Mixing in paris, paris compressor across main buss.
9@linux... > you got rid of your EPS too man? > Now that's surprising<br /
Re: Mixing in paris, paris compressor across main buss.
the net ??? thanks >> >> > >To the best of my memory, the analog I/O ports on the MEC are 20-bit. 24-bit is only available on the 8-in/8-out cards. Mark "Mike R." <emarenot@yahoo.com> wrote: > >Thanks for the reminder on that John. BT used to say the same thing. And<br /
> >I have to agree. The few projects that I've recorded in 16bit have more >"slam" to 'em. Reminds me of a recent article I read about mixing. When >asked if he had any tips for mixers the (guru-of-mix --I think it was that >Elliot Schnieder or Schmidt guy -whatever...:)) said something like (gosh >-what a terrible memory) "I just turn the knobs until it sounds right." >I must admit, sometimes I let my ears be guided by my eyes. I see "24 bit" >and think "oooh that must be better." But the fact (or at least my fact) >is that, on some projects, 16 bit is the way to go. >(Mike R.) > >"John Macy" <<a href="mailto:spamlessjohn@johnmacy.com" target="_blan
;> >>"Edna" <edna@texomaonline.com> wrote: >>>Am looking at picking up a used Pro system very reasonable and nearby. >> Was >>>wondering if the Pro MEC has 24 bit converters? Owner sez yes, but I have >>>heard the old
be nice. units include VCR, TV, Surround Receiver, 2nd DVDr/rw, camcorder, fan (yes, I actually have a remote control for my stand up room fan hahah), DAT and a DCC. The only thing I've found thus far that can handle most of it is a pocket PC.. but even it won't hang the whole lot of 'em. Not to mention it was about $600 (gulp) I don't want too much, do I? Thanks ! AA Dude!!!!!! ROTFL!!!!! Don't change a thing!! You just need an infrared patchbay to get this happening!!!!! ;oD "Aaron Allen" <nospam@not_here.dude> wrote in message news:438c094e@linux... > I am cleaning up the
em a tv with local channels and nothing else. 1 remote Aaron Allen wrote: > I am cleaning up the rental place here prepping for a move, and have > included a pic of a problem I'd like to rectify. As you can see, I have WAY > too many remote controls in my living area, and I want to tone the house of > a thousand buttons down. The battery cost alone is deadly, LOL. > Has anybody out there seen a decent solution to this gaggle of remotes I end > up dealing with just trying to relax in front of a movie? Preferences would > include, lighting in the dark, common buttons actually being 'common' (IE, > play means play for the DVD, VCR, etc...) and not having to reteach the > thing when changing out batteries. I'd rather not own a surfboard with > buttons on it, but I understand I have a load of stuff to control.. function > keys or macros would be nice. > units include VCR, TV, Surround Receiver, 2nd DVDr/rw, camcorder, fan (yes, > I actually have a remote control for my stand up room fan hahah), DAT and a > DCC. > The only thing I've found thus far that can handle most of it is a pocket > PC.. but even it won't hang the whole lot of 'em. Not to mention it was > about $600 (gulp) > > I don't want too much, do I? > > Thanks ! > > AA > > >in bios turn off com ports, printer port, sound card, usb everything. Then check manual to make sure pa
ge news:438c094e@linux... >I am cleaning up the rental place here prepping for a move, and have >included a pic of a problem I'd like to rectify. As you can see, I have WAY >too many remote controls in my living area, and I want to tone the house of >a thousand buttons down. The battery cost alone is deadly, LOL. > Has anybody out there seen a decent solution to this gaggle of remotes I > end up dealing with just trying to relax in front of a movie? Preferences > would include, lighting in the dark, common buttons actually being > 'common' (IE, play means play for the DVD, VCR, etc...) and not having to > reteach the thing when changing out batteries. I'd rather not own a > surfboard with buttons on it, bu
