| UAD-1 Problem??? [message #58145] |
Mon, 12 September 2005 21:38  |
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recious audio tracks on
first
> submix.
>
> Regards,
> Dimitrios
> On tracks 15 and 16 on EDS card (assuming you have one) .
>
>If you use 24 bit audio files (I use 16 bit) then use 24 bit EMPTY files on
tracks 15 and 16...
Now this 16-24 bit empty files thing makes sense.
Regards,
DimitriosYou can do the same for outboard Reverb like my beloved R-880
You just use the eds inserts for external on Tracks 15 and 16.
You get a 60 samples latency which is not big deal for reverb....
Regards,
Dimitrios
same thing just add the external
"Dimitrios" <musurgio@otenet.gr> wrote in message news:434bb593@linux...
> Now we all not have UAD or Powercore cards.
> Maybe some of us who have don't think that they sound exceptional
> Also some may think that certain DX or VST reverbs sound equal or even
> better
>
&
Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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| Re: UAD-1 Problem??? [message #58146 is a reply to message #58145] |
Mon, 12 September 2005 23:03  |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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gt; So,
> We put EDSTransfer=8,16 on top of Paris.cfg
> We use Spinaudiolite FREE (see previous psot for link) to wrap senderella.
> We put senderella configured as send (default anyway) we put around 50% of
> volume (that is to prevent buffer clipping inside senderella) and we
> REDIRECT the sound on bottom of senderella.
> We put senderella as a send on each of the tracks we want to use reverb.
> Say we have a lead vocal and background voices plus a solo gtr.
> So on all that tracks we put senderella as above.
> NOW
> On tracks 15 and 16 you load your EMPTY 16 bit paf file of a lenght equal
or
> bigger than your actual song.
> On first Native slot you put FFX-4 (free too) as a stereo instance ontrack
> 15
> There inside it you open senderella configured now as a return again with
> around 50% (as a start) volume.
> NOW you open inside FFX-4 on second slot a stereo reverb like Waves
trueverb
> (if you have it) or DSPFX Studioverb or the FREE and nice sounding
Galceverb
> !, FreeverbToo, Classicverb and others ( I will gladly email all free and
> nice reverbs if asked to)
> NOW you should be hearing your reverb return on tracks 15 and 16 and you
can
> check the NO LATENVY with just having a dry signal on reverb's return and
> flip the polarity.
> So we managed to have a DX reverb on aux buss inside Paris WHICH CAN BE
> ACROSS SUBMIXES !
> Only a small delay of 12 samples plus 2 samples after that for additional
> eds cards.
> That is no problem at all.
> Afterall you need predelay almost everytime with a reverb.
> If you struggle for no predelay just put your precious audio tracks on
first
> submix.
>
> Regards,
> Dimitrios
> On tracks 15 and 16 on EDS card (assuming you have one) .
>
>This is a multi-part message in MIME format.
------=_NextPart_000_00B8_01C5CE4D.615D3830
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Dimitrios,
That's cool. I have to try it just to implement my hardware
in that way too.
Tom
"Dimitrios" <musurgio@otenet.gr> wrote in message =
news:434bc7fb@linux...
You can do the same for outboard Reverb like my beloved R-880
You just use the eds inserts for external on Tracks 15 and 16.
You get a 60 samples latency which is not big deal for reverb....
Regards,
Dimitrios
same thing just add the external
"Dimitrios" <musurgio@otenet.gr> wrote in message =
news:434bb593@linux...
> Now we all not have UAD or Powercore cards.
> Maybe some of us who have don't think that they sound exceptional
> Also some may think that certain DX or VST reverbs sound equal or =
even
> better
>
> So,
> We put EDSTransfer=3D8,16 on top of Paris.cfg
> We use Spinaudiolite FREE (see previous psot for link) to wrap =
senderella.
> We put senderella configured as send (default anyway) we put around =
50% of
> volume (that is to prevent buffer clipping inside senderella) and we
> REDIRECT the sound on bottom of senderella.
> We put senderella as a send on each of the tracks we want to use =
reverb.
> Say we have a lead vocal and background voices plus a solo gtr.
> So on all that tracks we put senderella as above.
> NOW
> On tracks 15 and 16 you load your EMPTY 16 bit paf file of a lenght =
equal
or
> bigger than your actual song.
> On first Native slot you put FFX-4 (free too) as a stereo instance =
ontrack
> 15
> There inside it you open senderella configured now as a return again =
with
> around 50% (as a start) volume.
> NOW you open inside FFX-4 on second slot a stereo reverb like Waves
trueverb
> (if you have it) or DSPFX Studioverb or the FREE and nice sounding
Galceverb
> !, FreeverbToo, Classicverb and others ( I will gladly email all =
free and
> nice reverbs if asked to)
> NOW you should be hearing your reverb return on tracks 15 and 16 and =
you
can
> check the NO LATENVY with just having a dry signal on reverb's =
return and
> flip the polarity.
> So we managed to have a DX reverb on aux buss inside Paris WHICH CAN =
BE
> ACROSS SUBMIXES !
> Only a small delay of 12 samples plus 2 samples after that for =
additional
> eds cards.
> That is no problem at all.
> Afterall you need predelay almost everytime with a reverb.
> If you struggle for no predelay just put your precious audio tracks =
on
first
> submix.
>
> Regards,
> Dimitrios
> On tracks 15 and 16 on EDS card (assuming you have one) .
>
>
------=_NextPart_000_00B8_01C5CE4D.615D3830
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2
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| Re: UAD-1 Problem??? [message #58163 is a reply to message #58145] |
Wed, 14 September 2005 08:34 |
tonehouse
Messages: 184
Registered: July 2006
|
Senior Member |
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ly
>>turning on some of the amp and speaker emulation in my GNX4. The GNX has
>>what I think is a fairly nice rotary speaker emulation, as well as a nice
>>tremelo effect, but seperate to this (yes I realise that a Leslie was a
>speaker
>>hence it should kinda be part of the speaker selection, but seperate) is
>>the amp and the speaker cabinet emulation. Unfortunately the GNX4 is pretty
>>much dedicated to emulating only guitar and bass amps, but I figure there
>>must be some in there that are more likely to sound like a classic keyboard
>>amp than others, and I'm sure over the years the odd person probably used
>>a guitar amp with a keyboard anyhow. Problem is a lot of the amps in this
>>list mean nothing to me other than a bunch of characters, whereas I'm sure
>>quite a few of you will be familiar with many of them, and I'm also even
>>less familiar with actual keyboard amps, so I'm really lost for a place
>to
>>start other than to push buttons and see how things sound... ...which
>may
>>of course be a very good approach, but anyhow...
>>
>>Amps I have to choose from are:
>>'65 Fender Twin Reverb, Matchless DC30, Mesa Dual Rectifier, Mesa Boogie
>>Mark II C, '57 Fender Tweed Deluxe, Vox AC30 Top Boost, "A clean tube combo",
>>'78 Marshall Master Volume, "A nice crunchy tube amp combo", "A high gain
>>tube amp", "A sweet tube blues tone", Marshall JCM900, "A high gain fuzz
>>distortion", "Fender Bassman",
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