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items: Thank God we will be *Macless* soon
items: Re: Thank God we will be *Macless* soon
items: Re: Thank Gates we will be *Macless* soon
items: Core Audio, neato keen

Thank God we will be *Macless* soon
type: item
description: /> > Kewl !! > > JohnI don't think so, not with EDS. All you could do is bounce the track with all the effects you want. -- Martin Harrington www.lendanear-sound.com "John" <no@no.com> wrote in message news:43b5bd16@linux... &gt
creator: Deej [1]
date: 2005-12-04T03:58:16-00:00

Re: Thank God we will be *Macless* soon
type: item
description: ick to getting Native, EQ and EDS to render? Can you do it >> with some aux routing or some way? My testing showed the SPDIF trick >> does the Native and EQ but not EDS but I was thinking one of you guys >> might know another way. >> >> Thanks, >> John > >http://www.capitol-city.com/armadilloworldheadquarters.html .......it's good to know that the end of a great era of Texas music coincided with the beginning of a a great era of familyhood for you. Happy new year..... ;o) "Martin Harrington" <lendan@bigpond.net.au> wrote in message news:43b5c82a$1@linux... > Thanks Deej. > -- > Martin Harrington > www.lendanear-sound.com > > "DJ" <<a href="mailto:animix_spam-this-ahole_@an
creator: Jamie K
date: 2005-12-04T06:54:39-00:00

Re: Thank God we will be *Macless* soon
type: item
description: r /> As I recall, the last time you bailed out on XP you were attempting to set it up on an older setup. Regards, El Miguel "John" <no@no.com> wrote in message news:43b3d299$1@linux... > Last nights BSOD crash was something like Device_MM_Controller. If > Paris was reliable for me it sure would be useful. Any tips always > appreciated. This is very frustrating. > > John > > cujo wrote: > > So this is the cause of the Blue Screen OF Death at shut down? I also have > > an issue woth closing paris. > > I have to turn my comp off at the button. > > Can you explain to a windows novice how to check this? > > thanks > > > > > > > > John <no@no.com> wrote: > > > >>gotcha, thanks > >> > >>Rod Lincoln wrote: > >> > >>>it's the default path of the subsystem installer. Make sure that's where > > > > the > > > >>>Paris app resides. If you hvae version 3, it most likely is. If you have > >>>version 2, it's in the ensoniq folder. > >>>Rod > >>>John <no@no.com> wrote: > >>> > >>> > >>>>What's the EMU directory thing ? > >>>> > >>>>Martin Harrington wrote: > >>>> > >>>> > >>>>>That sounds right, but I'm going from memory here as I don't have Paris > >>> > >>> > >>>>>anymore and haven't used it for about 2 years. > >>>>>Don't forget the Emu directory thing though. > >>>>> > >>> > >>>Martin, I'm thinking that since no one uses mixers anymore during tracking and *riding the fader* really doesn't apply as far as boosting/attenuating signal levels in DAW control surfaces like the C-16, the appropriate terminology for this situation while tracking would be *riding the pot*....and somehow that just doesn't seem a good thing to discuss in polite company so it's easier to just use a compressor. ;o) "Martin Harrington" <lendan@bigpond.net.au> wrote in messag
creator: Deej [1]
date: 2005-12-04T07:10:47-00:00

Re: Thank God we will be *Macless* soon
type: item
description: imas.net" target="_blank">animix_spam-this-ahole_@animas.net> wrote in message > news:43b5c745$1@linux... > > ......and the year the Armadillo World Headquarters closed it's doors. > > > > ;o) > > > > "Martin Harrington" <lendan@bigpond.net.au> wrote in message > > news:43b5c316$1@linux... > >> Yep, that was me, a lifetime ago now. > >> 1979, the year my eldest daughter was born. > >> -- > >> Martin Harrington > >> www.lendanear-sound.com > >> > >> "John" <no@no.com> wrote in message news:43b56c64$1@linux... > >> >I was listening to Lost in Love by Air Supply and was enjoying the > >> >polish > >> >of the song and soaring vocals so I headed on over to allmusic.com and > >> >picked credits on the Lost in Love album and it list Martin Harrington > >> >as > >> >the Engineer. Is this our own Martin? woah ! could it be? > >> > > >> > Kewl !! > >> > > >> > John > >> > >> > > > > > >John, what are your computer specs? <b
creator: DC
date: 2005-12-04T07:58:53-00:00

Re: Thank God we will be *Macless* soon
type: item
description: r /> > >>out like > >> >> > >> >>>a ballad and then is belting it out like whitney. I tried a = > >>variety of > >> >> > >> >>>compressors but none seem able to tame this. Limiters seem to = > >>work the > >> >> > >> >>>best so far. I'm going to try a combo of the two but just = > >>wondered what > >> >> > >> >>>you guys would do for plugins. I tried C1 Comp, RenVox, = > >>Timeworks=20 > >> >>>Mastering Compressor, Ultrafunk compressor (worked better), = > &
creator: rick
date: 2005-12-04T10:23:18-00:00

Re: Thank Gates we will be *Macless* soon
type: item
description: x; = >> >>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> >> >> "Tom Bruhl" <<A=20 >> >> href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net> wrote = >> >>in message=20 >> >> <A href=3D"news:43b59383$1@linux">news:43b59383$1@linux... >> >> John, >> >> Besides automation I like to put two >> > = >> >>La2as in=20 >> >> series. A Waves ren/C1 will >> >> <FONT face=3DArial size
creator: george spigot
date: 2005-12-04T17:11:32-00:00

Re: Thank God we will be *Macless* soon
type: item
description: > >> >> Then apply automation = >> >>to <FONT=20 >> >> face=3DArial size=3D2>what's still <FONT face=3DArial = >> >>size=3D2>out of=20 >> >> control. >> >> Tom >> >> >> >> <BLOCKQUOTE=20 >> >> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; = >> >>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> >> >> "John" <<A href=3D"mailto:<a href="mailto:no&#
creator: uptown jimmy
date: 2005-12-04T17:21:58-00:00

Re: Thank God we will be *Macless* soon
type: item
description: =3D2>also work here. Use the = >> >>f<FONT=20 >> >> face=3DArial size=3D2>irst one to grab the peaks in limit mode and >> >> the >> > = >> >>other=20 >> >> to >> >> smooth what's left in comp = >> >>mode. Dial in=20 >> >> small amounts so neither gets = >> >>whacked too=20 >> >> hard. </FONT
creator: Mike Audet
date: 2005-12-04T17:28:02-00:00

