>>that switch. I'll post to let you know if it worked.
>>>>
>>>>Rob
>>>>
>>>>"Kim" <hiddensounds@hotmail.com> wrote:
>>>>>
>>>>>
>>>>>Did you check here:
>>>>>
>>>>> http://news.parisnewsgroup.com/cgi-bin/dnewsweb?cmd=article& amp;group=IDEA.EMUEnsoniqPARIS&item=175456&utag=
>>>>>
>>>>>I think one of these switches is your best hope, though I haven't heard
>>>>a
>>>>>proper confirmation that it works.
>>>>>
>>>>>Cheers,
>>>>>Kim.
>>>>>
>>>>>"Rob" <rob@westfieldorgan.com> wrote:
>>>>>>
>>>>>>I've been looking back through earlier postings and found a bit
>>>>>>of info on Dual Core processors. Someone mentioned problems with
>>>>>>the C16 in particular. Since installing the dual core processor,
>>>>>>I have had just such problems. The C16 will lock up, mouse
>>>>>>functions still work and I can save a project, but I cannot play
>>>>>>or move the "now line". Some times I have to restart Paris
>>>>>>several times to get things working.
>>>>>>
>>>>>>Has anyone discovered any work arounds to the dual core problems?
>>>>>>I hate to give up the dual core since it solved some other
>>>>>>bottleneck problems I was having with other programs. Since
>>>>>>installing the dual core processor, my old Waves pluggins stopped
>>>>>>working in my Samplitude program as well!
>>>>>>
>>>>>>Any help out there?
>>>>>>
>>>>>>Rob
>>>>>
>>>>
>>>
>>
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.htmlSooooooo.......does this mean I won't have to think anymore and when I open
an app it will automatically know the hotkey commands of said app and will
light them up on the keys so I won't have to think
anymore................hmmmmm...........I might have to think about getting
one of these.
Just the other day I bought these for my Cubase rig so I wouldn't have to
think:
http://www.editorskeys.com/main.asp?currency=usd
I'm sure someone here could come up with something similar for Paris
keyboard shortcust if they thought about a bit. I'd even buy a set of them
so I wouldn't have to.......errrrr............uhhhhhh..........
;o)
"Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
>
> http://www.artlebedev.com/portfolio/optimus/No what *this* means Deej is that you will soon have one more peripheral
cutting in to your downtime action. What *we* get is several more great
posts from you beginning "Damned #%&*#@..." through which, we shall all live
richly, even if vicariously.
'You know it, I know it and the american people know it.'
;-)
Dubya
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:446bb8dd$1@linux...
> Sooooooo.......does this mean I won't have to think anymore and when I
> open
> an app it will automatically know the hotkey commands of said app and will
> light them up on the keys so I won't have to think
> anymore................hmmmmm...........I might have to think about
> getting
> one of these.
>
> Just the other day I bought these for my Cubase rig so I wouldn't have to
> think:
>
> http://www.editorskeys.com/main.asp?currency=usd
>
> I'm sure someone here could come up with something similar for Paris
> keyboard shortcust if they thought about a bit. I'd even buy a set of them
> so I wouldn't have to.......errrrr............uhhhhhh..........
>
> ;o)
>
> "Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
>>
>> http://www.artlebedev.com/portfolio/optimus/
>
>You have no idea how close I came today to saying "yes" to building an
Opteron rig for a studio in Texas. Having never built an Opteron rig, this
would have surely provided entertainment for weeks. Right now I'm just
trying to get my head around why my Lexicon MRC isn't working. That's enough
grief for the moment..........actually, it's almost enough to persuade me to
use software instead (gasp!!!).......but the spirit of the Studio Of The
Living Dead has commanded that I use an LXP-1 in a certain drum submix so I
must obey.
;oP
"W. Mark Wilson" <wmarkwilson@integrity.com> wrote in message
news:446be28a@linux...
> No what *this* means Deej is that you will soon have one more peripheral
> cutting in to your downtime action. What *we* get is several more great
> posts from you beginning "Damned #%&*#@..." through which, we shall all
live
> richly, even if vicariously.
>
> 'You know it, I know it and the american people know it.'
>
> ;-)
> Dubya
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:446bb8dd$1@linux...
> > Sooooooo.......does this mean I won't have to think anymore and when I
> > open
> > an app it will automatically know the hotkey commands of said app and
will
> > light them up on the keys so I won't have to think
> > anymore................hmmmmm...........I might have to think about
> > getting
> > one of these.
> >
> > Just the other day I bought these for my Cubase rig so I wouldn't have
to
> > think:
> >
> > http://www.editorskeys.com/main.asp?currency=usd
> >
> > I'm sure someone here could come up with something similar for Paris
> > keyboard shortcust if they thought about a bit. I'd even buy a set of
them
> > so I wouldn't have to.......errrrr............uhhhhhh..........
> >
> > ;o)
> >
> > "Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
> >>
> >> http://www.artlebedev.com/portfolio/optimus/
> >
> >
>
>On Wed, 17 May 2006 17:48:12 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:
>Sooooooo.......does this mean I won't have to think anymore and when I open
>an app it will automatically know the hotkey commands of said app and will
>light them up on the keys so I won't have to think
>anymore................hmmmmm...........I might have to think about getting
>one of these.
>
Keep thinking about it. This thing has been floating around out there
for at least a couple years... they have yet to have anything but the
spiffy pix on the website. Same pix, as well.
pabThis is a multi-part message in MIME format.
------=_NextPart_000_0066_01C67A18.730CF2B0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Deej,
You know you have to push the little 'learn' button to get them
to communicate right? The package I sent you would have worked
out of the box. If you swapped a few around (I know you have others)
they may need to be 'taught' to communicate with the learn button on the =
right.
I think the procedure is hold the button on the LXP-1 while sending the =
command
from the MRC. It's been about 15 years since I did it last. Also make =
sure you're
sending data out of the correct port on the MRC.
Or was that my Niche' module? . . .
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:446bef86@linux...
You have no idea how close I came today to saying "yes" to building an
Opteron rig for a studio in Texas. Having never built an Opteron rig, =
this
would have surely provided entertainment for weeks. Right now I'm just
trying to get my head around why my Lexicon MRC isn't working. That's =
enough
grief for the moment..........actually, it's almost enough to persuade =
me to
use software instead (gasp!!!).......but the spirit of the Studio Of =
The
Living Dead has commanded that I use an LXP-1 in a certain drum submix =
so I
must obey.
;oP
"W. Mark Wilson" <wmarkwilson@integrity.com> wrote in message
news:446be28a@linux...
> No what *this* means Deej is that you will soon have one more =
peripheral
> cutting in to your downtime action. What *we* get is several more =
great
> posts from you beginning "Damned #%&*#@..." through which, we shall =
all
live
> richly, even if vicariously.
>
> 'You know it, I know it and the american people know it.'
>
> ;-)
> Dubya
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:446bb8dd$1@linux...
> > Sooooooo.......does this mean I won't have to think anymore and =
when I
> > open
> > an app it will automatically know the hotkey commands of said app =
and
will
> > light them up on the keys so I won't have to think
> > anymore................hmmmmm...........I might have to think =
about
> > getting
> > one of these.
> >
> > Just the other day I bought these for my Cubase rig so I wouldn't =
have
to
> > think:
> >
> > http://www.editorskeys.com/main.asp?currency=3Dusd
> >
> > I'm sure someone here could come up with something similar for =
Paris
> > keyboard shortcust if they thought about a bit. I'd even buy a set =
of
them
> > so I wouldn't have to.......errrrr............uhhhhhh..........
> >
> > ;o)
> >
> > "Nick Lurker" <none@none.no> wrote in message =
news:446b2876$1@linux...
> >>
> >> http://www.artlebedev.com/portfolio/optimus/
> >
> >
>
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_0066_01C67A18.730CF2B0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Deej,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>You know you have to push the little=20
'learn' button to get them</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>to communicate right? The package =
I sent you=20
would have worked</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>out of the box. If you swapped a =
few around=20
(I know you have others)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>they may need to </FONT><FONT =
face=3DArial size=3D2>be=20
'taught' to communicate with the learn button on the right.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I think the procedure is hold the =
button on=20
the LXP-1 while sending the command</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>from the MRC. It's been about 15 =
years since=20
I did it last. Also make sure you're</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>sending data out of the correct port on =
the=20
MRC.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Or was that my Niche' module? . . =
..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:446bef86@linux">news:446bef86@linux</A>...</DIV>You have =
no idea=20
how close I came today to saying "yes" to building an<BR>Opteron rig =
for a=20
studio in Texas. Having never built an Opteron rig, this<BR>would have =
surely=20
provided entertainment for weeks. Right now I'm just<BR>trying to get =
my head=20
around why my Lexicon MRC isn't working. That's enough<BR>grief for =
the=20
moment..........actually, it's almost enough to persuade me to<BR>use =
software=20
instead (gasp!!!).......but the spirit of the Studio Of The<BR>Living =
Dead has=20
commanded that I use an LXP-1 in a certain drum submix so I<BR>must=20
obey.<BR><BR>;oP<BR><BR>"W. Mark Wilson" <<A=20
=
href=3D"mailto:wmarkwilson@integrity.com">wmarkwilson@integrity.com</A>&g=
t;=20
wrote in message<BR><A=20
href=3D"news:446be28a@linux">news:446be28a@linux</A>...<BR>> No =
what *this*=20
means Deej is that you will soon have one more peripheral<BR>> =
cutting in=20
to your downtime action. What *we* get is several more =
great<BR>>=20
posts from you beginning "Damned #%&*#@..." through which, we =
shall=20
all<BR>live<BR>> richly, even if vicariously.<BR>><BR>> 'You =
know it,=20
I know it and the american people know it.'<BR>><BR>> =
;-)<BR>>=20
Dubya<BR>><BR>> "DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message<BR>> <A=20
href=3D"news:446bb8dd$1@linux">news:446bb8dd$1@linux</A>...<BR>> =
>=20
Sooooooo.......does this mean I won't have to think anymore and when =
I<BR>>=20
> open<BR>> > an app it will automatically know the hotkey =
commands=20
of said app and<BR>will<BR>> > light them up on the keys so I =
won't have=20
to think<BR>> > anymore................hmmmmm...........I might =
have to=20
think about<BR>> > getting<BR>> > one of these.<BR>>=20
><BR>> > Just the other day I bought these for my Cubase rig =
so I=20
wouldn't have<BR>to<BR>> > think:<BR>> ><BR>> > <A=20
=
href=3D"http://www.editorskeys.com/main.asp?currency=3Dusd">http://www.ed=
itorskeys.com/main.asp?currency=3Dusd</A><BR>>=20
><BR>> > I'm sure someone here could come up with something =
similar=20
for Paris<BR>> > keyboard shortcust if they thought about a bit. =
I'd=20
even buy a set of<BR>them<BR>> > so I wouldn't have=20
to.......errrrr............uhhhhhh..........<BR>> ><BR>> > =
;o)<BR>> ><BR>> > "Nick Lurker" <<A=20
href=3D"mailto:none@none.no">none@none.no</A>> wrote in message <A=20
href=3D"news:446b2876$1@linux">news:446b2876$1@linux</A>...<BR>>=20
>><BR>> >> <A=20
=
href=3D"http://www.artlebedev.com/portfolio/optimus/">http://www.artlebed=
ev.com/portfolio/optimus/</A><BR>>=20
><BR>> ><BR>><BR>><BR><BR></BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BODY ></HTML>
------=_NextPart_000_0066_01C67A18.730CF2B0--This is a multi-part message in MIME format.
------=_NextPart_000_00B6_01C67A0A.F758EE60
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Hey Tom,
This is a different MRC. I'm doing a little surgery on the buzz on the =
one you sent but yes, it communicates just fine. No problem with it =
buzzing BTW........we had discussed this and I'm very happy with deal..
Deej
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:446c0247@linux...
Deej,
You know you have to push the little 'learn' button to get them
to communicate right? The package I sent you would have worked
out of the box. If you swapped a few around (I know you have others)
they may need to be 'taught' to communicate with the learn button on =
the right.
I think the procedure is hold the button on the LXP-1 while sending =
the command
from the MRC. It's been about 15 years since I did it last. Also =
make sure you're
sending data out of the correct port on the MRC.
Or was that my Niche' module? . . .
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:446bef86@linux...
You have no idea how close I came today to saying "yes" to building =
an
Opteron rig for a studio in Texas. Having never built an Opteron =
rig, this
would have surely provided entertainment for weeks. Right now I'm =
just
trying to get my head around why my Lexicon MRC isn't working. =
That's enough
grief for the moment..........actually, it's almost enough to =
persuade me to
use software instead (gasp!!!).......but the spirit of the Studio Of =
The
Living Dead has commanded that I use an LXP-1 in a certain drum =
submix so I
must obey.
;oP
"W. Mark Wilson" <wmarkwilson@integrity.com> wrote in message
news:446be28a@linux...
