Aux buss summing with multiple MEC's.... (analog)
wing technical viruosity and matures he'll have a > >>rich vocabulary to draw on. Maybe at some point he'll create something > >>that moves the skeptics. :^) > >> > >>Cheers, > >> -Jamie > >> http://www.JamieKrutz.com > >> > >> > >>erlilo wrote: > >> > >>>I think that kind of music he's playing don't need more feelings ;-) > >>> > >>>Erling > >>> > >>>"Neil" <OO@OIU.com> skrev i melding news:438d3fe0$1@linux... > >>> > >>> > >>>>Which begs the response: He looks bored, therefore he IS bored, > >>>>which means I'M bored... he may be a great technician, but IMO > >>>>he's got no feel whatsoever. I love to hear fast playing, but > >>>>it's got have smoe enthusiasm behind it; Cory's post reminded > >>>>me that he plays that way (on a couple of clips I've heard); > >>>>and that kinda stuff is nice to hear, but this guy/kid does > >>>>nothing for me. > >>>> > >>>>Neil > >>>> > >>>> > >>>> > >>>>"tonehouse" <zmcleod@comcast.net> wrote: > >>>> > >>>> > >>>>>Yikes ! It's not only what he plays..but it looks so EASY....the other > >>>>>band > >>>>>members might as well go to McDonalds or something while this kid > >>>>>plays.... > >>>>>"DC" <dc@spamsony
Re: Aux buss summing with multiple MEC's.... (analog)
o they can only >>>> access C: and D: >>>> I'd also like to stop them from using some programs, as some info >>>> will be viewable. >>>> >>>> I right-clicked and went to "sharing and security" but the do not >>>> share box is greyed out in every instance. >>>> >>>> >>>> What am I doing wrong? >>> >>> >>>Jef, Here's another possibility if you can't get to the security tab on a folder or file To display the Security tab Open Folder Options in Control Panel. Click Start, point to Settings, and then click Control Panel. Double-click Folder Options .. On the View tab, under Advanced settings, clear Use simple file sharing [Recommended]. JH jef knight wrote: > I just found a folder, My Documents, that allows privacy so I dragged a > set of folders to it. Seems to keep the User account safe from accessing > it. Haven't quite figured out the finer details, like program permissions. > > > > jef knight wrote: > >> Sorry 'bout that....xp pro/ntfs >> >> >> >> Jeff hoover wrote: >> >>> XP pro or Home? >>> >>> You need pro to do file level security (kind of, home allows a little >>> but nor full control). Also need the drive formatted NTFS instead of >>> FAT32. If it's not you'll have to convert it. >>> >>> JH >>> >>> jef knight wrote: >>> >>>> I know some of you guys are really gurus and I can't seem to find >>>> the info I need by googling, and my winhelp seems to be missing... >>>> >>>> I have a laptop that I'm (sigh) forced to share with a couple of >>>> other people here at the studio. Problem is, I use this sucker for >>>> everything including financial stuff, which I'd like to keep private. >>>> >>>> So, I've set up a user account without a password for the other >>>> guys. Now I want to hide my E: drive from them, so they can only >>>> access C: and D: >>>> I'd also like to stop them from using some programs, as some info >>>> will be viewable. >>>> >>>> I right-clicked and went to "sharing and security" but the do not >>>> share box is greyed out in every instance. >>>> >>>> >>>> What am I doing wrong? >>> >>> >>>Thanks Jeff... I'm gonna crash...it's late...I'll try your advice in the morning and let you know how I'm makin' out... jef k Jeff hoover w
info@studiomanitou.com> wrote in news:438c6510@linux: > Otherwise, just paste ftp://manitou.serveftp.net/ into IE > and it will ask you for the user and password (xmas/xmas). I was able to pull the files down using FTP from the commandline.are there mono effects on them too? I can't get that to work. Dimitrios wrote: > Hi, > I have almost finished my project mixing and when I try to put a stereo native > effect on any audio track on any submix when I try to save I always get assertion > failed and cannot save either on same name or other... > The problem is that I want to use stereo effects as I did before but don't > know why Paris doesn't let to... > Regards, > DimitriosUncle Vince <UncleVince@not.comcast.net> wrote in news:438f44f4.0@databoy: > Yeah, I remember those songs. His name, I think, is Bill Hubauer.