Re: Thank God we will be *Macless* soon
type: item
description: > > >> >> > >> >>John, > >> >> > >> >>Another option would be to cut the performance into separate chunks, = > >> >>spread them over a few tracks, then adjust the volume > >> >>on the individual tracks so they match. > >> >> > >> >>Lance > >> >> > >> >> > >> >> "Tom Bruhl" <arpegio@comcast.net> wrote in message = > >> >>news:43b59383$1@linux... > >> >> John, > >> >> Besides automation I like to put two La2as in series. A Waves ren/C1 > >> > = > >> >>will > >> >> also work here. Use the first one to grab the peaks in limit mode > >> >> and > >> > = > >> >>the other to > >> >> smooth what's left in comp mode. Dial in small amounts so neither = > >> >>gets whacked too hard. =20 > >> >> Then apply automation to what's still out of control. > >> >> Tom > >> >> > >> >> "John" <no@no.com> wrote in message news:43b554dc@linux... > >> >> DJ is from the future. I was just playing around so I was trying > >> >> to > >> > = > >> >> > >> >> find a plug to do this but it makes TOTAL sense to ride the faders > >> >> = > >> >>and=20 > >> >> automate. DOH. > >> >> > >> >> This girl who sang is an untrained teen and I was just recording > >> >> her > >> > = > >> >>for=20 > >> >> fun. So I was thinking a plug would totally tame it. I was wrong > >> >> = > >> >>;-) > >> >> > >> >> cujo wrote: > >> >> > Almost simultaneous answering here, strange DJ's post says 8:07 = > >> >>but it wasnt > >> >> > there when I looked > >> >> >=20 > >> >> > "cujo" <chris@nospamapplemanstudio.com> wrote: > >> >> >=20 > >> >> >>I am sure you tried this but, automation? > >> >> >> > >> >> >> > >> >> >>John <no@no.com> wrote: > >> >> >> > >> >> >>>I have a female vocal that has huge dynamic range. She starts = > >> >>out like > >> >> >> > >> >> >>>a ballad and then is belting it out like whitney. I tried a = > >> >>variety of > >> >> >> > >> >> >>>compressors but none seem able to tame this. Limiters seem to > >> >> = > >> >>work the > >> >> >> > >> >> >>>best so far. I'm going to try a combo of the two but …
creator: Jamie K
date: 2005-12-04T20:04:24-00:00

Re: Thank God we will be *Macless* soon
type: item
description: :no@no.com" target="_blank">no@no.com> wrote in message news:43b5fe39@linux... >i don't get it? seriously > > Martin Harrington wrote: >> Thanks Pete.I'm using Nuendo 3 with a M-Audio Delta 1010 card and breakout for the hardware. No mic pres to speak of as I use my alesis Studio 32 pres for any recording I need, mainly V/O. I don't do much music any more, mainly Doco's and Corporates/Commercials. In 1984 I quit studios altogether and started doing location audio for TV / Films / Docos etc. The first 10 years were almost totally spent doing Beyond 2000 / Beyond Tomorrow as part of a 3 man (person), crew travelling around the world. I reformed my Studio back in 1999 with Paris, and used that successfully syncing to video, (SP/Digi Betacam), until I needed to be able
creator: DC
date: 2005-12-04T22:50:57-00:00

Re: Thank God we will be *Macless* soon
type: item
description: to sync to AVI's and Mpegs....Paris couldn't do it so I got Nuendo and found it did all that stuff that I required way better than Paris, although I really liked the sound of Paris and the fact that it was a CPU independent system. I'm just starting to venture into Surround...what a minefield, but fun. -- Happy New Year. Martin Harrington www.lendanear-sound.com "John" <no@no.com> wrote in message news:43b6003c@linux... > Hey Martin, If you have a minute, what setup are you running now instead > of Paris. > > John wrote: >> i don't get it? seriously >> >> Martin Harrington wrote: >> >>> Thanks Pete.no speedos [;ease!!!! On Fri, 30 Dec 2005 12:19:22 -0500, John <no@no.com> wrote: >If this ski boat shows up I will slalom ski in 40 degree weather and >I'll post pictures here. hehe > >justcron wrote: >> They said they were going out on the 3rd, so watch for em around then... >> >> "John" <no@no.com> wrote in message news:43b52675$1@linux... >> >>>I'm waiting on my tracking numbers for the ski boat, jet ski and motocross >>>bike. holding my breath. :-) I believe! >> >> >>saw it on the news last night ...talk about dumb luck. ya think pet rock would fly again??? On Fri, 30 Dec 2005 06:45:13 -0500, "Don Nafe" <dnafe@magma.ca> wrote: >Ingenious! > >Copied from PSW > >"While we slave away as audio goobers, this guy makes a million bucks with a >brilliantly simple idea. Shoot me now, why the hell didn't I think of this? > >http://news.yahoo.com/s/nm/20051229/ts_nm/homepage_dc > > >DOn >only if i get that speedo promise in writing. On Fri, 30 Dec 2005 18:13:08 -0500, John <no@no.com> wrote: >I'm gonna get a local artist to airbrush the Ski Nautique all in >HydroRecords logo art and buy rick and you a plane ticket to come down >and cruise around. hehe > >justcron wrote: >> sure man... now quit asking for stuff. you sound like a girl. >> >> "John" <no@no.com> wrote in message news:43b582c0@linux... >> >>>well if justcron is listening, throw in a pair of them too please.....oh >>…
creator: Mike Audet
date: 2005-12-04T23:45:35-00:00

Re: Thank God we will be *Macless* soon
type: item
description: on IDE 2 as >> master and the sample drive as IDE2 slave. Now IDE2 master mode is >> showing >> up DMA2 and the sample drive is DMA5. I don't know enough about this >> situation to know if the DMA2 on the IDE2 master will bottleneck the >> sample >> drive, or not, but right now, it's streaming samples from BFD without >> breathing hard at all. Are all computers this bizarre or just *my* >> computers? >> >> ;oP >> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message >> news:43b4a4f1$1@linux... >>> I think I may have a defective mobo. I've been chasing too many >>> gremlins. >>> I've managed to kill off all but two, as follows- >>> >>> 1. Gremlin #1-I have a 400G drive dedicated to samples. It's a 7200RPM >>> Seagate Barracuda and is IDE2 master. All of my samples for BFD are on >> this >>> drive. All will be well for a couple of days and then suddenly, for no >>> discernable reason, BFD loses the ability to load and stream samples >>> with >>> any speed at all. CPU usage goes to around 50% and life just plain >>> sucks. >>> Restoring a Ghost of my system drive wherein BFD was working properly >> prior >>> to the Ghosting will fix the problem. >>> >>> I'm wondering if maybe DMA isn't enabled or there is some bus mastering >>> wierdness happening. I can't find the DMA or bus mastering options >> anywhere. >>> I'm running win XPSP1a with DX9 installed. Where the heck do I check >>> this? >>> >>> 2. Gremlin #2-I've got 4 x matched 1G RAM sticks. This is good CAS2 >> Corsair >>> XMS stuff. They all are functioning normally in pairs and three at a >> time. >>> Any three sticks will show up in any three of my RAM slots......plus I >> have >>> tested all of them singly to make sure they show up and are doing the >> things >>> that RAM is supposed to do. However, after adding all four RAM sticks to >> the >>> 4 x RAM slots on the mobo, only 3 gigs of system memory shows up. I have >>> tested every RAM slot in the mobo individually in singles, pairs and >>> configurat…
creator: Jamie K
date: 2005-12-05T01:02:14-00:00

