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items: RIP "Si"
items: Re: RIP "Si"

RIP "Si"
type: item
description: ason why it's known as an "analog sounding" system. It's obvious if i compare with m audio ADDA for example. Those sounds really hard, i don't like at all.The Eq (EQ+4) is the one from Mike Audet's page. I just started using that on the Global Insert after talking to the mastering engineer on one of my last projects and noticing that was one area that he was bumping on about every song. ALSO....not sure if this is anywhere or not but for those that use other platforms in conjunction with PARIS here is a copy of the PARIS EQ in VST I found and has always been well liked. http://www.hometracked.com/2007/05/09/download-the-paris-eq- vst/ TriSound Recording wrote on Thu, 11 March 2010 04:54 thesandbox1 wrote on Wed, 03 March 2010 14:53 also on the global mix... use the EQ4+ and add a 2-3db boost at 20KHz (parametric 1=on) and also a 2-3 db boost with a hi-shelf (1=on) of around 11Khz. A good stereo comp setting as well that BT used alot... Thresh- -16.0 Ratio -1.25 Attack - .0032 Release - .034 Lookahead - .02 Output - 3.2 These two additions on the Global Mix bus I think will help a bit as well. Ok, I just don't see anything on a global mix bus for EQ. I see them on the 16 input channels but not the mix buss or the master buss. Where are you guys finding it. I know I can add comp. on the bus and master. Oh, yea bye the way my system is sounding much better now with it's wires in phase. Also there where channel 6 that had a strand of wire bridging pin 1 & 2. That's the reason for the poor high end sound also. Looks like someone rewired the harness it did not come that way (im sure). Cheers, Jeff TriSound Recording wrote on Wed, 10 March 2010 14:08 Yep that would explain the whole story. Is there a range for shooting A-dats? Maybe not yet. They are still the stellar king to (my wife). If we ever divorce she can take them and I will take the paris. Seems only fair. Cheers, Jeff I did a little hunting around for the source of the story I just relayed about SSC and it seems…
creator: kerryg
date: 2008-11-20T18:29:39-00:00

Re: RIP "Si"
type: item
description: ndered to a continuous file. Cheers Kris Kris - This is all I want in the Senderella set up. I don't really start mixing until after edits are complete. If something needs to be edited after the start of mixing, it's so easy to render track to disc (or bounce if there are crossfades etc) that the limitation cited seems a non issue to me. Thanks so much for all this! So I guess I should start diving in to Senderella and Faderworks (or is having both redundant?) to try to learn another aspect to
creator: TC
date: 2008-11-20T18:40:00-00:00

Re: RIP "Si"
type: item
description: Paris use. TKudos, Kris, for pushing the parameters like this - besides the promise Senderella has in and of itself, I wouldn't be at all surprised if some of the fundamental research you're doing breaks new ground for other development too, especially with that kind of methodical documentation. I think it's pretty cool that now even experienced users can find new things to explore in PARIS once again!sigh.... Congratulations old manWell - time goes by. I'll be 50 in a few months... Hope all is well. Tedhave a good one Ted.happy day to you!Happy Birthday, Rick! <img src="https://paris.ensoniq.ca/images/smiley_icons/icon_biggrin
creator: Tom Bruhl
date: 2008-11-20T19:11:23-00:00

Re: RIP "Si"
type: item
description: was to look at inter-submix latency compensation within Senderella. But, I'm not going to compensate for latencies of around 2000 samples (about 90 ms). So instead, I'll just suggest to have your returns on higher submixes than your sends. Speaking of latency compensation, I'd also like to add a slider to allow for compensation for parallel processing delay. I was thinking of allowing for up to 65 samples of delay compensation there. My reason for choosing 65 is that several plugins on this chart http://www.kerrygalloway.com/WikiPARIS/wikka.php?wakka=Nativ eLatencyDatabase have a latency of 65 or less, and this arrangement would allow for a RenComp + SSL Buss Comp. I don't want to go much higher since the slider for it could become difficult to control for getting precise values. I hope this won't be a problem for folks....let me know, your opinion counts! Cheers KrisHello, sorry to post for this but... Mike i tried to contact you on your website, it's shopping time : i want a new reverb and the paypal redirection does not work for me on ensoniq.ca can you give me your paypal adress ?i meant to say eating not dating but, taking a second look either word works. good thing on the goats absence as i'm allergic to them.There is an ongoing de
creator: Rod Lincoln
date: 2008-11-20T23:54:18-00:00

