Home » The PARIS Forums » PARIS: Main » Need_Pc_suggestion_for_4_EDS_inside_magma
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| Re: Need_Pc_suggestion_for_4_EDS_inside_magma [message #60033 is a reply to message #60032] |
Tue, 08 November 2005 11:01   |
Dimitrios
Messages: 1056
Registered: August 2005
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Senior Member |
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o NTFS would wipe the drive clean, so it would be a good
>>>>>>idea to drag all the files to another drive before formatting. Are
>>>>>>you running XP SP1 or SP2? Have you tweaked the OS to shut off all
>>>>>>non essential services and fluff?
>>>>>>
>>>>>>David.
>>>>>>
>>>>>>DAVID P wrote:
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>>can't I change these other fat32 drives to ntfs without formating and
>>>>>
>>>>>do I
>>>>>
>>>>>
>>>>>
>>>>>>>have to worry about losing data. My power suppy is 400 watts.I did a
>>>
>>>complete
>>>
>>>
>>>>>>>Paris install with the subsytem as well. I forgot to mention earlier
>>>
>>>that
>>>
>>>
>>>>>>>when I started having the problems that I was being prompted to enter
>>>>>
>>>>>a new
>>>>>
>>>>>
>>>>>
>>>>>>>record path when trying to do overdubs.
>>>>>>>Thanks, David P
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>>Some thoughts below:
>>>>>
>>>>>
>
>I have a reel-to-reel Tape of The Cream Live Oct 1968,Chastain Park,Atlanta
Ga..I was 15..My friend, who owned a music store, knew the sound man,and he
let us set up 2 mics and tape it in stereo,at the board position...They did
basically the same songs back then,as on the RAH DVD..I assume they also
taped the MSG concerts in Oct.....The new DVD sounds nothing like the "old
Cream"...I totally liked Clapton when he played his Gibson SG (as he did on
Live at the Fillmore)..his Strat tones are not nearly as "psychedelic"..and
of course the Drums and Bass also sound much cleaner now....Bruce's new
version of "Train Time" was
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| Re: Need_Pc_suggestion_for_4_EDS_inside_magma [message #60036 is a reply to message #60033] |
Tue, 08 November 2005 11:28 |
Rod Lincoln
Messages: 883
Registered: September 2005
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Senior Member |
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ee "classics would give you 3x16=48 Adat in/out, 3x2=
6 channels SPDIF in/out and 3x3= 6 channels of audio in out (24bit 96khz)
That is pretty much what you need , right ?
But you cannot imagine what extras you get with pulsars.
First of all top notch digital sound with "Sony oxford algorithm consoles
!" with module consoles like 48 stereo surround track console ! and you can
use as many...
You will have 18 Sharc dsps on boards, great 1176 emulation compressor (Vinco)
also very good mastering device "Optimaster" fantastic synthesizers like
Oberheim, Moog, B3, Odyssey, which are considered the best synths on the
market now that emulate true analog sound !
I have them and I know it !
You can have the VDAT recording package whiuch is an "ADAT" environement
harddisk recording system with as many channels as you want with up to 32
bit integer ! not floating ...
Great effects (all dsp oriented) many midi in outs , you will have 3 midi
in/out/thru with 3 cards.
Note that Pulsar is a modular environement with unlimited possiblities.
For instance you can merge (whith Pulsar module) all midi inputs to drive
a single destination like a Pro Odyssey synth, or whatever...
It seems like Paris patchbay but it is totally professional with great graphicsyou can make money off musicians???????? when did this start??????
when did they get money???????? when did they learn to count past 1 2
3 4???????
;o)
On Thu, 08 Dec 2005 09:38:17 -0700, EK Sound
<spamnot.info@eksoundNO.com> wrote:
>If you turn it on, they will spend longer in the studio.... you make
>more money! :-)
>
>David. (rushing out to buy lava lamps....)
>
>rick wrote:
>
>> just don't turn it on if other musicians show up as they tend to just
>> stare at it and nothing gets done.
>>
>> On Wed, 7 Dec 2005 17:55:01 -0600, "Aaron Allen"
>> <nospam@not_here.dude> wrote:
>>
>>
>>>Dude, you forgot the most important piece of allllll......
