Home » The PARIS Forums » PARIS: Main » Ivory VST-man, this thing is too cool
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| Re: Ivory VST-man, this thing is too cool [message #66008 is a reply to message #66007] |
Fri, 31 March 2006 22:24   |
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Deej [1]
Messages: 2149
Registered: January 2006
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Senior Member |
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ay's luscious cowbell entry comes from the incomparable Mr. Barry White.
'Can't Get Enough of Your Love' might run well under the alternate tag of
'Can't Get Enough of Your Funky Cowbell', as there is a sinisterly persistent,
full bodied, deliciously muted cowbell that flows through every measure except
the sexy, spoken word middle 8.
Enjoy
ChuckOh how sweet it is !!
"chuck d" <c@c.com> wrote:
>
>Today's luscious cowbell entry comes from the incomparable Mr. Barry White.
> 'Can't Get Enough of Your Love' might run well under the alternate tag
of
>'Can't Get Enough of Your Funky Cowbell', as there is a sinisterly persistent,
>full bodied, deliciously muted cowbell that flows through every measure
except
>the sexy, spoken word middle 8.
>
>Enjoy
>ChuckI have a copy of Wayward and I am enjoying it immensely.
I don’t have time to do an in-depth review, but I think everyone here should
purchase a copy. Both to support the efforts of our small but devoted group
and because this is a fine record. It has lots of interesting musical influences.
Right now I have it in “heavy rotation” in my personal listening list, beating
out most major label records I have purchased recently.
Gene
"Paul" <paul@nospam.com> wrote:
>
>I received my copy of Sarah's CD yesterday!
>Wow!!
>
>Sarah, You are quite the writer/musician. I haven't enjoyed a CD so much
>in years.
>Very original songs and style, great instrumentation, musicianship, production,
>well honestly, I can't find one thing I don't like about it.
>Superb quality. I know you recorded this using Paris but did you record
>this at a studio? The acoustics sound great.
>I hope when you get some
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| Re: Ivory VST-man, this thing is too cool [message #66025 is a reply to message #66023] |
Sat, 01 April 2006 13:28 |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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pe: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Pete,
Well I wouldn't want to use today's config for
a restore point that's for sure. There wasn't one
way way back? Months ago before you turned Restore off?
You know you can turn back the pages on that calendar right?
Go back another month or two. Mine saves the last day of every month.
I guess you don't have a cloned C drive either huh?
I'd go back to undoing everything you remember doing to
add that EMU card. Uninstall EMU's drivers, remove all
scherzo drivers that aren't being used. Maybe even uninstall
all the Scherzos and add one card at a time fresh. Let Windows
look for drivers.
I'm not much of a tech. I'm sure Aaron, David or DJ could fix this
for you more quickly.
Good luck,
Tom
"Pete" <ruthenburg@sbcglobal.net> wrote in message =
news:444ecdc7$1@linux...
Tom,
Can you believe I wasn't hip to the whole restore thing!Looks
pretty useful;of course my system restore was turned off so there
were no restore points to go back to.I turned it on,but thats
not much help with my current problem.
Thanks much though;you probably helped with all the future=20
problems I get into.
Pete
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Pete,
>Can you go to the most recent restore point in your computer
>before this debacle? That would probably work the bugs out=3D20
>without the new EMU card installed.
>Tom
> "Pete" <ruthenburg@sbcglobal.net> wrote in message =3D
>news:444e8e5e$1@linux...
>
> So I took out my UAD and EMU card and 1 EDS;still getting the
> same message.
>
> So all I have in the comp are 2 EDS cards and I'm getting the
> same thing.
>
> Pretty frustrating since I had 4 EDS and 1 UAD working before I
> installed the EMU 0404.
>
> IDEAS?
>
> Pete
>
> "Pete Ruthenburg" <ruthenburg@sbcglobal.net> wrote:
> >
> >So I go to open PARIS and get an error occured while reading
> >default project.A new empty project will be created.There are not
> >enough free resources.Then I get an unhandled exception error and
> >have to restart the comp.
> >
> >I'm getting this after taking out an EDS card and putting an EMU
> >0404 card in its spot.
> >
> >Heres what I've got in the comp:
> >
> >PCI 1 UAD-1 IRQ 18
> >PCI 2 EMU 0404 IRQ 21
> >PCI 3 EDS IRQ 22
> >PCI 4 EDS IRQ 16
> >PCI 5 EDS IRQ 18
> >
> >Those IRQ assignments were working with the EDS in place where
> >the EMU is now.Any ideas?SHould I move the EMU card?
> >
> >Should I finally hook up the Magma 13 slot I've been lazy with
> >and not hooked up.