> No what *this* means Deej is that you will soon have one more =
peripheral
> cutting in to your downtime action. What *we* get is several more =
great
> posts from you beginning "Damned #%&*#@..." through which, we =
shall all
live
> richly, even if vicariously.
>
> 'You know it, I know it and the american people know it.'
>
> ;-)
> Dubya
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:446bb8dd$1@linux...
> > Sooooooo.......does this mean I won't have to think anymore and =
when I
> > open
> > an app it will automatically know the hotkey commands of said =
app and
will
> > light them up on the keys so I won't have to think
> > anymore................hmmmmm...........I might have to think =
about
> > getting
> > one of these.
> >
> > Just the other day I bought these for my Cubase rig so I =
wouldn't have
to
> > think:
> >
> > http://www.editorskeys.com/main.asp?currency=3Dusd
> >
> > I'm sure someone here could come up with something similar for =
Paris
> > keyboard shortcust if they thought about a bit. I'd even buy a =
set of
them
> > so I wouldn't have to.......errrrr............uhhhhhh..........
> >
> > ;o)
> >
> > "Nick Lurker" <none@none.no> wrote in message =
news:446b2876$1@linux...
> >>
> >> http://www.artlebedev.com/portfolio/optimus/
> >
> >
>
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_00B6_01C67A0A.F758EE60
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey Tom,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>This is a different MRC. I'm doing a =
little surgery=20
on the buzz on the one you sent but yes, it communicates just fine. No =
problem=20
with it buzzing BTW........we had discussed this and I'm very happy =
with=20
deal..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Deej</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:446c0247@linux">news:446c0247@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Deej,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>You know you have to push the little=20
'learn' button to get them</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>to communicate right? The =
package I sent=20
you would have worked</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>out of the box. If you swapped =
a few around=20
(I know you have others)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>they may need to </FONT><FONT =
face=3DArial=20
size=3D2>be 'taught' to communicate with the learn button on the=20
right.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I think the procedure is hold =
the button on=20
the LXP-1 while sending the command</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>from the MRC. It's been about =
15 years=20
since I did it last. Also make sure you're</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>sending data out of the correct port =
on the=20
MRC.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Or was that my Niche' module? . . =
..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:446bef86@linux">news:446bef86@linux</A>...</DIV>You =
have no idea=20
how close I came today to saying "yes" to building an<BR>Opteron rig =
for a=20
studio in Texas. Having never built an Opteron rig, this<BR>would =
have=20
surely provided entertainment for weeks. Right now I'm =
just<BR>trying to get=20
my head around why my Lexicon MRC isn't working. That's =
enough<BR>grief for=20
the moment..........actually, it's almost enough to persuade me =
to<BR>use=20
software instead (gasp!!!).......but the spirit of the Studio Of=20
The<BR>Living Dead has commanded that I use an LXP-1 in a certain =
drum=20
submix so I<BR>must obey.<BR><BR>;oP<BR><BR>"W. Mark Wilson" <<A=20
=
href=3D"mailto:wmarkwilson@integrity.com">wmarkwilson@integrity.com</A>&g=
t;=20
wrote in message<BR><A=20
href=3D"news:446be28a@linux">news:446be28a@linux</A>...<BR>> No =
what *this*=20
means Deej is that you will soon have one more peripheral<BR>> =
cutting in=20
to your downtime action. What *we* get is several more =
great<BR>>=20
posts from you beginning "Damned #%&*#@..." through which, we =
shall=20
all<BR>live<BR>> richly, even if vicariously.<BR>><BR>> =
'You know=20
it, I know it and the american people know it.'<BR>><BR>> =
;-)<BR>>=20
Dubya<BR>><BR>> "DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message<BR>> <A=20
href=3D"news:446bb8dd$1@linux">news:446bb8dd$1@linux</A>...<BR>> =
>=20
Sooooooo.......does this mean I won't have to think anymore and when =
I<BR>> > open<BR>> > an app it will automatically know =
the=20
hotkey commands of said app and<BR>will<BR>> > light them up =
on the=20
keys so I won't have to think<BR>> >=20
anymore................hmmmmm...........I might have to think =
about<BR>>=20
> getting<BR>> > one of these.<BR>> ><BR>> > =
Just the=20
other day I bought these for my Cubase rig so I wouldn't =
have<BR>to<BR>>=20
> think:<BR>> ><BR>> > <A=20
=
href=3D"http://www.editorskeys.com/main.asp?currency=3Dusd">http://www.ed=
itorskeys.com/main.asp?currency=3Dusd</A><BR>>=20
><BR>> > I'm sure someone here could come up with something =
similar=20
for Paris<BR>> > keyboard shortcust if they thought about a =
bit. I'd=20
even buy a set of<BR>them<BR>> > so I wouldn't have=20
to.......errrrr............uhhhhhh..........<BR>> ><BR>> =
>=20
;o)<BR>> ><BR>> > "Nick Lurker" <<A=20
href=3D"mailto:none@none.no">none@none.no</A>> wrote in message =
<A=20
href=3D"news:446b2876$1@linux">news:446b2876$1@linux</A>...<BR>>=20
>><BR>> >> <A=20
=
href=3D"http://www.artlebedev.com/portfolio/optimus/">http://www.artlebed=
ev.com/portfolio/optimus/</A><BR>>=20
><BR>> ><BR>><BR>><BR><BR></BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BLOCKQUOTE ></BODY></HTML>
------=_NextPart_000_00B6_01C67A0A.F758EE60--This is a multi-part message in MIME format.
------=_NextPart_000_0016_01C67A61.4104FC60
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Careful in there! =20
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:446c0934@linux...
Hey Tom,
This is a different MRC. I'm doing a little surgery on the buzz on the =
one you sent but yes, it communicates just fine. No problem with it =
buzzing BTW........we had discussed this and I'm very happy with deal..
Deej
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:446c0247@linux...
Deej,
You know you have to push the little 'learn' button to get them
to communicate right? The package I sent you would have worked
out of the box. If you swapped a few around (I know you have =
others)
they may need to be 'taught' to communicate with the learn button on =
the right.
I think the procedure is hold the button on the LXP-1 while sending =
the command
from the MRC. It's been about 15 years since I did it last. Also =
make sure you're
sending data out of the correct port on the MRC.
Or was that my Niche' module? . . .
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:446bef86@linux...
You have no idea how close I came today to saying "yes" to =
building an
Opteron rig for a studio in Texas. Having never built an Opteron =
rig, this
would have surely provided entertainment for weeks. Right now I'm =
just
trying to get my head around why my Lexicon MRC isn't working. =
That's enough
grief for the moment..........actually, it's almost enough to =
persuade me to
use software instead (gasp!!!).......but the spirit of the Studio =
Of The
Living Dead has commanded that I use an LXP-1 in a certain drum =
submix so I
must obey.
;oP
"W. Mark Wilson" <wmarkwilson@integrity.com> wrote in message
news:446be28a@linux...
> No what *this* means Deej is that you will soon have one more =
peripheral
> cutting in to your downtime action. What *we* get is several =
more great
> posts from you beginning "Damned #%&*#@..." through which, we =
shall all
live
> richly, even if vicariously.
>
> 'You know it, I know it and the american people know it.'
>
> ;-)
> Dubya
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:446bb8dd$1@linux...
> > Sooooooo.......does this mean I won't have to think anymore =
and when I
> > open
> > an app it will automatically know the hotkey commands of said =
app and
will
> > light them up on the keys so I won't have to think
> > anymore................hmmmmm...........I might have to think =
about
> > getting
> > one of these.
> >
> > Just the other day I bought these for my Cubase rig so I =
wouldn't have
to
> > think:
> >
> > http://www.editorskeys.com/main.asp?currency=3Dusd
> >
> > I'm sure someone here could come up with something similar for =
Paris
> > keyboard shortcust if they thought about a bit. I'd even buy a =
set of
them
> > so I wouldn't have =
to.......errrrr............uhhhhhh..........
> >
> > ;o)
> >
> > "Nick Lurker" <none@none.no> wrote in message =
news:446b2876$1@linux...
> >>
> >> http://www.artlebedev.com/portfolio/optimus/
> >
> >
>
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_0016_01C67A61.4104FC60
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Careful in there! </FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:446c0934@linux">news:446c0934@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Hey Tom,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>This is a different MRC. I'm doing a =
little=20
surgery on the buzz on the one you sent but yes, it communicates just =
fine. No=20
problem with it buzzing BTW........we had discussed this and I'm =
very=20
happy with deal..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Deej</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:446c0247@linux">news:446c0247@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Deej,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>You know you have to push the =
little=20
'learn' button to get them</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>to communicate right? The =
package I sent=20
you would have worked</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>out of the box. If you =
swapped a few=20
around (I know you have others)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>they may need to </FONT><FONT =
face=3DArial=20
size=3D2>be 'taught' to communicate with the learn button on the=20
right.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I think the procedure is hold =
the button=20
on the LXP-1 while sending the command</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>from the MRC. It's been about =
15 years=20
since I did it last. Also make sure you're</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>sending data out of the correct =
port on the=20
MRC.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Or was that my Niche' module? . .=20
..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:446bef86@linux">news:446bef86@linux</A>...</DIV>You =
have no=20
idea how close I came today to saying "yes" to building =
an<BR>Opteron rig=20
for a studio in Texas. Having never built an Opteron rig, =
this<BR>would=20
have surely provided entertainment for weeks. Right now I'm =
just<BR>trying=20
to get my head around why my Lexicon MRC isn't working. That's=20
enough<BR>grief for the moment..........actually, it's almost =
enough to=20
persuade me to<BR>use software instead (gasp!!!).......but the =
spirit of=20
the Studio Of The<BR>Living Dead has commanded that I use an LXP-1 =
in a=20
certain drum submix so I<BR>must obey.<BR><BR>;oP<BR><BR>"W. Mark =
Wilson"=20
<<A=20
=
href=3D"mailto:wmarkwilson@integrity.com">wmarkwilson@integrity.com</A>&g=
t;=20
wrote in message<BR><A=20
href=3D"news:446be28a@linux">news:446be28a@linux</A>...<BR>> No =
what=20
*this* means Deej is that you will soon have one more =
peripheral<BR>>=20
cutting in to your downtime action. What *we* get is several =
more=20
great<BR>> posts from you beginning "Damned #%&*#@..." =
through=20
which, we shall all<BR>live<BR>> richly, even if=20
vicariously.<BR>><BR>> 'You know it, I know it and the =
american=20
people know it.'<BR>><BR>> ;-)<BR>> Dubya<BR>><BR>> =
"DJ"=20
<<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message<BR>> <A=20
=
href=3D"news:446bb8dd$1@linux">news:446bb8dd$1@linux</A>...<BR>> > =
Sooooooo.......does this mean I won't have to think anymore and =
when=20
I<BR>> > open<BR>> > an app it will automatically know =
the=20
hotkey commands of said app and<BR>will<BR>> > light them up =
on the=20
keys so I won't have to think<BR>> >=20
anymore................hmmmmm...........I might have to think=20
about<BR>> > getting<BR>> > one of these.<BR>> =
><BR>>=20
> Just the other day I bought these for my Cubase rig so I =
wouldn't=20
have<BR>to<BR>> > think:<BR>> ><BR>> > <A=20
=
href=3D"http://www.editorskeys.com/main.asp?currency=3Dusd">http://www.ed=
itorskeys.com/main.asp?currency=3Dusd</A><BR>>=20
><BR>> > I'm sure someone here could come up with =
something=20
similar for Paris<BR>> > keyboard shortcust if they thought =
about a=20
bit. I'd even buy a set of<BR>them<BR>> > so I wouldn't have =
to.......errrrr............uhhhhhh..........<BR>> ><BR>> =
>=20
;o)<BR>> ><BR>> > "Nick Lurker" <<A=20
href=3D"mailto:none@none.no">none@none.no</A>> wrote in message =
<A=20
=
href=3D"news:446b2876$1@linux">news:446b2876$1@linux</A>...<BR>>=20
>><BR>> >> <A=20
=
href=3D"http://www.artlebedev.com/portfolio/optimus/">http://www.artlebed=
ev.com/portfolio/optimus/</A><BR>>=20
><BR>> ><BR>><BR>><BR><BR></BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight =
spam, and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BLOCKQUOTE ></BLOCKQUOTE></BODY>=
</HTML>
------=_NextPart_000_0016_01C67A61.4104FC60--That would be vaporware, without much of the vapor.
"Aaron Allen" <nospam@not_here.dude> wrote:
>dude, count me in.
>That's just swweeeeet. Wonder what it'll go for and how available it
>actually is :)
>
>AA
>
>"Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
>>
>> http://www.artlebedev.com/portfolio/optimus/
>
>
>I choose Polesoft Lockspam to fight spam, and you?
>http://www.polesoft.com/refer.html
>
>i think it was around $300.00 when i saw it last year.
On 19 May 2006 00:34:41 +1000, "TCB" <nobody@ishere.com> wrote:
>
>That would be vaporware, without much of the vapor.
>
>"Aaron Allen" <nospam@not_here.dude> wrote:
>>dude, count me in.
