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items: assertion failure
items: Re: assertion failure

assertion failure
type: item
description: ;John" <no@no.com> wrote in message news:43b56c64$1@linux... >I was listening to Lost in Love by Air Supply and was enjoying the polish >of the song and soaring vocals so I headed on over to allmusic.com and >picked credits on the Lost in Love album and it list Martin Harrington as >the Engineer. Is this our own Martin? woah ! could it be? ><br
creator: Edna Sloan
date: 2005-12-04T01:04:46-00:00

Re: assertion failure
type: item
description: t; >I was listening to Lost in Love by Air Supply and was enjoying the polish > >of the song and soaring vocals so I headed on over to allmusic.com and > >picked credits on the Lost in Love album and it list Martin Harrington as > >the Engineer. Is this our own Martin? woah ! could it be? > > > > Kewl !! > > > > John > >Thanks Deej. -- Martin Harrington www.lendanear-sound.com "DJ" <animix_spam-this-ahole_@animas.net> wrote in message news:43b5c745$1@linux... > ......and the year the Armadillo World Headquarters closed it's doors. > > ;o) > > "Martin Harrington" <lendan@bigpond.net.au> wrote in message > news:43b5c316$<a href="mailto:1@linux..." target=
creator: cujo
date: 2005-12-04T07:15:39-00:00

Re: assertion failure
type: item
description: r-sound.com "DJ" <animix_spam-this-ahole_@animas.net> wrote in message news:43b5d878@linux... > Martin, > > I'm thinking that since no one uses mixers anymore during tracking and > *riding the fader* really doesn't apply as far as boosting/attenuating > signal levels in DAW control surfaces like the C-16, the appropriate > terminology for this situation while tracking would be *riding the > pot*....and somehow that just doesn't seem a good thing to discuss in > polite > company so it's easier to just use a compressor. > > ;o) > > "Martin Harrington" <lendan@bigpond.net.au> wrote in message > news:43b5c2b5@linux... >> I know I'm going to sound like an "old fart" as Deej so eloquently put it > a >> few posts back, but I see this a lot with "younger engineers" (sorry), > that >> weren't bought up with analogue. >> They are told that all you need to do is set an optimum level, and then > fix >> it in the mix.....Wrong........... >> You must always try and get the most amount of signal to tape, (disk), >> allowing for dynamics and song type of course. >> Riding record levels was one of the first things we were ever taught, (I >> can't remember being taught it, but I know I was), because if you under >> recorded with tape, all you got was noise when you had to ride the levels >> eventually in the mix, especially vocals. >> That's not to say we didn't limit or compress, but we still rode those
creator: Edna Sloan
date: 2005-12-04T14:17:42-00:00

Re: assertion failure
type: item
description: > >> >> >> >> >>John <no@no.com> wrote: >> >> >> >> >> >>>I have a female vocal that has huge dynamic range. She starts = >> >>out like >> >> >> >> >> >>>a ballad and then is belting it out like whitney. I tried a = >> >>variety of >> >> >> >> >> >>>compressors but none seem able to tame this. Limiters seem to >> >> = >> >>work the >> >> >> >> >> >>>best so far. I'm going to try a combo of the two but just = >> >>wondered what >> >> >> >> >> >>>you guys would do for plugins. I tried C1 Comp, RenVox, = >> >>Timeworks=20 >> >> >>>Mastering Compressor, Ultrafunk compressor (worked better), = >> >>Bluetubes, >> >> >=20 >> >> >=20 >> >> >>>Voxengo, but the Bluetubes limiter seemed to do the best job so >> >> = >> >>far. >> >> >>> >> >> >>>Where would you be going on this. Is there a stereo NoLimit? I >> > = >> >>forget. >> >> >> >> >> >>> If so, is that a possibility? What plugin can jam this into >> >> the >> > = >> >>pocket. >> >> >>> >> >> >>>Thanks, >> >> >>>John >> >> >> >> >> >> >> >><META http-equiv=3DContent-Type content=3D"text/html; = >> >>charset=3Diso-8859-1"> >> >> >> >> >> >> >> >> >> >> John, >> >> >> >> Another option would be to cut = >> >> the=20 >> >>performance into separate chunks, spread them over a few tracks, then = >> >>adjust the=20 >> >>volume >> >> on the individual tracks so they=20 >> >>match. >> >> >> >> Lance >> >> >> >> >> >><BLOCKQUOTE dir=3Dltr=20 >> >>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5p
creator: Edna Sloan
date: 2005-12-04T14:39:56-00:00

