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BOUNCING MIDI IN PARIS [message #62628] Sat, 07 January 2006 11:46 Go to next message
Richard Faylor is currently offline  Richard Faylor
Messages: 18
Registered: September 2005
Junior Member
ched the forum, and =
tried
a couple of things there, but no luck. I apologize if I missed the =
answer.


I'm using win 98 SE for PARIS [dual boot machine]. None of my VST =
..dll files
appear in the designated VST folder. So, is this a Win 98 issue?

I have a project coming up soon, where I know Drumagog will really =
help.
Thanks in advance for any help.
------=_NextPart_000_0015_01C62067.416869C0
Content-Type: t
Re: BOUNCING MIDI IN PARIS [message #62635 is a reply to message #62628] Sat, 07 January 2006 13:21 Go to previous messageGo to next message
Don Nafe is currently offline  Don Nafe   UNITED STATES
Messages: 1206
Registered: July 2005
Senior Member
: Wave”, then
select “Linear PCM, 24bit signed Integer (pc)” and “same as source” for
sample rate. I save with the extension .wav.

This works for one file or many, but should be mono tracks.

Next I move the file(s) to my PC, open the file(s) in WaveLab and save as
Ensoniq Paris, at the appropriate sample rate and bit rate for the project.



"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>After every disk (we've burned over ten now) none of them=20
>sounded audio or showed an overview.
>I'm still trying everything in my power but I think the
>clients software is what's holding us back. He's
>using Panther/newest DP and newest Toast programs
>on a G4 laptop. =20
>
>Can someone sus out my Wavelab problem? I have an
>original 3.01 disk with a 3.03 patch disk too. Neither
>will allow it to start up in XP. Is this version just too old?
>Whe
Re: BOUNCING MIDI IN PARIS [message #62670 is a reply to message #62628] Sun, 08 January 2006 06:42 Go to previous messageGo to next message
Lance Reichert is currently offline  Lance Reichert   UNITED STATES
Messages: 39
Registered: July 2005
Member
ten to reference music they have good definition and they
> don't sound like they are boosting LF. My mixes have held up well on other
> systems.
>
> The HR824s are a much better reference than my other monitors which lacked
> good low end response.
>
> Cheers,
> -Jamie
> http://www.JamieKrutz.com
>
>
> Dominic wrote:
>> IMO The HR824's are not flat enough to mix with. They boost the LF so you
>> end up not putting enough low end in your mix.
>>
>> If you can afford to look into some Dynaudio BM6A's Ive been
>> mixing on them for a couple years, very accurate and clear. If you want
>> to go a step further get a D to A converter in front
>> of them. Like a Mytek or a Benchmark and SPIDIF out of PARIS.
>>
>> It will change your whole world at mix down. Rock On!!!
>> Dominic
>>
Re: BOUNCING MIDI IN PARIS [message #62701 is a reply to message #62628] Mon, 09 January 2006 01:10 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
gt;etc.
>>>>>>>>
>>>>>>>>So I thought I'd ask a few questions o those who know:
>>>>>>>>
>>>>>>>>1)Is anyone else taking this approach?
>>>>>>>>2)What approaches are you guys taking with your hybrid setups?
>>>>>>>>3)What is the meaning of existence? (You can skip this one if
>
> you
>
>>>>>want.)
>>>>>
>>>>>>>>As always, thanks for the help!
>>>>>>>>Cheers,
>>>>>>>>Jon
>>>>>>>>
>>>>>>>>
>>>>>>>
>>>>>>>
>>>>>
>>>
>>
>Dimitrios,

I'm curious to know if you have really used the newer generation of SE tube
mics enought to know them well.

I have a friend with at Telefunken branded U47 about 1 mile away. I do not
have extensive *hands on* experience with this mic, as in using it myself on
my own projects, but I have definitely been present in sessions where it was
used and have heard it
Re: BOUNCING MIDI IN PARIS [message #62786 is a reply to message #62701] Tue, 10 January 2006 07:12 Go to previous message
Lance Reichert is currently offline  Lance Reichert   UNITED STATES
Messages: 39
Registered: July 2005
Member
acks are processed
> >>>
> >>>and
> >>>
> >>>>>>>>(usually) bussed to a UAD-1 Fairchild or other UAD compressor then
> >>>>>>
> >>>>>>returned
> >>>>>>
> >>>>>>>>to Paris submix 1 through the Cubase SX drum submix group- (stereo
> >>>>
> >>>>audio
> >>>>
> >>>>>>>>channel 15 which is using RME ADAT I/O 15 & 16)
> >>>>>>>>
> >>>>>>>>The original mono drum tracks are also fed to insert FX (UAD-1
> >>>>>>
> >>>>>>compressors,
> >>>>>>
> >>>>>>>>EQ's, etc) and bussed via lightpipe to Paris channels 1 through
> >>
> >> 14
> >>
> >>>in
> >>>
> >>>>>>submix
> >>>>>>
> >>>>>>>>#1 where the panning of the drum tracks in the SX drum submix is
> >>>>
> >>>>mirrored
> >>>>
> >>>>>>>in
> >>>>>>>
> >>>>>>>>Paris. FX such as Paris EQ/ insert DSP and outboard reverbs
> >>>
> >>>(digital
> >>>
> >>>>>>only)
> >>>>>>
> >>>>>>>>and Paris aux FX are then appl
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