>>That's just swweeeeet. Wonder what it'll go for and how available it
>>actually is :)
>>
>>AA
>>
>>"Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
>>>
>>> http://www.artlebedev.com/portfolio/optimus/
>>
>>
>>I choose Polesoft Lockspam to fight spam, and you?
>>http://www.polesoft.com/refer.html
>>
>>Let's all send them some money so they will have the capital to bring the
dream to fruition.
"rick" <parnell68@hotmail.com> wrote in message
news:nsap625t1dvkvbb9fn35d6g6mp6f46aqam@4ax.com...
> i think it was around $300.00 when i saw it last year.
>
> On 19 May 2006 00:34:41 +1000, "TCB" <nobody@ishere.com> wrote:
>
> >
> >That would be vaporware, without much of the vapor.
> >
> >"Aaron Allen" <nospam@not_here.dude> wrote:
> >>dude, count me in.
> >>That's just swweeeeet. Wonder what it'll go for and how available it
> >>actually is :)
> >>
> >>AA
> >>
> >>"Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
> >>>
> >>> http://www.artlebedev.com/portfolio/optimus/
> >>
> >>
> >>I choose Polesoft Lockspam to fight spam, and you?
> >>http://www.polesoft.com/refer.html
> >>
> >>
>Where did you see it? They aren't even shipping the three button unit yet.
http://en.wikipedia.org/wiki/Optimus_keyboard
TCB
rick <parnell68@hotmail.com> wrote:
>i think it was around $300.00 when i saw it last year.
>
>On 19 May 2006 00:34:41 +1000, "TCB" <nobody@ishere.com> wrote:
>
>>
>>That would be vaporware, without much of the vapor.
>>
>>"Aaron Allen" <nospam@not_here.dude> wrote:
>>>dude, count me in.
>>>That's just swweeeeet. Wonder what it'll go for and how available it
>>>actually is :)
>>>
>>>AA
>>>
>>>"Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
>>>>
>>>> http://www.artlebedev.com/portfolio/optimus/
>>>
>>>
>>>I choose Polesoft Lockspam to fight spam, and you?
>>>http://www.polesoft.com/refer.html
>>>
>>>
>I absolutely promise you that at least two hundred venture capitalists with
tens of billions of money to dribble about have looked at this. Maybe the
next one will bite.
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Let's all send them some money so they will have the capital to bring the
>dream to fruition.
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:nsap625t1dvkvbb9fn35d6g6mp6f46aqam@4ax.com...
>> i think it was around $300.00 when i saw it last year.
>>
>> On 19 May 2006 00:34:41 +1000, "TCB" <nobody@ishere.com> wrote:
>>
>> >
>> >That would be vaporware, without much of the vapor.
>> >
>> >"Aaron Allen" <nospam@not_here.dude> wrote:
>> >>dude, count me in.
>> >>That's just swweeeeet. Wonder what it'll go for and how available it
>> >>actually is :)
>> >>
>> >>AA
>> >>
>> >>"Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
>> >>>
>> >>> http://www.artlebedev.com/portfolio/optimus/
>> >>
>> >>
>> >>I choose Polesoft Lockspam to fight spam, and you?
>> >>http://www.polesoft.com/refer.html
>> >>
>> >>
>>
>
>Thad,
My tongue was planted so firmly in my cheek when I posted this that I'll
still having trouble extricating it.
;o)
"TCB" <nobody@ishere.com> wrote in message news:446cb963$1@linux...
>
> I absolutely promise you that at least two hundred venture capitalists
with
> tens of billions of money to dribble about have looked at this. Maybe the
> next one will bite.
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >Let's all send them some money so they will have the capital to bring the
> >dream to fruition.
> >
> >"rick" <parnell68@hotmail.com> wrote in message
> >news:nsap625t1dvkvbb9fn35d6g6mp6f46aqam@4ax.com...
> >> i think it was around $300.00 when i saw it last year.
> >>
> >> On 19 May 2006 00:34:41 +1000, "TCB" <nobody@ishere.com> wrote:
> >>
> >> >
> >> >That would be vaporware, without much of the vapor.
> >> >
> >> >"Aaron Allen" <nospam@not_here.dude> wrote:
> >> >>dude, count me in.
> >> >>That's just swweeeeet. Wonder what it'll go for and how available it
> >> >>actually is :)
> >> >>
> >> >>AA
> >> >>
> >> >>"Nick Lurker" <none@none.no> wrote in message
news:446b2876$1@linux...
> >> >>>
> >> >>> http://www.artlebedev.com/portfolio/optimus/
> >> >>
> >> >>
> >> >>I choose Polesoft Lockspam to fight spam, and you?
> >> >>http://www.polesoft.com/refer.html
> >> >>
> >> >>
> >>
> >
> >
>This is a multi-part message in MIME format.
------=_NextPart_000_009F_01C67A9F.6117B450
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
I started using these Raptors about 18 months ago.
I just had my first Raptor die. Allocation errors.
This one got a little over 50% of the usage in that time.
I'm happy to say I had a backup or two of everything=20
on it. WD's return RMA procedure looks pretty good.
A new one is on it's way and this hasn't even been
packed up yet.
Just keep your backup routines happening. I am looking
into Seagates for my next shot at these SATA guys.
Now I have three more Raptors that have me worrying.
Tom
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_009F_01C67A9F.6117B450
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I started using these Raptors about 18 =
months=20
ago.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I just had my first Raptor die. =
Allocation=20
errors.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>This one got a little over 50% of the =
usage in that=20
time.</FONT></DIV>
<DIV> </DIV>I'm happy to say I had a backup or two of everything=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>on it. WD's return RMA =
procedure looks=20
pretty good.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>A new one is on it's way and this =
hasn't even=20
been</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>packed up yet.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Just keep your backup routines =
happening. I=20
am looking</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>into Seagates for my next shot at these =
SATA=20
guys.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Now I have three more Raptors that have =
me=20
worrying.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BODY ></HTML>
------=_NextPart_000_009F_01C67A9F.6117B450--I found the following link on the parisgroup server but its dead.
http://webnews.parisnewsgroup.com/
I feel like experimenting with a little 24/48
Thanks much
Rob_ASorry, this link
http://www.popeye-x.com/tech/128ch_paris.htm
"Rob Arsenault" <mani2@nbnet.nb.ca> wrote in message
news:446cefd9$1@linux...
> I found the following link on the parisgroup server but its dead.
>
> http://webnews.parisnewsgroup.com/
>
> I feel like experimenting with a little 24/48
>
> Thanks much
> Rob_A
>
>Anyone recommend a decent one? I saw an IOGear model at WM. I would like
to be able to use
it over a network if that is possible.
Thanks,
ESeems I remember a while back someone in the group mentioning a DAW shootout
done some time ago with folks (BT?) picking their favorites in a blind
listening test. Were the results ever published? I'm curious as to how
PARIS came out, as well as a few others.Lynn Fuston did one - check his site for DAWSUM sampler:
http://www.3daudioinc.com/catalog/product_info.php/products_ id/32?osCsid=1e1
3b5b3af925bec1cc1a24c10e6bae8
One test is at unity gain, the other with matched fader levels. There is a
thread on Lynn's forum about it.
Regards,
Dedric
On 5/18/06 8:19 PM, in article 446d2a24@linux, "Edna"
<edna@texomaonline.com> wrote:
> Seems I remember a while back someone in the group mentioning a DAW shootout
> done some time ago with folks (BT?) picking their favorites in a blind
> listening test. Were the results ever published? I'm curious as to how
> PARIS came out, as well as a few others.
>
>yip, moving the faders realy does chnge the sound! in any way, it makes it
louder or softer I suppose, I do thing Paris has a blanket over it though,
I am feeling that hardawre processors help. The plate is MUDDDY.
Dedric Terry <dterry@keyofd.net> wrote:
>Lynn Fuston did one - check his site for DAWSUM sampler:
> http://www.3daudioinc.com/catalog/product_info.php/products_ id/32?osCsid=1e1
>3b5b3af925bec1cc1a24c10e6bae8
>
>One test is at unity gain, the other with matched fader levels. There is
a
>thread on Lynn's forum about it.
>
>Regards,
>Dedric
>
>On 5/18/06 8:19 PM, in article 446d2a24@linux, "Edna"
><edna@texomaonline.com> wrote:
>
>> Seems I remember a while back someone in the group mentioning a DAW shootout
>> done some time ago with folks (BT?) picking their favorites in a blind
>> listening test. Were the results ever published? I'm curious as to
how
>> PARIS came out, as well as a few others.
>>
>>
>Hi,
According to DXman there is this Paris midi utility free for download.
I am sure most of you knew that.
Has anyone though tried this or should I ??
According to DXMan you can have midi remote controller for all the minimixer
controls
http://www.analogx.com/contents/download/audio/pmidi.htm
Thats a nice thing to explore...
Regards,
DimitriosThis works through the mini mixer, and it was built in the version 2.x
period.... I haven't tried it on 3, nor to my knowledge has anyone else. I
think some ppl talked about it being too latent to be usable in the real
world, but don't let that discourage you if you have the stuff to try on it.
Back then midi/flying faders weren't very prevalent, things have changed a
bit since that time in what's available now though.
AA
"Dimitrios" <musurgio@otenet.gr> wrote in message news:446d68e4$1@linux...
>
> Hi,
> According to DXman there is this Paris midi utility free for download.
> I am sure most of you knew that.
> Has anyone though tried this or should I ??
> According to DXMan you can have midi remote controller for all the
> minimixer
> controls
> http://www.analogx.com/contents/download/audio/pmidi.htm
>
> Thats a nice thing to explore...
> Regards,
> DimitriosI forgot all about this. I wonder how it switches between submixes?
"Dimitrios" <musurgio@otenet.gr> wrote in message news:446d68e4$1@linux...
>
> Hi,
> According to DXman there is this Paris midi utility free for download.
> I am sure most of you knew that.
> Has anyone though tried this or should I ??
> According to DXMan you can have midi remote controller for all the
minimixer
> controls
> http://www.analogx.com/contents/download/audio/pmidi.htm
>
> Thats a nice thing to explore...
> Regards,
> DimitriosI've got this system happening right now in a way that is exceeding my
wildest dreams. I can access UAD-1 (and theoretically Powercore) VST plugins
by using Cubase Sx as a standalone FX machine. Strapping the UAD-1 EMT 140
across a vocal track is very nice ande being able to use Dreamverb on Paris
auxes also rocks a bit. I can either return all the send effects through
one Paris aux or create separate gbusses to different Paris auxes. Returning
them through one Paris aux sorta seems to muddy things up a bit (though
surprisingly, not as much as you would think) and it limits the
functionality as far as panning goes soooooo.......since I've got this 4th
MEC here, I'm going to have to get me another EDS card and an ADAT module.
I've got an ADAT I/O in my Multiface I'm not using and these 8 x I/O could
be configured in multiple combinations of stereo and mono for panned delays,
stereo reverbs, etc. Paris submix 4 would basically be used as an aux bus.
I'll likely also need to get that PSP PCM-42 delay plugin. The UAD-1 has
some nice positional delays too.
I'll probably get around to this in a month or so. I've got too much
happening right now to start jukin' this thing around again. I need to find
some longer connector cables for the EDS cards though. I've got some old IDE
cables around here. Maybe I could modify them.
;O)hey i'm lucky i even remember seeing it let alone where... it was
probably a link posted on another forum. sorry.
On 19 May 2006 04:12:23 +1000, "TCB" <nobody@ishere.com> wrote:
>
>Where did you see it? They aren't even shipping the three button unit yet.
>
>
>http://en.wikipedia.org/wiki/Optimus_keyboard
>
>TCB
>
>rick <parnell68@hotmail.com> wrote:
>>i think it was around $300.00 when i saw it last year.
>>
>>On 19 May 2006 00:34:41 +1000, "TCB" <nobody@ishere.com> wrote:
>>
>>>
>>>That would be vaporware, without much of the vapor.
>>>
>>>"Aaron Allen" <nospam@not_here.dude> wrote:
>>>>dude, count me in.
>>>>That's just swweeeeet. Wonder what it'll go for and how available it
>>>>actually is :)
>>>>
>>>>AA
>>>>
>>>>"Nick Lurker" <none@none.no> wrote in message news:446b2876$1@linux...
>>>>>
>>>>> http://www.artlebedev.com/portfolio/optimus/
>>>>
>>>>
>>>>I choose Polesoft Lockspam to fight spam, and you?
>>>>http://www.polesoft.com/refer.html
>>>>
>>>>
>>http://tinyurl.com/kccbf
Not a bad deal if they don't get bid on...not quite as flexible as a TD 20
but not too shabby either
DonHey Deej,
Sounds good to me. One suggestion on the PSP, take a look at the 84. The
42 is designed to be a nearly exact copy of the hardware unit. If you had
one of those and have particular things you used to do with it (like chorusing
or flanging) then the 42 is the right choice for you. But the 84 includes
basically the same sonic engine with a really cool filter, more mod possibilities,
and individual control over each side of the stereo field. I have both and
use the 84 95% of the time. Also check out the PSP multitap delay.