>>>the lavalamp. :)
>>>
>>>Good to see you 'round here again.
>>>AA
>>>
>>>
>>>"TCB" <nobody@ishere.com> wrote in message news:43972739$1@linux...
>>>
>>>>You're almost there. You still need
>>>>
>>>>- a ferret (two or even three would be better, but one will do, especially
>>>>if it's a vintage ferret)
>>>>
>>>>- an eight ball (for that LA 80's drum sound)
>>>>
>>>>- Pele poster (for inspiration)
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| Re: Need_Pc_suggestion_for_4_EDS_inside_magma [message #60037 is a reply to message #60036] |
Tue, 08 November 2005 11:33 |
Dimitrios
Messages: 1056
Registered: August 2005
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Senior Member |
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r />
>>>>
>>>>and you should be good.
>>>>
>>>>"Greg Bratton" <gregb@seedfaith.org> wrote:
>>>>
>>>>>In about a week, I will have completed buying (everything) I think I need
>>>>
>>>>>for a real project studio.
>>>>>
>>>>>I have:
>>>>>
>>>>>Paris 442 + IF2 w/ C16
>>>>>Mackie 14ch board
>>>>>Electric Guitars
>>>>>Acoustic Guitars
>>>>>Bass Guitar
>>>>>Guitar Port
>>>>>Korg N5ex
>>>>>Drum Soundfont
>>>>>Cakewalk Sonar
>>>>>AT4033 Condenser Mic
>>>>>Isolation Booth (for vocals, acoustics)
>>>>>Various audio programs (Soundforge, CD Arch)
>>>>>A slow Pent IV that has seemed to be fast enough to work with all of this
>>>>>
>>>>>and will soon have:
>>>>>
>>>>>A nice set of reference monitors.
>>>>>
>>>>>
>>>>>
>>>>>My question is, I consider myself more of an artist than a producer,
>>>>>however....what else do I need???
>>>>>
>>>>>My current system is:
>>>>>1. I program the drums in Sonar using my drum soundfont I like....
>>>>>2. I add any keyboard tracks in sonar...(piano, organ)
>>>>>3. With three clicks at the beginning, I import and line up those tracks
>>>>
>>>>one
>>>>
>>>>>at a time into Paris
>>>>>4. Usually just record the Bass Guitar direct to Paris
>>>>>5. I add my Guitar tracks with Guitar Port
>>>>>6. I record my live tracks in the Iso booth (C16 with long cable is handy
>>>>
>>>>>here)
>>>>>7. I mix down in Paris using mostly the included effects
>>>>>8. I render out and master in Soundforge
>>>>>9. I burn CD in CD Architect
>>>>>
>>>>>
>>>>>And hopefully, with the new reference speakers, the CDs will sound good.
>>>>>
>>>>>However, when I read the posts on here, I hardly know what a lot of the
>>>>
>>>>>equipment I hear talked about even is.
>>>>>
>>>>>What I need to know is, is there an area in my studio or process that is
>>>>
>>>>>missing that could take me to the next level?
>>>>>If you inherited this studio, what would you add/change to it?
>>>>>
>>>>>I know some of it is based on music styles/personal preferences, however,
>>>>
>>>>is
>>>>
>>>>>there something here that I am obviously overlooking?
>>>>>
>>>>>Thank you for taking the time to read and respond!
>>>>>Greg Bratton
>>>>>
>>>>>
>>>>
>>jack kicks bass ass. i t
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| Re: Need_Pc_suggestion_for_4_EDS_inside_magma [message #60040 is a reply to message #60037] |
Tue, 08 November 2005 13:14 |
Rod Lincoln
Messages: 883
Registered: September 2005
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Senior Member |
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ef="http://www.seelectronics.com/whatsnew.html" target="_blank">http://www.seelectronics.com/whatsnew.html
>
>
> Tony will post some MP3 and Wav files that were Recorded By
> Roger Nichols for NARAS
> ( National Academy of Recording Arts and Science )
> http://www.rogernichols.com/
>
> Here is the Challenge - there are 5 mics in the Shoot out:
> TELEFUNKEN U47
> SOUNDELUX U95 (AKG C12)
> SE GEMINI
> SE 5600A
> SE ICIS
>
> These are all Tube Mics - The Telefunken and Soundelux
> cost Thousands $$$ More !!