Re: assertion failure
type: item
description: #64;nospam.verizon.net> wrote: >> >> >> >> >> >>John, >> >> >> >>Another option would be to cut the performance into separate chunks, = >> >>spread them over a few tracks, then adjust the volume >> >>on the individual tracks so they match. >> >> >> >>Lance >> >> >> >> >> >> "Tom Bruhl" <arpegio@comcast.net> wrote in message = >> >>news:43b59383$1@linux... >> >> John, >> >> Besides automation I like to put two La2as in series. A Waves ren/C1 >> > = >> >>will >> >> also work here. Use the first one to grab the peaks in limit mode >> >> and >> > = >> >>the other to >> >> smooth what's left in comp mode. Dial in small amounts so neither = >> >>gets whacked too hard. =20 >> >> Then apply automation to what's still out of control. >> >> Tom >> >> >> >> "John" <no@no.com> wrote in message news:43b554dc@linux... >> >> DJ is from the future. I was just playing around so I was trying >> >> to >> > = >> >> >> >> find a plug to do this but it makes TOTAL sense to ride the faders >> >> = >> >>and=20 >> >> automate. DOH. >> >> >> >> This girl who sang is an untrained teen and I was just recording >> >> her >> > = >> >>for=20 >> >> fun. So I was thinking a plug would totally tame it. I was wrong >> >> = >> >>;-) >> >> >> >> cujo wrote: >> >> > Almost simultaneous answering here, strange DJ's post says 8:07 = >> >>but it wasnt >> >> > there when I looked >> >> >=20 >> >> > "cujo" <chris@nospamapplemanstudio.com> wrote: >> >> >=20 >> >> >>I am sure you tried this but, automation? >> >> >> >
creator: Kim W
date: 2005-12-04T15:35:56-00:00

Re: assertion failure
type: item
description: gt;> simultaneous answering here, strange DJ's post says 8:07 but it=20 >> >> wasnt > there when I looked > > "cujo" <<A=20 >> >> = >> >>>href=3D"mailto:chris@nospamapplemanstudio.com">chris@nospamapplemanstudio= >> >>.com>=20 >> >> wrote: > >>I am sure you tried this but,=20 >> >> automation? >> >> >>John <<A=20 >> >> href=3D"mailto:no@no.com">no@no.com>=20 >> >> wrote: >> >>>I have a female vocal that has = >> >>huge=20 >> >> dynamic range. She starts out = >> >>like >> >>>a ballad=20 >> >> and then is belting it out like whitney. I tried a variety=20 >> >> of >> >>>compressors but none seem able to tame = >> >> >> >> this. Limiters seem to work = >> >>the >> >>>best=20 >> >> so far. I'm going to try a combo of the two but just wondered=20 >> >> what >> >>>you guys would do for plugins. = >> >>I tried=20 >> >> C1 Comp, RenVox, Timeworks >>>Mastering Compressor, = >> >>Ultrafunk=20 >> >> compressor (worked better), Bluetubes, > >=20 >> >> >>>Voxengo, but the Bluetubes limiter seemed to do the = >> >>best job=20 >> >> so far. >>> >>>Where would you be going on=20 >> >> this. Is there a stereo NoLimit? I=20 >> >> forget. >> >>> If so, is that a = >> >>possibility? What=20 >> >> plugin can jam this into the=20 >> >> = >> >>pocket. >>> >>>Thanks, >>>John</BLOCK= >> >>QUOTE> >> >> >> >> >> > >> >> > >now it's a 2.4 intel celeron with 512 ram. I just put 98 back and it crashes just as nicely. i have NEVER had paris running reliably. I'm gonna try going back to 2.x on 98. Rendering is not happening for me Miguel Vigil wrote: > John, > > what are your computer specs? > > As I recall, the last time you bailed out on XP you were attempting > to set it up on an older setup. > > Regards, > > El Miguel > > > > "John" <no@no.com> wrote in message news:43b3d299$1@linux... > >>Last nights BSOD crash was something like Device_MM_Controller. If >>Paris was reliable for me it sure would be useful. Any tips always >>appreciated. This is very frustrating. >> >>John >> >>cujo wrote: >> …
creator: John [1]
date: 2005-12-04T18:44:22-00:00