Re: Thank God we will be *Macless* soon
type: item
description: br /> > >> have > >>> tested all of them singly to make sure they show up and are doing the > >> things > >>> that RAM is supposed to do. However, after adding all four RAM sticks to > >> the > >>> 4 x RAM slots on the mobo, only 3 gigs of system memory shows up. I have > >>> tested every RAM slot in the mobo individually in singles, pairs and > >>> configurations of three and all four of the slots work fine, but when a > >>> fourth RAM stick is added, only three G of RAM are available as system > >>> memory. This suck'eth most seriously. > >>> > >>> I'm thinking *big bullseye on DAW* right about now. It's been a while > >> since > >>> I've unlimbered my 12ga. > >>> > >>> Someone please save my computer's life. It's in mortal and immediate > >> danger > >>> right about now. > >>> > >>> TIA, > >>> > >>> Deej > >>> > >>> > >>> > >> > >> > > > > > >Similar to riding faders, I change preamp input gain levels during tracking, but not in real time. First, I ask the artist to lay down a dummy vocal so we can see vs./ch. or whatever. Then we cut whispery stuff with a high gain and shouting vocals with a lower gain. Result - far less need for compression of any kind. I work with some classically trained vocalists who can sing in any part of their range without gain problems. Then there are folks who need some help:the knob, the comp, or alcohol! Best, Lance - Budding old fart. "Martin Harrington" <lendan@bigpond.net.au> wrote in message news:43b5c2b5@linux... > I know I'm going to sound like an "old fart" as Deej so eloquently put it a > few posts back, but I see this a lot with "younger engineers" (sorry), that > weren't bought up with analogue. > They are told that all you need to do is set an optimum level, and then fix > it in the mix.....Wrong........... > You must always try and get the most amount of signal to tape, (disk), > allowing for dynamics and song type of course. > Riding record levels was one of the first things we were ever taught, (I > can't remember being…
creator: Mike Audet
date: 2005-12-05T02:43:51-00:00

Core Audio, neato keen
type: item
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creator: Jamie K
date: 2005-12-05T06:13:51-00:00

Re: Thank God we will be *Macless* soon
type: item
description: wRGEDwHOxp5zKYwlOLwUS IAQarAEqhV0N 05hv0vbVwVxigkaFBwFkaRJBAHxhPoEHpe8k30AJXFTAGol0pkTcgbAbXbBk Db8fcHCUdY6U G6/G2jF6QwQQAAAYcCy5UQo6ixHg3fZr5x8QmhbPyDydJEXsuAChNhhIpL3L ZwKFPnMiiyQp pzy6JbPRJ0AOyRESLyiN1sEhh6eOo8jL6wAYBAAI6EjvYFDctjAn6dKUrlvQ wnqWIYQKeDjJ OuAyugCiDWs3st9lXsGiVRHx4HSfPOCMXYVV+WaZXejBBogMFztfCNuGAh6j hwAa/NUjFVsQ pN22+XM0v1MRh+oifXHMjuCjEarLJGSjb+CIuNpEoh5sfba3OgTcUNnb6yDI 7TTVYILbe5Et DWxvM/DjxHCaOqVTnyztJWtskZzNovAv/wBKgIpvlez/AKgehgA9dXLcCoeM xX9HTAv6GUY4 Isf1RF0v5R0kYEVxdtw9HitwEAZQ5W7W/wAtWLoOICbqf0wxeNAkXh6FqfKd /wA+GIZObu2k 2AHADgGAkhjwic08Mz9N669/FFCCS+yX8qYgm6sFd3mUUkkuFmIAEllzx3// AN8/2HyE7SM7 n/6ymrYn7IKj0pX+3rCSWZPYJUsAakA01KIg3DGAHaWjkja6RVFAkM+woxtj 0NMbgW9pZN1R tk9EZMiHB8rjh37aF1hZBW/DWXuSzYB5igVXVLf+5qLWo9nA/Q4QIDAwq4qS 3S5ZLEvOXD+2 QdBhRcNBzs3cIuTdwQVhRRV5hlrtSmeFLG++drSr4KV2qG26SeTNxK+Qu0T+ ch/6B7KUVZxZ uY8YQMKPecSJDutGbTaETv8AtkJBX9ZecIMDOZpP+MnTfcaYSfU/IKcs/gzf t5auxSZJk84m BpPt66oJBRvTzQefoyPQlfEwUMvPPLmK6hiIcXi14J1hPB99mwHL/PHPL0An TGc67EQPJ1cC Z+bXAL+Tbuf2WdeYoj7XQ1ULGIp72gSUpUmnPgRH3gLRluqB8rDnrCV7QGCp G0rdxO31aIiH L4DXfOqZPVKYeITZfs6UeTc6ReLSeRO9prNWWznlX0rvzK2ymq5/szo+y2xt gaMZy6aYiQHI xQ/HjNOHBUcAv1UtgNf7n6toq44SScaXIGcm1gsnhqSX4ecoWWPQCP8A+0yi cClzkTfp9Lbe y/XniAEGkuEsRYmrAK9zkKwqk2P7hyybx4ftHS7LiMjJPYJ/7dC1xEnsK9Dk T7nLMpIWUHi2 hXXtdMJr0Xl2euStWaN9dr//AIwPKCvJXgFzjVPni89VdtDwVgZSQ1Ao9IEM cq2lmPv8Leu6 KmfidVkGUQAUNk8uiOyOJvJ915h5EXQ4Py7/AOlIOx/8TdfsukY/c4wgiOYe Zftd9ilAuFHK rHpc9V+AADdLYBBNw0T8hVl9/ttm58jEivIMAJqhChhtgXbSQXeUAMAzKCxK JHCvj2+rkM4A h/lnDnghnwJbH2iUwqlCaHX2ey9Tk1jEWlKRPuqtbuiVfC9tt3s2W/jhpFDN CJlusmtrkHWi krDpl6+T6A4g2uV6wozYxhoLi7NfAgqwuqhl5c/dSylZULfLYS21OslCwPgg mAo3Cug1wy7k UE5tOum5zzGDKEmohsur8Zqks7pKvq7rpgilrTzyp8gg/qgpxzwHLT8xU7AH 3dw3BrXNYefZ KLKFE7fIFJPgVltpKo3w3uvi4u5wbgN/MtLMJAmo8q/stWnGuutosqwgpqih pighvg36Eywr oYxZVCPEZkvBPp0vhunPVEraaFEacEg0EKWM9i/eIwApqZt/sNSTMBd8dlPL PCjjK245nAny /mFtDsrGkyunvJkphs64ph1D4v1UWcPCxLdJq5wjEhkdFF/FRFwJTYBQnALP xt9QjG7gQXEv ozDNWU95jOEBBCsdYhIoJ5voDEl4wg4Iktsug/pg8…
creator: John [1]
date: 2005-12-06T01:29:44-00:00

