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;>Kim. > > >> > > > > = >>>> >=20 >>> > > > >>> >>> >> >Thanks for your generousity Chuck, this is really selfless of you. It's made me put off selling Paris and try the plugs for some new inspiration, but I feel a bit guilty that I never bought them in the first place. Best, Pete "Chuck DUffy" <cduffy@cduffy.cduffy> wrote in message news:43f3e9fd$1@linux... > > Hi all, > > All the plugs I have released are available for free download at www.greatidea.com/downloads/ > > PC users can download the PC value pack and EVENTITER to get them all > > MAC users can download the MAC value pac and nolimit to get them all. > > More to follow > > Have fun. Help each other out if anyone gets stuck. > > ChuckThe EXACT same thing happened to me last week. The client is so convinced that nothing is on the CD I gave him, that he
still hasn't paid. He's waiting until the engineer at his studio confirms that 24-bit .wav files cannot be played on a stereo. "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote: > >A couple of days ago I did some tracks for a client and burnt a CD-Rom containing >wave files for him to take to another studio to do some other work. It was >labled "Data CD". >I explained how all the files were perfectly synced so the protools guy could >drag them in to his session. >Five minutes after he left my house he called, saying "I just tried to listen >to this in my wife's car, and she has a REAL good CD player, and it won't >play". >To which I say....."It's a DATA CD" >"Oh....it's a data CD?" >"Yes, whould you like an audio CD so you can play it for your wife?" >"Yes, maybe that's a good idea" >So he came right back and I burnt an audio CD for him. > > >The things you have to put up with sometimes. > >Rod >I assume that client just went on the "I give you your files when you give me my money list" for next time. ;>) Tony "Chris Lang" <yo@yo.yo> wrote in message news:43fa3258$1@linux... > > The EXACT same thing happened to me last week. The client is > so convinced that nothing is on the CD I gave him, that he > still hasn't paid. He's waiting until the engineer at his > studio confirms that 24-bit .wav files cannot be played on a > stereo. > > > > "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote: >> >>A couple of days ago I did some tracks for a client and burnt a CD-Rom >>containing >>wave files for him to take to another studio to do some other work. It was >>labled "Data CD". >>I explained how all the files were perfectly synced so the protools guy > could >>drag them in to his session. >>Five minutes after he left my house he called, saying "I just tried to >>listen >>to this in my wife's car, and she has a REAL good CD player, and it won't >>play". >>To which I say....."It's a DATA CD" >>"Oh....it's a data CD?" >>"Yes, whould you like an audio CD so you can play it for your wife?" >>"Yes, maybe that's a good idea" >>So he came right back and I burnt an audio CD for him. >> >> >>The things you have to put up with sometimes. >> >>Rod >> >Me too. Rod "John Macy" <spamlessjohn@johnmacy.com> wrote: > >I'm in, too. Just let me know when and how...:) > > > >"John Macy" <spamlessjohn@johnmacy.com> wrote: >> >>"Rich" <studiodog_99@yahoo.com> wrote: >>> >>> >>>Same here >>> >>>"Tom Bruhl" <arpegio@comcast.net> wrote: >>>> >>>> >>>>You said it for Deej. Count me in for a few bucks. >>>>Tom >>>> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message = >>>>news:43fa0bde@linux... >>>> Me too. Without this site, I will die. >>>> >>>> >>>> "uptown jimmy" <johnson314@bellsouth.net> wrote in message >>>> news:43f9f743$1@linux... >>>> > I'm there. >>&g
t;>>> in the constant power glitches that > > > seem > = >>>>>=20 >>>> >>>to haunt this area manages to get through this particular = >>>>UPS=20 >>>> enough to > > >>effect > > >>>the = >>>>server.=20 >>>> I'm suspicious changing any one ingredient would be enough > = >>>>>=20 >>>> > to > > >>>fix it. > > = >>>>>>> >=20 >>>> > >>>Looks like I'll be shopping for a new UPS = >>>>shortly... >=20 >>>> > >>> > > >>>Cheers, > >=20 >>>> >>>Kim. > > >> > > > > = >>>>> >=20 >>>> > > > >>>> >>>> >>><b
