that is so innovative for Paris and not only and considering the som > >> > >>many > >> > >>>>>hours spent to make things smooth for Paris and wormhole as much as > >>>>>possible > >>>>>without me being involved at all in the sales of this plugin that > >> > >>really > >> > >>>>>makes me feel sad. > >>>>>I was hoping that you at least would appreciatte all the efoorts here > >> > >>and > >> > >>>>>that wouild be supporting those nice and cheap plugins that help Paris > >> > >>. > >> > >>>>>I see people here payinmg 250 $ for a single adat card so for 3 adat > >>>>>cards > >>>>>750 $. > >>>>>plus a Mec 150$ almost a 1000 $ to just have 24 adat 20 bit tracks > >>>>>from one >
>>>>>PC to another. > >>>>>Now a simple plugin lets you have 24 bit (or 32bit floating until you > >> > >>use > >> > >>>>>Paris dsp ) of 24 audio tracks for a normal 2600 Ghz cpu. > >>>>>So if you think that I am giving you guys a hard time then sorry I > >>>>>will stop > >>>>>what I am doing these last months. > >>>>>thanks to all of you anyway. > >>>>>Regards, > >>>>>Dimitrios > >>>>> > >>>>>rick <parnell68@hotmail.com> wrote: > >>>>> > >>>>> > >>>>>>"i will buy Dimitrios"...dude...that's slavery...even in a non pc > >>>>>>correct society. > >>>>>> > >>>>>>On Fri, 28 Oct 2005 07:32:03 -0500, "Brandon" > >>>>>><brandon_goodwin@REMOVETHISsbcglobal.net> wrote: > >>>>>> > >>>>>> > >>>>>> > >>>>>>>i will buy Dimitrios. > >>>>>>>brandon > >>>&g
t;>>> > >>>>>>> > >>>>>>>"Dimitrios" <musurgio@otenet.gr> wrote in message > >>>>>>>news:4361ea71$1@linux... > >>>>>>> > >>>>>>> > >>>>>>>>Hello to everyone. > >>>>>>>>After my last conversation with Adrian -wormhole's author- I have > >>>>>>>>concluded > >>>>>>>>that wormhole is not selling well ( where are we guys ?) so maybe > >>>>>>>>major > >>>>> > >>>>> > >>>>> > >>>>>>>>updates > >>>>>>>>will get longer to support as he has to concentrate his efforts to > >>>>>>>>"selling" > >>>>>>>>appz. > >>>>>>>>I wonder how we Parisians expect plugin authors like Adrian to > >> > >>support > >> > >>>>> > >>>>> > >>>>>>>>plugins > >>>>>>>>like wormhole which are a godsend
ardwire&nbsp;its=20 associated outputs to two more inputs of sub = A.&nbsp; In the=20 Paris patchbay loop the channels in sub A from insert in/out to&nbsp;2 = channels of 8=20 in/outs on sub A.&nbsp;&nbsp; This should be the same two channels that you hardwired = Sub Bs aux 1=20 bus to.&nbsp; Now send those two channels = via&nbsp;mixer&nbsp;A into aux=20 1. You have potentially 14 channels from sub A and 14 channels from sub B = feeding&nbsp;your=20 aux 1 headphone mix. Costs you a couple of channels in each = Mec but I=20 don't find myself needing&nbsp; to record more than 28 channels at a=20 time&nbsp;ever. &nbsp; A work around that = works.&nbsp;<FONT=20 face=3DArial size=3D2> Been using it for years. Tom &nbsp; &nbsp; &nbsp; <
br /> <BLOCKQUOTE=20 style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; = BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> "John" &lt;<A href=3D"mailto:no@no.com">no@no.com&gt; wrote = in message=20 <A=20 = href=3D"news:43676DD5.1010703@no.com">news:43676DD5.1010703@no.com...= I=20 hope this is it. jon chaikin wrote: &gt; thanks john.&nbsp; = that=20 would be great.&nbsp; if you want to email it my email &gt; is: <A=20 href=3D"mailto:jc@nonstopsound.com">jc@nonstopsound.com otherwise = i'll look=20 for it here. &gt; &gt; thanks again. &gt; &gt; On Mon, = 31 Oct=20 2005 19:18:12 -0500, John &lt;<A = href=3D"mailto:no@no.com"><a href
> > news:4365a87e@linux... >> > >> >>Pour Grammor!!!!!????? Me??? >> >>My Ass!!!! >> >>I graduate top onners at me scoool !!!! >> >> >> >> >> >>"EK Sound" <spamnot.info@eksoundNO.com> wrote in message >> >>news:4363adea@linux... >> >> >> >>>That's a problem with an international forum... subtleties get lost in >> >>>translation. Yes, Rick WAS joking at Brandon's poor grammar! :-) >> >>> >> >>>David. >> >>> >> >>>TC wrote: >> >>> >> >>>>Hey Dimitrios, >> >>>> >> >>>>I think he was joking, it was a pun at Brandon's wording of "I will >buy >> >>>>Dimitrios" >> >>>> >> >>>>Meaning he will purchase you, Dimitrios, with cash money, not >anything >> >>>>to do with wormhole.. >> >>>> >> >>>>Cheers, >> >>>> >> >>>>TC >> >>>> >> >>>>Dimitrios wrote: >> >>>> >> >>>> >> >>>>>Dear Rick, >> >>>>>I am really dissapointed in your post. >> >>>>>If you don't care buying thats ok but saying that it is slavery to >buy >> >>>>>something >> >>>>>that is so innovative for Paris and not only and considering the som >> >> >> >>many >> >> >> >>>>>hours spent to make things smooth for Paris and wormhole as much as >> >>>>>possible >> >>>>>without me being involved at all in the sales of this plugin that >> >> >> >>really >> >> >> >>>>>makes me feel sad. >> >>>>>I was hoping that you at least would appreci