Re: Thank God we will be *Macless* soon
type: item
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creator: John [1]
date: 2005-12-06T01:41:52-00:00

Re: Thank God we will be *Macless* soon
type: item
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creator: Mike Audet
date: 2005-12-06T02:52:42-00:00

Re: Thank God we will be *Macless* soon
type: item
description: 0UZ0bs3Z k6kWeI8IiTWTbM5Zs0SJ2nQkQJhmfR/B8o8k6oaacf4mcLHEEL7w0tCO4nOc EWL+CaQqRdj0 2TNYZIvsbmDA90ReRHb6VDiLZmWsmvexSskuLgkiSeSTo+BMtQNGN+xSQxIR DjQ5R0XAxrJn wLAjX4JTvJjI8kjFlzQ36UDyya4Sbwi2/wBCRUhVISwjJEHkyjdiUmBhrk80 aJkkk1w+Vefw eSdkk8RPLRgeGRFLsyjVHC8Edm8cPN8M3JvhZNeDdFPiL4VxxApv+hxtC9Iw M4IaL6F5FbKg qD9IW7Jh2iemO36EhSOGNxWylbFioJ7WzMwNeEi1Qomj9CUtCxLY1GhvCL0O kPxZlQKDHrif Rr6M8x9NPA1CipJIcT2fLIsrfEmHZb1QmUoqybHRjDoNRjBk7kWLJuaLTj/E 1Q/2LwRYuJkw lfoVIsRJlWy7hFYTSodwkqGTutIb7GmlElRRsZGqEvor0T4QmNrA/QTVyp8j eYgn0JWakbqo HhzbZCfAsIaaodPNDJOUQIReBytp8GVUCfLJFwxGhIk9jwsIRoIQqKWJVgUt CS+8Ipm+NcRW BvQ8DZCPI9n0SFxrj+zfOjQ1xrlctCixVlTHWD+5gUShYzYndpM7Fw/5MG+h 5EPE0ZHiSZgb nrhezX0mvIsjx0yLxQkN3QkPTFOehpptShrAlFCtqWi8URDlR6IPNMi5bFnQ oFjoibsST2Qx 5Hjs+CrB6/kbaY4nyKm8IWQ6iTLKdjSk3wdaHXRexYyfRu9Dbk+j3JrCImj9 EXEmtEDXrhrD N6Hk3Jk2NGEWd4GP9Cx2VNrQ9GNf+LHkuMns9FQiYh+D2xKWKxeiAd+FKRz+ l25eD1Ylnbgq jbY/Akkkga40RRErJ1BAhITdxSF0M2P0hNilJRkSZr2GTwyITR0sZFpMx1eh R2kbbDXli+iW n0Mh6QnYRQpSISpDYQpKXBHSIckWTA/4G0z+BCx5Eu+W0PYyyOmMb4WNDwZf Qx7ER+CHwuEa MGjE/IrFZwL/ABGhjc2LIrUSQpdx4HgYzsfGzC9mpGdcQ3xo0TstvAkLCob3 RNzgqhKiJemT roeXMMrcCtRI/wBMXT/ZKmI/Y16JSg6MrsfWhNeJFvspwxuYFHQsFTBBZUoW C5s/RKDB2Job 6Jo3fDbS1xQqHTkyZMOhP6LCdC/Zfg2xtdH9D42L4KcGFwhDs9syNbRJ9Dcv /Fh9HqyFA46K Y04pCceQ8cR3gdKqQ+fI5XQjTZdDqWl+zdVjIlsXBF9ouQokah6IEpRbgTE5 yWUeoFdQGEmh I+kE+Xkfg5God0Q24GBxoorBm1DXZwhitMtNIgwLN0JtC8CZJfwlxiRpPKEb IRhCGktIjcFt CNDLETSoVQTKydpiIbEuNUaEbJgZobkdjyPhc7NDkgZ4MGTQ7dcLIlJFD8j4 7jAT0RmsGBPb ErRCRrOGeaNjGyeEJyP+OVwsHfCyb8dEV3Y229D8kS04/Q070JQjC0eIUjVW SNtwLGINzM+B +P8A4TcpSS1gd2Jib2OIwNN0ZSdCcUNJLsSvAtDoldvIzQqJaVDpaG7omUJt 4EzzGzJLPhap nRm3JpH8ixqRrrh50PwhweCLF8ErGqRjH2RHRogWFL/xo0pMaLWjOSLMGSos 9LhoXwmmKHKk QZnWDxr7Jl6HcIcORs25ckrXXRsbiJyrkdiEk1pjzhonwhFEndNkNJDT/Y7U kJw03ZGVArgi mUjTnI2bCY7zBrUhYmifI5pORjVSRD9i64dHs+ibgm+64leEST2RYGc2hZlp iwoF5KijMQZX niIELih17FiiDC8jDsl2jVjHwhZ4fKxxB449cPyIldDjTKyPC4kkLozEmMe+ NISsVZV8msuT YyOUPFcTBo3oXojbUD0Kya8ln4HHgpBnNEw8CjZWGSVuvREqP5HDVDlVJPgS gVKo3m…
creator: jim phillips
date: 2005-12-06T03:53:02-00:00

Re: Thank God we will be *Macless* soon
type: item
description: g and it's working now so I'm not gonna worry about >>it. pita though. >> >>Deej >> >>"EK Sound" <spamnot.info@eksoundNO.com> wrote in message >>news:43b95eb1@linux... >> >>>Our networking guys for the office shudder everytime they hear "ME"... >>> we actually had to remove ME from all our office machines because >>>they were so unstable with the new network we installed recently. >>> >>>David. >>> >>>DJ wrote: >>> >>>>What's strange about this is that it was workig perfectly with my > > other > >>DAW. >> >>>>I hven't made any changes at all to any settings on the Paris DAW >> >>running >> >>>>ME. >>>> >>>>"EK Sound" <spamnot.info@eksoundNO.com> wrote in message >>>>news:43b952b4$1@linux... >>>> >>>> >>>>>ME does NOT play nice with NT/2000/XP for networking. You may want to >>>>>look at going back to 98SE instead as this is way more network > > friendly. > >>>>>David. >>>>> >>>>>DJ wrote: >>>>> >>>>> >>>>>>I just set up my network connections between both my DAWs. They are >>>> >>>>seeing >>>> >>>> >>>>>>each other's HD's and I have unrestricted sharing set. However, I > > can't > >>>>>>transfer files from my Paris DAW anymore. For some reason, even > > though > >>>>the >>>> >>>> >>>>>>folders are set up for sharing, the sub directories and the folders >>>> >>>>within >>>> >>>> >>>>>>these subdirectories have somehow been set to where I have to go into >>>> >>>>every >>>> >>>> >>>>>>subdirectory level and set each folder to share. This machine is >> >>running >> >>>>>>Windows ME. I have literally hundreds of subdirectories and sub-sub >>>>>>directories within my main directories. How could this happen? Prior > > to > >>>>>>hooking up this new DAW, I just set my main directories to share on >> >>both >> >>>>>>machines and I could shuttle stuff back and forth all day long. The >>>> >>>>current >>>> >>>> >>>>>>situation sucks most seriously..........(sigh)..........what else can >>>>>>happen????.......wait.........don't answer that!!!! >>>>>> >>>>>> >>>> >>>> >>>> >> >…
creator: erlilo
date: 2005-12-06T08:28:30-00:00