I admire your hadware jones. Now that I'm settling in again and making some
music I think I'm going to do the following. Build a seriously tricked out
$3k dual dual core AMD audio box. Stuff 4GB (or maybe even 8GB) of memory
in it. Install Live and my f/x and destroy some samples. The only trick on
this is I'm pretty sure the UAD-1 doesn't have 64 bit XP drivers.
TCB
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>I've got this system happening right now in a way that is exceeding my
>wildest dreams. I can access UAD-1 (and theoretically Powercore) VST plugins
>by using Cubase Sx as a standalone FX machine. Strapping the UAD-1 EMT 140
>across a vocal track is very nice ande being able to use Dreamverb on Paris
>auxes also rocks a bit. I can either return all the send effects through
>one Paris aux or create separate gbusses to different Paris auxes. Returning
>them through one Paris aux sorta seems to muddy things up a bit (though
>surprisingly, not as much as you would think) and it limits the
>functionality as far as panning goes soooooo.......since I've got this 4th
>MEC here, I'm going to have to get me another EDS card and an ADAT module.
>I've got an ADAT I/O in my Multiface I'm not using and these 8 x I/O could
>be configured in multiple combinations of stereo and mono for panned delays,
>stereo reverbs, etc. Paris submix 4 would basically be used as an aux bus.
>I'll likely also need to get that PSP PCM-42 delay plugin. The UAD-1 has
>some nice positional delays too.
>
>I'll probably get around to this in a month or so. I've got too much
>happening right now to start jukin' this thing around again. I need to find
>some longer connector cables for the EDS cards though. I've got some old
IDE
>cables around here. Maybe I could modify them.
>
>;O)
>
>I will certainly check out the PSP 84. Thanks for the heads up on this. As
for your new box, I'm thinking you are right about the 32 bit UAD-1
limitation. If you are using RME hardware, that's going to be 32 bit also,
at least for now. I've got 4 G RAM in my Cubase DAW. Until I upgrade to 64
bit, the system will only *see* appx 3.2G RAM.
DJ
"TCB" <nobody@ishere.com> wrote in message news:446dc85a$1@linux...
>
> Hey Deej,
>
> Sounds good to me. One suggestion on the PSP, take a look at the 84. The
> 42 is designed to be a nearly exact copy of the hardware unit. If you had
> one of those and have particular things you used to do with it (like
chorusing
> or flanging) then the 42 is the right choice for you. But the 84 includes
> basically the same sonic engine with a really cool filter, more mod
possibilities,
> and individual control over each side of the stereo field. I have both and
> use the 84 95% of the time. Also check out the PSP multitap delay.
>
> I admire your hadware jones. Now that I'm settling in again and making
some
> music I think I'm going to do the following. Build a seriously tricked out
> $3k dual dual core AMD audio box. Stuff 4GB (or maybe even 8GB) of memory
> in it. Install Live and my f/x and destroy some samples. The only trick on
> this is I'm pretty sure the UAD-1 doesn't have 64 bit XP drivers.
>
> TCB
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >I've got this system happening right now in a way that is exceeding my
> >wildest dreams. I can access UAD-1 (and theoretically Powercore) VST
plugins
> >by using Cubase Sx as a standalone FX machine. Strapping the UAD-1 EMT
140
> >across a vocal track is very nice ande being able to use Dreamverb on
Paris
> >auxes also rocks a bit. I can either return all the send effects through
> >one Paris aux or create separate gbusses to different Paris auxes.
Returning
> >them through one Paris aux sorta seems to muddy things up a bit (though
> >surprisingly, not as much as you would think) and it limits the
> >functionality as far as panning goes soooooo.......since I've got this
4th
> >MEC here, I'm going to have to get me another EDS card and an ADAT
module.
> >I've got an ADAT I/O in my Multiface I'm not using and these 8 x I/O
could
> >be configured in multiple combinations of stereo and mono for panned
delays,
> >stereo reverbs, etc. Paris submix 4 would basically be used as an aux
bus.
> >I'll likely also need to get that PSP PCM-42 delay plugin. The UAD-1 has
> >some nice positional delays too.
> >
> >I'll probably get around to this in a month or so. I've got too much
> >happening right now to start jukin' this thing around again. I need to
find
> >some longer connector cables for the EDS cards though. I've got some old
> IDE
> >cables around here. Maybe I could modify them.
> >
> >;O)
> >
> >
>I'm doing a project starting in Nuendo( R & B, Neo-Soul) with heavey MPC drums
and all i cn say is that Neundo does not seem to handle agressive Hip Hop
to well..
When I port the wav files into PT, better results. The when i import those
same files into Paris..Boom.. !! Nice tranients, full spectrum, big bodied
AKA Phatt smooth sound..
While I love tracking & Editing in Nuendo, it's handleing of R&B Hip hop
music leaves a lot to be desired..
Paris is still a gem of a Mixer/Recorder.
LaMont
LaMont
"Edna" <edna@texomaonline.com> wrote:
>Seems I remember a while back someone in the group mentioning a DAW shootout
>done some time ago with folks (BT?) picking their favorites in a blind
>listening test. Were the results ever published? I'm curious as to how
>PARIS came out, as well as a few others.
>
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
“and theoretically Powercore”
This is an issue for me. If anyone knows of an example of a dual core, or
a dual dual core with UAD-1 and Powercore PCI working I would like to hear
about the details. When I switch to the G5 Quad, I will need to move my UAD-1
cards to the PC side of my system. Opinions here have been bleak: http://www.powercore.noheaven.com/viewforum.php?f=1
gene
P.S. Your system sounds like I would love it.Hi Gene,
We have built systems with the ASUS A8R-MVP. Like all current boards it
only has 3 PCI slots. We them so far with combos.
haven't had a chance to test a Magma with this but sense we just got
hold a few 7 slots that we are selling I'll hopefully be able test it soon.
3XUADs 1x Fireface800
2xUAD1xPowercoremk2 1xfireface800
2xUAD 1vRMEHDSP9652 or LynxAES32
2xUAD 1vRMEHDSPMADI
2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
Chris
gene lennon wrote:
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>
> “and theoretically Powercore”
>
> This is an issue for me. If anyone knows of an example of a dual core, or
> a dual dual core with UAD-1 and Powercore PCI working I would like to hear
> about the details. When I switch to the G5 Quad, I will need to move my UAD-1
> cards to the PC side of my system. Opinions here have been bleak: http://www.powercore.noheaven.com/viewforum.php?f=1
> gene
> P.S. Your system sounds like I would love it.
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comGene,
This looks pretty grim for the POCO PCI cards. I was thinking about trying
out one of those Powercore FW interfaces. Since I do most of my processing
with hardware and UAD-1, I was thinking that the POCO compact FW interface
would be sufficient.
DJ
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:446deb3a$1@linux...
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>
> "and theoretically Powercore"
>
> This is an issue for me. If anyone knows of an example of a dual core, or
> a dual dual core with UAD-1 and Powercore PCI working I would like to hear
> about the details. When I switch to the G5 Quad, I will need to move my
UAD-1
> cards to the PC side of my system. Opinions here have been bleak:
http://www.powercore.noheaven.com/viewforum.php?f=1
> gene
> P.S. Your system sounds like I would love it.Chris,
Have you tried using three Magma chassis' with one of these mobo's? If it's
only got 3 x PCI slots, then I thnk 3 x Magmas would be in
order............but that's just the way I think.
;o)
"Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
news:446ded8f$1@linux...
> Hi Gene,
> We have built systems with the ASUS A8R-MVP. Like all current boards it
> only has 3 PCI slots. We them so far with combos.
>
> haven't had a chance to test a Magma with this but sense we just got
> hold a few 7 slots that we are selling I'll hopefully be able test it
soon.
>
>
> 3XUADs 1x Fireface800
> 2xUAD1xPowercoremk2 1xfireface800
> 2xUAD 1vRMEHDSP9652 or LynxAES32
> 2xUAD 1vRMEHDSPMADI
> 2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
>
> Chris
>
>
>
> gene lennon wrote:
> > "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >
> > “and theoretically Powercore”
> >
> > This is an issue for me. If anyone knows of an example of a dual core,
or
> > a dual dual core with UAD-1 and Powercore PCI working I would like to
hear
> > about the details. When I switch to the G5 Quad, I will need to move my
UAD-1
> > cards to the PC side of my system. Opinions here have been bleak:
http://www.powercore.noheaven.com/viewforum.php?f=1
> > gene
> > P.S. Your system sounds like I would love it.
>
> --
> Chris Ludwig
>
> ADK Pro Audio
> (859) 635-5762
> www.adkproaudio.com
> chrisl@adkproaudio.com>>>The drive is proprietary,so it doesn't pop into
> a standard computer bay..<<<
Actually, the DRIVE is any standard IDE Drive, it is the "caddy" that is
proprietary. You can run down to your local comp store and get a USB or FW
box, slap the drive in there and go! or you can connect the HD24 up to your
router and FTP the files to your DAW which is what I do. Works great - OR
as mentioned you can buy Alesis FW interface for about $100.
Good luck
--
Brad Lund
"tonehouse" <zmcleod@comcast.net> wrote in message news:445cec91$1@linux...
> Hello..A friend of mine recently got an Alesis HD-24.(not hooked into a
> computer)He wants me to put them in PARIS and mix.. I have not used one of
> these are they .WAV files? The drive is proprietary,so it doesn't pop
> into
> a standard computer bay..What is the best method to transfer into PARIS ?
> Since I changed to XP,my ADAT card doesn't function.. I have had to
> transfer
> ADAT tracks by analog out/in to PARIS...sounds fine...thanks...
>
>Chris Ludwig <chrisl@adkproaudio.com> wrote:
>Hi Gene,
>We have built systems with the ASUS A8R-MVP. Like all current boards it
>only has 3 PCI slots. We them so far with combos.
>
>haven't had a chance to test a Magma with this but sense we just got
>hold a few 7 slots that we are selling I'll hopefully be able test it soon.
>
>
>3XUADs 1x Fireface800
>2xUAD1xPowercoremk2 1xfireface800
>2xUAD 1vRMEHDSP9652 or LynxAES32
>2xUAD 1vRMEHDSPMADI
>2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
>
>Chris
>
Thanks Chris,
The ASUS A8R-MVP is a crossfire Mb, what are you using for graphics?Attractive price so far. But play a TD10 before you buy one.
It should be fine for triggering computer-based sample sets. However I
wouldn't record with it alone and I don't think I'd be happy gigging
with it, the toms especially are not convincingly realistic, to my ear.
Also, this one lacks the expander card which you'd want. It has the old
style rubber pads for cymbals if that matters to you. It looks like it
has a pedal/trigger unit instead of a bass drum pad - you likely won't
get a double bass pedal working with that setup. So there may be
additional costs in all of that and it'll still only be a TD10.
Some drummers find the Roland mesh tom and snare pads too bouncy, I like
them, myself. But after spending an hour or so trying to get it to sound
convincing, and really wanting to like it, I was not impressed with the
TD10 module itself. My personal take: I think the TD20 would be above my
threshold of adequacy sound-wise, along with the DDrum4 and Yamaha
DTXtremeIIS, but the TD10 was below my threshold when I auditioned it.
Cheers,
-Jamie
http://www.JamieKrutz.com
Don Nafe wrote:
> http://tinyurl.com/kccbf
>
> Not a bad deal if they don't get bid on...not quite as flexible as a TD 20
> but not too shabby either
>
> Don
>
>By my math, it will take 3 of those 7 slot Magma's to run all those
cards at one time... ;-)
David.
Chris Ludwig wrote:
> Hi Gene,
> We have built systems with the ASUS A8R-MVP. Like all current boards it
> only has 3 PCI slots. We them so far with combos.
>
> haven't had a chance to test a Magma with this but sense we just got
> hold a few 7 slots that we are selling I'll hopefully be able test it soon.
>
>
> 3XUADs 1x Fireface800
> 2xUAD1xPowercoremk2 1xfireface800
> 2xUAD 1vRMEHDSP9652 or LynxAES32
> 2xUAD 1vRMEHDSPMADI
> 2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
>
> Chris
>
>
>
> gene lennon wrote:
>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>
>> “and theoretically Powercore”
>>
>> This is an issue for me. If anyone knows of an example of a dual core, or
>> a dual dual core with UAD-1 and Powercore PCI working I would like to
>> hear
>> about the details. When I switch to the G5 Quad, I will need to move
>> my UAD-1
>> cards to the PC side of my system. Opinions here have been bleak:
>> http://www.powercore.noheaven.com/viewforum.php?f=1
>> gene
>> P.S. Your system sounds like I would love it.
>
>I'm thinking 3 x 12 slot Magmas are in my future. I'm totally maxed out on
UAD-1 cards and RME cards. The drivers don't allow any more, but I don't
have any TC POCO's yet and surely I'm going to find a way to need *more
stuff*
;o)
"EK Sound" <askme@nospam.com> wrote in message news:446dfc0f$1@linux...