> >
> >Thamks peeps,
> >Pete
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
>charset=3D3Diso-8859-1">
><META content=3D3D"MSHTML 6.00.2800.1400" name=3D3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D3D#ffffff>
><DIV><FONT face=3D3DArial size=3D3D2>Pete,</FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2>Can you go to the most recent =
restore =3D
>point in your=3D20
>computer</FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2>before this debacle? =
</FONT><FONT =3D
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| Re: Ivory VST-man, this thing is too cool [message #66080 is a reply to message #66022] |
Sun, 02 April 2006 17:07 |
Bill Lorentzen
Messages: 140
Registered: June 2005
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Senior Member |
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a href="mailto:1@linux" target="_blank">1@linux, "Dedric Terry"
>><dedric@echomg.com> wrote:
>>
>>> This may have been posted here before, but I just got around to trying
> this
>>> EQ:
>>> http://www.aixcoustic.com/index.php/Products/8/0/ (Electri-Q) (up to 64
>>> bands)
>>>
>>> Also the freeware version:
>>> http://www.savioursofsoul.de/Christian/Plugins.htm (Posihfopit).
>>>
>>> Probably the best free/inexpensive EQs I've come across. Both have
>>> analog
>>> or digital modes (Posihfopit also has British and Scream modes).
>>> The freeware EQ seems to have more options but that may be a demo
>>> limitation
>>> in Electri-Q. Right click and hold on a frequency node to get filter
>>> options, and there a many. The only thing I didn't find are steeper,
> 4-6
>>> pole HPF and LPF filters, but overall it sounds very good. Sweeps are
>>> nice with these EQs (fully automatable of course).
>>>
>>> FYI,
>>> Dedric
>>>
>>>
>>
>I have been living with Logic 4.7 as it was PC based. Along with 4.7, I am
using an Emagic Unitor 8 as the midi interface. I am now interested in upgrading
my sequencer rig. I understand that Logic 7.1/7.2 provide a feature to lock
to video within the app. My questions are:
1. Should I go with a Mac G5 (if so, know of any great deals out there?)
2. Are there any PC apps. that can handle this as well?
I am searching the web as I'm posting this.
Thanks?
Tyrone CorbettI guess I'll need to invest in an ADAT card for paris to keep it in the loop
as well?
Tyrone
"Tyrone Corbett" <tyronecorbett@comcast.net> wrote:
>
>I have been living with Logic 4.7 as it was PC based. Along with 4.7, I
am
>using an Emagic Unitor 8 as the midi interface. I am now interested in upgrading
>my sequencer rig. I understand that Logic 7.1/7.2 provide a feature to lock
>to video within the app. My questions are:
>
>1. Should I go with a Mac G5 (if so, know of any great deals out there?)
>2. Are there any PC apps. that can handle this as well?
>
>I am searching the web as I'm posting this.
>
>Thanks?
>
>Tyrone Corbett
>
>I think this may be it.
http://rafb.net/paste/results/I0ERLA61.html
TCB wrote:
> None of them do, which is what I was whining about. Using Gnome and Debian
> (my preferred GNU/Linux choice) this stuff is wicked easy and built into
> the OS. I'll let y'all know if I find anything.
>
> TCB
>
> "John" <no@no.com> wrote:
>> So which app lets you assign windows to desktops? I thought powertoys only
>> let you open them on the current desktop and not reassign them.
>>
>> "TCB" <nobody@ishere.com> wrote:
>>
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| Re: Ivory VST-man, this thing is too cool [message #66096 is a reply to message #66080] |
Mon, 03 April 2006 06:19 |
Stevehwan
Messages: 207
Registered: January 2006
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Senior Member |
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;DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
=
href=3D"news:44556f56@linux">news:44556f56@linux</A>...</DIV>Nope......no=
t a=20
chance.<BR><BR>;o)<BR><BR>"Gantt Kushner" <<A=20
href=3D"mailto:ganttmann@comcast.net">ganttmann@comcast.net</A>> =
wrote in=20
message<BR><A=20
=
href=3D"news:4455655b$1@linux">news:4455655b$1@linux</A>...<BR>><BR>&g=
t; I=20
haven't been around much lately, and I just took a look at the=20
"For<BR>Sale"<BR>> site. Wow! So much Paris stuff for=20
sale! It made me wonder... Who (or<BR>> is it "whom"?), =
besides me,=20
is still using Paris as their main system?<BR>I'm<BR>> getting =
pretty=20
frustrated about not being able to use most of the=20
new<BR>plugins.<BR>> I have to dive into PT (LE) or Digital =
Performer=20
to do some of the more<BR>> modern tricks, and then import files =
back to=20
Paris. But it still sounds<BR>> SOOOO good to me. I =
have a=20
client who moved here from New Orleans after<BR>> Katrina. He =
had=20
done a bunch of recording in a studio there (he is pretty<BR>> much =
a=20
techno-phobe, so he doesn't know what format) and he says=20
the<BR>quality<BR>> of the ruff mixes from my little Paris studio =
kills the=20
stuff he did down<BR>> there. He says he's just gonna have to =
record=20
it all again here.<BR>><BR>> Anyway... If I knew what I =
could get=20
that'd sound as good (and that I<BR>could<BR>> afford!) I'd switch, =
but for=20
now, I'm still a Paris dude.<BR>><BR>> Peace ('cause we still =
need=20
it!),<BR>><BR>> =
Gantt<BR>><BR>><BR><BR></BLOCKQUOTE></BODY ></HTML>
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still no workee?