Re: Thank God we will be *Macless* soon
type: item
description: ng about when you select a whole tracks fader automation and want to put it up say .2 db sometimes it will only go up .5 or so. The shift drag thinkg does not seem to work for me at least. EK Sound <spamnot.info@eksoundNO.com> wrote: >Hey Cujo > >You *can* "shift" to get smaller values when moving the automation >points. Also, if you click on the track number in the editor, all of >that tracks auto points turn red allowing you to move them all at >once. Further, you can "shift select" additional tracks... all 16 of >them actually, and move the whole shebang up or down. > >David. > >cujo wrote: >> The automation editor is pretty cool. I only wish I could type in values. >> For instance on bringing an entire track with automation up by .5 db. >> Also, the shift/ fader for .1 db tweaks trick would be nice in the automation >> editor, >> Check it out though >> >> "Ed" <askme@email.com> wrote: >> >>>The automation is a great feature, but I too stay away from it cause everytime >>>I sit through mixing.. I end up changing things... and I haven't figured >>>out how to "edit" the automation either. Funny thing.. I been using my >> >> Paris >> >>>since 2001 and I just use it for basic tracking/mixing. I never got into >>>all the features... but it's on my list too.. lol. By the time I learn, >>>Paris will be obsolete. Oh! it IS obsolete... lol. So, what do you use >> >> Paris >> >>>for? You got a band, or just play with it, like me? I don't go out much >>>(not too many places to go in southern MD.. lol.) So this is my hobby and >>>my little get-away. It's been fun. I started out with a Roland system. >>>But I knew I had to move to a DAW since it wasn't easy to edit single files/channels >>>on the Roland. Ok.. I bored ya enough... Thanks again and I'll try the >> >> normalize >> >>>funtion... ~ Ed >>> >>> >>>"Edna" <edna@texomaonline.com> wrote: >>> >>>>You bet! Actually, you don't have to do it that way. You could just >>>>normalize down/up from the highest fader value in the…
creator: Deej [1]
date: 2005-12-06T16:27:45-00:00

Re: Thank God we will be *Macless* soon
type: item
description: ;>> >>>>>>>>other songs in the other projects to bring down each channel fader >>>>>>> >>>>>>>individually. >>>>>>> >>>>>>> >>>>>>>>My question is... is there a way to control all active (active meaning >>>>>>> >>>>>>>there >>>>>>> >>>>>>> >>>>>>>>is something on the channel) channel faders at the same time? Another >>>>>>> >>>>>>>words, >>>>>>> >>>>>>> >>>>>>>>I have all the channel faders set properly, but I want to bring them >>>>> >>>>>all >>>>> >>>>> >>>>>>>>down a few db's. Is there a way to bring them all down at the same >>>>> >>>>>time >>>>> >>>>> >>>>>>>>without doing them individually? >>>>>>>> >>>>>>>>Lastly, I don't have any automation set, so that won't be effected >>>> >>>>by >>>> >>>> >>>>>>>this. >>>>>>> >>>>>>> >>>>>>>>In fact, I try to stay away from automation because of this reason. >>>>>>> >>>>>>>There >>>>>>> >>>>>>> >>>>>>>>may be an easy way to "edit" the automation, but I haven't figured >>>> >>>>it >>>> >>>> >>>>>>out. >>>>>> >>>>>> >>>>>>>>I just try to stay away from it. Some day I may delve into that >>>>> >>>>>learning >>>>> >>>>> >>>>>>>>process... lol. I am old school. Just use Paris for basic recording, >>>>>>> >>>>>>>mixing.... >>>>>>> >>>>>>> >>>>>>>>thanks in advance... and Happy New Year (2006)! >>>>>>> >>>>>>>Ed and Edna, You're doing this with "Normalize mix"(Ctrl+N). If it's 0, the highest channel volume will be 0db. If you're setting it to+4, the highest channel will be +4db. All the other channels will automatically be following with +4db. If you need 2 more db's up, it's +6. It can be a little tricky if you have some volumes automated. Sometimes it will not follow the "normalizing" process, so you have to go into automatin mode(Shft+E), mark the automations red and normalize it with the same +4db's in "Change volume"(Ctrl+E). If you're learning the automation tricks, it's like a new world will be opened up for you. It's a good idea to find out more about it from the manual. Erling "Ed" <askme@email.com> skrev i melding new…
creator: TCB
date: 2005-12-06T21:59:57-00:00

Re: Thank God we will be *Macless* soon
type: item
description: e automation editor is pretty cool. I only wish I could type in = values. >>>For instance on bringing an entire track with automation up by .5 = db. >>>Also, the shift/ fader for .1 db tweaks trick would be nice in the = automation >>>editor, >>>Check it out though >>> >>>"Ed" <askme@email.com> wrote: >>> >>> >>>>The automation is a great feature, but I too stay away from it = cause everytime >>>>I sit through mixing.. I end up changing things... and I haven't = figured >>>>out how to "edit" the automation either. Funny thing.. I been = using my >>> >>>Paris >>> >>> >>>>since 2001 and I just use it for basic tracking/mixing. I never = got into >>>>all the features... but it's on my list too.. lol. By the time I = learn, >>>>Paris will be obsolete. Oh! it IS obsolete... lol. So, what do = you use >>> >>>Paris >>> >>> >>>>for? You got a band, or just play with it, like me? I don't go = out much >>>>(not too many places to go in southern MD.. lol.) So this is my = hobby >=20 > and >=20 >>>>my little get-away. It's been fun. I started out with a Roland = system. >>>>But I knew I had to move to a DAW since it wasn't easy to edit = single >=20 > files/channels >=20 >>>>on the Roland. Ok.. I bored ya enough... Thanks again and I'll = try the >>> >>>normalize >>> >>> >>>>funtion... ~ Ed >>>> >>>> >>>>"Edna" <edna@texomaonline.com> wrote: >>>> >>>> >>>>>You bet! Actually, you don't have to do it that way. You could = just >>>>>normalize down/up from the highest fader value in the mix. >>>>> >>>>>I haven't gotten in to the automation or the automation editor = yet either, >>>>>except to just make sure the automation worked after my install = of Paris. >>>>>But its on my list. >>>>>Edna >>>>> >>>>>"Ed" <askme@email.com> wrote in message news:43b9652e$1@linux... >>>>> >>>>> >>>>>>Thanks Edna... I'll try that. I seen the normalize button, but = was >=20 > unsure >=20 >>>>>>how it operated. In fact, I wished I known this option a few = days ago... >>>>>>would have saved me lots o…
creator: A Mac User 2
date: 2005-12-07T03:16:39-00:00