Re: assertion failure
type: item
description: >>>>>> Paris app resides. If you hvae version 3, it most likely is. If you >> >> >> have >> >>>>>> version 2, it's in the ensoniq folder. >>>>>> Rod >>>>>> John <no@no.com> wrote: >>>>>> >>>>>> >>>>>> >>>>>>> What's the EMU directory thing ? >>>>>>> >>>>>>> Martin Harrington wrote: >>>>>>> >>>>>>> >>>>>>> >>>>>>>> That sounds right, but I'm going from memory here as I don't have >> >> >> Paris >> >>>>>> >>>>>>>> anymore and haven't used it for about 2 years. >>>>>>>> Don't forget the Emu directory thing though. >>>>>>>> >>>>>> >>>>>> >> >>Just got a 60gig Ipod and I'm going to start importing my cd collection tonight.Just wondering which formats are used most and which bit rates.Seems like AAC might be the way to go.I could also see doing a mixture of AAC and Wavs or Apple Lossless. One thing that confused me;it says Apple Lossless gives you the same quality as AIFF and Wav,but is half the size.Can it really be the same quality in half the size? Anyway,this looks to be a really fun toy and putting mixes on it versus the whole cd burning thing will be quite cool. Happy Holidays, PeteWell that was quick. 2.2 doesn't even have render. grrrrrrr what crap John wrote: > damn laptop sent before i was ready. > I get error in rendering track to disk. error code 1879248898/70031002 > when i try to render 3 plugs on two identical tracks. > Paris really is a piece of crap for me. I thrilled you all have > success. I have wasted years of my life on this piece of crap. > John > > John wrote: > >> now it's a 2.4 intel celeron with 512 ram. I just put 98 back and it >> crashes just as nicely. i have NEVER had paris running reliably. I'm >> gonna try going back to 2.x on 98. Rendering is not happening for me >> >> >> Miguel Vigil wrote: >> >>> John, >>> >>> what are your computer specs? >>> >>> As I recall, the last time you bailed out on XP you were attempting >>> to set it up on an older setup. >>> >>> Regards, >>> >>> El Miguel >>> >>> >>> >>> "John" <no@no.com> wrote in message …
creator: Edna Sloan
date: 2005-12-04T19:01:51-00:00

Re: assertion failure
type: item
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creator: Tom Bruhl
date: 2005-12-05T05:03:11-00:00

Re: assertion failure
type: item
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creator: Edna Sloan
date: 2005-12-05T14:06:49-00:00

Re: assertion failure
type: item
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creator: Tom Bruhl
date: 2005-12-05T16:53:42-00:00

Re: assertion failure
type: item
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creator: Ed
date: 2005-12-05T17:31:48-00:00

Re: assertion failure
type: item
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creator: Edna Sloan
date: 2005-12-06T01:56:12-00:00

Re: assertion failure
type: item
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creator: Edna Sloan
date: 2005-12-06T02:01:50-00:00

Re: assertion failure
type: item
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creator: Tom Bruhl
date: 2005-12-06T03:24:46-00:00

Re: assertion failure
type: item
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creator: Edna Sloan
date: 2005-12-06T04:06:05-00:00

