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| Re: Review: Neve Portico Pre 5012 & sE Gemini Mic [message #60094 is a reply to message #60030] |
Thu, 10 November 2005 07:40   |
Miguel Vigil [1]
 Messages: 258 Registered: July 2005
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Senior Member |
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rim the inputs on Paris... that way I knew I would
>never overload the Paris inputs no matter what came from the tape
>machines.
>
>David.
>
>cujo wrote:
>> ANyone got any stirdex medicated pads? Or Pad Thai? maybe it;s just a
padded
>> room I need.
>>
>> Ok. yeah wiht the pad on the pre I have no problem, I just like thoe sound
>> more wide open. Pads seem to choke up a bit.
>> I just figured there was a simple setting somewhere such as turning down
>> thos trim pots. What you guys are saying that it is almost like calibrating
>> a tape machine.
>> What would be wrong with just sending in a signal to all of the inputs
and
>> just backing it down so they are all even, but back off by about 2 DB?
>>
>>
>>
>>
>>
>>
>> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>
>>>"cujo" <chris@nospamapplemanstudio.com> wrote in message
>>>news:439de3a5$1@linux...
>>>
>>>>
>>>>
>>>>Hmm, well, this sounds like a PITA for sure,
>>>>How do you deal with this issue when using higher gain mic pres?
>>>
>>>Hmmm.....well....first of all, do these preamps have an input and output
>>>gain control. If so, I'd boost the input gain and adjust the output to
the
>>>converter with the output gain. If it's just got a single output gain
>>>control, depending on what you want to achieve, if you are using a mic,
>>
>> you
>>
>>>could either use a low gain mic like a ribbon mic, or you could use the
>>
>> pad
>>
>>>switch on the mic (if it's got a pad), or you could use the input pad
of
>>
>> the
>>
>>>preamp (if it has one) or you could use both the mic pad and the preamp
>>>input pad or you could apply a line pad line pad between the source and
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