at are good... >>>> >>>> DC >>>> >>>> >>>> >>>> >...and I'm highly suspicious it would be cheaper to buy one here. :o) >>>> > >>>> >Cheers, >>>> >Kim. >>>> >>> >>> >> >On 2/20/2006 6:02 AM, John wrote: > Post it here please....... I have one EDS 1000X Control 16, 442, and PARIS v 2.2, on P-III 500 mHz 256 MB RAM & Win XP Pro, and two internal 60 GB drives and on SCSI 18 GB drive. *************************** *** PARIS Configuration *** *************************** *** ENGINE configuration parameters *** * Cache Size in MB CacheSize=160 * Overview cache size in KB OvwCacheSize=16000 * I/O configuration IOSize=64 * SubMix Cache Size in KB SubMixCacheSize=256 ManualRecDelay=8192 MidiPlayDisable=1 RecXFadeLen=20 Use32BitWinMTC=0 DisableDirectX=0 MasterOutputCard=0 ScrubMaxRate=1 WheelSensitivity=20 WheelInertia=68 ScrubQuality=2they're channels???????????????? On 21 Feb 2006 09:20:04 +1000, "Kim" <hiddensounds@hotmail.com> wrote: > > >Sometimes I wonder how some people manage to change channels on their TV... > >...mind you, strange I should say that, because now that we have digital >television over here and digital set to boxes are becoming more common, a >lot of people are actually beginning to have trouble with that too. "But,<b
; > So randomly my C16 and transport freezes during projects.I can > move between the windows and save projects,but can't play etc. > > If I quit PARIS and reopen then everything works fine > (for awhile). > > Any ideas on this issue? > > PARIS 3.0 XP,P4 > > PeteIf you feel like being a guinea pig, you could try adding /INTAFFINITY to your boot.ini file rather than disabling hyperthreading. The boot.ini file lives at c:\boot.ini. You may have to enable "show hidden files and folder" and/or turn off "hide protected operating system files" to see it by going to "tools - folderoptions - view" and making the changes. Here's the contents of my boot.ini for reference: [boot loader] timeout=30 default=multi(0)disk(0)rdisk(0)partition(2)\WINDOWS [operating systems] multi(0)disk(0)rdisk(0)partition(2)\WINDOWS="Microsoft Windows XP Professional" /fastdetect /NoExecute=OptIn /INTAFFINITY C:\ = "Microsoft Windows" Good luck! Mike "Aaron Allen" <nospam@not_here.dude> wrote: >Most likely suspect: >Disable Hyperthreading. >AA > > >"Pete Ruthenburg" <ruthenburg@sbcglobal.net> wrote in message >news:43fb4340$1@linux... >> >> So randomly my C16 and transport freezes during projects.I can >> move between the windows and save projects,but can't play etc. >> >> If I quit PARIS and reopen then everything works fine >> (for awhile). >> >> Any ideas on this issue? >> >> PARIS 3.0 XP,P4 >> >> Pete > >Count me in, too. I might not post here much, but I read here all the time, and would feel so much on an island should this community ever dry up. (And I doubt if I'm the only one in either of those catagories.) Thanks! Larry Hogan "Rod Lincoln" <rlincoln@kc.rr.com> wrote: > >Me too. >Rod >"John Macy" <spamlessjohn@johnmacy.com> wrote: >> >>I'm in, too. Just let me know when and how...:) >> >> >> >>"John Macy" <spamlessjohn@johnmacy.com> wrote: >>> >>>"Rich" <studiodog_99@yahoo.com> wrote: >>>> >>>> >>>>Same here >>>> >>>>"Tom Bruhl" <arpegio@comcast.net> wrote: >>>>> >>>>> >>>>>You said it for Deej. Count me in for a few bucks. >>>>>Tom >>>>> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message = >>>>>news:43fa0bde@linux... >>>>> Me too. Without this site, I will die. >>>>> >>>>> >>>>> "uptown jimmy" <johnson314@bellsouth.net> wrote in message >>>>> news:43f9f743$1@linux... >>>>> > I'm there. >>>>> > >>>>> > Jimmy >>>>> > >>>>> > >>>>> > "Don Nafe" <dnafe@magma.ca> wrote in message = >>>>>news:43f9e7d3$1@linux... >>>>> > > Definitely, count me in for a few bucks >>>>> > > >>>>> > > Don >>>>> > > >>>>> > > >>>>> > > "Mike Audet" <johnwaynefan@hotmail.com> wrote in message >>>>> > > news:43f9d44c$1@linux... >>>>> > > > >>>>> > > > I'd be happy to contribute to this. >>>>> > > > >>>>> > > > "DC" <dc@spamthemoon.com> wrote: >>>>&g