i melding news:438f3760$1@linux... > > Hi, > I have almost finished my project mixing and when I try to put a stereo > native > effect on any audio track on any submix when I try to save I always get > assertion > failed and cannot save either on same name or other... > The problem is that I want to use stereo effects as I did before but don't > know why Paris doesn't let to... > Regards, > DimitriosThe in-points (and out-points) on both sides of the stereo file must be at the identical spot - down to the sample (the furthest down you can go on the zoom tool) "erlilo" <erlilo@online.no> wrote in message news:438f4d36@linux... > Is it exactly the same length on each stereo files or no different holes in > any of the stereo objects? > > Erling > > "Dimitrios" <musurgio@otenet.gr> skrev i melding news:438f3760$1@linux... > > > > Hi, > > I have almost finished my project mixing and when I try to put a stereo > > native > > effect on any audio track on any submix when I try to save I always get > > assertion > > failed and cannot save either on same name or other... > > The problem is that I want to use stereo effects as I did before but don't > > know why Paris doesn't let to... > > Regards, > > Dimitrios > >You're running this on BeOS, right? Jamie K <<a href="mailto:Meta@Dimensional.com" tar
t;Everything is automatable. Mixers show as many tracks as you have. The >MIDI features are comprehensive. Logic can play video files for film >scoring. > >The G5 processors support so many plugins and tracks that I rarely have >to "freeze" anything, it's all live. But if I ever need more CPU >overhead, freezing a track converts a track and all plugin operations to >an audio file. It can be unfrozen if any editing is needed. There's also >an option to network with another Mac to farm out CPU time but I've >never needed that with the G5. BTW, the new dual core dual processor G5 >box is somewhere around twice as fast as mine. Whoa. > >If at all possible, you should try to mix on each of the systems you're >considering and see if the sound pleases your ear. The i/o you choose >will also matter. Like Tony I'm using a MOTU 828MII which has been a >decent sounding, reliable piece of gear, and there are many other >options to consider. You can combine several i/o devices if you need to >expand to additional channels. If you need flying faders there are >several choices with or without built-in i/o. > >Cheers, > -Jamie > http://www.JamieKrutz.com > >Tony Benson wrote: >> I suppose it would depend on your style of mixing, but I've been really >> happy lately using DP 4.6 and PARIS. I track and mix first in DP to take >> advantage of any virtual instruments I might want to use, and any plugins >> that won't work in PARIS. I'm using a MOTU 828 Mk2 firewire interface that >> actually sounds pretty good. It doesn't add any character while recording, >> but that's what I'm wanting at this stage. This first mix is basically just >> a "get it close" type mix. I usually don't use any EQ plugins in DP opting >> for the nice PARIS EQ's instead. Once I've got things close in DP I freeze >> all the tracks (equivalent to rendering with plugins in PARIS). Then I >> export the frozen DP tracks as 24 bit .wav files. Then I boot to OS9 and use >> SonicWorx to convert the .wavs to 24 bit .paf files. Then I open PARIS, add >> the audio files, and do all my editing and final mixing in PARIS. I still >> like the editing in PARIS, I suppose because I'm so used to it. Right now >> I'm doing this all on one Mac dual processor G4 and dual booting. I'm >> getting a G5 soon though and dedicating the G4 to PARIS only. I'll just >> share a firewire drive between the two. This will also let me use the G5 as >> a virtual FX rack when mixing in PARIS using external sends. Anyway, I know >> this approach is pretty convoluted and might not work for everyone, but it's >> my way of having the best of both worlds so to speak. The modern features in >> DP and the great
gt;> >> the >> >>>input to the preamp or you could apply the mic pad, preamp input pad, and >>>line pad .......or if you just wanted to record the sound of the saturated >>>curcutry (ie add THD) you could use a line pad (or two depending on how >> >> much >> >>>gain reduction you're looking for) ) at the output of the preamp and just >>>crank the hell out of the output gain. This last techinque is being used >> >> by >> >>>some folks with the Sytek preamps to *warm them up*. >>> >>>Or you could use the mic pad, preamp input pad, a line pad on the preamp >>>input, a line pad on the preamp output (now you're padded down at least >>>40dB), crank the output gain on the preamp full out and then yell as loudly >>>as possible into the microphone using a bullhorn. That oughta' get you some >>>color >>> >>>;o) >>> >>> >>> >>> >>> >>> >>>>"DJ" <animix_spam-this-ahole_@animas.net> wrote: >>>> >>>>>You will need