nty.net" target="_blank">jmp@ncounty.net> wrote: > >my old mac g4 died that I run my second paris sytem on anyone KNOW A good >mac guy in boston area? Its real dead cant get a recovery to work and moniter >stays blank. > >"Aaron Allen" <nospam@not_here.dude
> wrote: >Maybe tone is not such an issue, but feedback and the range of garbage I've >seen these things pick up is. Mmm, yes that's true. I guess I'm basing this idea on an AKG that a singer from a previous band had. They sell here for around $350 (probably $200-250 in the states) and he didn't have any trouble with it interference wise. He did upgrade in the end to a Shure, but he said that was only for the tonal improvement, not because of an actual functional issue... of course feedback was kinda the FOH guy's problem, so it's possible that unit may have been a little more difficult to manage feedback wise but he may not have known. I beleive AKG
do make a headset version too. The other thing related to your comments (esp feedback) which I suspect you were alluding to also is the general rejection of unwanted signals for vocoder work. The vocoder isn't going to be as effective if it's picking up a whole bunch of signals from keys etc coming through foldback. Obviously quality is an issue to a certain degree. I had already, at least, counted out the units that sell for $15 on ebay... ;o) I probably do need to go and test some and see what I think. Perhaps it will have to wait until I can afford one which is worthwhile. Cheers, Kim.Hi Kim, Don't know of a cheap one, but one thing I want to point out is that some of them are way above average. This one: http://www.countryman.com/<
/> "Kim Glanville" <kgdrumz@telusplanet.com> wrote in message news:4331b394$1@linux... > > Guys, I've been out of the loop for a couple of years, taking > care of my parents in their home. Just getting into my Paris 2 > set-up now. > A recording engineer friend, who knows a ton more than I, is > recommending that I switch to an Emu 1820M, claiming that it > will sound as good as Paris, and has a much more integrated > architecture than my V2.11
8,8 thing in the past if you had ny eds cards burnted out. I have two big fans blowing over the eds cards anyway. I am also considering just to be on the safe side to add these copper little addons that can be put right over the chips so whenever air is blowing on them they got somehow cooler. Anyone ever tried this or other things ? Regards, DimitriosThank you, Martin. After a fun session tonight, getting a little deeper into Paris, It may be too late for me! I'm gettin'hooked right by the ears. And the C16 is such a cool, sturdy piece. I think it likely that the EQ in the 1820M is probably, as w.effects, much like Paris. I really appreciated the Paris EQ on a vocal track earlier tonight. If/when I sell Paris, it should fall to some total Parisian who needs spares! Maybe for now I'll just hang onto a
system that's got soul to it! Mr. Tankersley, Aaron A., Deej, so many other core Parisites, thanks for your wisdoms and contributions. I can see adding new sytems, but keeping Paris at core. If you can, gas up B4 Rita. Another $$ spikes's on the way. Gassed up here in Edmonton, Alberta, today for $.984 Cdn./liter. It hit over $1.40/L. here right after Katrina. Kim "Martin Harrington" <lendan@bigpond.net.au> wrote: >That EMU is certainly a great sounding card, and matched with Nuendo will >make a formidable system. >The Emu has onboard fx processing also, like the Paris EDS card. >-- >Martin Harrington >www.lendanear-sound.com > >"Kim Glanville" <kg
drumz@telusplanet.com> wrote in message >news:4331b394$1@linux... >> >> Guys, I've been out of the loop for a couple of years, taking >> care of my parents in their home. Just getting into my Paris 2 >> set-up now. >> A recording engineer friend, who knows a ton more than I, is >> recommending that I switch to an Emu 1820M, claiming that it >> will sound as good as Paris, and has a much more integrated >> architecture than my V2.11. He is also a computer freak who >> is aware that I'm n