> By my math, it will take 3 of those 7 slot Magma's to run all those
> cards at one time... ;-)
>
> David.
>
> Chris Ludwig wrote:
> > Hi Gene,
> > We have built systems with the ASUS A8R-MVP. Like all current boards it
> > only has 3 PCI slots. We them so far with combos.
> >
> > haven't had a chance to test a Magma with this but sense we just got
> > hold a few 7 slots that we are selling I'll hopefully be able test it
soon.
> >
> >
> > 3XUADs 1x Fireface800
> > 2xUAD1xPowercoremk2 1xfireface800
> > 2xUAD 1vRMEHDSP9652 or LynxAES32
> > 2xUAD 1vRMEHDSPMADI
> > 2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
> >
> > Chris
> >
> >
> >
> > gene lennon wrote:
> >
> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >>
> >> “and theoretically Powercore”
> >>
> >> This is an issue for me. If anyone knows of an example of a dual core,
or
> >> a dual dual core with UAD-1 and Powercore PCI working I would like to
> >> hear
> >> about the details. When I switch to the G5 Quad, I will need to move
> >> my UAD-1
> >> cards to the PC side of my system. Opinions here have been bleak:
> >> http://www.powercore.noheaven.com/viewforum.php?f=1
> >> gene
> >> P.S. Your system sounds like I would love it.
> >
> >Still the best option for time stretching.
Group Buy for Serato's Pitch and Time LE for Logic 7.2 and Pro Tools.
All Logic users should have this.
http://logic-users.org/groupbuy/seratoI'm using IOGear Miniview with excellent results - a 2-port PS/2 w/audio and
a 2-port USB w/audio. The USB unit is connected to a G3 and a G4 Mac.
Doesn't look like IOGear makes and network KVMs though. I picked these up
at Fry's pretty cheap w/rebates. So far, so good.
Mark
"Edna" <edna@texomaonline.com> wrote:
>Anyone recommend a decent one? I saw an IOGear model at WM. I would like
>to be able to use
>it over a network if that is possible.
>Thanks,
>E
>
>And on May 25, the Notorious Deej was arrested in his hideout in
Colorado.
He was feverishly trying to put the last touches on his nuclear
ambitions. By cornering the audio-widget market, he had hoped
to throw an economic neutron bomb into the very heart of the
audio-capitalist world.
Unfortunately for the long-pursued desparado, he will now have
to pursue his audio vision in prison...
We do understand that they now have one of these:
http://www.samsontech.com/products/productpage.cfm?prodID=17 81&brandID=4
in the prison vocational program, so perhaps all is not lost.So, I have been a bit frustrated of late with some of the reverb plugs
at my disposal... "there has to be something better" I thought. I
have heard of SIR from time to time and thought, what the heck, how
hard can it be to install (Nuendo). So, I donwload it along with some
impulses from Lex, Quantec and others... drag the .dll into the plus
folder and boot Nuendo. I called up a simple session that I did last
week and stuck a Quantec impulse on the vocal... HOLY CRAP!!!
WHY DIDN'T SOMEONE TELL ME ABOUT THIS THING EARLIER!!!!!! ;-)
*sigh*
David.You'll love this one Lamont:
I'm mixing an R&B/Gospel project in Nuendo (and partially in Sequoia). I
tried Sequoia on a few tunes, even one I started in Nuendo and moved to
Sequoia for the same reason you stated (just couldn't get the sound I was
going for - Destiny's Child, etc). Seq has some great tools for fat and
punchy, but the delay in playback for caching audio, and delay every time I
move a fader (on heavier loaded projects) is too much to bear. Lack of dual
core support is holding this app back - great editing, etc, and it handles
3x the orchestral library as Nuendo, but not when it comes to mixing.
I went back to Nuendo - it takes a different approach, but it's sounding
great (I'll master in Sequoia to get the levels the clients are looking
for). At first I thought it was just that Sequoia really did sound better
on some things and it does handle the main buss differently, but then went
back and compared mixes - now I'm thinking it really had more to do with the
Eqs, comps, etc I was using within Sequoia - nothing comparable in Nuendo.
IMHO, Nuendo doesn't have the headroom for low end (e.g. a limiting
algorithm in some form in the audio engine) - it just clips everything over
0dBFS - Paris and Samp/Seq "soft clip" - so you have to compress it and get
it EQ'd right before hitting the master in Nuendo, and that can be tricky.
It's much easier to let soft clipping handle it since most limiters also
compress the lows and mids with an imbalance of attack/release. Soft
clipping doesn't affect the attack/release at all, so the low end stays
punchy. It does distort, but can be either unnoticeable, or even pleasing
in some cases.
Samplitude has a similar soft clipping approach to Paris', but it still
takes some care to make good use of it. I love a lot about Sequoia, but the
caching has to go (similar to Cool Edit Pro/Audition's approach). I can't
deal with faders that freeze the screen momentarily everytime I tweak it by
0.1dB.
Can we make a request to someone for a "best of" DAW?
Regards,
Dedric
On 5/19/06 9:51 AM, in article 446de96a$1@linux, "LaMont"
<jjdpro@ameritech.net> wrote:
>
> I'm doing a project starting in Nuendo( R & B, Neo-Soul) with heavey MPC drums
> and all i cn say is that Neundo does not seem to handle agressive Hip Hop
> to well..
>
> When I port the wav files into PT, better results. The when i import those
> same files into Paris..Boom.. !! Nice tranients, full spectrum, big bodied
> AKA Phatt smooth sound..
>
> While I love tracking & Editing in Nuendo, it's handleing of R&B Hip hop
> music leaves a lot to be desired..
>
> Paris is still a gem of a Mixer/Recorder.
> LaMont
> LaMont
>
> "Edna" <edna@texomaonline.com> wrote:
>> Seems I remember a while back someone in the group mentioning a DAW shootout
>> done some time ago with folks (BT?) picking their favorites in a blind
>> listening test. Were the results ever published? I'm curious as to how
>> PARIS came out, as well as a few others.
>>
>>
>Dedric Terry <dterry@keyofd.net> wrote:
>Can we make a request to someone for a "best of" DAW?
yeah, but he is no longer with us...But . . . how did you know . . . ?
S
"DC" <dc@spammersinchulavista.com> wrote in message news:4467cdbe$1@linux...
>
> "Sarah" <sarahjane@sarahtonin.com> wrote:
>
>>What? Dick Cheney wants us to listen to weird techno music?
>
> YEAH, and he wants you to drive an old Ford Pinto and date a
> musician!
>
> heh
>
> DCI agree. A must have!
I was no 47 to sign in. I'm already using the full version in PT and
Fairlight and now Logic. At least it gives on option to avoid Apple loops
which in many cases realy sound like crap.
Ab
"gene lennon" <glennon@NOSPmyrealbox.com> wrote:
>
>Still the best option for time stretching.
>
>Group Buy for Serato's Pitch and Time LE for Logic 7.2 and Pro Tools.
>All Logic users should have this.
>
>http://logic-users.org/groupbuy/serato
>Hi All,
Hey, the supplier I use for Mitsui (MAM-A) gold CDR's has decided on
a new 300-piece minimum.
Yikes!
I just don't need 300 at a time. Their price is decent (0.84 USD)
but I would take too long to use them here.
Do you know of anyone who sells 100 at a time?
Anyone want to split an order?
DCCheck this out for KVM-over-IP:
http://www.realvnc.com/products/KVM-over-IP/
"Edna" <edna@texomaonline.com> wrote:
>Anyone recommend a decent one? I saw an IOGear model at WM. I would like
>to be able to use
>it over a network if that is possible.
>Thanks,
>E
>
>Umm...you didn't get the memo?
On 5/19/06 2:10 PM, in article 446e254b$1@linux, "EK Sound"
<askme@nospam.com> wrote:
> So, I have been a bit frustrated of late with some of the reverb plugs
> at my disposal... "there has to be something better" I thought. I
> have heard of SIR from time to time and thought, what the heck, how
> hard can it be to install (Nuendo). So, I donwload it along with some
> impulses from Lex, Quantec and others... drag the .dll into the plus
> folder and boot Nuendo. I called up a simple session that I did last
> week and stuck a Quantec impulse on the vocal... HOLY CRAP!!!
>
> WHY DIDN'T SOMEONE TELL ME ABOUT THIS THING EARLIER!!!!!! ;-)
>
> *sigh*
>
> David. http://www.washingtonpost.com/wp-dyn/content/article/2006/05 /17/AR2006051702110.htmlHI DJ,
On the PC side of things the Fire wire Powercore seems to have pretty
mixed results. The compact firewire is too under powered DSP IMHO to be
worth it. don't for get that both TC and UAD will be putting out PCI-E
version quite soon. So you could in theory have this setup.
2x RME sound cards
1x Magma w/UADS
1x TC powercore PCI-E
Chris
DJ wrote:
> Gene,
>
> This looks pretty grim for the POCO PCI cards. I was thinking about trying
> out one of those Powercore FW interfaces. Since I do most of my processing
> with hardware and UAD-1, I was thinking that the POCO compact FW interface
> would be sufficient.
>
> DJ
>
>
> "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
> news:446deb3a$1@linux...
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>
>> "and theoretically Powercore"
>>
>> This is an issue for me. If anyone knows of an example of a dual core, or
>> a dual dual core with UAD-1 and Powercore PCI working I would like to hear
>> about the details. When I switch to the G5 Quad, I will need to move my
> UAD-1
>> cards to the PC side of my system. Opinions here have been bleak:
> http://www.powercore.noheaven.com/viewforum.php?f=1
>> gene
>> P.S. Your system sounds like I would love it.
>
>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comHI DJ,
No we haven't tried 3 magmas you nit.
Chris
DJ wrote:
> Chris,
>
> Have you tried using three Magma chassis' with one of these mobo's? If it's
> only got 3 x PCI slots, then I thnk 3 x Magmas would be in
> order............but that's just the way I think.
>
> ;o)
>
> "Chris Ludwig" <chrisl@adkproaudio.com> wrote in message
> news:446ded8f$1@linux...
>> Hi Gene,
>> We have built systems with the ASUS A8R-MVP. Like all current boards it
>> only has 3 PCI slots. We them so far with combos.
>>
>> haven't had a chance to test a Magma with this but sense we just got
>> hold a few 7 slots that we are selling I'll hopefully be able test it
> soon.
>>
>> 3XUADs 1x Fireface800
>> 2xUAD1xPowercoremk2 1xfireface800
>> 2xUAD 1vRMEHDSP9652 or LynxAES32
>> 2xUAD 1vRMEHDSPMADI
>> 2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
>>
>> Chris
>>
>>
>>
>> gene lennon wrote:
>>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>
>>> “and theoretically Powercore”
>>>
>>> This is an issue for me. If anyone knows of an example of a dual core,
> or
>>> a dual dual core with UAD-1 and Powercore PCI working I would like to
> hear
>>> about the details. When I switch to the G5 Quad, I will need to move my
> UAD-1
>>> cards to the PC side of my system. Opinions here have been bleak:
> http://www.powercore.noheaven.com/viewforum.php?f=1
>>> gene
>>> P.S. Your system sounds like I would love it.
>> --
>> Chris Ludwig
>>
>> ADK Pro Audio
>> (859) 635-5762
>> www.adkproaudio.com
>> chrisl@adkproaudio.com
>
>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comHi Gene,
The Nvidia FX 6000 and 7000 series work best.
The Matrox can be problematic unless you have the current BIOS for the
Matrox card before you us it on the motherboard.
All the ATI cards hat aren't true crossfire barely work at all...go
figure. But their video cards suck in general.
Chris
gene lennon wrote:
> Chris Ludwig <chrisl@adkproaudio.com> wrote:
>> Hi Gene,
>> We have built systems with the ASUS A8R-MVP. Like all current boards it
>
>> only has 3 PCI slots. We them so far with combos.
>>
>> haven't had a chance to test a Magma with this but sense we just got
>> hold a few 7 slots that we are selling I'll hopefully be able test it soon.
>>
>>
>> 3XUADs 1x Fireface800
>> 2xUAD1xPowercoremk2 1xfireface800
>> 2xUAD 1vRMEHDSP9652 or LynxAES32
>> 2xUAD 1vRMEHDSPMADI
>> 2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
>>
>> Chris
>>
>
> Thanks Chris,
> The ASUS A8R-MVP is a crossfire Mb, what are you using for graphics?
>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comHi,
You must have went to a public school..:)
Each line is a different configuration. Their are only 3 PCI slots.
Thats why the first 2 use a fireface so we could use up all the PCI
slots with UAD and Powercores.
Chris
EK Sound wrote:
> By my math, it will take 3 of those 7 slot Magma's to run all those
> cards at one time... ;-)
>
> David.
>
> Chris Ludwig wrote:
>> Hi Gene,
>> We have built systems with the ASUS A8R-MVP. Like all current boards
>> it only has 3 PCI slots. We them so far with combos.
>>
>> haven't had a chance to test a Magma with this but sense we just got
>> hold a few 7 slots that we are selling I'll hopefully be able test it
>> soon.