to feed them a tone that can be adjusted from the device >>>>>wsending the tone so that you can calibrate the Paris channel level to >>> >>>the >>> >>>>>dB level that is feeding the Paris A/D converter. If you are feeding >> >> the >> >>>>>converter a -10dBu signal you can then adjust the trim screw until the >>> >>>level >>> >>>>>reads -10 on the channel meter. There may be a little fudging going on >>> >>>with >>> >>>>>the software in favor of keeping the signal around 2-3dB below *actual* >>>>>decibel input....but I wouldn't know this for sure. IU would suggest >>> >>>feeding >>> >>>>>it a constant test tone from an external device. >>>>> >>>>>Deej >>>>> >>>>>"cujo" <chris@nospamapplemanstudio.com> wrote in message >>>>>news:439dd812$1@linux... >>>>> >>>>>>Thanks DJ. >>>>>>Oh, I have a tone CD that is for ear training but the tones are fairly >>>>> >>>>>brief, >>>>> >>>>>>think this would work? >>>>>> >>>>>>So wiht a tone it is safe to adjust them? is there anything wrong such >>>> >>>>as >>>> >>>>>>sound degredation with turning em down otherwise? I'd ratehr not have >>>> >>>>to >>>> >>>>>>always go into a compresor to turn the gain down. I also want to be >>> >>>able >>> >>>>>>to push the pres a bit more. >>>>>> >>>>>>Again, thanks >>>>>> >>>>>> >>>>>> >>>>>>"DJ" <animix_spam-this-ahole_@animas.net> wrote: >>>>>> >>>>>>>Don't touch them. They are continuously rotating. You cannot just >> >> turn >> >>>>>them >>>>> >>>>>>>to a stopping poi
nato/Mic%20Con test/ >>>>> >>>>> Good Luck - Prizes will still stand ! >>>>> info on my previous post ( Listening challenge @ the File vault ) >>>>> >>>>> Morgan >>>>> >>> >I talked to Rudolph the other day. He sends greets to the crew here via this Christmas card. AA "DJ" <animix_spam-this-ahole_@animas.net> wrote in message news:439da520$1@linux... > Next we'll be seeing George Romero doing remakes......... It's A Wonderful > Death and find ringers for James Stewart and Donna Reed to stagger around > zombielike biting off chunks of the townspeople........or do a remake of > Holiday Inn with the rotting corpse of Bing Crosby gurguling *Dead > Christmas* and Fred Astaire shuffling along trailing gore across the dance > floor. > > Rudolph the dead nosed reindeer anyone? > > <sheesh> > > ;oP > > "Miguel Vigil" <nospam@nospam.com> wrote in message > news:439d91b1$1@linux... >> Beware... >> Coming Soon, >> >> Dawn of the Living Santa >> >> The (d)red guy comes out of your chimney and threatens you with Paris >> updates! >> >> >> >> Fell Miguel (ho, ho, ho :) >> >> >> >> >> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message >> news:439d2bd4@linux... >> > Letsee.....over the last couple of days, while channel surfing, I've >> > run >> > across Dawn Of The Dead, Night Of The Living Dead, Day Of The Dead, > Shawn >> Of >> > The Dead and a very bizarre and disturbing flick called Resident Evil. >> > >> > Is it just me or does this seem like some pretty bizarre and arguably >> > inappropriate programming for the holiday season?........then > again....at >> > least I'm not watching the 400754th rerun of It's a wonderful >> Life.....yet. >> > >> > Maybe I'm just old and out of touch. >> > >> > ;oP >> > >> > >> >> > > The Antec P160 case is quiet like the Sonata case, but it will take full size PCI cards. I think the P 180 and maybe the P150 will also take full size PCI cards. Check them out and do a little research. http://www.antec.com/us/pro_en_performance1.html www.antec.com James "DJ" <animix_spam-this-ahole_@animas.net> wrote: >> I searched through here and I see DJ stated that the Magma boxes work >well >> with the EDS card. At $1400 a pop, it's had to justify. Oh well... time >> to rethink things.... thanks... > >You can find Magma chassis' used for much less than this. the best place to >fish around for one is on the digidesign User's forum in the For Sale area. >Those poor guys have to upgrade their hardware every 10 minutes or so and >quite often they sell their 32 bit Magma's cheap. I got my 13 slot Magma >there for $250.00. > >Deej > > >"Ed" <askme@email.com> wrote in message news:439d6a33@linux... >> >> Hi Kim. You probably don't remember me too well, but I been around on here >> for a number of years. Mostly lurking and had various usernames... anyway, >> my question was mainly about the products from risercardshop.com. I was >> hoping someone was familiar with their products. Yes, I am only using one >> EDS card. My last resource is to either pay the ridiculous price for an >external >> PCI box or buy a hand tool metal cutter and cut out a hole for the one >card. >> Since you are familiar with the case, and you agree that tearing out >internal >> drive bay would be difficult, I think the better option would be to cut a >> hole for the EDS card. I suppose no one found a cheaper external PCI box. >> I searched through here and I see DJ stated that the M