Re: RIP "Si"
type: item
description: bate at GearSlutz about the quality of soundblaster cards vs... Three stereo audio wav files were presented and people are chiming in as to which is which. My problem is I ran them through paris and I can't really hear a difference...there are subtle differences but not consistent enough for me to say one way or the other which is which Could someone go to the thread and grab the full mix files, load them into paris and tell me if they can hear a difference. http://www.gearslutz.com/board/gear-shoot-outs-sound-file-co mparisons-audio-tests/483563-sound-blaster-files-can-you-hea r-difference.html ThanksDidn't listen in Paris, but at work thru a Dell and AT headphones. I listened to about 30 seconds of each tune. Initial impressions: I thought A sounded a little smeared/distorted in the high end (hi-hat in particular), while B & C were close. Cheers KrisHaven't got time to listen at the moment, but that won't stop me making a confident prediction - the winner will always be the one that's better written, better arranged and better played. don, could you please define what "what" is so the winner of the 2 choices can be declared. thank you rick The question posed was "is there a noticeable difference" between the three files generated by these three cards Soundblaster Delta 1010 Lynx Aurora Some guys are hearing huge differences, some like me were hearing very little difference
creator: kerryg
date: 2008-11-21T01:11:17-00:00

Re: RIP "Si"
type: item
description: . I will qualify my statement by saying I was at a very loud Nickelback concert on Sunday and my ears stop ringing only yesterday so that might have had something to do with my results because I tried again and was able to pick out all three files consistently as A / B or C. Couldn't say which file was generated by which card as I am unfamiliar with all of them. As for the results...it seems that B is the overwhelming choice as the original source fileFirst, I mus
creator: Gantt Kushner
date: 2008-11-21T03:12:20-00:00

Re: RIP "Si"
type: item
description: t say I am not a mastering engineer. Mastering is an art into itself and I advise all my clients to get their stuff mastered by a reputable facility. But oftentimes, I need to prep a one-off mix for local radio airplay. In these cases, I roll up my sleeves and dive in and hopefully get a nice hot mix happening for my client. A fellow Paris user had told me a few years ago how much more "open" his mixs sounded since he had started doing his projects start to finish inside Paris. I had never really paid much attention to it, being a Wavelab user, I mix down in Paris, then render to stereo file, then into Wavelab for some start/end time edits, limiting..etc ,render then burn in CD architect. Last night I decided to try his approach and stay in Paris all the way to the burn. I was shocked. Methodology: 1. Mixdown in Par
creator: Jim Drago[2]
date: 2008-11-21T04:09:45-00:00

Re: RIP "Si"
type: item
description: is @ 24bit 2. Re-insert L and R 24bit files in a new Paris project 3. Channel faders at 0 panned 100% L/R, submix fader at 0, master out fader at -0.03 4. FFX4 stereo wrapper in first insert slot with Paris ST checkbox checked. 5. Insert your VST processors, limiters...etc 6. Set rec path and print the files @24bit 7. Change resolution to 16bit and render L/R files to stereo 8. Listen and compare I use a creamware Pulsar card
creator: Deej [5]
date: 2008-11-21T06:02:11-00:00

Re: RIP "Si"
type: item
description: endered files and drop them into a third program, or listen back to back on another playback system. TedActually the test that was proposed was analogue tape (2 track) as source / Soundblaster / Lavry Gold or something similar run through a pair of high end monitors Determine which file is which Two studios were picked out, one in LA (where Mixerman lives) the other in NYC (where Ethan lives) Time and date to be determined and my understanding is Ethan backed out. Then this test popped out of nowhere. For the record my hearing is almost back to normal and I can hear differences in both the old set of files and the new set of files Hey Kris, yea for #7 I was truncating (in Paris) to 16bit to simulate a typical CD resolution. The Wavelab mix was also truncated from 24 to 16 bit but in Wavelab. Yea, I suppose if I used the SPDIF out on the master MEC, the test would have been a bit more precise but hey..I'm lazy...!! But I tell you though, this new box along with Mikes new code that he sent me to cure my automation horror story and also this new line in my paris.cfg "EDSTransfer=8,16" it feels like im running Paris 3.1 This aft, I was playing 32 tracks while punching in 32 tracks of 24bit/48khz without so much as a hiccup....I am completely floored with this new setup. Rob very good who's Kris? don, my question was a tongue in cheek way to ask what the "what" in on the "am i deaf or what". i may be 60, but i can still tell time...and most times without help. now i've got to get back to the banjo minnow infomercial to see how it ends.kris is american for ted.Well - I wondered that myself, but since neither Kris nor Rob are American, I don't think so ... Sorry Ted, had a brain fart there.no worries speakin' of which, where are the aussies that used to frequent this place?Has anyone compared the MEC 24 bit converters to newer converters from SSL, RME, Echo Audio, Lynx, HD. If so what did you find? Thanks, RoscoeI have an mec , 8in card, adat card.. Followed path that was …
creator: kerryg
date: 2008-11-21T07:22:29-00:00