>>
>>
>> 3XUADs 1x Fireface800
>> 2xUAD1xPowercoremk2 1xfireface800
>> 2xUAD 1vRMEHDSP9652 or LynxAES32
>> 2xUAD 1vRMEHDSPMADI
>> 2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
>>
>> Chris
>>
>>
>>
>> gene lennon wrote:
>>
>>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>
>>> “and theoretically Powercore”
>>>
>>> This is an issue for me. If anyone knows of an example of a dual
>>> core, or
>>> a dual dual core with UAD-1 and Powercore PCI working I would like to
>>> hear
>>> about the details. When I switch to the G5 Quad, I will need to move
>>> my UAD-1
>>> cards to the PC side of my system. Opinions here have been bleak:
>>> http://www.powercore.noheaven.com/viewforum.php?f=1
>>> gene
>>> P.S. Your system sounds like I would love it.
>>
>>
--
Chris Ludwig
ADK Pro Audio
(859) 635-5762
www.adkproaudio.com
chrisl@adkproaudio.comI know, but DJ would need to run all that at one time to feed the
735456763647763 channels of audio back and forth in his rig... hence
the three Magma's ;-)
David.
Chris Ludwig wrote:
> Hi,
> You must have went to a public school..:)
>
> Each line is a different configuration. Their are only 3 PCI slots.
> Thats why the first 2 use a fireface so we could use up all the PCI
> slots with UAD and Powercores.
>
> Chris
>
>
>
> EK Sound wrote:
>
>> By my math, it will take 3 of those 7 slot Magma's to run all those
>> cards at one time... ;-)
>>
>> David.
>>
>> Chris Ludwig wrote:
>>
>>> Hi Gene,
>>> We have built systems with the ASUS A8R-MVP. Like all current boards
>>> it only has 3 PCI slots. We them so far with combos.
>>>
>>> haven't had a chance to test a Magma with this but sense we just got
>>> hold a few 7 slots that we are selling I'll hopefully be able test it
>>> soon.
>>>
>>>
>>> 3XUADs 1x Fireface800
>>> 2xUAD1xPowercoremk2 1xfireface800
>>> 2xUAD 1vRMEHDSP9652 or LynxAES32
>>> 2xUAD 1vRMEHDSPMADI
>>> 2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
>>>
>>> Chris
>>>
>>>
>>>
>>> gene lennon wrote:
>>>
>>>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>>
>>>> “and theoretically Powercore”
>>>>
>>>> This is an issue for me. If anyone knows of an example of a dual
>>>> core, or
>>>> a dual dual core with UAD-1 and Powercore PCI working I would like
>>>> to hear
>>>> about the details. When I switch to the G5 Quad, I will need to move
>>>> my UAD-1
>>>> cards to the PC side of my system. Opinions here have been bleak:
>>>> http://www.powercore.noheaven.com/viewforum.php?f=1
>>>> gene
>>>> P.S. Your system sounds like I would love it.
>>>
>>>
>>>
>We are so excited ! Ok, well my wife's not but I am.
http://tinyurl.com/gqkscnow rick is an uncle !!!
"John" <no@no.com> wrote:
>
>We are so excited ! Ok, well my wife's not but I am.
>
>http://tinyurl.com/gqkscHey Dedric,
So, you're mixing R&B in Nuendo..Whew!! What a task..
You are right, you have to find that oh-so sweet spot in Nuendo for low end
tracks. I have to admit, Pro-Tools (7) does a much better job at this. But,
Paris just mops the floor in mixing Hip-Hop, R & B music..
Also, I have yet to mix a multi track project in samplitude. I will, i promise..
Take care..LaMont
P.S.. Maybe some DAW manufacturer is in the process of combining "The Best
Features from All the Great DAWS Past & Present" :)
Dedric Terry <dterry@keyofd.net> wrote:
>You'll love this one Lamont:
>
>I'm mixing an R&B/Gospel project in Nuendo (and partially in Sequoia).
I
>tried Sequoia on a few tunes, even one I started in Nuendo and moved to
>Sequoia for the same reason you stated (just couldn't get the sound I was
>going for - Destiny's Child, etc). Seq has some great tools for fat and
>punchy, but the delay in playback for caching audio, and delay every time
I
>move a fader (on heavier loaded projects) is too much to bear. Lack of
dual
>core support is holding this app back - great editing, etc, and it handles
>3x the orchestral library as Nuendo, but not when it comes to mixing.
>
>I went back to Nuendo - it takes a different approach, but it's sounding
>great (I'll master in Sequoia to get the levels the clients are looking
>for). At first I thought it was just that Sequoia really did sound better
>on some things and it does handle the main buss differently, but then went
>back and compared mixes - now I'm thinking it really had more to do with
the
>Eqs, comps, etc I was using within Sequoia - nothing comparable in Nuendo.
>
>IMHO, Nuendo doesn't have the headroom for low end (e.g. a limiting
>algorithm in some form in the audio engine) - it just clips everything over
>0dBFS - Paris and Samp/Seq "soft clip" - so you have to compress it and
get
>it EQ'd right before hitting the master in Nuendo, and that can be tricky.
>It's much easier to let soft clipping handle it since most limiters also
>compress the lows and mids with an imbalance of attack/release. Soft
>clipping doesn't affect the attack/release at all, so the low end stays
>punchy. It does distort, but can be either unnoticeable, or even pleasing
>in some cases.
>
>Samplitude has a similar soft clipping approach to Paris', but it still
>takes some care to make good use of it. I love a lot about Sequoia, but
the
>caching has to go (similar to Cool Edit Pro/Audition's approach). I can't
>deal with faders that freeze the screen momentarily everytime I tweak it
by
>0.1dB.
>
>Can we make a request to someone for a "best of" DAW?
>
>Regards,
>Dedric
>
>On 5/19/06 9:51 AM, in article 446de96a$1@linux, "LaMont"
><jjdpro@ameritech.net> wrote:
>
>>
>> I'm doing a project starting in Nuendo( R & B, Neo-Soul) with heavey MPC
drums
>> and all i cn say is that Neundo does not seem to handle agressive Hip
Hop
>> to well..
>>
>> When I port the wav files into PT, better results. The when i import those
>> same files into Paris..Boom.. !! Nice tranients, full spectrum, big bodied
>> AKA Phatt smooth sound..
>>
>> While I love tracking & Editing in Nuendo, it's handleing of R&B Hip hop
>> music leaves a lot to be desired..
>>
>> Paris is still a gem of a Mixer/Recorder.
>> LaMont
>> LaMont
>>
>> "Edna" <edna@texomaonline.com> wrote:
>>> Seems I remember a while back someone in the group mentioning a DAW shootout
>>> done some time ago with folks (BT?) picking their favorites in a blind
>>> listening test. Were the results ever published? I'm curious as to
how
>>> PARIS came out, as well as a few others.
>>>
>>>
>>
>Yeah, it's pretty darn sweet man. I sure wish Paris handled it with less
latency though :)
AA
"EK Sound" <askme@nospam.com> wrote in message news:446e254b$1@linux...
> So, I have been a bit frustrated of late with some of the reverb plugs at
> my disposal... "there has to be something better" I thought. I have heard
> of SIR from time to time and thought, what the heck, how hard can it be to
> install (Nuendo). So, I donwload it along with some impulses from Lex,
> Quantec and others... drag the .dll into the plus folder and boot Nuendo.
> I called up a simple session that I did last week and stuck a Quantec
> impulse on the vocal... HOLY CRAP!!!
>
> WHY DIDN'T SOMEONE TELL ME ABOUT THIS THING EARLIER!!!!!! ;-)
>
> *sigh*
>
> David.
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.htmlIt mops the floor with whatever gets near it in aggressive pop too, man.
I've still yet to hear anything DAW keep up against Paris with aggressive
pushed / phat mixing techniques.
AA
"LaMont" <jjdpro@ameritech.net> wrote in message news:446e4b12$1@linux...
>
> Hey Dedric,
> So, you're mixing R&B in Nuendo..Whew!! What a task..
>
> You are right, you have to find that oh-so sweet spot in Nuendo for low
> end
> tracks. I have to admit, Pro-Tools (7) does a much better job at this.
> But,
> Paris just mops the floor in mixing Hip-Hop, R & B music..
>
> Also, I have yet to mix a multi track project in samplitude. I will, i
> promise..
> Take care..LaMont
>
> P.S.. Maybe some DAW manufacturer is in the process of combining "The Best
> Features from All the Great DAWS Past & Present" :)
>
>
>
>
> Dedric Terry <dterry@keyofd.net> wrote:
>>You'll love this one Lamont:
>>
>>I'm mixing an R&B/Gospel project in Nuendo (and partially in Sequoia).
> I
>>tried Sequoia on a few tunes, even one I started in Nuendo and moved to
>>Sequoia for the same reason you stated (just couldn't get the sound I was
>>going for - Destiny's Child, etc). Seq has some great tools for fat and
>>punchy, but the delay in playback for caching audio, and delay every time
> I
>>move a fader (on heavier loaded projects) is too much to bear. Lack of
> dual
>>core support is holding this app back - great editing, etc, and it handles
>>3x the orchestral library as Nuendo, but not when it comes to mixing.
>>
>>I went back to Nuendo - it takes a different approach, but it's sounding
>>great (I'll master in Sequoia to get the levels the clients are looking
>>for). At first I thought it was just that Sequoia really did sound better
>>on some things and it does handle the main buss differently, but then went
>>back and compared mixes - now I'm thinking it really had more to do with
> the
>>Eqs, comps, etc I was using within Sequoia - nothing comparable in Nuendo.
>>
>>IMHO, Nuendo doesn't have the headroom for low end (e.g. a limiting
>>algorithm in some form in the audio engine) - it just clips everything
>>over
>>0dBFS - Paris and Samp/Seq "soft clip" - so you have to compress it and
> get
>>it EQ'd right before hitting the master in Nuendo, and that can be tricky.
>>It's much easier to let soft clipping handle it since most limiters also
>>compress the lows and mids with an imbalance of attack/release. Soft
>>clipping doesn't affect the attack/release at all, so the low end stays
>>punchy. It does distort, but can be either unnoticeable, or even pleasing
>>in some cases.
>>
>>Samplitude has a similar soft clipping approach to Paris', but it still
>>takes some care to make good use of it. I love a lot about Sequoia, but
> the
>>caching has to go (similar to Cool Edit Pro/Audition's approach). I can't
>>deal with faders that freeze the screen momentarily everytime I tweak it
> by
>>0.1dB.
>>
>>Can we make a request to someone for a "best of" DAW?
>>
>>Regards,
>>Dedric
>>
>>On 5/19/06 9:51 AM, in article 446de96a$1@linux, "LaMont"
>><jjdpro@ameritech.net> wrote:
>>
>>>
>>> I'm doing a project starting in Nuendo( R & B, Neo-Soul) with heavey MPC
> drums
>>> and all i cn say is that Neundo does not seem to handle agressive Hip
> Hop
>>> to well..
>>>
>>> When I port the wav files into PT, better results. The when i import
>>> those
>>> same files into Paris..Boom.. !! Nice tranients, full spectrum, big
>>> bodied
>>> AKA Phatt smooth sound..
>>>
>>> While I love tracking & Editing in Nuendo, it's handleing of R&B Hip hop
>>> music leaves a lot to be desired..
>>>
>>> Paris is still a gem of a Mixer/Recorder.
>>> LaMont
>>> LaMont
>>>
>>> "Edna" <edna@texomaonline.com> wrote:
>>>> Seems I remember a while back someone in the group mentioning a DAW
>>>> shootout
>>>> done some time ago with folks (BT?) picking their favorites in a blind
>>>> listening test. Were the results ever published? I'm curious as to
> how
>>>> PARIS came out, as well as a few others.
>>>>
>>>>
>>>
>>
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.htmlThis is a multi-part message in MIME format.
------=_NextPart_000_003D_01C67B73.47274810
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
It was later discovered that Dr. Nunian Sung and Sir Doug Joyce were one =
and the same.
Lore
"DC" <dc@spammersinhell.org> wrote in message news:446e22e4$1@linux...
>=20
> And on May 25, the Notorious Deej was arrested in his hideout in
> Colorado.
>=20
> He was feverishly trying to put the last touches on his nuclear
> ambitions. By cornering the audio-widget market, he had hoped
> to throw an economic neutron bomb into the very heart of the
> audio-capitalist world.
>=20
> Unfortunately for the long-pursued desparado, he will now have
> to pursue his audio vision in prison...
>=20
> We do understand that they now have one of these:
>=20
> =
http://www.samsontech.com/products/productpage.cfm?prodID=3D 1781&brandID=3D=
4
>=20
> in the prison vocational program, so perhaps all is not lost.