V??? ;-) > >David. > >Aaron Allen wrote: >> I am cleaning up the rental place here prepping for a move, and have >> included a pic of a problem I'd like to rectify. As you can see, I have WAY >> too many remote controls in my living area, and I want to tone the house of >> a thousand buttons down. The battery cost alone is deadly, LOL. >> Has anybody out there seen a decent solution to this gaggle of remotes I end >> up dealing with just trying to relax in front of a movie? Preferences would >> include, lighting in the dark, common buttons actually being 'common' (IE, >> play means play for the DVD, VCR, etc...) and not having to reteach the >> thing when changing out batteries. I'd rather not own a surfboard with >> buttons on it, but I understand I have a load of stuff to control.. function >> keys or macros would be nice. >> units include VCR, TV, Surround Receiver, 2nd DVDr/rw, camcorder, fan (yes, >> I actually have a remote control for my stand up room fan hahah), DAT and a >> DCC. >> The only thing I've found thus far that can handle most of it is a pocket >> PC.. but even it won't hang the whole lot of 'em. Not to mention it was >> about $600 (gulp) >> >> I don't want too much, do I? >> >> Thanks ! >> >> AA >> >> >>I never tried that, Thanks. "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote: > >I'm aware that's it's been posted about not clicking on assertion failed messages >until you save as, but I got one this morning, and just for kicks I kept >going, i
/> > > I saw a used "ultra match" (no pro) today in a Long and Mcquade in Toronto, > if that is any help. > > All the best, > > Mike > "Dimitrios" <musurgio@otenet.gr> wrote: > > > >Dear DJ, > >I may be able to find one here in Greece. > >What would you need Ultramatch or ADA-8000 ( I have one of those ) > >Let me know if Greece is an option for you. > >Regards, > >Dimitrios > > > >"DJ" <animix_spam-this-ahole_@animas.net> wrote: > >>I am actually trying to source a Behringer product right now > >>(gasp!!!!.....yeah....I know ;o). The only Behringer product that I have > >>ever used that worked well and as advertized is an AD/DA/format converter > >>called the Ultramatch Pro SRC 2496. I've got one and need another one in > >>order to do something else bizarre with my routing matrix. Anyway, I have > >>scoured the internet for one of these to no avail. I was talking to a > >>retailer in Nashville earlier today and was told that this and the ADA8000 > >>may not be showing up again due to a patent infringement situation involving > >>Apogee. I'm wondering if this is true. Anyone else heard this? Anyone got > >an > >>Ultramatch Pro FS? I need one yesterday. They are backordered everythere > >>with mid-January as the projected date for filling orders. > >> > >> > > >Hmm... tried that route & I just get an error page. Neil "Rob Arsenault" <info@studiomanitou.com> wrote: >Neil, >I think the "@" in the link is when you want to include the user and >password within the string so you don't have to type it again at the entry >point. Otherwise, just paste ftp://manitou.serveftp.net/ into IE and it will >ask you for the user and password (xmas/xmas). But, for some reason, the >passive mode still needs to be turned off in internet options in
/> > > In classical, if you have a great teacher, they keep your nose to the > wheel, and let you know that you have along way to go. The > parents will be smart, and reserved with their praise and exposure of > the child to the public. > > Then you can end up with another Mozart, but it is rare today; fame > is too much of a drug to most people. > > I've seen these kids end up featured soloists with major symphonies > and I've seen them disappear. It's all in the parents and the > teachers. > > DC >I saw a used "ultra match" (no pro) today in a Long and Mcquade in Toronto, if that is any help. All the best, Mike "Dimitrios" <musurgio@otenet.gr> wrote: > >Dear DJ, >I may be able to find one here in Greece. >What would you need Ultramatch or ADA-8000 ( I have one of those ) >Let me know if Greece is an option for you. >Regards, >Dimitrios > >"DJ" <animix_spam-this-ahole_@animas.net> wrote: >>I am actually trying to source a Behringer product right now >>(gasp!!!!.....yeah....I know ;o). The only Behringer product that I have >>ever used that worked well and as advertized is an AD/DA/format converter >>called the Ultramatch Pro SRC 2496. I've got one and need another one in >>order to do something else bizarre with my routing matrix. Anyway, I have >>scoured the internet for one of these to no avail. I was talking to a >>retailer in Nashville earlier today and was told that this and the ADA8000 >>may not be showing up again due to a patent infringement situation involving >>Apogee. I'm wondering if this is true. Anyone else heard this? Anyone got >an >>Ultramatch Pro FS? I need one yesterday. They are backordered everythere >>with mid-January as the projected date for filling orders. >> >> >Thanks Mike, I need the SRC 2496 version to nail this down. If you run across one let me know. ;o) Deej <Mike Audet mike.....> wrote in message news:438cf83a$1@linux...<br
