| Perfect drummiking-triggering for super production ! [message #78079] |
Tue, 09 January 2007 12:08  |
Dimitrios musurgioote
Messages: 2
Registered: January 2007
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Junior Member |
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s after work or on the weekends, the opportunity for confusion
>>in such a kludge ridden set-up doesn't lend itself to the creative workflow.
>>That's why Cubase and a nice board/control surface appeals. My big dilemma
>>though is that I still absolutely love the way Paris sounds.
>>
>>Anyway, thanks a ton for the input, greatly appreciated! I've got much
to
>>consider.
>>
>>Cheers,
>>jon
>>
>>
>>"LaMont" <jjdpro@ameritech.net> wrote:
>>>
>>>Hi Jon, I can chime in here on this question.
>>>
>>>I often work at a local studio http://www.lamourrecording.com/
>>>which has (2) Yamaha's DM2000. I can't speak highly enough of these powerful
>>>beast.
>>>
>>>Great feel, 96 channels @ 96K
>>>Pro Tools, Neundo/Cubase/Sonar/Logic Controller
>>>Nice Comps/EQs on every channel
>>>(8) SPX-1000's DSP processors (REVerbs, Delays, Chorus.etc)
>>>Some of the sweetest (24) Mic pres you'll find
>>>All in a foot print that keeps the Engineer/Operator right in
>>>front of the mix..There's a ton more features..
>>>
>>>I had a chance (2years) ago to take the then Tascam 3200 for week session
>>>spin. Due to the fact that no body in our area had a O2r/96,
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