e in message news:43672bab@linux... >>Okay I did the mic shoot out but the files are way too large to >>post here. It's 6 Meg. 16 tracks in all. If you want 'em I can email >>them to you unless you have another way. I don't really want to be >>printing disks. >>Tom >> >> >> "Tom Bruhl" <arpegio@comcast.net> wrote in message news:4365791b@linux... >> Cujo, >> I know what you're saying about the hi-gain sounds. The >> 414 is always abrassive here. I have been a 57 lover from >> the getgo but am always fighting to reproduce what's coming from >> the amp in the control room. >> >> If the 121s can be murky maybe that will be true with the Shiny Box >> also. I can say they accept paris high end eq very gracefully. Not >> like a 57 or a 414. >> >> The jury is in session as we speak... >> Tom >> >> "cujo" <chris@nospamapplemanstudio.com> wrote in message >>news:436568a1$1@linux... >> >> >> Cool, one thing I really harp on wiht bands about guitars is less is > >>more. >> So many great guitar bands (Led Zep, The Who, zz Top, Hendix, and even > >>more >> modern stuff like The Smiths, or the Clash) did not use that JCM800 >type >> marshall sound but often used cleaner sounds and less wall of guitar > >>overdubs >> for sure than say Foo
ing us on to them. Jon, the owner = >> >of=20 >> > Shiny >> =3D >> >>Box >> >>was = >> >very=20 >> > helpful throughout the buying process. He also took=20 >> > great care >> >=3D >> >>in = >> >first >>=20 >> > >>matching mics then matching transformers then matching the = >> >mics=20 >> > =3D >> >>w/transformers. >> = >> >>>Painstaking I would=20 >> > say. I know it took him at least a day or so. >>=20 >> > >>Tom >> >> >> >> >>=20 >> > >> >> >> > >HTML 4.0=20 >> > Transitional//EN"> >> = >> >>> >>=20 >> > >> > >=3D >>=20 >> > >>charset=3D3Diso-8859-1"> >> >><META=20 >> > content=3D3D"MSHTML 6.00.2800.1400" name=3D3DGENERATOR> >> = >> > >> > >> >>=20 >> > >> >> >><BODY=20 >> > bgColor=3D3D#ffffff> >> >> > >face=3D3DArial=20 >> > size=3D3D2>Had a project that called for tenor =3D >>=20 >> > >>sax,=3D20 >>=20 >> > >>vocals >>=20 >> > >> and a little = >> >egg=20 >> > shakin'. >> = >> >>> <FONT=20 >> > face=3D3DArial size=3D3D2> >>=20 >> > >> Used 'em on = >> >everything=20 >> > through the =3D >> >>Precision=3D20 >>=20 >> > >>8 >> = >> >>> <FONT=20 >> > face=3D3DArial size=3D3D2>with really great=20 >> > results. >> = >> >>> <FONT=20 >> > face=3D3DArial size=3D3D2> >>=20 >> > >> The best = >> >words to=20 >> > describe =3D >> >>them are natural=3D20 >> = >> >>>and not=20 >> > hyped. >> = &gt
;> >>> <FONT=20 >> > face=3D3DArial size=3D3D2>Made the sax sound just like the = >> >=3D >>=20 >> > >>sax. Had to=3D20 >> >>be fairly=20 >> > close >> >> > > >> > face=3D3DArial size=3D3D2>to remove the room coming off the = >> >=3D >>=20 >> > >>backside of the=3D20 >> >>figure=20 >> > 8. >> >> <FONT=20 >> > face=3D3DArial size=3D3D2>Vocals didn't need =3D >>=20 >> > >>compression. I was=3D20 >> >>singing and=20 >> > watching >> = >> >>> <FONT=20 >> > face=3D3DArial size=3D3D2>levels so that made this =3D >>=20 >> > >>possible. They did=3D20 >> >>seem=20 >> > slightly >> = >> >>> <FONT=20 >> > face=3D3DArial size=3D3D2>compressed sounding though. Even = >> >=3D >>=20 >> > >>when the=3D20 >> >>wave=20 >> > got >> >> <FONT=20 >> > face=3D3DArial size=3D3D2>squared off in Paris it didn't = >> >gack or >>=20 >> > >=3D >> >>even sound=3D20 >>=20 >> > >>clipped. >>=20 >> > >> I rerecorded = >> >those spots=20 >> > because they >> =3D >> = >> >>>looked=3D20 >>=20 >> > >>bad... >>=20 >> > >> Odd but kinda = >> >cool. =20 >> > >> >> > >face=3D3DArial=20 >> > size=3D3D2> >> = >> >>> <FONT=20 >> > face=3D3DArial size=3D3D2>Vocals in the mix need lots of = >> >high =3D >>=20 >> > >>end. Not=3D20 >> >>a problem=20 >> > either. >> = >> >>> <FONT=20 >> > face=3D3DArial size=3D3D2>It was a disco thing with that = >> >sizzly >>=20 >> > =3D >> >>sound that=3D20