"mailto:dc@spamsony.com">dc@spamsony.com&gt; wrote in = message <A=20 = href=3D"news:4388ba1a$1@linux">news:4388ba1a$1@linux... &gt;&gt;<B= R>&gt;&gt;=20 "Tom Bruhl" &lt;<A=20 href=3D"mailto:Arpegio@comcast.net">Arpegio@comcast.net&gt;=20 wrote: &gt;&gt; &gt;Just plain spooky. &gt;&gt; &gt; &gt;&gt; = &gt;Tom &gt;&gt; &gt;&gt; &gt;&gt; I've seen the same thing = in young=20 classical players.&nbsp; When you get &gt;&gt; to know them a bit = you=20 realize it is a savant-like quickness in the &gt;&gt; mind that = allows them=20 to play at such unearthly levels.&nbsp; In a way, it &gt;&gt; is = like Rain=20 Man, if you know what I mean. &gt;&gt; &gt;&gt; Now comes the = hard=20 part.&nbsp;&nbsp; They have to learn everything else &gt;&gt; about = music,=20 and really apply themselves in the next few years to &gt;&gt; even = maintain=20 their current levels of playing.&nbsp; The *worst* thing = that &gt;&gt; can=20 happen is adults fawning over them and praising them to = the &gt;&gt; sky=20 and comparing them to the greats, and getting them record &gt;&gt;=20 deals.&nbsp;&nbsp; Yet this is usually what happens.&nbsp;&nbsp; When = it does,=20 the prodigy &gt;&gt; disappears and is never heard from=20 again. &gt;&gt; &gt;&gt; In classical, if you have a great = teacher, they=20 keep your nose to the &gt;&gt; wheel, and let you know that you = have along=20 way to go.&nbsp;&nbsp; The &gt;&gt; parents will be smart, and = reserved=20 with their&nbsp; praise and exposure of &gt;&gt; the child to the=20 public. &gt;&gt; &gt;&gt; Then you can end up with another = Mozart, but=20 it is rare today; fame &gt;&gt; is too much of a drug to most=20 people. &gt;&gt; &gt;&gt; I've seen these kids end up featured = soloists=20 with majo
Maybe at some point he'll create something that moves the skeptics. :^) Cheers, -Jamie http://www.JamieKrutz.com erlilo wrote: > I think that kind of music he's playing don't need more feelings ;-) > > Erling > > "Neil" <OO@OIU.com> skrev i melding news:438d3fe0$1@linux... > >>Which begs the response: He looks bored, therefore he IS bored, >>which means I'M bored... he may be a great technician, but IMO >>he's got no feel whatsoever. I love to hear fast playing, but >>it's got have smoe enthusiasm behind it; Cory's post reminded >>me that he plays that way (on a couple of clips I've heard); >>and that kinda stuff is nice to hear, but this guy/kid does >>nothing for me. >> >>Neil >> >> >> >>"tonehouse" <<a href="mailto:zmcleod@comcast.ne
m to the >>>>>sky and comparing them to the greats, and getting them record >>>>>deals. Yet this is usually what happens. When it does, the prodigy >>>>>disappears and is never heard from again. >>>>> >>>>>In classical, if you have a great teacher, they keep your nose to the >>>>>wheel, and let you know that you have along way to go. The >>>>>parents will be smart, and reserved with their praise and exposure of >>>>>the child to the public. >>>>> >>>>>Then you can end up with another Mozart, but it is rare today; fame >>>>>is too much of a drug to most people. >>>>> >>>>>I've seen these kids end up featured soloists with major symphonies >>>>>and I've seen them disappear. It's all in the parents and the >>>>>teachers. >>>>> >>>>>DC >>>>> >>>> >>>> >>When did something like a mismatched power supply ever stop me? I figure if I can just get stick the correct plug and rip the grounding pin off of it, I'll be good to go. ;oD "erlilo" <erlilo@online.no> wrote in message news:438d5349$1@linux... > I think there'll be problems with it without changing the powersupply. We > have for the most 220V AC in Europe and US have 110V, as far as I remember. > > Erling > > "Dimitrios" <musurgio@otenet.gr> skrev i melding