Re: RIP "Si"
type: item
description: 86860 [2204] 442 UART_XMIT -> Card: 0 Msg: IFACE442_GET_DEVICE_INFO Data: { 0x83 } 00000004 5.50091600 [2204] C16 UART_XMIT -> Card: 0 Msg: CS16_REQUEST_ID Data: { 0xf3 } 00000005 5.50136471 [2204] C16 UART_RECV -> Card: 0 Msg: CS16_TX_ID Data: { 0xf3 0x01 } 00000006 5.50143385 [2204] C16 UART_RECV -> Card: 0 Msg: CS16_TX_REVISION Data: { 0xf4 0x01 } 00000007 10.23527145 [2204] C16 UART_XMIT -> Card: 0 Msg: CS16_WAKEUP Data: { 0xf1 } Is anything wrong here? I don't see a RECV ID Data for the 442 (Mec). I do have a status standby though. Any ideas?Heya Chris - I know I've seen that error somewhere before. I can't recall where, but I have the feeling I managed to provoke it during my own install at some point. Don't know exactly what old XP drivers you're using - check the dates on the files. You'll know from the date if they're the original drivers, they were developed by Chris Thoman, Chuck Duffy and others in 2003 and 2004. They were designed to run on older single core PCs, and although some folks got them working on multicores it took external utilities and a bunch of writhing and nailbiting to do it. Mike Audet developed the first actual multicore XP drivers (which you're *definitely* going to need) around 2008/2009. They were designed to fix a whole bunch of potentially show-stopping issues with multicore computers. There shouldn't be any betas of those particular drivers still floating around out there, and if you'd inadvertently come across some they'd have the bugs and lack of support the beta designation implies. If you're going to give PARIS a shot on that sort of multicore computer I couldn't urge you more strongly to start by buying Mike's drivers. Absent some sort of hardware malfunction (and it's too early to be suspecting that) I'm certain he'll get you up and running - and he's about the only guy on the planet that could answer your last couple of questions with technical authority (PARIS uses some tricky non-standard "under-the-hood" stuff). If you'…
creator: Deej [5]
date: 2008-11-21T09:07:11-00:00

Re: RIP "Si"
type: item
description: ther than the eds card. Up until the software swap the system worked fine; Athalon 1 gighz machine 532 meg ram win 98se 3 eds - 1 mec 1 system dr - IDE - DMA off I swap IDE data drives - They defaulted to DMA on - not sure if that's right. Here's what's going on. 1st - My computer soundcard will not interface no matter how many times I remove and reinstall the driver When Paris boots I get "Could not restore old MTC code set up". Probably because the sound card or DX is not working properly. I get an i/o config error but it's no big deal. The Mec etc work fine. Here's the big one. On playback I get the "Can not stream data fast enough". The system works fine;
creator: Sarah
date: 2008-11-21T09:30:53-00:00

Re: RIP "Si"
type: item
description: rec and playback for about 6 tracks, so my 3 card 24 track projects are not usable. I have a hunch this is something to do with DirectX but I have no idea how to fix it. I'm pretty sure I have Dx9 installed right now. I tried re-installing it etc but I'm still stuck. I also tried loading an old registry but win 98 isn't so great at making that happen. I know this is old gear and I'd like to build another machine in the
creator: rick
date: 2008-11-21T09:45:17-00:00