Re: assertion failure
type: item
description: et properly, but I want to bring them all >> down a few db's. Is there a way to bring them all down at the same time >> without doing them individually? >> >> Lastly, I don't have any automation set, so that won't be effected by >this. >> In fact, I try to stay away from automation because of this reason. >There >> may be an easy way to "edit" the automation, but I haven't figured it out. >> I just try to stay away from it. Some day I may delve into that learning >> process... lol. I am old school. Just use Paris for basic recording, >mixing.... >> thanks in advance... and Happy New Year (2006)! > >.......yeah.......our place has the Animas River on one side of the road a thermal spring on the other and irrigation ditches streaming snowmelt down through our pastures from the mountains all spring, summer and fall. Skeeterworld!! Deej "jef knight" <thestudio@allknightmusic.com> wrote in message news:43b96362$1@linux... > I was offered one but I'm a bit skiddish, though with the way the WNV is > making it's appearance around here i'll probably go for it. we live on a > lake with some areas of protected shoreline that breed skeeters like mad. > > DJ wrote: > > >Hmmmm..........I'll have to ask our vet about this. > > > >;o) > > > >"jef knight" <thestudio@allknightmusic.com> wrote in message > >news:43b94c5c@linux... > > > > > >>as wrong as this sounds, all the horse farmers I know (alot) have used > >>the equine version of the vaccine on themselves, often with their vet's > >>assistance, with no side effects. gotta get the dose right though. they > >>all firmly believe that if it won't kill a horse it will be okay for > >>humans, moreso that if it's tested in mice etc. > >> > >>Can$0.02 > >> > >>DJ wrote: > >> > >> > >> > >>>It's very prevalent in this area. We've had our horses vaccinated, but > >>>there is no vaccination for humans. People have died around here from > >>>this. I know a couple of folks who caught it a couple of years ago and > >>>are still sick. Having …
creator: Tom Bruhl
date: 2005-12-06T06:22:23-00:00

Re: assertion failure
type: item
description: >normalize >> funtion... ~ Ed >> >> >> "Edna" <edna@texomaonline.com> wrote: >> >You bet! Actually, you don't have to do it that way. You could just >> >normalize down/up from the highest fader value in the mix. >> > >> >I haven't gotten in to the automation or the automation editor yet >either, >> >except to just make sure the automation worked after my install of Paris. >> >But its on my list. >> >Edna >> > >> >"Ed" <askme@email.com> wrote in message news:43b9652e$1@linux... >> >> >> >> Thanks Edna... I'll try that. I seen the normalize button, but was >unsure >> >> how it operated. In fact, I wished I known this option a few days >ago... >> >> would have saved me lots of time. I was trying to remix/remaster some >> >older >> >> projects and songs.. and it was very time consuming to individually >adjust >> >> each channel. Thanks again... :) >> >> >> >> >> >> "Edna" <edna@texomaonline.com> wrote: >> >> >Yes, you can use the normalize function to do this - bring them up or >> >down. >> >> >For example say you want to lower them all by 3db. On an unused >channel >> >> >move its fader to 10 and then normalize with highest at 7. This >brings >> >> >down all faders by 3. (To bring them back up to where they were, >> >normalize >> >> >to 10.) >> >> >Edna >> >> > >> >> >"Ed" <askme@email.com> wrote in message news:43b952d0$1@linux... >> >> >> >> >> >> Hi All. Perhaps a quick n' easy question for you Paris power users. >> I >> >> >mainly >> >> >> use the mouse for controlling everything on the mixer(s) and such. >> >> >Anyway, >> >> >> I was working on a few projects and found that I sonically liked the >> >> >levels >> >> >> of one of the projects. It is very frustrating going back through >> all >> >> the >> >> >> other songs in the other projects to bring down each channel fader >> >> >individually. >> >> >> My question is... is there a way to control all active (active >meaning >> >> >there >> >> >> is something on the channel) channel faders at the same time? >Anothe…
creator: Edna Sloan
date: 2005-12-06T14:33:22-00:00