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:4455729c@linux...
I'll be hanging whether or not I get this WC thing working!
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44556f56@linux...
Nope......not a chance.
;o)
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the =
"For
Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... =
Who (or
> is it "whom"?), besides me, is still using Paris as their main =
system?
I'm
> getting pretty frustrated about not being able to use most of the =
new
plugins.
> I have to dive into PT (LE) or Digital Performer to do some of =
the more
> modern tricks, and then import files back to Paris. But it still =
sounds
> SOOOO good to me. I have a client who moved here from New Orlean
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| Re: Ivory VST-man, this thing is too cool [message #66106 is a reply to message #66096] |
Mon, 03 April 2006 08:08 |
Deej [1]
Messages: 2149
Registered: January 2006
|
Senior Member |
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ganttmann@comcast.net" target="_blank">ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the "For
Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
> is it "whom"?), besides me, is still using Paris as their main system?
I'm
> getting pretty frustrated about not being able to use most of the new
plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the more
> modern tricks, and then import files back to Paris. But it still sounds
> SOOOO good to me. I have a client who moved here from New Orleans after
> Katrina. He had done a bunch of recording in a studio there (he is pretty
> much a techno-phobe, so he doesn't know what format) and he says the
quality
> of the ruff mixes from my little Paris studio kills the stuff he did down
> there. He says he's just gonna have to record it all again here.
>
> Anyway... If I knew what I could get that'd sound as good (and that I
could
> afford!) I'd switch, but for now, I'm still a Paris dude.
>
> Peace ('cause we still need it!),
>
> Gantt
>
>We'll all be fighting over EDS cards in 10 years.
*Sigh.*
Jimmy
"Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
news:4455858a@linux...
> Not me Gantt. I just finished mixing a track of a live recording that just
> sounds so extraordinary, I'd have to be led away from Paris at gunpoint.
The
> more I use the system the more I'm amazed at how good it really sounds. I
> see no need to move anywhere, period. Familiarity breeds contempt, but not
> so for me and Paris.
>
> Rich
>
> "Gantt Kushner" <ganttmann@comcast.net> wrote in message
> news:4455655b$1@linux...
> >
> > I haven't been around much lately, and I just took a look at the "For
> Sale"
> > site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
> > is it "whom"?), besides me, is still using Paris as their main system?
> I'm
> > getting pretty frustrated about not being able to use most of the new
> plugins.
> > I have to dive into PT (LE) or Digital Performer to do some of the more
> > modern tricks, and then import files back to Paris. But it still sounds
> > SOOOO good to me. I have a client who moved here from New Orleans after
> > Katrina. He had done a bunch of recording in a studio there (he is
pretty
> > much a techno-phobe, so he doesn't know what format) and he says the
> quality
> > of the ruff mixes from my little Paris studio kills the stuff he did
down
> > there. He says he's just gonna have to record it all again here.
> >
> > Anyway... If I knew what I could get that'd sound as good (and that I
> could
> > afford!) I'd switch, but for now, I'm still a Paris dude.
> >
> > Peace ('cause we still need it!),
> >
> > Gantt
> >
> >
>
>>The more I use the system the more I'm amazed at how good it really sounds<
I feel the same way after having used Paris and SX side by side for over two
years now. Paris is just so much easier to track with, to quickly nail the
sound I'm looking for and is so forgiving when mixing. I use RME and Mytek
converters from time to time, but to tell the truth, I *choose* to use the
Paris converters more often than not these days. With an external clock,
they sound just as good to my ears.
Deej
"Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
news:4455858a@linux...
> Not me Gantt. I just finished mixing a track of a live recording that just
> sounds so extraordinary, I'd have to be led away from Paris at gunpoint.
The
> more I use the system the more I'm amazed at how good it really sounds. I
> see no need to move anywhere, period. Familiarity breeds contempt, but not
> so for me and Paris.
>
> Rich
>
> "Gantt Kushner" <ganttmann@comcast.net> wrote in message
> news:4455655b$1@linux...
> >
> > I haven't been around much lately, and I just took a look at the "For
> Sale"
> > site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
> > is it "whom"?), besides me, is still using Paris as their main system?
> I'm
> > getting pretty frustrated about not being able to use most of the new
> plugins.
> > I have to dive into PT (LE) or Digital Performer to do some of the more
> > modern tricks, and then import files back to Paris. But it still sounds
> > SOOOO good to me. I have a client who moved here from New Orleans after
> > Katrina. He had done a bunch of recording in a studio there (he is
pretty
> > much a techno-phobe, so he doesn't know what format) and he says the
> quality
> > of the ruff mixes from my little Paris studio kills the stuff he did
down
> > there. He says he's just gonna have to record it all again here.
> >
> > Anyway... If I knew what I could get that'd sound as goo
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