>=20
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_003D_01C67B73.47274810
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.5296.0" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><FONT face=3DArial><FONT size=3D2>It was later discovered that Dr. =
Nunian Sung=20
and Sir Doug Joyce were one and the same.<BR><BR></FONT><A=20
href=3D"http://en.wikipedia.org/wiki/Lore_(Star_Trek)"><FONT =
size=3D2><FONT=20
face=3D"Blackadder ITC"=20
size=3D5><STRONG>Lore</STRONG></FONT></FONT></A></FONT ></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><BR></FONT><BR><BR><FONT =
size=3D2>"DC"=20
<dc@spammersinhell.org> wrote in message =
news:446e22e4$1@linux...<BR>>=20
<BR>> And on May 25, the Notorious Deej was arrested in his hideout=20
in<BR>> Colorado.<BR>> <BR>> He was feverishly trying to put =
the last=20
touches on his nuclear<BR>> ambitions. By cornering the=20
audio-widget market, he had hoped<BR>> to throw an economic neutron =
bomb into=20
the very heart of the<BR>> audio-capitalist world.<BR>> <BR>>=20
Unfortunately for the long-pursued desparado, he will now have<BR>> =
to pursue=20
his audio vision in prison...<BR>> <BR>> We do understand that =
they now=20
have one of these:<BR>> <BR>>=20
http://www.samsontech.com/products/productpage.cfm?prodID=3D 1781&bran=
dID=3D4<BR>>=20
<BR>> in the prison vocational program, so perhaps all is not =
lost.<BR>>=20
<BR>></FONT></FONT></DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BODY ></HTML>
------=_NextPart_000_003D_01C67B73.47274810--Chris Ludwig <chrisl@adkproaudio.com> wrote:
>Hi Gene,
>The Nvidia FX 6000 and 7000 series work best.
>The Matrox can be problematic unless you have the current BIOS for the
>Matrox card before you us it on the motherboard.
>
>All the ATI cards hat aren't true crossfire barely work at all...go
>figure. But their video cards suck in general.
>
>
>Chris
I was hoping the Matrox Millennium P650 would be a good choice. It’s a dual-head
that can be upgraded to three mons and it’s not ridiculously expensive.
Speaking of new graphics cards. Anyone know how to extend DVI-D cables to
25’?Hi Gene,
The P650 PCI-E veriosn will work fine as ling as the BIOS for it is current.
http://www.cablestogo.com/product.asp?cat%5Fid=2802&sku= 40301
Is this what you mean?
Chris
gene lennon wrote:
> Chris Ludwig <chrisl@adkproaudio.com> wrote:
>
>>Hi Gene,
>>The Nvidia FX 6000 and 7000 series work best.
>>The Matrox can be problematic unless you have the current BIOS for the
>>Matrox card before you us it on the motherboard.
>>
>>All the ATI cards hat aren't true crossfire barely work at all...go
>>figure. But their video cards suck in general.
>>
>>
>>Chris
>
>
> I was hoping the Matrox Millennium P650 would be a good choice. It’s a dual-head
> that can be upgraded to three mons and it’s not ridiculously expensive.
> Speaking of new graphics cards. Anyone know how to extend DVI-D cables to
> 25’?
>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762No kids? That is a shame man. He would've had a lot to share I think.
AA
"DC" <dc@spammerstothemoon.com> wrote in message news:446e3bf9$1@linux...
>
> http://www.washingtonpost.com/wp-dyn/content/article/2006/05 /17/AR2006051702110.html
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.htmlPoint Taken...Ha
EK Sound wrote:
> I know, but DJ would need to run all that at one time to feed the
> 735456763647763 channels of audio back and forth in his rig... hence the
> three Magma's ;-)
>
> David.
>
> Chris Ludwig wrote:
>
>> Hi,
>> You must have went to a public school..:)
>>
>> Each line is a different configuration. Their are only 3 PCI slots.
>> Thats why the first 2 use a fireface so we could use up all the PCI
>> slots with UAD and Powercores.
>>
>> Chris
>>
>>
>>
>> EK Sound wrote:
>>
>>> By my math, it will take 3 of those 7 slot Magma's to run all those
>>> cards at one time... ;-)
>>>
>>> David.
>>>
>>> Chris Ludwig wrote:
>>>
>>>> Hi Gene,
>>>> We have built systems with the ASUS A8R-MVP. Like all current boards
>>>> it only has 3 PCI slots. We them so far with combos.
>>>>
>>>> haven't had a chance to test a Magma with this but sense we just got
>>>> hold a few 7 slots that we are selling I'll hopefully be able test
>>>> it soon.
>>>>
>>>>
>>>> 3XUADs 1x Fireface800
>>>> 2xUAD1xPowercoremk2 1xfireface800
>>>> 2xUAD 1vRMEHDSP9652 or LynxAES32
>>>> 2xUAD 1vRMEHDSPMADI
>>>> 2x Powercore MK2 1vRMEHDSP9652 or Lynx AES32
>>>>
>>>> Chris
>>>>
>>>>
>>>>
>>>> gene lennon wrote:
>>>>
>>>>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>>>>
>>>>> “and theoretically Powercore”
>>>>>
>>>>> This is an issue for me. If anyone knows of an example of a dual
>>>>> core, or
>>>>> a dual dual core with UAD-1 and Powercore PCI working I would like
>>>>> to hear
>>>>> about the details. When I switch to the G5 Quad, I will need to
>>>>> move my UAD-1
>>>>> cards to the PC side of my system. Opinions here have been bleak:
>>>>> http://www.powercore.noheaven.com/viewforum.php?f=1
>>>>> gene
>>>>> P.S. Your system sounds like I would love it.
>>>>
>>>>
>>>>
>>>>
>>
--
Chris Ludwig
ADK
chrisl@adkproaudio.com <mailto:chrisl@adkproaudio.com>
www.adkproaudio.com <http://www.adkproaudio.com/>
(859) 635-5762Chris Ludwig <chrisl@adkproaudio.com> wrote:
>Hi Gene,
>The P650 PCI-E veriosn will work fine as ling as the BIOS for it is current.
>
> http://www.cablestogo.com/product.asp?cat%5Fid=2802&sku= 40301
>
>Is this what you mean?
>
Thanks.
Cables become useless after about 15’. I need an active solution."DC" <dc@spammerstothemoon.com> wrote:
>
> http://www.washingtonpost.com/wp-dyn/content/article/2006/05 /17/AR2006051702110.html
"Stephen St. Croix believes the best person for that job is Stephen St. Croix"
That's it really right there. ;o)
Cheers,
Kim.This is a multi-part message in MIME format.
------=_NextPart_000_0042_01C67B77.7BA25A40
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
......if I only had his hair, I could be........uhhhhh.......Wayne =
Newtron.
"Aaron Allen" <nospam@not_here.dude> wrote in message =
news:446e55c1$1@linux...
It was later discovered that Dr. Nunian Sung and Sir Doug Joyce were =
one and the same.
Lore
"DC" <dc@spammersinhell.org> wrote in message news:446e22e4$1@linux...
>=20
> And on May 25, the Notorious Deej was arrested in his hideout in
> Colorado.
>=20
> He was feverishly trying to put the last touches on his nuclear
> ambitions. By cornering the audio-widget market, he had hoped
> to throw an economic neutron bomb into the very heart of the
> audio-capitalist world.
>=20
> Unfortunately for the long-pursued desparado, he will now have
> to pursue his audio vision in prison...
>=20
> We do understand that they now have one of these:
>=20
> =
http://www.samsontech.com/products/productpage.cfm?prodID=3D 1781&brandID=3D=
4
>=20
> in the prison vocational program, so perhaps all is not lost.
>=20
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_0042_01C67B77.7BA25A40
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff background=3D"">
<DIV><FONT face=3DArial size=3D2>.....if I only had his hair, I could=20
be........uhhhhh.......Wayne Newtron.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Aaron Allen" <<A=20
href=3D"mailto:nospam@not_here.dude">nospam@not_here.dude</A>> =
wrote in=20
message <A =
href=3D"news:446e55c1$1@linux">news:446e55c1$1@linux</A>...</DIV>
<DIV><FONT face=3DArial><FONT size=3D2>It was later discovered that =
Dr. Nunian=20
Sung and Sir Doug Joyce were one and the same.<BR><BR></FONT><A=20
href=3D"http://en.wikipedia.org/wiki/Lore_(Star_Trek)"><FONT =
size=3D2><FONT=20
face=3D"Blackadder ITC"=20
size=3D5><STRONG>Lore</STRONG></FONT></FONT></A></FONT ></DIV>
<DIV><FONT face=3DArial><FONT size=3D2><BR></FONT><BR><BR><FONT =
size=3D2>"DC"=20
<dc@spammersinhell.org> wrote in message=20
news:446e22e4$1@linux...<BR>> <BR>> And on May 25, the Notorious =
Deej=20
was arrested in his hideout in<BR>> Colorado.<BR>> <BR>> He =
was=20
feverishly trying to put the last touches on his nuclear<BR>>=20
ambitions. By cornering the audio-widget market, he had=20
hoped<BR>> to throw an economic neutron bomb into the very heart of =
the<BR>> audio-capitalist world.<BR>> <BR>> Unfortunately for =
the=20
long-pursued desparado, he will now have<BR>> to pursue his audio =
vision in=20
prison...<BR>> <BR>> We do understand that they now have one of=20
these:<BR>> <BR>>=20
=
http://www.samsontech.com/products/productpage.cfm?prodID=3D 1781&bran=
dID=3D4<BR>>=20
<BR>> in the prison vocational program, so perhaps all is not =
lost.<BR>>=20
<BR>></FONT></FONT></DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BLOCKQUOTE ></BODY></HTML>
------=_NextPart_000_0042_01C67B77.7BA25A40--To quote the omnipotent and all knowing Brian T, "it fails to suck"
;o)
"EK Sound" <askme@nospam.com> wrote in message news:446e254b$1@linux...
> So, I have been a bit frustrated of late with some of the reverb plugs
> at my disposal... "there has to be something better" I thought. I
> have heard of SIR from time to time and thought, what the heck, how
> hard can it be to install (Nuendo). So, I donwload it along with some
> impulses from Lex, Quantec and others... drag the .dll into the plus
> folder and boot Nuendo. I called up a simple session that I did last
> week and stuck a Quantec impulse on the vocal... HOLY CRAP!!!
>
> WHY DIDN'T SOMEONE TELL ME ABOUT THIS THING EARLIER!!!!!! ;-)
>
> *sigh*
>
> David.Thanks Mark, I'll check into it.
E
"Mark McDermott" <mark@stateofwail.com> wrote in message
news:446e3a39$1@linux...
>
> Check this out for KVM-over-IP:
>
> http://www.realvnc.com/products/KVM-over-IP/
>
>
> "Edna" <edna@texomaonline.com> wrote:
> >Anyone recommend a decent one? I saw an IOGear model at WM. I would
like
> >to be able to use
> >it over a network if that is possible.
> >Thanks,
> >E
> >
> >
>No shit dude!!!!........I'll bet the birthing hurt like hell!!! OTOH, you
guys must have great genes. Little Rollie should grow up to comfort you both
in your old age and make uncle Rick proud.
"John" <no@no.com> wrote in message news:446e4394$1@linux...
>
> We are so excited ! Ok, well my wife's not but I am.
>
> http://tinyurl.com/gqkscCongrats John
It's hard to tell without my glasses , which version did you snag?
Don
"John" <no@no.com> wrote in message news:446e4394$1@linux...
>
> We are so excited ! Ok, well my wife's not but I am.
>
> http://tinyurl.com/gqkscI got the now you're instantly broke td-20 model in rock star black
"Don Nafe" <dnafe@magma.ca> wrote:
>Congrats John
>
>It's hard to tell without my glasses , which version did you snag?
>
>Don
>
>
>"John" <no@no.com> wrote in message news:446e4394$1@linux...
>>
>> We are so excited ! Ok, well my wife's not but I am.
>>
>> http://tinyurl.com/gqksc
>
>I'm gonna need 12 stereo channels about 15 feet long for line level signals.
180 feet times $2.20 a foot for mogami would be OUCH ! Are there any other
good cables and connectors I can buy like maybe I could buy 2 8 conductor
(trs) cables for $50 a piece ? hmmmAnd also, for line level signals is mic cable better quality than console
audio cable?
"john" <no@no.com> wrote:
>
>I'm gonna need 12 stereo channels about 15 feet long for line level signals.
> 180 feet times $2.20 a foot for mogami would be OUCH ! Are there any
other
>good cables and connectors I can buy like maybe I could buy 2 8 conductor
>(trs) cables for $50 a piece ? hmmmGet yourself a 15' long balanced 12 pair snake. www.hotwiredcables.com or
www.markertek.com
"john" <no@no.com> wrote in message news:446e7fa0$1@linux...
>
> I'm gonna need 12 stereo channels about 15 feet long for line level
signals.
> 180 feet times $2.20 a foot for mogami would be OUCH ! Are there any
other
> good cables and connectors I can buy like maybe I could buy 2 8
conductor
> (trs) cables for $50 a piece ? hmmmReally man......a high quality snake is the answer to your problem.
"john" <no@no.com> wrote in message news:446e827e$1@linux...
>
> And also, for line level signals is mic cable better quality than console
> audio cable?