Re: RIP "Si"
type: item
description: near future. Still need a working system in the meantime. Any help would be greatly appreciated!! Thanks, Lance I know there are disscusion about syncing paris with other daws but I am curious if any body knows how to have ,lets say, reaper sync to paris with mtc but also have reaper send or receive midi clock to drive the start and stop of the sequencers from another midi clock only sequencer which in turn would start reaper and start paris too becuase they are sync'd to MTC. To say this a litle different, I want to use a hardware midi sequencer that can send and receive only midi clock and be able to sync it to paris. I know paris only has MTC, but can any daw receive midi clock AND transmit MTC to paris at the same time? I would think that where your transport is at the time in reaper cubase ect., the midi clock received would st
creator: Rich Lamanna
date: 2008-11-21T12:49:43-00:00

Re: RIP "Si"
type: item
description: our "Paris Code King" could create this? Man that would be so cool to have, just slap it on a track (EDS so it would monitor realtime), tune up and go. Rob Sounds completely do-able, and makes sense - an EDS tuner could be used in realtime as a VST tuner can't. Mike?You need DMA on. Otherwise disk transfer will be very slow. This is likely the problem. If for some reason you can't turn the DMA on, it could be a sign that your disk is dying (I've had that happen). Cheers KrisHey Lance, in case you didn't notice the link up-top, check out "setup/win98" and " Bugs and troubleshooting/data streaming" at http://kfocus.com/paris/ Lot's of good info. Keep us posted.
creator: kerryg
date: 2008-11-21T15:53:11-00:00

Re: RIP "Si"
type: item
description: art where the transport is located which is where MTC will be currently in paris and other daw. I hope I am getting my question across clearly. As of now I am waiting to get paris working as I am a new user. Regards, ChrisI wonder if
creator: John [1]
date: 2008-11-21T15:55:43-00:00

Re: RIP "Si"
type: item
description: more, it was nearly 10 years ago - I'll see if I made any notes......According to the manual (P. 225, which is actually 255 in the PDF version in the PARIS Reference Library over at the <a href="http://www.kerrygalloway.com/WikiPARIS/wikka.php?wakka=HomePa
creator: EK Sound
date: 2008-11-21T22:28:29-00:00

Re: RIP "Si"
type: item
description: ge" target="_blank">Wiki - grab a free account to download it) PARIS certainly seems to be able to do this. You'll probably experience some amount of cumulative lag, but it should all play in sync. I've read up on MTC in the past and it can actually be a surprisingly good, solid sync source. The key to making MTC flow smoothly is to dedicate a cable and midi port just to MTC (since MIDI is a serial communication protocol you don't want midi performance data or sysex crowding in there and jostling the nice sync signal out of alignment). Also try using 25 frames as the "framerate of agreement" between all parties - Mike Audet reckons he found a bug between Cubase and PARIS that caused MTC to be pretty mediocre at all other frame rates except 25 which was actually very t
creator: Kerry Galloway
date: 2008-11-21T22:41:56-00:00

Re: RIP "Si"
type: item
description: RobI've not used MTC with paris for ages! But I have previously sync'd to my T38 and VST using MTC. In that set-up a stripe track on the tape was the master with Paris and VST slaved. Sorry I can't remember much
creator: John [1]
date: 2008-11-21T23:01:46-00:00

Re: RIP "Si"
type: item
description: ight. Dunno if that's PARIS or Cubase playing the goat there. Quote: Synchronizing PARIS to Other Devices Synchronizing PARIS to SMPTE Synchronizing to an External Tape-Based SMPTE or MTC Device PARIS can be synchronized to an MTC-compliant external device such as a video deck, MDM device, or analog multi-track. Note: When synchronizing PARIS to an external device, the conversion of SMPTE to MTC must be accomplished by external hardware, such as a MIDI interface. To synchronize PARIS to an MTC device: 1. In PARIS' Project Window, open the MIDI Setup... dialog. 2. Select the source supplying MTC from the Select MIDI Time Code Input pop-up menu. 3. Click OK to conﬁrm the selection; the dialog box will close. 4. Open the Transport Window. 5. Press the "Lock" button in the Transport Window. 6. Click Play in th
creator: EK Sound
date: 2008-11-21T23:05:04-00:00