Re: assertion failure
type: item
description: they were, >>>>normalize >>>>> >to 10.) >>>>> >Edna >>>>> > >>>>> >"Ed" <askme@email.com> wrote in message news:43b952d0$1@linux... >>>>> >> >>>>> >> Hi All. Perhaps a quick n' easy question for you Paris power users. >>> I >>>>> >mainly >>>>> >> use the mouse for controlling everything on the mixer(s) and such. >>>>> >Anyway, >>>>> >> I was working on a few projects and found that I sonically liked > the >>>>> >levels >>>>> >> of one of the projects. It is very frustrating going back through >>> all >>>>> the >>>>> >> other songs in the other projects to bring down each channel fader >>>>> >individually. >>>>> >> My question is... is there a way to control all active (active >>>>> >> meaning >>>>> >there >>>>> >> is something on the channel) channel faders at the same time? >>>>> >> Another >>>>> >words, >>>>> >> I have all the channel faders set properly, but I want to bring >>>>> >> them >>>>all >>>>> >> down a few db's. Is there a way to bring them all down at the same >>>>time >>>>> >> without doing them individually? >>>>> >> >>>>> >> Lastly, I don't have any automation set, so that won't be effected >>> by >>>>> >this. >>>>> >> In fact, I try to stay away from automation because of this >>>>> >> reason. >>>>> >There >>>>> >> may be an easy way to "edit" the automation, but I haven't figured >>> it >>>>> out. >>>>> >> I just try to stay away from it. Some day I may delve into that >>>>learning >>>>> >> process... lol. I am old school. Just use Paris for basic >>>>> >> recording, >>>>> >mixing.... >>>>> >> thanks in advance... and Happy New Year (2006)! >>>>> > >>>>> > >>>>> >>>> >>>> >>> >> >> >Considering the grand successes achieved with horse medication by people like Jason Giambi I wouldn't be worried at all. Save that the equine vaccine might increase your slugging percentage. TCB jef knight <thestudio@allknightmusic.com> wrote: >I was offered one but I'm a bit skiddish, though with the way the WNV is >making it's appearance around here i'll probably go f…
creator: Edna Sloan
date: 2005-12-06T14:41:59-00:00

Re: assertion failure
type: item
description: ot;edit" the automation either. Funny thing.. I been using my >>Paris >>> since 2001 and I just use it for basic tracking/mixing. I never got >>> into >>> all the features... but it's on my list too.. lol. By the time I learn, >>> Paris will be obsolete. Oh! it IS obsolete... lol. So, what do you use >>Paris >>> for? You got a band, or just play with it, like me? I don't go out >>> much >>> (not too many places to go in southern MD.. lol.) So this is my hobby > and >>> my little get-away. It's been fun. I started out with a Roland system. >>> But I knew I had to move to a DAW since it wasn't easy to edit single >>files/channels >>> on the Roland. Ok.. I bored ya enough... Thanks again and I'll try the >>normalize >>> funtion... ~ Ed >>> >>> >>> "Edna" <edna@texomaonline.com> wrote: >>> >You bet! Actually, you don't have to do it that way. You could just >>> >normalize down/up from the highest fader value in the mix. >>> > >>> >I haven't gotten in to the automation or the automation editor yet >>either, >>> >except to just make sure the automation worked after my install of >>> >Paris. >>> >But its on my list. >>> >Edna >>> > >>> >"Ed" <askme@email.com> wrote in message news:43b9652e$1@linux... >>> >> >>> >> Thanks Edna... I'll try that. I seen the normalize button, but was >>unsure >>> >> how it operated. In fact, I wished I known this option a few days >>ago... >>> >> would have saved me lots of time. I was trying to remix/remaster >>> >> some >>> >older >>> >> projects and songs.. and it was very time consuming to individually >>adjust >>> >> each channel. Thanks again... :) >>> >> >>> >> >>> >> "Edna" <edna@texomaonline.com> wrote: >>> >> >Yes, you can use the normalize function to do this - bring them up > or >>> >down. >>> >> >For example say you want to lower them all by 3db. On an unused >>channel >>> >> >move its fader to 10 and then normalize with highest at 7. This >>brings >>> >> >down all faders by 3. (To bring them back up to where they were, >>> >norma…
creator: Tom Bruhl
date: 2005-12-06T14:47:44-00:00