Re: Thank God we will be *Macless* soon
type: item
description: &gt;=20 &gt;&gt;&gt;&gt;this. &gt;&gt;&gt;&gt; &gt;&gt;&gt;&gt;&gt; = In fact,=20 I try to stay away from automation because of this=20 = reason. &gt;&gt;&gt;&gt; &gt;&gt;&gt;&gt;There &gt;&gt;&gt;&gt;<= BR>&gt;&gt;&gt;&gt;&gt;may=20 be an easy way to "edit" the automation, but I haven't figured &gt; = &gt; it &gt;=20 &gt;&gt;&gt;out. &gt;&gt;&gt; &gt;&gt;&gt;&gt;&gt; I just = try to=20 stay away from it.&nbsp; Some day I may delve into=20 = that &gt;&gt; &gt;&gt;learning &gt;&gt; &gt;&gt;&gt;&gt;&gt;p= rocess...=20 lol.&nbsp; I am old school.&nbsp; Just use Paris for basic=20 = recording, &gt;&gt;&gt;&gt; &gt;&gt;&gt;&gt;mixing.... &gt;&gt;&= gt;&gt; &gt;&gt;&gt;&gt;&gt;=20 thanks in advance... and Happy New Year=20 = (2006)! &gt;&gt;&gt;&gt; &gt;&gt;&gt;&gt; &gt;&gt; &gt;</BLOC= KQUOTE> ------=_NextPart_000_01A9_01C61075.0C8B9490--What is Control-E ? Tom Bruhl wrote: > John, > I've been a Control E user for years. > Tom > > > "John" <no@no.com <mailto:no@no.com>> wrote in message > news:43ba69b5@linux... > Editing automation is easy. It's also in the manual. Basically you > turn on the display data buttons for either volume, pan or mute and > then > turn on the edit data button for the same. Then you pick the tool at > the top to select, move, draw lines, freeform draw, erase. You can use > interpolate or simplify to add more values or reduce the number of > values easily. Reply if this doesn't make sense. 10 minutes in the > manual and you'll have it. I'll repost my automation notes soon for > recording automation cuz the ones on my site are wrong at the last step. > > John > > Ed wrote: > > The automation is a great feature, but I too stay away from it > cause everytime > > I sit through mixing.. I end up changing things... and I haven't > figured > > out how to "edit" the automation either. Funny thing.. I been > using my Paris > > since 2001 and I just use it for basic tracking/mixing. I never > got into > > all the features... but it's on my list too.. lol. B…
creator: TCB
date: 2005-12-07T18:05:25-00:00

Re: Thank God we will be *Macless* soon
type: item
description: ng. I > never > > got into > > > all the features... but it's on my list too.. lol. By the > time I > > learn, > > > Paris will be obsolete. Oh! it IS obsolete... lol. So, > what do > > you use Paris > > > for? You got a band, or just play with it, like me? I > don't go > > out much > > > (not too many places to go in southern MD.. lol.) So this > is my > > hobby and > > > my little get-away. It's been fun. I started out with a > Roland > > system. > > > But I knew I had to move to a DAW since it wasn't easy to > edit > > single files/channels > > > on the Roland. Ok.. I bored ya enough... Thanks again and > I'll > > try the normalize > > > funtion... ~ Ed > > > > > > > > > "Edna" <ed
creator: Deej [1]
date: 2005-12-07T23:10:58-00:00

Re: Thank God we will be *Macless* soon
type: item
description: In fact, I wished I known this option a few > > days ago... > > >>>would have saved me lots of time. I was trying to > > remix/remaster some > > >> > > >>older > > >> > > >>>projects and songs.. and it was very time consuming to > > individually adjust > > >>>each channel. Thanks again... :) > > >>> > > >>> > > >>>"Edna" <edna@texomaonline.com > <mailto:edna@texomaonline.com> <mailto:edna@texomaonline.com>> wrote: > > >>> > > >>>>Yes, you can use the normalize function to do this - > bring them > > up or > > >> > > >>down. > > >> > > >>>>For example say you want to lower them all by 3db. On an > > unused channel > > >>>>move its fader to 10 and then normalize with highest at 7. > > This brings > > >>>>down all faders by 3. (To bring them back up to where > they were, > > >><b
creator: Jamie K
date: 2005-12-07T23:34:53-00:00

Re: Thank God we will be *Macless* soon
type: item
description: ;>> >>>>>>what track count would they sonically crap out? >>>>>> >>>>>>If I can't get some of my tedious little troubles with paris resolved >>>> >>>>I'm >>>> >>>>>>considering switching to protools. >>>>>> >>>>>>jef >>>>>> >>>>>>DJ wrote: >>>>>> >>>>>> >>>>>>> http://akwww.digidesign.com/support/docs/WhitePaper_48BitMix er.pdf >>>>>>> >>>>>>>Any comments? It appears to me that the signals are recorded at 24 >>>>>>>bit, then processed at whatever bit rate the plugin on the channel >> >>has, >> >>>>>>>including dither, or not, then reprocessed to 24 bit, then these >> >>channels >> >>>>>>>are summed. I'm no guru when it comes to this stuff, but I get this >>>>>>>feeling >>>>>>>that this reprocessing *per channel* is the reason the TDM systems >> >>seem >> >>>>to >>>> >>>>>>>start sounding gnarly as more and more tracks are summed. >>>>>>> >>>>>>> >>>>>>> >>>>> >>>>> >> >very nice, it looks like the 8 control surface is about $1200 also Martin Harrington wrote: > John,Look on the B&H site, > > <a href="http://www.bhphotovideo.com/bnh/controller/home?A=search&Q=&b=1315&shs=&ci=9576&ac=&Submit.x=17&Submi
creator: EK Sound
date: 2005-12-08T00:02:39-00:00

