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OT - Klaus Ogerman [message #91625] Thu, 18 October 2007 13:22 Go to next message
steve the artguy is currently offline  steve the artguy
Messages: 308
Registered: June 2005
Senior Member
;>> middle<BR>of a mixing<BR>=3D3D<BR>>project=3D3D20<BR>> =3D
>>>>that I'm=3D20
>>>> using the Neve 88 plug on a lot (love what it<BR>does) I=3D20
>>>> just<BR>=3D3D<BR>>went=3D3D20<BR>> for it, listening closely =3D
>>>>to bounces. I=3D20
>>>> actually did 2<BR>bounces of =3D3D<BR>>every =3D
>>>>mix=3D3D20<BR>> and=3D20
>>>> listened back to both at the same time, out of =
phase<BR>with=3D20
>>>> each<BR>=3D3D<BR>>other,=3D3D20<BR>> to hear the difference, =3D
>>>>since the=3D20
>>>> crackles appeared to =3D
>>>>be<BR>random.)<BR>=3D3D<BR>>There=3D3D20<BR>> =3D20
>>>> were maybe 1 or 2 crackles per song on a couple songs, and<BR>no =
=3D
>>>>
>>>> =3D3D<BR>>crackles on=3D3D20<BR>> the other 3 (that I've done =
=3D
>>>>so far). I'm=3D20
>>>> wondering now if<BR>it is a =3D3D<BR>>UAD =3D
>>>>rev=3D3D20<BR>> problem=3D20
>>>> that only shows up after some wear and tear on the<BR>sys.=3D20
>>>> I'm<BR>=3D3D<BR>>going=3D3D20<BR>> to re-ghost and re-load the =
=3D
>>>>
>>>> <BR>UAD software (Neve 88 ver) tommorrow =3D3D<BR>>and=3D20
>>>> see=3D3D20<BR>> what happens.<BR>Just to reiterate...when =3D
>>>>I did a=3D20
>>>> spdif bounce, even =3D3D<BR>>with my=3D3D20<BR>> system as =3D
>>>>it<BR>is=3D20
>>>> tonight, there are no crackles. That's wierd.=3D20
>>>> Also<BR>=3D3D<BR>>the=3D3D20<BR>> crackles never<BR>show =3D
>>>>till=3D20
>>>> listening to the bounced=3D20
>>>> =3D3D<BR>>file.<BR>><BR>>3.)=3D3D20<BR>> can =3D
>>>>you=3D20
>>>> determine where the crackle rears it's ugly head?<BR>>I
Re: OT - Klaus Ogerman [message #91626 is a reply to message #91625] Thu, 18 October 2007 13:58 Go to previous messageGo to next message
Bill L is currently offline  Bill L   UNITED STATES
Messages: 766
Registered: August 2006
Senior Member
OW,=3D20
>>>> =3D3D<BR>>is it=3D3D20<BR>> constant, more or less, or is it =3D
>>>>intermittent?=3D20
>>>> If<BR>>it's =3D3D<BR>>intermittent,=3D3D20<BR>> does =3D
>>>>it seem to=3D20
>>>> coincide with any particular<BR>>instrument or =3D
>>>>=3D3D<BR>>track?=3D20
>>>> For=3D3D20<BR>> example, could it be a =3D
>>>>particular<BR>>plugin on=3D20
>>>> the - let's say - =3D3D<BR>>cowbell=3D3D20<BR>> track, which =3D
>>>>occurs=3D20
>>>> though<BR>>most of the song, but not on =3D
>>>>the=3D3D20<BR>> =3D20
>>>> (confounded) bridge?<BR><BR>totally random...not in anyway =3D
>>>>
>>>> associated<BR>=3D3D<BR>>with a=3D3D20<BR>> particular =3D
>>>>instrument.=3D20
>>>> Fairly<BR>study though, like a bowl of rice=3D3D20<BR>> =3D20
>>>> crispies.<BR>><BR>>4.) mute/disconnect the right =3D
>>>>channel=3D20
>>>> when =3D3D<BR>>listening=3D3D20<BR>> back to<BR>>the=3D20
>>>> crackle-infested bounce to see if there's any =
=3D3D<BR>>pattern=3D20
>>>> that=3D3D20<BR>> <BR>>might apply to (3)=3D20
>>>> above?<BR><BR>none<BR>><BR>>5.) Is=3D20
>>>> =3D3D<BR>>the=3D3D20<BR>> crackle happening on ALL systems? =3D
>>>>IOW, have=3D20
>>>> you<BR>>burned a CD of =3D3D<BR>>the=3D3D20<BR>> =3D
>>>>bounced tracks=3D20
>>>> & played it back on a home<BR>>stereo, in your =3D
>>>>=3D3D<BR>>car,=3D20
>>>> on=3D3D20<BR>> headphones, etc? Is it possible =3D
>>>>that<BR>>for some=3D20
>>>> odd reason the =3D3D<BR>>crackle is=3D3D20<BR>> due to =3D