gt;> >Five minutes after he left my house he called, saying "I just tried to >listen >> >to this in my wife's car, and she has a REAL good CD player, and it won't >> >play". >> >To which I say....."It's a DATA CD" >> >"Oh....it's a data CD?" >> >"Yes, whould you like an audio CD so you can play it for your wife?" >> >"Yes, maybe that's a good idea" >> >So he came right back and I burnt an audio CD for him. >> > >> > >> >The things you have to put up with sometimes. >> > >> >Rod >> > >> > >hehe... constructively my friend, not to put you down but the 'artists' ALWAYS want a CD they can play in the car for the chicks. "Chris Lang" <yo@yo.yo> wrote in message news:43fb4dc6$1@linux... > > You are assuming that this was not communicated before the files > were given to the client. Understandable, but you are wrong. > No big deal... > > "justcron" <paris@hydrorecords.com> wrote: > >Not to be a dick but thats a newbie miscommunication you guys could have > >anticipated :) > > > >peace > > > >"Chris Lang" <yo@yo.yo> wrote in message news:43fa3258$1@linux... > >> > >> The EXACT same thing happened to me last week. The client is > >> so convinced that nothing is on the CD I gave him, that he > >> still hasn't paid. He's waiting until the engineer at his > >> studio confirms that 24-bit .wav files cannot be played on a > >> stereo. > >> > >> > >> > >> "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote: > >> > > >> >A couple of days ago I did some tracks for a client and burnt a CD-Rom > >containing > >> >wave files for him to take to another studio to do some other work. It > >was > >> >labled "Data CD". > >> >I explained how all the files were perfectly synced so the protools guy > >> could > >> >drag them in to his session. > >> >Five minutes after he left my house he called, saying "I just tried to > >listen > >> >to this in my wife's car, and she has a REAL good CD player, and it won't > >> >play". > >> >To which I say....."It's a DATA CD" > >> >"Oh....it's a data CD?" > >> >"Yes, whould you like an audio CD so you can play it for your wife?" > >> >"Yes, maybe that's a good idea" > >> >So he came right back and I burnt an audio CD for him. > >> > > >> > > >> >The things you have to put up with sometimes. > >> > > >> >Rod > >> > > >> > > > > >Hi folks, While residing in the US, I had been using UPC1250 with no problems. I don't use the thing anymore since I've switched to 240 volts. If anyone is interested in trading the Power Conditioner/Stabilizer for the V.3.0 authorisation (Mac), please let me know, cheers..Rob, I have never had a signed contract while working on an hourly basis, which is 98% of the time. But at one time I used to charge clients for backing up data before it was cheap and easy to do. I had them sign a form to acknowledge that it was their responsibility to do so. But in recent years, I have come to routinely back up sessions for free without the clients even being aware. However, I still see this as the greatest liabilty that we have as studio operators. Where clients used to take their tapes home with them, now they seem content to let their work live on our hard drives, trusting that it will always be there. We always assume everything is ok until something goes wrong. It would be good to have clients sign a form to acknowlege that they are ultimately responsible for backing up data and we can not be held liable in the event of catastrophy. RZ "Rob Arsenault" <info@studiomanitou.com> wrote in message news:43fb19e0$1@linux... >I am looking for some kind of wr
itten agreement between the studio and the >client as to what is included on my side and what is expected on the >client's side. Does anyone here use these or have a copy that I could start >off from? > > Thank you much. > Rob_A > www.studiomanitou.com >A UPS simply replaces power when lost, it generally won't do anything about "brown outs". You need a box that will also switch between transformer taps to maintain proper voltage at all times... even when "shore power" is still up and running. David. also in for a few bucks on an upgrade. Kim wrote: > "DC" <dc@spamthemoon.com> wrote: > >>Make sure you get one with automatic voltage regulation