news:438cbc5e$1@linux... > > > > Dear DJ, > > I may be able to find one here in Greece. > > What would you need Ultramatch or ADA-8000 ( I have one of those ) > > Let me know if Greece is an option for you. > > Regards, > > Dimitrios > > > > "DJ" <animix_spam-this-ahole_@animas.net> wrote: > >>I am actually trying to source a Behringer product right now > >>(gasp!!!!.....yeah....I know ;o). The only Behringer product that I have > >>ever used that worked well and as advertized is an AD/DA/format converter > >>called the Ultramatch Pro SRC 2496. I've got one and need another one in > >>order to do something else bizarre with my routing matrix. Anyway, I have > >>scoured the internet for one of these to no avail. I was talking to a > >>retailer in Nashville earlier today and was told that this and the ADA8000 > >>may not be showing up again due to a patent infringement situation > >>involving > >>Apogee. I'm wondering if this is true. Anyone else heard this? Anyone got > > an > >>Ultramatch Pro F
n classical guitar? .....or maybe Paganinni? http://video.google.com/videoplay?docid=-1994835504362469704 ;o) "Jamie K" <Meta@Dimensional.com> wrote in message news:438dd8a1@linux... > > Having only just seen this one video clip, I don't know what else he > likes to play or is capable of playing. Maybe he plays other styles as > well. Maybe he rips through Bach on classical guitar? > > I enjoyed the clip. Was it a stude
may have to do with Native Instruments plugins, whatever's going on with my system drive or ?. Or maybe a recent update fixed something. BTW, I do send bug reports to Apple so they've seen the detailed crash reports. The bug where Logic stops playing back a virtual synth did come up one time today. That one needs to be fixed. Reloading the song is the workaround. On the plus side, Logic on a dual G5 is incredible in its capabilities and the music is sounding great. Nice to hear from you, Thad. Cheers, -Jamie http://www.JamieKrutz.com DJ wrote: > heheheh.........hi thad > > ;o) > > "TCB" <nobody@ishere.com> wrote in message news:438f5066$1@linux... > >>You're running this on BeOS, right? >> >>Jamie K <Meta@Dimensional.com> wrote: >> >>>I'm using Logic "Pro" 7.1 on a dual 2.5GHZ G5 running OSX. Logic would >>>be "Pro" if it didn't crash. Of course OSX doesn't go down when Logic >>>does but it's still an interruption to restart Logic when it happens. >>>Some of that may be a hardware problem with my rig, I'm tracking down a >> >>>possible HD glitch right now. >>> >>>The other thing about Logic is there is a bit of a learning curve. Most >> >>>things are straight forward but a few things are obtuse. You might give >> >>>yourself a few weeks to come up to speed, depending on what your needs > > are. > >>>Those negatives aside, Logic has come a long way and it rocks. It has an >> >>>incredible selection of useful plugins for convolution reverb, >>>compression, limiting, distortion, EQ, etc. It also includes a good >>>variety of excellent virtual instrument/synth plugins, and great third >>>party plugins are readily available. It really is a virtual studio and >>>I'm very happy with the tracks I'm producing. C'mon over and check it >>>out if you're ever in the neighborhood. >>> >>>Everything is automatable. Mixers show as many tracks as you have. The >>>MIDI features are comprehensive. Logic can play video files for film >>>scoring. >>> >>>The G5 processors support so many plugins and tracks that I rarely have >> >>>to "freeze" anything, it's all live. But if I ever need more CPU >>>overhead, freezing a track converts a track and all plugin operations to >> >>>an audio file. It can be unfrozen if any editing is needed. There's also >> >>>an option to network with another Mac to farm out CPU time but I've >>>never needed that with the G5. BTW, the new dual core dual processor G5 >> >>>box is somewhere around twice as fast as mine. Whoa. >>> >>>If at all possible, you should try to mix on each of the systems you're >> >>>considering and see if the sound pleases your ear. The i/o you choose >>>will also matter. Like Tony I'm using a MOTU 828MII which has been a >>>decent sounding, reliable piece of gear, and there are many other >>>options to consider. You can combine several i/o devices if you need to<br