Re: Thank God we will be *Macless* soon
type: item
description: . Pro Tools HD sounds wonderful with low and high track counts and ITB >>(in the Box) or summed to the SSL, >> >>At my home studio, I have PT LE & Nuendo and while I love Nuendo's elequent >>editing and nice soft sound, it's 32 bit floating mixer in a major pain >in >>!@# to mix aggresive Rock, R &B, Hip hop with. Onthe other hand, those >same >>mixes done in PT LE, have that sparkle and width. In Nuendo, after 30 tracks, >>things start's getting "smearded" and tracks levels tends to get lost or >>they don't sit right. >> >>However, in PT Le, (same songs, tracks are not smeared, levels stay intacked, >>and the overall mix sounds very professional, just like mixes in Paris.. >> >>Some local Engineer friends in the area( Motown), have been in discussions >>about the state of current DAWs and what's working and what's not. Opinions >>varied,but the one constant opinion that was stated was how dificult it >was >>to mix in Cubase and Nuendo on mixes over 30 tracks. No matter what i/o >converters(Apogee,Lucid,Motu, >>RME) mixing Rock , R&B, Hip-Hop is a dificult chore in SX/Nuendo..Where >>as mixing in Paris and Pro Tools is not.. >>Hey,Just one Engineer's opinon. >> >>P.S >>Jsut for geekdum sakes, the new Sonar 5 uses a newly coded 64 to 32bit >floating >>point mixer.. >> >>"Martin Harrington" <lendan@bigpond.net.au> wrote: >>>Yukkk, >>>Don't do it..PT I mean. >>>I've just been playing with PT M-Powered 6.8, using my Delta 1010, and >I >> >>>have to say...I don't like it. >>>The interface is (IMNSHO), horrible, confusing, and convoluted. >>>Moves that come easily in Paris, and more easily in Nuendo, are tiresome >>in >>>PT, apart from the reagon tool...taht has always been good, right from >the >> >>>Session 8 days, but not much else. >>>And..it only plays .MOV video files, which in my case is a no-no, (the >full >> >>>TDM version may play the others but I don't think so). >>>To top it off, playing one of my projects from Nuendo, (reassembled), it >> >>>didn't have the "…
creator: DC
date: 2005-12-08T01:03:43-00:00

Re: Thank God we will be *Macless* soon
type: item
description: t.y=12" target="_blank"> http://www.bhphotovideo.com/bnh/controller/home?A=search&amp ;Q=&b=1315&shs=&ci=9576&ac=&Submit.x=17& amp;Submit.y=12 > > They have all the cards you'll need plus a
creator: Kim
date: 2005-12-08T01:14:07-00:00

Re: Thank God we will be *Macless* soon
type: item
description: mixer.. >>>>> >>>>>"Martin Harrington" <lendan@bigpond.net.au> wrote: >>>>> >>>>> >>>>> >>>>>>Yukkk, >>>>>>Don't do it..PT I mean. >>>>>>I've just been playing with PT M-Powered 6.8, using my Delta 1010, and >>> >>>I >>> >>> >>>>>>have to say...I don't like it. >>>>>>The interface is (IMNSHO), horrible, confusing, and convoluted. >>>>>>Moves that come easily in Paris, and more easily in Nuendo, are >>>>>>tiresome >>>>> >>>>>in >>>>> >>>>> >>>>>>PT, apart from the reagon tool...taht has always been good, right from >>> >>>the >>> >>> >>>>>>Session 8 days, but not much else. >>>>>>And..it only plays .MOV video files, which in my case is a no-no, (the >>> >>>full >>> >>> >>>>>>TDM version may play the others but I don't think so). >>>>>>To top it off, playing one of my projects from Nuendo, (reassembled), >>> >>>it >>> >>> >>>>>>didn't have the "life" that the original had, by a long shot. >>>>>>I repeat...don't go there, Jeff...... >>>>>>-- >>>>>>Martin Harrington >>>>>>www.lendanear-sound.com >>>>>> >>>>>>"jef knight" <thestudio@allknightmusic.com> wrote in message >>>>>>news:436fce7a$1@linux... >>>>>> >>>>>> >>>>>> >>>>>>>I just read the doc, thanks for posting the link. Much of it is quite >>> >>> >>>>>>>interesting and just as much is confusing. >>>>>>>I didn't know tdm systems sounded gnarly, never having worked with >>>>>&g
creator: Deej [1]
date: 2005-12-08T04:18:51-00:00

Re: Thank God we will be *Macless* soon
type: item
description: t;>>>> elequent >>>>>> editing and nice soft sound, it's 32 bit floating mixer in a major >>>>>> pain >>>> >>>> >>>> in >>>> >>>> >>>>>> !@# to mix aggresive Rock, R &B, Hip hop with. Onthe other hand, >>>>>> those >>>> >>>> >>>> same >>>> >>>> >>>>>> mixes done in PT LE, have that sparkle and width. In Nuendo, after 30 >>>> >>>> >>>> tracks, >>>> >>>> >>>>>> things start's getting "smearded" and tracks levels tends to get lost >>>> >>>> >>>> or >>>> >>>> >
creator: erlilo
date: 2005-12-08T08:38:59-00:00

Re: Thank God we will be *Macless* soon
type: item
description: ilto:lendan@bigpond.net.au" target="_blank">lendan@bigpond.net.au> wrote: >>>>>> >>>>>> >>>>>> >>>>>>> Yukkk, >>>>>>> Don't do it..PT I mean. >>>>>>> I've just been playing with PT M-Powered 6.8, using my Delta >>>>>>> 1010, and >>>> >>>> >>>> I >>>> >>>> >>>>>>> have to say...I don't like it. >>>>>>> The interface is (IMNSHO), horrible, confusing, and convoluted. >>>>>>> Moves that come easily in Paris, and more easily in Nuendo, are >>>>>>> tiresome >>>>>> >>>>>> >>>>>> in >>>>>> >>>>>> >>>>>>> PT, apart from the reagon tool...taht has always been good, right >>>>>>> from >>>> >>>> >>>> the >>>> >>>> >>>>>>> Session 8 days, but not much else. >>>>>>> And..it only plays .MOV video files, which in my case is a no-no, >>>>>>> (the >>>> >>>> >>>> full >>>> >>>> >>>>>>> TDM version may play the others but I don't think so). >>>>>>> To top it off, playing one of my projects from Nuendo, >>>>>>> (reassembled), >>>> >>>> >>>> it >>>> >>>> >>>>>>> didn't have the "life" that the original had, by a long shot. >>>>>>> I repeat...don't go there, Jeff...... >>>>>>> -- >>>>>>> Martin Harrington >>>>>>> www.lendanear-sound.com >>>>>>> >>>>>>> "jef knight" <thestudio@allknightmusic.com> wrote in message >>>>>>> news:436fce7a$1@linux... >>>>>>> >>>>>>> >>>>>>> >>>>>>>> I just read the doc, thanks for posting the link. Much of it is >>>>>>>> quite >>>> >>>> >>>> >>>>>>>> interesting and just as much is confusing. >>>>>>>> I didn't know tdm systems sounded gnarly, never having worked >>>>>>>> with one. >>>>&gt
creator: rick
date: 2005-12-08T09:53:30-00:00

