|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Re: Do_You_want_a_Quick_PDC_Solution ?? [message #67122 is a reply to message #67117] |
Thu, 20 April 2006 06:16  |
Dimitrios
Messages: 1056
Registered: August 2005
|
Senior Member |
|
|
.net">arpegio@comcast.net</A>><BR>>&n=
bsp;=20
wrote:<BR>><BR>> >Help needed!<BR>> =
><BR>> =20
>Is it possible to get this box to function while connected to the =
Cubase=20
via USB?<BR>> >It appears to only honor the presets I've =
created=20
once it's disconnected. When<BR>> >it's connected it =
routes=20
out to all synths (good) but I haven't been able to get<BR>> =
>my=20
controllers note data in. <BR>> ><BR>> =
>Does=20
this thing transmit MTC from the SMPTE it receives? If not then =
do I=20
now<BR>> >have to get another MIDI module to send Cubase =
to and=20
from this 8x8 patchbay<BR>> >to get to my synths so I can =
actually=20
facilitate the presets I've created? This seems <BR>> =
>like=20
the only way to allow Paris' MTC to Cubase (not all the synths too) =
and use my=20
<BR>> >different presets.<BR>> ><BR>> =
>The=20
Motu crashed everytime I used sysex. MIDI Sport won't even =
acknowledge=20
I'm<BR>> >there when it's connected to Cubase via =
USB. No=20
presets or MIDI input allowed.<BR>> >At least it's not=20
crashing!<BR>> ><BR>> >I'm obviously=20
confused.<BR></BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_0064_01C6744A.6A20BC50--This is a multi-part message in MIME format.
------=_NextPart_000_0071_01C6744A.99935790
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Chas.,
It's up to the task of classical to.
Tom
"Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message =
news:o17462ditfmee1vphhkl8349o6ud86chtb@4ax.com...
Hey Tom -- thanks for that perspective... That unit is still first on
my list if I get around to putting my little "go anywhere" laptop rig
together... Want to run that with the RME Fireface box -- whole bunch
of channels available for whatever one might encounter in live
situations, and the True box has (I think) an extra set of balanced
outs -- to give back to the live sound guy, I figure -- bound to be
better pre's than most anything they'd usually have...
And of course -- would be nice to have those channels available in the
studio when not doing remote stuff...
thanks again -- Chas.
On Tue, 9 May 2006 13:41:07 -0400, "Tom Bruhl" <arpegio@comcast.net>
wrote:
>I love my Precision 8s. Transparent, plenty of noiseless gain
>even for ribbons. Almost too much gain for drums.
>Might want/need a comp in line to lower it's output into Paris
>if you want to push the levels up at the pre.
>Built well although I have one channel who's phantom
>is fried. It may have been on while patching (big no no).
>I heard this might be a flaw in the design. It's a drag
>that the line ins are in the same jack as the mic input.
>I have to crawl in back to swap them out from time to time.
>
>They sound great though. I bought two and use them all the
>time. Big smile on everyone's face even when compared to Neve's.
>More clarity, less edge/iron.
>Tom
>
>
> "Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message =
news:Report message to a moderator
|
|
|
|
The PARIS Forums
Search
Help
Members
Register
Login
Home