sell Paris, it should fall to > some total Parisian who needs spares! > Maybe for now I'll just hang onto a system that's got soul to it! > Mr. Tankersley, Aaron A., Deej, so many other core Parisites, > thanks for your wisdoms and contributions. > I can see adding new sytems, but keeping Paris at core. > > If you can, gas up B4 Rita. Another $$ spikes's on the way. Gassed up here > in Edmonton, Alberta, today for $.984 Cdn./liter. > It hit over $1.40/L. here right after Katrina. > Kim > > "Martin Harrington" <lendan@bigpond.net.au> wrote: &g
t;>That EMU is certainly a great sounding card, and matched with Nuendo will > >>make a formidable system. >>The Emu has onboard fx processing also, like the Paris EDS card. >>-- >>Martin Harrington >>www.lendanear-sound.com >> >>"Kim Glanville" <kgdrumz@telusplanet.com> wrote in message >>news:4331b394$1@linux... >>> >>> Guys, I've been out of the loop for a couple of years, taking >>> care of my parents in their home. Just getting into my Paris 2 >>&
. >>> >>> Would appreciate thoughts from any of you Paris Vets out >>> there. I love the SOUND, and really dig the C16, but already >>> encountering a few little snags that make me consider my buddys' >>> suggestion. This said, he WAS impressed by the sound of my >>> setup! >>> I question whether a rookie like myself should tackle Paris, >>> unsupported, >>> except perhaps by this wonderful family that you guys
tenet.gr> wrote in message news:4332a7b8@linux... > Note that under Me the senderella thing has some problems with timing ! > Under XP though it is very solid the timing thing. > So senderella is only usable (in my system ) only under XP with 0 latency > and perfect timing in summing audio tracks, you need though to put 8,16 or > 8,8 in Paris cfg for EDSTransfer. > I use 8,16 > Regards, > Dimitrios > "Dimitrios" <musurgio@otenet.gr>
wrote in message news:43326fe6@linux... > > Hi to everyone... > > I was trying the Senderella thing under Me. > > The only way that works great is using the EDSTransfer=8,16 thing. > > Note that it also works with 8,8 but this setting is not stable , you get > > disk errors "too slow" things etc. > > Things work very stable with that EDSTransfer setting and senderella > newest > > version can now save its sttings along with saving Paris song. > > So now you can have your bus system inside Pari
s you always wanted. > > There no latency at all (0) when using senderella so you can use your > > favoured DX plugin or EDS effect to effect your submix buss. > > You can also have a stereo bus summing -effecting thing using two > senderella > > instances. > > I use of course chainer to load senderella but I am surte it can be used > > without chainer. > > Someone has mentioned several times on this forum that the EDStransfer > might > > get EDS cards working hotter thus producing more heat. > > I would like to know from you who used to use the EDSTransfer 8,8 t
y effect with perhaps >a foam wind screen not popper stopper? Probably a dead room too? I never >watch the show. > For warmth I think Rubber Soul. Combo of tape, tubes great mellow performances >instrument choices. The vinyl version is very warm indeed > >"Neil" <OIUOIU@OIU.com> wrote: >> >>Isn't it the Studio Projects mic pre that has a tube which you >>can add/blend into the signal chain in varying degrees? That >>sounds like a better way to go if one is looking for a low-cost >>preamp with a tube option... at least that way if the sol
id- >>state portion of it is pretty clean, you've got that going for >>you, and you can add in however much "ToOb" effect you want. >>Heck, Drawmer even has one like that IIRC (but I don't know if >>that one is a starved-plate design or not). >> >>You know, I used to think that it was tubes that lent warmth, >>but I recall a conversation on r.a.p. wherein Fletcher was >>saying that it wasn't the tubes themselves, but rather the >>transformers ("what you want is a big hunk of iron in there", >>is how he put it), and at this stage, I would t