Re: Thank God we will be *Macless* soon
type: item
description: stered by a professional at his mastering studio. > > Thank you very much. > Best regards, > Jim > A CD produced in Paris...I'd say you've contributed something useful...congrats! DonThis is a multi-part message in MIME format. ------=_NextPart_000_0070_01C610CF.1A709BA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Brian says to keep the Audio window closed when printing tracks. Ties up resources as it tries to update when you hit stop on the transport. "DJ" <animix_spam-this-ahole_@animas.net> wrote in message = news:43bb67c5@linux... I you have any digital gear interfacing with the Paris spdif I/O and = the RME spdif I/O and you have created a routing matrix between a DAW running = as an external FX processor and a control for digital patchbay routing which = is controlling the I/O routing between your Paris DAW and your Cubase SX = DAW as follows: Paris Submix 1 Cubase CH 1>RME 1 ADAT 1-1 out > Paris CH 1 Cubase CH 2>RME 1 ADAT 1-2 out > Paris CH 2 Cubase CH 3>RME 1 ADAT 1-3 out > Paris CH 3 Cubase CH 4>RME 1 ADAT 1-4 out > Paris CH 4 Cubase CH 5>RME 1 ADAT 1-5 out > Paris CH 5 Cubase CH 6>RME 1 ADAT 1-6 out > Paris CH 6 Cubase CH 7>RME 1 ADAT 1-7 out > Paris CH 7 Cubase CH 8>RME 1 ADAT 1-8 out > Paris CH 8 Cubase CH 9>RME 1 ADAT 2-9 out > Paris CH 9 Cubase CH 10>RME 1 ADAT 2-10 out > Paris CH 10 Cubase CH 11>RME 1 ADAT 2-11 out > Paris CH 11 Cubase CH 12>RME 1 ADAT 2-12 out > Paris CH 12 Cubase CH 13>RME 1 ADAT 2-13 out > Paris CH 13 Cubase CH 14>RME 1 ADAT 2-14 out > Paris CH 14 Cubase ST CH 15L/ Stereo Group 1 L> RME 1 ADAT 2-15 out > Paris CH 15 Cubase ST CH 15R/ Stereo Group 1 R> RME 1 ADAT 2-16 out > Paris CH 16 Paris Submix #2 Cubase CH 16>RME 1 ADAT 3-17 out > Paris CH 1 Cubase CH 17>RME 1 ADAT
creator: Deej [1]
date: 2005-12-09T02:02:31-00:00

Re: Thank God we will be *Macless* soon
type: item
description: et to where I have to go > into >> >>>> >> >>>>every >> >>>> >> >>>> >> >>>>>>subdirectory level and set each folder to share. This machine is >> >> >> >>running >> >> >> >>>>>>Windows ME. I have literally hundreds of subdirectories and sub-sub >> >>>>>>directories within my main directories. How could this happen? >> >>>>>>Prior >> > >> > to >> > >> >>>>>>hooking up this new DAW, I just set my main directories to share on >> >> >> >>both >> >> >> >>>>>>machines and I could shuttle stuff back and forth all day long. The >> >>>> >> >>>>current >> >>>> >> >>>> >> >>>>>>situation sucks most seriously..........(sigh)..........what else > can >> >>>>>>happen????.......wait.........don't answer that!!!! >> >>>>>> >> >>>>>> >> >>>> >> >>>> >> >>>> >> >> >> > >> > > >This will work BUT don't send it down the same snake as the audio.. you'll get a whining sound that changes pitch with the midi messages. Use a separate high quality XLR cable. Mark, those boxes you speak of.. that would be my old Anatek Midi to XLR boxes. They were Canadian as I r
creator: excelav
date: 2005-12-09T02:53:09-00:00

Re: Thank God we will be *Macless* soon
type: item
description: > Paris CH 8 > > Using RME HDSP 9652 Card #2 bussing to Paris Submix 2 AND 3 > > Cubase CH 24>RME 2 ADAT 1-1 out > Paris CH 9 > Cubase CH 25>RME 2 ADAT 1-2 out > Paris CH 10 > Cubase CH 26>RME 2 ADAT 1-3 out > Paris CH 11 > Cubase CH 27>RME 2 ADAT 1-4 out > Paris CH 12 > Cubase CH 28>RME 2 ADAT 1-5 out > Paris CH 13 > Cubase CH 29>RME 2 ADAT 1-6 out > Paris CH 14 > Cubase CH 30>RME 2 ADAT 1-7 out > Paris CH 15 > Cubase CH 31>RME 2 ADAT 1-8 out > Paris CH 16 > > Paris Submix #3 > > Cubase CH 32>RME 2 ADAT 2-9 out > Paris CH 1 > Cubase CH 33>RME 2 ADAT 2-10 out > Paris CH 2 > Cubase CH 34>RME 2 ADAT 2-11 out > Paris CH 3 > Cubase CH 35>RME 2 ADAT 2-12 out > Paris CH 4 > Cubase CH 36>RME 2 ADAT 2-13 out > Paris CH 5 > Cubase CH 37>RME 2 ADAT 2-14 out > Paris CH 6 > Cubase CH 38>RME 2 ADAT 2-15 out > Paris CH 7 > Cubase CH 39>RME 2 ADAT 2-16 out > Paris CH 8 > Cubase CH 40>RME 2 ADAT 3-17 out > Paris CH 9 > Cubase CH 41>RME 2 ADAT 3-18 out > Paris CH 10 > Cubase CH 42>RME 2 ADAT 3-19 out > Paris CH 11 > Cubase CH 43>RME 2 ADAT 3-20 out > Paris CH 12 > Cubase CH 45>RME 2 ADAT 3-21 out > Paris CH 13 > Cubase CH 46>RME 2 ADAT 3-22 out > Paris CH 14 > Cubase ST CH 47L/ Stereo Group 2 L> RME 3 ADAT 3-23 out > Paris > CH 15 > Cubase ST CH 48R/ Stereo Group 2 R> RME 3 ADAT 3-24 out > Paris > CH 16 > > ........then you need to remember to turn on all of the external > digital > procesors that5 are interfacing with Paris and Cubase through > the digital > patchbay or directly before you turn on your external word clock > module, > followed by booting the DAW which is running the control panel > for your > digital patchbays and starting the digital FX processors in > this box, then > boot your Paris DAW, launch the Paris app and then boot your > Cubase DAW and > launch cubase. If you don't do it in this order, Paris will > crash.....and > I'm pretty pissed that this was nowhere in the manual. > > ;oD > > > > "John" <no@no.com <mailto:no@no.com>> wrote in message > news:43bb2108@l…
creator: excelav
date: 2005-12-10T02:23:44-00:00