>
> "john" <no@no.com> wrote:
> >
> >I'm gonna need 12 stereo channels about 15 feet long for line level
signals.
> > 180 feet times $2.20 a foot for mogami would be OUCH ! Are there any
> other
> >good cables and connectors I can buy like maybe I could buy 2 8
conductor
> >(trs) cables for $50 a piece ? hmmm
>
"john" <no@no.com> wrote:
>
>I'm gonna need 12 stereo channels about 15 feet long for line level signals.
> 180 feet times $2.20 a foot for mogami would be OUCH ! Are there any
other
>good cables and connectors I can buy like maybe I could buy 2 8 conductor
>(trs) cables for $50 a piece ? hmmm
Individual runs of Belden 1696A will give better crosstalk results than snakes.
http://tinyurl.com/mydmc
250ft -$156.54Gene......do you not use snakes in your studio? 99% of my cabling is Mogami
sankes and I'm noticing no crosstalk at all. Am I missing something here?
Thanks,
DJ
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:446ea79a$1@linux...
>
> "john" <no@no.com> wrote:
> >
> >I'm gonna need 12 stereo channels about 15 feet long for line level
signals.
> > 180 feet times $2.20 a foot for mogami would be OUCH ! Are there any
> other
> >good cables and connectors I can buy like maybe I could buy 2 8
conductor
> >(trs) cables for $50 a piece ? hmmm
>
> Individual runs of Belden 1696A will give better crosstalk results than
snakes.
>
> http://tinyurl.com/mydmc
> 250ft -$156.54
>"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Gene......do you not use snakes in your studio? 99% of my cabling is Mogami
>sankes and I'm noticing no crosstalk at all. Am I missing something here?
>
>Thanks,
>
>DJ
>
I also use Mogami snakes. Its good cable and the snakes give a neat appearance
and are convenient…but even though most studios use snakes, you still get
better x-talk with individual pairs. You never notice the crosstalk. It is
typically 80-90 db down in cable, but you wont find any top classical engineers
using snakes. You only hear a difference if you can do a direct a/b. I try
to run individual high-end cable for critical recordings. I just don’t do
many critical recordings these days. If your track includes drum samples
and loops, it’s a little silly to be sweating cable nuances, but I would
stay away from cheap snakes at all costs.
geneInteresting. Thanks for the heads up on this. It never ends, does it?
;o)
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:446eb077$1@linux...
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >Gene......do you not use snakes in your studio? 99% of my cabling is
Mogami
> >sankes and I'm noticing no crosstalk at all. Am I missing something here?
> >
> >Thanks,
> >
> >DJ
> >
> I also use Mogami snakes. Its good cable and the snakes give a neat
appearance
> and are convenient.but even though most studios use snakes, you still get
> better x-talk with individual pairs. You never notice the crosstalk. It is
> typically 80-90 db down in cable, but you wont find any top classical
engineers
> using snakes. You only hear a difference if you can do a direct a/b. I try
> to run individual high-end cable for critical recordings. I just don't do
> many critical recordings these days. If your track includes drum samples
> and loops, it's a little silly to be sweating cable nuances, but I would
> stay away from cheap snakes at all costs.
> geneI just recabled my digital matrix. I have patched my three Digipatch units
together with optical cable and I am having success passsing digital signals
from my RME spdif I/O which are patched into unit 3 to the Paris spdif I/O
patched into unit 1.
I am not having success passing signal from my RME spdif output on unit 3 to
my DAC-1 on unit 2. I have tried it using both coax and optical cable to the
DAC-1. The DAC-1 works just fine on the Digipatch when receiving signals
from devices that are patched into the same unit, but not across units.
Sorta' strange.
Tomorrow I'm going to be trying to patch the I/O of a Mytek stereo96 ADC and
a stereo96 DAC from unit 3 to unit 1 and also I will be doing the same with
a Flying Cow on unit 2, trying to pass signal to the spdif I/O of a MEC on
unit 1 and to the RME spdif I/O on unit 3.
I hope that this crosspatching problem I'm having with the DAC-1 doesn't
somehow rear it's ugly head with the Mytek converters and the Cow. I have
some pretty ambitious plans for this matrix if I can get it to work. If I
can't get it to work, I may have to sell these Digipatch units off and check
out the FriendChip digital patchbays. Hopefully I can squeeze just a little
more usefulness out of these Digipatch units. There is a lot about them to
like.
DeejI may need to split the spdif output from one of my RME spdif outs to feed a
D/A converter and route the other output to a digital patchbay. I only need
a 1 x 2 split.
Thanks,
DeejSo how much should I expect to spend for 12 channel snake 15' long 1/4" trs
of good quality?
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Interesting. Thanks for the heads up on this. It never ends, does it?
>
>;o)
>
>"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
>news:446eb077$1@linux...
>>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>> >Gene......do you not use snakes in your studio? 99% of my cabling is
>Mogami
>> >sankes and I'm noticing no crosstalk at all. Am I missing something here?
>> >
>> >Thanks,
>> >
>> >DJ
>> >
>> I also use Mogami snakes. Its good cable and the snakes give a neat
>appearance
>> and are convenient.but even though most studios use snakes, you still
get
>> better x-talk with individual pairs. You never notice the crosstalk. It
is
>> typically 80-90 db down in cable, but you wont find any top classical
>engineers
>> using snakes. You only hear a difference if you can do a direct a/b. I
try
>> to run individual high-end cable for critical recordings. I just don't
do
>> many critical recordings these days. If your track includes drum samples
>> and loops, it's a little silly to be sweating cable nuances, but I would
>> stay away from cheap snakes at all costs.
>> gene
>
>Sometimes my Aux EFX (such as room reverb.plate reverb or compression),will
sound,even if that channel is not assigned to that Aux...So I might hear
reverb on a channel,whether I assign it or not...It goes away if I assign
the main Aux send to (no effect)..Anybody else have this happen?? If I
totally shut down PARIS and start over,it will sometime correct itself...Hi Brad...Thanks ! I wondered if that might work...
"BRAD LUND" <blund@comcast.net> wrote in message news:446deff3@linux...
> >>>The drive is proprietary,so it doesn't pop into
> > a standard computer bay..<<<
>
> Actually, the DRIVE is any standard IDE Drive, it is the "caddy" that is
> proprietary. You can run down to your local comp store and get a USB or
FW
> box, slap the drive in there and go! or you can connect the HD24 up to
your
> router and FTP the files to your DAW which is what I do. Works great - OR
> as mentioned you can buy Alesis FW interface for about $100.
>
> Good luck
>
> --
> Brad Lund
> "tonehouse" <zmcleod@comcast.net> wrote in message
news:445cec91$1@linux...
> > Hello..A friend of mine recently got an Alesis HD-24.(not hooked into a
> > computer)He wants me to put them in PARIS and mix.. I have not used one
of
> > these are they .WAV files? The drive is proprietary,so it doesn't pop
> > into
> > a standard computer bay..What is the best method to transfer into PARIS
?
> > Since I changed to XP,my ADAT card doesn't function.. I have had to
> > transfer
> > ADAT tracks by analog out/in to PARIS...sounds fine...thanks...
> >
> >
>
>I just got the DAC-1 (on Digipatch unit #2) to accept a digital output
signal over the matrix from my HDSP outputs that are patched into Digipatch
unit #3.
I've also got the Mytek AD/DA on Digipatch unit #3 passing signal back and
forth to the Paris spdif I/O on Digipatch Unit #1.
I have a few format converters here and there on this system, but basically,
what this means is twofold:
1. Somewhat important-If I can get this working the way I want (and now I
believe I can), I will have achieved digital routing aims with componentry
that cost me around $600.00 total. A FriendChip system that would accomplish
this same scenario would cost around $2000.00
2. Very important-It is a MAJOR kludge. I mean, this is a kludge of the
first magnitude. The kludgegods are smiling today...... and to top it off,
it's being done with 3 x digital patchbays, which, in keeping with so much
other stuff in my studio, is no longer being made.
Plus.......since it's old and discontinued, I'll bet if I A/B'ed the
Digipatch units against the $2000.00 FriendChip unit, the Digipatch would
sound more *analog*
;o)
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:446edc51@linux...
> I just recabled my digital matrix. I have patched my three Digipatch units
> together with optical cable and I am having success passsing digital
signals
> from my RME spdif I/O which are patched into unit 3 to the Paris spdif I/O
> patched into unit 1.
>
> I am not having success passing signal from my RME spdif output on unit 3
to
> my DAC-1 on unit 2. I have tried it using both coax and optical cable to
the
> DAC-1. The DAC-1 works just fine on the Digipatch when receiving signals
> from devices that are patched into the same unit, but not across units.
> Sorta' strange.
>
> Tomorrow I'm going to be trying to patch the I/O of a Mytek stereo96 ADC
and
> a stereo96 DAC from unit 3 to unit 1 and also I will be doing the same
with
> a Flying Cow on unit 2, trying to pass signal to the spdif I/O of a MEC on
> unit 1 and to the RME spdif I/O on unit 3.
>
> I hope that this crosspatching problem I'm having with the DAC-1 doesn't
> somehow rear it's ugly head with the Mytek converters and the Cow. I have
> some pretty ambitious plans for this matrix if I can get it to work. If I
> can't get it to work, I may have to sell these Digipatch units off and
check
> out the FriendChip digital patchbays. Hopefully I can squeeze just a
little
> more usefulness out of these Digipatch units. There is a lot about them to
> like.
>
> Deej
>
>This is a multi-part message in MIME format.
------=_NextPart_000_0063_01C67C16.9F523F10
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
David,
I have been living by the SIRs. 200ms latency is an easy fix.
Snr, vocals, acoustic gtrs all shine through the 1,000s of choices.
I can usually get 3 or 4 going at final mixdown.
David, if you need classical style reverb some of the European halls are
unreal. Actually they are real. They are quite dense so not great for =
pop.
And thanks for getting my WC happening!
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:446e6e02@linux...
To quote the omnipotent and all knowing Brian T, "it fails to suck"
;o)
"EK Sound" <askme@nospam.com> wrote in message =
news:446e254b$1@linux...
> So, I have been a bit frustrated of late with some of the reverb =
plugs
> at my disposal... "there has to be something better" I thought. I
> have heard of SIR from time to time and thought, what the heck, how
> hard can it be to install (Nuendo). So, I donwload it along with =
some
> impulses from Lex, Quantec and others... drag the .dll into the plus
> folder and boot Nuendo. I called up a simple session that I did =
last
> week and stuck a Quantec impulse on the vocal... HOLY CRAP!!!
>
> WHY DIDN'T SOMEONE TELL ME ABOUT THIS THING EARLIER!!!!!! ;-)
>
> *sigh*
>
> David.
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_0063_01C67C16.9F523F10
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>David,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have been living by the SIRs. =
200ms latency=20
is an easy fix.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Snr, vocals, acoustic gtrs all shine =
through the=20
1,000s of choices.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I can usually get 3 or 4 going at =
final=20
mixdown.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>David, if you need classical style =
reverb some of=20
the European halls are</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>unreal. Actually they are =
real. They=20
are quite dense so not great for pop.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>And thanks for getting my WC=20
happening!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:446e6e02@linux">news:446e6e02@linux</A>...</DIV>To quote =
the=20
omnipotent and all knowing Brian T, "it fails to =
suck"<BR><BR>;o)<BR><BR>"EK=20
Sound" <<A =
href=3D"mailto:askme@nospam.com">askme@nospam.com</A>> wrote in=20
message <A =
href=3D"news:446e254b$1@linux">news:446e254b$1@linux</A>...<BR>>=20
So, I have been a bit frustrated of late with some of the reverb =
plugs<BR>>=20
at my disposal... "there has to be something better" I thought. =20
I<BR>> have heard of SIR from time to time and thought, what the =
heck,=20
how<BR>> hard can it be to install (Nuendo). So, I donwload =
it along=20
with some<BR>> impulses from Lex, Quantec and others... drag the =
..dll into=20
the plus<BR>> folder and boot Nuendo. I called up a simple =
session=20
that I did last<BR>> week and stuck a Quantec impulse on the =
vocal... HOLY=20
CRAP!!!<BR>><BR>> WHY DIDN'T SOMEONE TELL ME ABOUT THIS THING=20
EARLIER!!!!!! ;-)<BR>><BR>> *sigh*<BR>><BR>>=20
David.<BR><BR></BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BODY ></HTML>
------=_NextPart_000_0063_01C67C16.9F523F10--This is a multi-part message in MIME format.
---=_linux446f69c8
Content-Type: text/plain
Content-Transfer-Encoding: 7bit
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>The kludgegods are smiling today......
I dunno... I'd be carrreffullll if I were you....
---=_linux446f69c8
Content-Type: image/jpeg; name="011.jpg"
Content-Transfer-Encoding: base64
Content-Disposition: attachment; filename="011.jpg"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|
|
|
|
Goto Forum:
Current Time: Sat Sep 05 17:45:15 PDT 2026
Total time taken to generate the page: 0.03254 seconds
|
The PARIS Forums
Search
Help
Members
Register
Login
Home