end to agree... >>for example, I have a Chandler TG2 pre, and that's not tube, >>but it does have x-formers, and that thing does indeed have >>plenty of warmth (along with a really nice high end, too, BTW). >> >>One day it'd be nice to be able to quantify "warmth"... I mean >>we all know it when we hear it, but what is it, really? Is it a >>certain kind of distortion in the low-mids? Is it a slight low- >>mid bump with a teensy-tiny little bit of high-end sizzle? >>(personally, I'm leaning towards this one) Or is there a >>certain narrow frequency range or combination of ranges that if<
br /> >>there's enough content in there relative to the rest of the >>spectrum, we perceive it as being "warm-sounding"? (this one's >>less likely, because if that were the case, you could EQ in >>however much "warmth" you wanted). Like I said, myself, I'm >>leaning towards the 2nd example... if you have Howard Stern on >>the air in your market (not that I'm a fan of his, but this is >>a good example of what I'm talking about) I think his >>voice/signal chain is a good example of "warmth" - check it out >>sometime if you're not familiar with the sound, or just
>it's him or his particular signal chain, or a combination of >>the two. The lower end of his tone isn't all about proximity >>effect, either, because even when he's not right on top of the >>mic, you still hear that "thing" I'm talking about. >> >>Your thoughts? >> >>Neil >> >>"DJ" <animix_spam-this-ahole_@animas.net> wrote: >>>Yeh........the starved plate thing. I did own a DBX compressor a while >back >>>that used a tube circuit in this way to extr
that under Me the senderella thing has some problems with timing ! > >Under XP though it is very solid the timing thing. > >So senderella is only usable (in my system ) only under XP with 0 latency > >and perfect timing in summing audio tracks, you need though to put 8,16 > or > >8,8 in Paris cfg for EDSTransfer. > >I use 8,16 > >Regards, > >Dimitrios > >"Dimitrios" <musurgio@otenet.gr> wrote in message news:43326fe6@linux... > >> Hi to everyone... > >> I was trying the Senderella thing under Me. > >> The only way that works great is using the EDSTran
sfer=8,16 thing. > >> Note that it also works with 8,8 but this setting is not stable , you > get > >> disk errors "too slow" things etc. > >> Things work very stable with that EDSTransfer setting and senderella > >newest > >> version can now save its sttings along with saving Paris song. > >> So now you can have your bus system inside Paris you always wanted. > >> There no latency at all (0) when using senderella so you can use your > >> favoured DX plugin or EDS effect to effect your submix buss. > >> You can also have a stereo bus summing -effecting thing using two > >senderella > >&gt
; instances. > >> I use of course chainer to load senderella but I am surte it can be used > >> without chainer. > >> Someone has mentioned several times on this forum that the EDStransfer > >might > >> get EDS cards working hotter thus producing more heat. > >> I would like to know from you who used to use the EDSTransfer 8,8 thing > in > >> the past if you had ny eds cards burnted out. > >> I have two big fans blowing over the eds cards anyway. > >> I am also considering just to be on the safe side to add these copper > >little > >> addons that can be put right over the chips so whenever air is blowing > on > >> them they got somehow cooler. > >> Anyone ever tried this or other things ? > >> Regards, > >> Dimitrios > >><br
/> > >> > > > > >You nudge backwards ....:) "Dimitrios" <musurgio@otenet.gr> wrote in message news:4332bac2@linux... > Hi, > That was touph. > You copy your drumtracks to the same EDS card., > say you have your kick ,snare and stereo OH's. > So you copy these on empty tracks. > then you put the senderella on each of the first set of drumtracks and > redirect inside senderella so that the sending audiotrack does no