and >>enough range of compensation to deal with sags and spikes. > > > I'm pretty sure that is my problem with the current one. It's got plenty > of mumbo to do the job (it's rated at like 700 watts and I must be using > like 100). It just seems that under certain circumstances in this house the > power fluctuates enough to hang the server, but not enough for the UPS to > kick in. Didn't happen at the last place. I think the power was more stable > there. > > I can see I'm going to have to do my homework and read the specs on a few > different models to find a good one. > > Before I buy anything or accept any donations however I want to grab a copy > of the UPS software and see if I can't tweak the current one to be a little > more fussy about what it lets through. Unfortunately the software is around > at the old place so I have to make it around there at some point to pick > it up. If I do need to buy a new one I would be happy to accept donations > though for this one off expense. Apart from anything else it will help guarantee > that we have the funds to get a good one. I imagine, given the number of > respondants already, that just $10 a peice or something would probably be > enough, but we'll wait and see if I can tweak the current one first. > > Cheers, > Kim.Yea man, this is a good point, never thought of that. As for myself, I am planning on renting my space to a reputable band/producer from this area. They will be using the studio and some equipment for a set period of time and I just wanted to get some sort of written agreement stating the expectations of both parties. It's my first time down this road, I usually only do hourly rates and no one else touches my toys...!! "RZ" <pearlmusic@sbcglobal.net> wrote in message news:43fb5d48$1@linux... > Rob, > > I have never had a signed contract while working on an hourly basis, which > is 98% of the time. But at one time I used to charge clients for backing > up data before it was cheap and easy to do. I had them sign a form to > acknowledge that it was their responsibility to do so. But in recent > years, I have come to routinely back up sessions for free without the > clients even being aware. However, I still see this as the greatest > liabilty that we have as studio operators. Where clients used to take > their tapes home with them, now they seem content to let their work live > on our hard drives, trusting that it will always be there. > > We always assume everything is ok until something goes wrong. It would be > good to have clients sign a form to acknowlege that they are ultimately > responsible for backing up data and we can not be held liable in the event > of catastrophy. > > RZ > "Rob Arsenault" <info@studiomanitou.com> wrote in message > news:43fb19e0$1@linux... >>I am looking for some kind of written agreement between the studio and the >>client as to what is included on my side and what is expected on the >>client's side. Does anyone here use these or have a copy that I could >>start off from? >> >> Thank you much. >> Rob_A >> www.studiomanitou.com >> > >On most long range projects, and especially flat rate projects, I draft a simple letter of agreement stating what we agreed on, and we both sign it. Much more casual than a contract, and will hold up pretty well in court (though I have never needed to do that, and only once can I remember ever having to bring up a point listed in the letter)... "RZ" <<a href="mailto:pearlmusic&#
DArial size=3D2>Tom >>>>><BLOCKQUOTE=20 >>>>>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; = >>>>>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> >>>>> "DJ" <<A=20 >>>>> = >>>>>href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole= >>>>>_@animas.net>=20 >>>>> wrote in message <A=20 >>>>> href=3D"news:43fa0bde@linux">news:43fa0bde@linux... Me too. >>>= >>>>>Without=20 >>>>> this site, I will die. "uptown jimmy" <<A=20 >>>>> = >>>>>href=3D"mailto:johnson314@bellsouth.net">johnson314@bellsouth.net>= >>>>> wrote=20 >>>>> in message <A=20 >>>>> href=3D"news:43f9f743$1@linux">news:43f9f743$1@linux... > = >>>>>I'm=20 >>>>> there. > > Jimmy > > > "Don Nafe" <>>>> >>>>> href=3D"mailto:dnafe@magma.ca">dnafe@magma.ca> wrote in message >>= >>>>><A=20 >>>>> href=3D"news:43f9e7d3$1@linux">news:43f9e7d3$1@linux... > = >>>>>>=20 >>>>> Definitely, count me in for a few bucks > > > > = >>>>>Don >=20 >>>>> > > > > > "Mike Audet" <<A=20 >>>>> = >>>>>href=3D"mailto:johnwaynefan@hotmail.com">johnwaynefan@hotmail.com>= >>>>> wrote=20 >>>>> in message > > <A=20 >>>>> href=3D"news:43f9d44c$1@linux">news:43f9d44c$1@linux... > = >>>>>>=20 >>>>> > > > > I'd be happy to contribute to this. > = >>>>>>=20 >>>>> > > > > "DC" <<A=20 >>>>> href=3D"mailto:dc@spamthemoon.com">dc@spamthemoon.com> = >>>>>wrote: >=20 >>>>> > >> > > >>Make sure you get one with = >>>>>automatic=20 >>>>> voltage regulation and > > >>enough range of = >>>>>compensation to=20 >>>>> deal with sags and spikes. > > >> > > = >>>>>>>That=20 >>>>> could be your problem. We put them on the DSP = >>>>>processors >=20 >
me I used to charge clients for backing up >data before it was cheap and easy to do. I had them sign a form to >acknowledge that it was their responsibility to do so. But in recent years, >I have come to routinely back up sessions for free without the clients even >being aware. However, I still see this as the greatest liabilty that we >have as studio operators. Where clients used to take their tapes home with >them, now they seem content to let their work live on our hard drives, >trusting that it will always be there. > >We always assume everything is ok until something goes wrong. It would be >good to have clients sign a form to acknowlege that they are ultimately >responsible for backing up data and we can not be held liable in the event >of catastrophy. > >RZ >"Rob Arsenault" <info@studiomanitou.com> wrote in message >news:43fb19e0$1@linux... >>I am looking for some kind of written agreement between the studio and the >>client as to what is included on my side and what is expected on the >>client's side. Does anyone here use these or have a copy that I could start >>off from? >> >> Thank you much. >> Rob_A >> www.studiomanitou.com >> > >That is a great point. I will remember that- Chris "justcron" <paris@hydrorecords.com> wrote: >hehe... constructively my friend, not to put you down but the 'artists' >ALWAYS want a CD they can play in the car for the chicks. > > >"Chris Lang" <yo@yo.yo> wrote in message news:43fb4dc6$1@linux... >> >> You are assuming that this was not communicated before the files >> were given to the client. Understandable, but you are wrong. >> No big deal... >> >> "justcron" <paris@hydrorecords.com> wrote: >> >Not to be a dick but thats a newbie miscommunication you guys could have >> >anticipated :) >> > >> >peace >> > >> >"Chris Lang" <yo@yo.yo> wrote in message news:43fa3258$1@linux... >> >> >> >> The EXACT same thing happened to me last week. The client is >> >> so convinced that nothing is on the CD I gave him, that he >> >> still hasn't paid. He's waiting until the engineer at his >> >> studio confirms that 24-bit .wav files cannot be played on a >> >> stereo. >> >> >> >> >> >> >> >> "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote: >> >> > >> >> >A couple of days ago I did some tracks for a client and burnt a CD-Rom >> >containing >> >> >wave files for him to take to another studio to do some other work. It >> >was >> >> >labled "Data CD". >> >> >I explained how all the files were perfectly synced so the protools >guy >> >> could >> >> >drag them in to his session. >> >> >Five minutes after he left my house he called, saying "I just tried to >> >listen >> >> >to this in my wife's car, and she has a REAL good CD player, and it >won't >> >> >play". >> >> >To which I say....."It's a DATA CD" >> >> >"Oh....it's a data CD?" >> >> >"Yes, whould you like an audio CD so you can play it for your wife?" >> >> >"Yes, maybe that's a good idea" >> >> >So he came right back and I burnt an audio CD for him. >> >> > >> >> > >> >> >The things you have to put up with sometimes. >> >> > >> >> >Rod >> >> > >> >> >> > >> > >> > >Kim, It sounds like the duration of the low power condition is too short for the