BUILDING A MACHINE FOR BOTH PARIS AND PT 002
nux">news:4364455d$1@linux... I'm = very=20 sorry to hear that. Sorry for the loss of your friend. rod "gene = lennon"=20 &lt;<A=20 = href=3D"mailto:glennon@NOSPmyrealbox.com"><a href="mailto:glennon@NOSPmyrealbox.com" target="_b
Re: BUILDING A MACHINE FOR BOTH PARIS AND PT 002
://www.cathodecorner.com/nixiewatch/index.html" target="_blank">http://www.cathodecorner.com/nixiewatch/index.html ------=_NextPart_000_00C0_01C5DCFD.30D3CA30 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <META http-equiv=3DContent-Type content=3D"text/html; = charset=3Diso-8859-1"> DC, Kinda pricey.&nbsp; Do they like it in=20 France? Tom &nbsp; <BLOCKQUOTE=20 style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; = BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> "DC" &lt;<A=20 href=3D"mailto:dc@spamunclelouie.com">dc@spamunclelouie.com&gt; = wrote in=20 message <A=20 href=3D"news:43644b66$1@linux">news:43644b66$<
a href="mailto:1@linux" target="_blank">1@linux... I = want=20 one <A=20 = href=3D"http://www.cathodecorner.com/nixiewatch/index.html">http://www.ca= thodecorner.com/nixiewatch/index.html ------=_NextPart_000_00C0_01C5DCFD.30D3CA30--Hi, First of all sorry to Rick and the rest of you. I didn't catch it was a joke despite Mel Brooks is my favoured comedian and I catch all his jokes (I guess) Secondly. You need ONLY Fxpansion 3.3 to have wormhole work wi
th Paris. No multifxvst, this is for UAD1 lowest latency possible... YES it works with Mac and here is a list of working OS List of working hosts - 2005/06/23 10:41 This is a list of VST/AU hosts which are known to work with plasq.com - Wormhole2. (sync ok) means the respective hosts feeds accurate sample position information to WH2 thus making the sync feature usable in that host. Mac OS X (- OSX 10.3) (- OSX 10.4) - Logic 6 / Logic 7 / Logic 7.1 (sync ok) - Garageband (sync ok) - RAX (sync ok) - AULab (sync ok) - Spark XL (sync not working) - DP 4.5.2 (sync ok) - Live 4 (sync half-ok, only works during playback and if there are no tempo changes due to a bad implementation of samplepos in live) - Cubase SX1 (sync ok) - Nicecast - Waveburner - Nuendo 2 (sync ok) - Plogue Bidule (sync ok) Win - Windows XP - Cubase VST 5 (sync ok) - VSTHost (sync ok) - Ableton Live 4 (sync half-ok, same problems as on mac) - Samplitude 8.0 on Win 2K (sync ok) - Sound Forge 8 (sync not working) - VStack - Chainer (sync ok) So for anyone interested wormhole's site is<br
ou will always have Paris thus connected with modern pc's doing what it >is known to do best, sounding good when summing... >Please forgive me if I am being so pushy with this but noone else except >for Adrian (till now) has showed so much interest to help us ,Paris users. >I wanna convince him make an automatic LATENCY compensator for VST plugins >which I think would be great if succeeded. >Believe me if only two-three Paris users will sign this I will be having >no guts to ask him that or anything else. >This plugin sells for 49 $ only... >Please respond with signing also. >With regards, >Dimitrios > >Best quote yet, a caption underneath a recent photo of Mr. Takei looking particularly gay: "Set phasers to FABULOUS!" Jimmy "AA" <no@spam.net> wrote in message news:43618a52@linux... > > LOS ANGELES (AP) - George Takei, best known for his role as Mr. Sulu in "Star > Trek," came out as homosexual in the current issue of a magazine covering > the Los Angeles gay and lesbian community. Takei told The Associated Press > on Thursday that his new onstage role as psychologist Martin Dysart in "Equus," > helped inspire him to publicly discuss his sexuality. > Takei described the character as a "very contained but turbulently frustrated > man." The play opened Wednesday at the David Henry Hwang Theater in Los Angeles, > the same day that Frontie
e=3D2>Had a project that called for tenor = >> >>sax,=20 >> >>vocals >> >> and a little egg shakin'. >> >> >> >> Used 'em on everything through the = >> >>Precision=20 >> >>8 >> >> with really great results. >> >> >> >> The best words to describe = >> >>them are natural=20 >> >>and not hyped. >> >> Made the sax sound just like the = >> >>sax. Had to=20 >> >>be fairly close >> >> to remove the room coming off the = >> >>backside of the=20 >> >>figure 8. >> >> Vocals didn't need = >> >>compression. I was=20 >> >>singing and watching >> >> levels so that made this = >> >>possible. They did=20 >> >>seem slightly >> >> compressed sounding though. Even = >> >>when the=20 >> >>wave got >> >> squared off in Paris it didn't gack or >> >= >> >>even sound=20 >> >>clipped. >> >><
NT> >> >> sweetly. The esses didn't go over = >> >>the=20 >> >>edge and tone was smooth >> >> as silk. I did use La2a's across = >> >>them at=20 >> >>mixdown though. The eggs >> >> recorded nicely and again sounded = >> >>natural. =20 >> >>One on each side of the mic. >> >> >> >> These are the first ribbons I've used >> = >> >>except for=20 >> >>some Beyer M160s way back. >> >> These are floating my boat right = >> >>now. I think=20 >> >>they will rock on brass and >> >> crunch guitar. I'll find out = >> >>about=20 >> >>that when a 7 horn band comes in=20 >> >>soon. >> >> They needed a lot of gain. I was = >> >>afraid to=20 >> >>get any closer than about 4" from them. >> >> Delicate little buggers you know. = >> >>Of course I=20 >> >>used a popper stopper for safety >> >> which darkens the sound a bit too. = >> >> >> >> >> >> At $700 or so for the matched = >> >>pair.<FONT=20 >> >>face=3DArial size=3D2>I think this is quite a bargain compared to = >> >> >> >> the R121s etc. The Lundahls = >> >><FONT=20 >&gt