>>>>something in=3D20
>>>> your<BR>>monitoring setup that isn't showing up=3D20
>>>> =3D3D<BR>>on=3D3D20<BR>> regular playback, =3D
>>>>but<BR>>might be=3D20
>>>> showing up on a rendered =3D
>>>>=3D3D<BR>>file?<BR>This=3D3D20<BR>> first=3D20
>>>> came to my attention after I burned a CD of test m
Re: OT - Klaus Ogerman [message #91785 is a reply to message #91625] Mon, 22 October 2007 20:37 Go to previous message
Rich Lamanna is currently offline  Rich Lamanna   UNITED STATES
Messages: 316
Registered: February 2006
Senior Member
64;linux...
>
> ..How many of you nice folks actually record music (with or without Paris)
> for your livings? About 13 - 14 years ago my studio began to out-earn my
> gigs playing guitar in local bands and it's been my primary source of
> income
> all this time. The problem is it's not working very well anymore. I
> hardly
> do any demo work for bands these days. The last demo project I thought I
> had lined up ended up going to a friend of their guitar player's house -
> a lawyer with a Protools studio in his basement. The price? Nothing. I
> couldn't compete with that! I haven't done any jingle work in years. All
> the jingle writer/producers seem to have their own setups and use the big
> impressive studios for clients who want to see receptionists and 30 foot
> long consoles.
>
> So I'm looking for a "real" job. My wife quit her job to home school our
> 10 year old son (and probably our 8 year old daughter once she has a
> groove
> going) and I can't support my family on what my studio makes. Which, at
> the moment, is almost nothing. I've thought about marketing myself as a
> "recording consultant" to help people build and use their home studios but
> I'm not sure how to go about doing that. I've also thought about
> marketing
> my guitar playing skills for home recordists and maybe trying to get mix
> work.
>
> Sorry - I don't much know what I'm looking for here. I guess I'm just
> whining
> and venting a bit. I suppose I had a pretty good run. Now it's time to
> go sell video systems for the local music store. Or drive a school bus!
> I'm told our county school system has great benefits. I'm about to turn
> 56. Seems a little old to be trying to figure out what I'm going to be
> when
> I grow up!
>
> Thanks for listening. You people have felt a lot like friends to me over
> the last 5 - 6 years that I've been hanging out here almost every day.
>
> Ganttit did until i bought that mac and it killed it. i've got a couple of
interns i'm teaching and hopefully they'll restart it and deal with
the mp3 raised kids who seem to revel in everything sounding like ass.



On 7 Dec 2007 06:41:06 +1000, "Gantt Kushner" <ganttmann@comcast.net>
wrote:

>
>..How many of you nice folks actually record music (with or without Paris)
>for your livings? About 13 - 14 years ago my studio began to out-earn my
>gigs playing guitar in local bands and it's been my primary source of income
>all this time. The problem is it's not working very well anymore. I hardly
>do any demo work for bands these days. The last demo project I thought I
>had lined up ended up going to a friend of their guitar player's house -
>a lawyer with a Protools studio in his basement. The price? Nothing. I
>couldn't compete with that! I haven't done any jingle work in years. All
>the jingle writer/producers seem to have their own setups
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