Re: RIP "Si"
type: item
description: pplication: 1. In PARIS' Project Window, open the MIDI Setup... dialog. 2. Select the source supplying MTC from the Select MIDI Time Code Input pop-up menu. On a Mac OS computer, select the IAC bus (page 223). 3. Click OK to conﬁrm the selection; the dialog box will close. 4. Open the Transport Window. 5. Press the "Lock" button in the Transport Window. 6. Click Play in the Transport Window, hit the spacebar on your computer keyboard or the Play button on the C16 Pro. 7. Start playback on the device that is supplying SMPTE Time Code. 8. PARIS will wait until SMPTE starts before playing back. The red LED in the Lock button will light when PARIS receives SMPTE. As to Reaper being an intermediary to translate this, I'll have to check in the Reaper manual, but it certainly sounds do-able (or if it's not, they're such a responsive team over there I'd be surprised if they wouldn't be open to the suggestion). Let us know how this goes, I'm curious.So I went to look at a PC for my Paris system - looked like a good deal. Had 5 alleged PCI slots, lots of features, software, power. But it was a mid-size case that in no way shape or form could handle EDS-1000 cards. So the guy has a bigger, faster machine there for only $200 more ($550 as opposed to $350) in a huge, cool looking allegedly full-size case and IT wouldn't fit the EDS-1000 card. The supports for the hard drives got in the way. Any suggestions for a new case that can handle the size of these cards? I have a Magma 13 slot but it's attached to my old Mac and, to start with, I'm going to have to run two systems, so I either need to fir two cards in the PC or I'll need another expansion chassis. Thanks! ganttHi Gantt, this one worked for me with a small mode but I suppose it would depend on the physical position of your mobo/PCI slots within the case. http://www.newegg.com/Product/Product.aspx?Item=N82E16811129 024&cm_re=11-129-_-11-129-024-_-Product Case mode for EDS is seen here: http://kerrygalloway.com/ParisForums/i…
creator: Ted Gerber
date: 2008-11-22T06:44:10-00:00

Re: RIP "Si"
type: item
description: using for a while, and I needed to reset a pin on the MBoard to correct some date/time issues. Too tired to look it up right now, but I found out what to do by googling the symptoms... I've only had this scenario happen with UAD plugs. TUsing 4 with a spare...total 5 of cards.Hello all, I am trying to figure out how to get pt8 to slave to Paris. I have the midi file installed that mike sent me and have done everything in the project window. I think that the issue is with pt. If anyone has this setup and can give some input I would appreciate so much. I did not know that when I purchased the mbox2 that I could not use any other recording application. Should I just try and send the mbox back to sweetwater for a different
creator: steve the artguy
date: 2008-11-22T08:56:06-00:00

Re: RIP "Si"
type: item
description: was mixing it. I'm thinking of putting together a plug-in that can do this on the PARIS mains. The guitar is recorded with a TLM 103 through a Grace m101. If you get a chance, let me know what you think! All the best, Mike Hey, Doug! It's great to see you around here. Let me know if I can be any help with any of those Mac projects. All the best, MikeMike has a new ASIO driver that allows you to use another app i.e. Reaper with Pars' hardware. It's in beta stages right now and does appear to work well albeit a tad sluggish, for playback unfortunately I can't comment about it's recording capabilities.Like in a newer copy than the one from a couple years ago....I could always get that one to work with 2 is/outs? Might have to send him an email if that is the case? Mike?Hi All, I am going to be so embarrassed if I'm just mixed up about this, but I've checked and checked, and the double buffering is working! I've tried playing back about 25 tracks, and just a preliminary recording test of one track, but everything seems to be working fine, with no noticeable increase in CPU load. What this means, unless I'm somehow deluded and this huge, exciting emotional high I'm on comes crashing down, is that a 64 bit driver is going to happen. My second attempt at working around the original DMA design is working. Holly Crap!
creator: John no2nocom
date: 2008-11-22T10:08:05-00:00

