| Anyone know what would cause .mid files to shift pitch? [message #67768] |
Sat, 06 May 2006 07:26  |
Kim
Messages: 1246
Registered: October 2005
|
Senior Member |
|
|
great adventure.<BR>>The benefits are tremendous , you will have =
> >these=20
> > great dsp plugins/routing<BR>>plus Cubase SX native routing from =
> >Paris to=20
> > Pulsar to SX back to Pulsar<BR>and<BR>>back a
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Re: Anyone know what would cause .mid files to shift pitch? [message #67823 is a reply to message #67777] |
Sun, 07 May 2006 08:45  |
jef knight[1]
Messages: 201
Registered: October 2005
|
Senior Member |
|
|
t;>>>>> http://www.polesoft.com/refer.html
>>>>>>
>>>>>>
>>>>>
>>>>>
>>>>
>>>=20
>>
>>
>
------=_NextPart_000_009C_01C6843F.575BFC10
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.5296.0" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2><EM>Ok, you asked for it......... PC =
mastering=20
technique in Paris:</EM></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Take your 2 track L/R master =
final mix=20
file. Put the Left mix file on Channels 1,3,5 and 7. Pan hard left. =
Put the=20
Right mix file on Channels 2,4,6 and 8. Pan hard right. Using the Paris =
VST EQ,=20
split the files into different bands. 1/2 will be lo pass, 3/4 will be =
low mid=20
band, 5/6 will be hi mid band, 7/8 will be hi pass. Freq will vary =
depending on=20
taste and what you're going for and program material. Use your ears, =
nobody can=20
hand you that in text and be completely accurate. Start with the Sakis=20
Frequencies... Lo 20-90hz. Lo-Mid 90-540 Hi-Mid =
540-6Khz Hi=20
6-20Khz. Compress each 'set' of channels (1/2, 3/4, 5/6, 7/8) with =
either the=20
Paris Compressor or with a good sounding native POST Paris VST EQ. The =
placement=20
is absolutely critical. Tie all faders together using Grouping on the =
mixer. Do=20
not for ANY reason split these waves into another editor unless you're =
ready to=20
fight phase and time delay demons between submixes. Also, be sure you =
have=20
everything selected with the time lock tool when you do this - same =
reason about=20
phase/time. </STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG></STRONG></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Now, the thing is, you can =
adjust the=20
Gain/EQ mojo separately for each band, you can compress with different =
ratios,=20
thresholds.. whatever suits the material, all in Paris. If you use the =
Paris=20
compressor, be sure to match each pair of tracks' settings (1=3D2, =
3=3D4, 5=3D6, 7=3D8).=20
Ditto on the eq bands, they must match, period. </STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRONG></STRONG></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2><STRONG>Now then, for more secret sauce =
beyond the=20
Eq/Gain trick.. put one more compressor on the global but do NOT =
compress with=20
it. Threshold all the way up, ratio all the way down. Instead, use the =
gain=20
output to beat the snot out of the signal hitting the global bus, but =
.... and=20
this is also super important... keep the global fader at -0.3 or -0.5 dB =
or=20
you'll blister the ^&*#&$ out of the cheapo wal mart digital =
converters=20
that your stuff will eventually have to suffer. </STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><STRON
|
|
|
|
The PARIS Forums
Search
Help
Members
Register
Login
Home