Re: assertion failure
type: item
description: et, so that won't be effected > by > >> >this. > >> >> In fact, I try to stay away from automation because of this reason. > >> >There > >> >> may be an easy way to "edit" the automation, but I haven't figured > it > >> out. > >> >> I just try to stay away from it. Some day I may delve into that > >learning > >> >> process... lol. I am old school. Just use Paris for basic recording, > >> >mixing.... > >> >> thanks in advance... and Happy New Year (2006)! > >> > > >> > > >> > > > > >Hey Deej, Map a drive. So, you have two machines, one named Old_DAW one named New_DAW. On New_DAW right click on My Computer and select Map Network Drive. Select Z for the drive letter (or something else, I always start with Z) and map \\Old_DAW\c$ which is the admin share of the old machine. Then you should be able to copy over whatever you want. If this doesn't work, try mapping the admin share (\\New_DAW\c$) on the ME box. Also, make sure your TCP/IP settings are set even if you don't think they're being used. 95/98/ME can do strange things like use NetBIOS name resolution but IP file transfer. So have Old_DAW be set to ip 192.168.1.2 sm 255.255.255.0 gw 192.168.1.1 And New_DAW set to ip 192.168.1.1 sm 255.255.255.0 gw 192.168.1.1 Notice that New_DAW winds up being the gateway for Old_DAW which is how you want it. Also, if the sm (subnet mask) isn't the same you ain't networking anything. TCB "DJ" <animix_spam-this-ahole_@animas.net> wrote: >I just set up my network connections between both my DAWs. They are seeing >each other's HD's and I have unrestricted sharing set. However, I can't >transfer files from my Paris DAW anymore. For some reason, even though the >folders are set up for sharing, the sub directories and the folders within >these subdirectories have somehow been set to where I have to go into every >subdirectory level and set each folder to share. This machine is running >Windows ME. I have literally hundreds of subdirectories and sub-sub >directories within my main direct…
creator: pauln[2]
date: 2005-12-06T15:29:44-00:00

Re: assertion failure
type: item
description: > > >> > though > >> > > >> >>>>the > >> >>>> > >> >>>> > >> >>>>>>folders are set up for sharing, the sub directories and the folders > >> >>>> > >> >>>>within > >> >>>> > >> >>>> > >> >>>>>>these subdirectories have somehow been set to where I have to go > >into > >> >>>> > >> >>>>every > >> >>>> > >> >>>> > >> >>>>>>subdirectory level and set each folder to share. This machine is > >> >> > >> >>running > >> >> > >> >>>>>>Windows ME. I have literally hundreds of subdirectories and sub-sub > >> >>>>>>directories within my main directories. How could this happen? Prior > >> > > >> > to > >> > > >> >>>>>>hooking up this new DAW, I just set my main directories to share > on > >> >> > >> >>both > >> >> > >> >>>>>>machines and I could shuttle stuff back and forth all day long. > The > >> >>>> > >> >>>>current > >> >>>> > >> >>>> > >> >>>>>>situation sucks most seriously..........(sigh)..........what else > >can > >> >>>>>>happen????.......wait.........don't answer that!!!! > >> >>>>>> > >> >>>>>> > >> >>>> > >> >>>> > >> >>>> > >> >> > >> > > >> > > > > > >Hi Jim, This sounds to me like a cooling problem. What has worked for me is leaving an empty PCI slot between my EDS cards and cutting a round hole in the side of my case and mounting a colling fan that blows heat away from the eds cards. No more clicks. I would try running with the side of your case removed and see if the clicks still happen. I bet they won't. All the best, Mike "jim" <jim@redgateguitars.com> wrote: >Hi Everybody...My first post to the group... Happy new year... Hey does >anyone have a suggestion for a intermittent clipping sound which happens on >random empty channels to the right of an operating channel? I know this >sounds weird but the channel can be empty with the fader turned down and I >still get a click every few seconds... It still happens with nothing plugged >into the inputs of Paris. I can see the click on the level indicator >onscreen. It can happen on any channel but it is always to the…
creator: pauln[2]
date: 2005-12-06T15:54:35-00:00