t output > any audio. > you nudge these tracks by 4096 samples forward using any method known if you > use Soinaudio wrapper for UAD1, if you use FXpansion you nudge for 16384 > samples. > Then on your reciving audio tracks (you put empty audio file (24bit track) > just after the senderella audio tracks. > I mean if kick is 1 snare 2 OH's 3 & 4 then put the receiving senderella > track on channel 5 and just put the copies of 1,2,3&4 on 13,14,15,16 > The remaining drumtracks could stay on 7,8,9,10,11,12 if you have that many. > So now the senderella return on 5 takes the LA2 UAD1 compressor and time > alligns with audio drumtracks 13,14,15&16 and as well wi
; wrote in message news:4332b448$1@linux... > > > > > > D, can you explain a few things? > > How do you compensate for lateny on say a stereo UAD la2a on track 15 and > > 16 set up to recieve drums and bass guitar for smashing and blendin with > > the orignal tracks that also may be using UAD plugs or not? > > > > Also I'd like to use the UAD plate and send more than one thing to it. How > > do I compensate here? > > > > > > > > "Dimitrios" <<a href="mailto:musurgio@otenet.gr" target="_blank
">musurgio@otenet.gr> wrote: > > >Note that under Me the senderella thing has some problems with timing ! > > >Under XP though it is very solid the timing thing. > > >So senderella is only usable (in my system ) only under XP with 0 latency > > >and perfect timing in summing audio tracks, you need though to put 8,16 > > or > > >8,8 in Paris cfg for EDSTransfer. > > >I use 8,16 > > >Regards, > > >Dimitrios > > >"Dimitrios" <musurgio@otenet.gr> wrote in message ne
>> I would like to know from you who used to use the EDSTransfer 8,8 thing > > in > > >> the past if you had ny eds cards burnted out. > > >> I have two big fans blowing over the eds cards anyway. > > >> I am also considering just to be on the safe side to add these copper > > >little > > >> addons that can be put right over the chips so whenever air is blowing > > on > > >> them they got somehow cooler. > > >> Anyone ever tried this or other things ? > > >> Regards, > > >> Dimitrios > > >> > > >> > > > > > > > > > >"Martin Harrington" <lendan@bigpond.net.au> wrote: >That EMU is certainly a great sounding card, and matched with Nuendo will >make a formidable system. >The Emu has onboard fx processing also, like the Paris EDS card. Martin... Do the EFX sound good? Is part of the benefit you find that it reduces CPU load as opposed to using Native plugin's in Nuendo? Also, what about the summing... are you bringing stuff out of Nuendo to sum in the 1820 (and if so, does it act/sound like Paris in that regard)? And finally, are you using it on the same computer as Nuendo? NeilD, what's the default transfer...if you don't type anything? Rod "Dimitrios" <musurgio@otenet.gr> wrote: >Note that under Me the senderella thing has some problems with timing ! >Under XP though it is very solid the timing thing. >So senderella is only usable (in my system ) only under XP with 0 latency >and perfect timing in summing audio tracks, you need though to put 8,16 or >8,8 in Paris cfg for EDSTransfer. >I use 8,16 >Regards, >Dimitrios >"Dimitrios" <musurgio@otenet.gr> wrote in message news:43326fe6@linux... >> Hi to everyone... >> I was trying the Senderella thing under Me. >> The only way that works great is using the EDSTransfer=8,16 thing. >> Note that it also works with 8,8 but this setting is not stable , you get >> disk errors "too slow" things etc. >> Things work very stable with that EDSTransfer setting and senderella >newest >> version can now save its sttings along with saving Paris song. >> So now you can have your bus system inside Paris you always wanted. >> There no latency at all (0) when using senderella so you can use your >> favoured DX plugin or EDS effect to effect your submix buss. >> You can also have a stereo bus summing -effecting thing using two >senderella >> instances. >> I use of course chainer to load senderella but I am surte it can be used >> without chainer. >> Someone has mentioned several times on this forum that the EDStransfer >might >> get EDS cards working hotter thus producing more heat. >> I would like to know from you who used to use the EDSTransfer 8,8 thing in >> the past if you had ny eds cards burnted out. >> I have two big fans blowing over the eds cards anyway. >> I am also considering just to be on the safe side to add these copper >little >> addons that can be put right over the chips so whenever air is blowing on >> them they got somehow cooler. >> Anyone ever tried this or other things ? >> Regards, >> Dimitrios >> >> > >Hey guys! A customer of mine is