>
> Listen to the Samples - then Properly identify the Mics in order.
>
> http://www.mercysakes.com/paris/Morgan%20Pettinato/Mic%20Con test/
>
> You can open any audio app and imort the wave file in order -
> or listen to the NUENDO Mp3 file ( Last one in directory )
>
> Anyone that can Properly identify these Mics will Win -
>
> SE Microphone Deluxe Windscreen $ 59 Value
> http://www.seelectronics.com/popscreen.html
> Planet Waves Mic Cable $69 Value
> http://www.planet-waves.com/Pcablesdetails.aspx?ID=2
>
> Files are posted @
> www.mercysakes.com
>
> Good Luck !!
>
>
> Please send your entry to:
> Morgan@Eastcoastmusicmall.com
>
> Any questions - Call or Email me
>
> Morgan
> Eastcoast Music Mall
> 800-901-2001
>
>
>Trying to get a feel for how many people use 2 bus compression
here.I'm more interested in hardware recommendations,but would
be curious about software too.
Looking at the the old SSL384,Alan Smart,API 2500,or maybe
Pendulum Audio too;or whatever.
Thinking of using this with the Neve VR60 I'll be using,but
also possibly with PARIS or PT.
Thanks,
PeteI usually leave it for the mastering engineer. Remember, it's easy
to compress after the fact. It's difficult, if not impossible, to undo
the compression after the fact. When I do my limited version of
mastering I usually use the UAD-1 Precision Limiter, although I
have been known to use Waves' limiter too.
gantt
Pete Ruthenburg wrote:
> Trying to get a feel for how many people use 2 bus compression
> here.I'm more interested in hardware recommendations,but would
> be curious about software too.
> Looking at the the old SSL384,Alan Smart,API 2500,or maybe
> Pendulum Audio too;or whatever.
> Thinking of using this with the Neve VR60 I'll be using,but
> also possibly with PARIS or PT.
>
> Thanks,
> PeteCheck this out ....
http://www.snopes.com/photos/arts/xmaslights.aspI bought my 3rd EDS card about a year or so ago, but never plugged it
into the computer, thinking that I'd save it for a backup or whatever. I
finally decided to put it in the computer last night, since most of the
stuff I'm recording lately I've spread across 3 submixes, and having to
always have one submix be rendered was starting to be a pain in the ass.
Anyhow, I plug the card in and boot the computer and XP recognizes the
new hardware, says it's already got the driver, would I like to use it?
Click yes, "hardware installed successfully".
Then I launch Paris, open up a 3 submix project, switch them all to
card....
and....
IT WORKED THE FIRST TIME.
Unreal. so I"m totally geeking out that I was able to add this third
card, almost plug-and-play, and it works. Clean living, right?
Well, almost.
About a minute into the song the computer just shuts down
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| Re: Need_Pc_suggestion_for_4_EDS_inside_magma [message #60050 is a reply to message #60043] |
Wed, 09 November 2005 00:17 |
Dimitrios
Messages: 1056
Registered: August 2005
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Senior Member |
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r />
>with Celtic musician Robin Bullock. The C-Ducer contact pickup in his Cittern
>(sort of a round-back, Celtic mandolin) went noisy without a spare in the
>house. We simply taped a DPA4060 near the sound hole, and the sound was
fantastic.
>There was plenty of gain before feedback, and none of the bass build-up
you
>can get with a cardioid mic. Plus, there was none of the brittle string
tone
>you often get with a contact pickup. In fact he liked it so much, I loaned
>him one to take next week on a quick Paris/Germany tour.
>
>The only thing that's needed to make the system complete is a good mounting
>system for instruments. For piano, a pair of soda straws make acceptable
>mini-booms, and some double-sided tape works for acoustic guitar, but these
>are jury-rigs at best that won't make it on the live stage. No, what's needed
>is a variety of clips and mini-booms that can be attached to violins, guitars,
>d
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