lincoln@nospam.kc.rr.com> wrote: > >I just got a Yamaha sub ki
ing. > >So senderella is only usable (in my system ) only under XP with 0 latency > >and perfect timing in summing audio tracks, you need though to put 8,16 > or > >8,8 in Paris cfg for EDSTransfer. > >I use 8,16 > >Regards, > >Dimitrios > >"Dimitrios" <musurgio@otenet.gr> wrote in message news:43326fe6@linux... > >> Hi to everyone... > >> I was trying the Senderella thing under Me. > >> The only way that work
s great is using the EDSTransfer=8,16 thing. > >> Note that it also works with 8,8 but this setting is not stable , you > get > >> disk errors "too slow" things etc. > >> Things work very stable with that EDSTransfer setting and senderella > >newest > >> version can now save its sttings along with saving Paris song. > >> So now you can have your bus system inside Paris you always wanted. > >> There no latency at all (0) when using senderella so you can use your > >> favoured DX plugin or EDS effect to effect your submix buss. > >> You can also have a stereo bus summing -effecting thing using two > >senderella > >> instances. > >> I use of course chainer to load senderella but I am surte it can be used > >> without chainer. > >> Someone has mentioned several times on this forum that the EDStransfer > >might > >> get EDS cards working hotter thus producing more heat. > >> I would like to know from you who used
a good drummer friend > of mine who paints custom cars painted it a cool > red with about 40 layers of subtle orange, copper and > yellow flames that appear and disappear as you move > around the drum... It even sounds better :) > > > "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote: > > > >I just got a Yamaha sub kik and it sounds GOOD! > >I already had a speaker wired to be used th same way, and I thought it sounded > >OK...kind of frumpy, but in the mix, it gave the kik some extra oomph. The > >Yamaha sounds much better to my ears. Nice ebay snag if I do say so! > >Rod >This is a multi-part message in MIME format. ---=_linux4332f49b Content-Type: text/plain Content-Transfer-Encoding: 7bit "Dimitrios" <musurgio@otenet.gr> wrote: >Hi to everyone... >the past if you had ny eds cards burnted out. >I have two big fans blowing over the eds cards anyway. >I am also considering just to be on the safe side to add these copper little >addons that can be put right over the chips so whenever air is blowing on >them they got somehow cooler. >Anyone ever tried this or other things ? >Regards, >Dimitrios > > This might help :-) G ---=_linux4332f49b Content-Type: image/jpeg;
l+vEHdafNtfTVgd [binary]
1gw4hs+0GMy0UM5dGBxKhm [binary]
E3o3XRipkavQPaTJGXMasZV5bMpd3RPOkGCFTHm7MRF Hn8HM2SKPO5juqSmqOLupLXJGS6ZQ6cnN8e
EX45saEvYxAjFQr [binary] ---=_linux4332f49b--OMG!!!!!!......... "Gene Lennon" <Genelennon@NOSPmyrealbox.com> wrote in message news:4332f49b$1@linux... > > "Dimitrios" <musurgio@otenet.gr> wrote: > >Hi to everyone... > > >the past if you had ny eds cards burnted out. > >I have two big fans blowing over the eds cards anyway. > >I am also considering just to be on the safe side to add the
ZEhitijFKzcicWduZsqXJR5sh [binary]
se copper little > >addons that can be put right over the chips so whenever air is blowing on > >them they got somehow cooler. > > >Anyone ever tried this or other things ? > >Regards, > >Dimitrios > > > > > This might help :-) > G"DJ" <animix_spam-this-ahole_@animas.net> wrote: >OMG!!!!!!......... > Your own category 5 hurricane In-A-Box. gI've gotta do this sometime....... I've probably got that many old f
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