Re: RIP "Si"
type: item
description: ork of creating the hardware on the computer side (it's a USB dongle), so I only had to make the interface and power supply for the C-16...Hey guys, it seems that pafwavconvert has gone AWOL from Doug's site, and I didn't realize I only had the 98/ME version in my PARIS utilities backup folder. Can someone send me the XP version? I can't get AutoTune 5 to work in PARIS at all (in either auto or graphical mode), so I'm importing the PAFs to Reaper (which works amazingly, btw) and 'Tuning them there. But Reaper can't output to .paf yet, so I'm stuck having to convert them externally to get them back in PARIS. (I know I could just import them as .wav files in PARIS, but I'm trying to fool it into thinking they're still the original files so I don't have to re-edit them into the project.) Thanks much! MattHey Matt, just a reminder that Wavelab support .PAF in case you werent aware. Rob_AHey Rob, thanks for that - I didn't know wavelab did PAFs. I don't own it though, and it seems a bit much to pay $100-$550 for the program just to do the conversion, especially when there's a freely-distributable utility out there for that express purpose. Ooops, sorry about that. You can still get it from the old site, at least until June when my mac.com account expires. I'll make sure to have it on the new site by then... http://homepage.mac.com/osxlover/ParisFAQs/pafwavconvert.zip Please contact me directly about stuff like that if possible. My email address is doug at paris faqs dot com...Hey Doug, I didn't want to bother you directly, so I thought I'd put out a general request. Thanks for the link, though! I'm so glad PARIS has such a great community even after all these years... <whiney butt> Yeah, nobody bothered me directly about what happened when the newsgroup went away, so I thought the whole community had gone away... </whiney butt>Are any of you using: ezdrummer steveslatedrums addictivedrums other drum programs Which is the best and easiest? Dunno about the steven slates, b…
creator: Tom Bruhl
date: 2008-11-22T16:58:15-00:00

Re: RIP "Si"
type: item
description: need to be concerned about? No Quote: question 3) my purpose here is only to open some old paris projects and export them. do i NEED to install the "effects subsystem" in order to do that? this sounds like it's something that is for effects that i likely didn't use in my old projects (all were made in paris 2.0 or before) if you're gonna use Paris 3 then yes Quote: question 4) since my purpose is simply to get projects into another format - do i need paris 3 ? i've heard there is an OMF export feature in 3 that will automoatically "bounce" all your audio events on a specific track to a single file with a 0:00 start. i definitely want to make use of that feature. that's only avail in 3.0 right? ok.. i've fired a lot of questions out. thanks in advance for anyone who's willing to provide guidance. dan What Paris 3.0 will do is render each of your tracks with a 0:00 start point and a new name which you can then export as wav files...Can't say for certain what AAtranslator will do with OMF files...but I think it will allow the transfer of the complete project and audio in OMF format...Kerry will probably pop in to clarify. Depending what you want to do if all your projects are pre 3.0 I'd just download 2.0 which is free and be done with it Carry on merrily . thanks so much for the reply! > Depending what you want to do if all your projects are pre 3.0 > I'd just download 2.0 which is free and be done with it that was probably the most important question i could have asked. Yes - that is what i'll be doing. free is definitely better. I'm assuming the xp scherzo drivers play nicely with 2.0?? thanks in advance, -dan hello - so - i took the plunge. bought an eds and a mec. borrowed an xp machine and purchased the scherzo drivers. eds card is seated in PCI slot 3. new hardware was found by winxp scherzo driver was installed per instructions, and succeeded paris was installed (using 2.1) mec is on and connected to eds via scsi 2 cable. I run paris and blam! - "Error Initiali…
creator: Aaron Allen
date: 2008-11-23T05:00:18-00:00

Re: RIP "Si"
type: item
description: s you did something different in setup the second time, that's the only explanation that accounts for the beta drivers working better than the release The "bugs/troubleshooting" section of the Wiki has a lot of the tips collected over years. The C000005 error's been seen in a number of situations and while the solution's varied they all have this in common - as you've discovered, they don't seem to point to hardware issues. Glad you got it sorted!glad to hear you got paris working hopefully sooner then later I will get my paris rig going on a macbook pro and 4 eds cards w/ virtua via having an xp partition for paris and osx for logic ^_^3 cards in a 32 bit magma on a g3, os 9.? to XP or W7? what benefits can i expect? Sounds like paris is becoming more usable. Suffered long enuf, time to make a move. What benefits would 64 bit offer? thanks. mark That was just a tad too cryptic for me, care to elaborate? my first post was very elaborate and disappeared into the void, hence the post you read...cryptic worked better, response wise LoLGotcha - think of the FUDForum software we're using here as the forum software equivalent to PARIS. Balky and quirky and bound to throw you a WTF? moment now and then, but there's tons to love, and hey - the price is right. so what about migrating to xp or w7? Windows XP Professional running sp 3. Processor is an AMD Athlon 64X2 Dual core processor 5600+ 2.80 GHz, 2.00 gig RAM.MSI motherboard.would this be a good comp for paris compared to a G3?Just got a sec right now but basically: 1) XP has been solid as a rock for the last couple of years on even the most modern multicore systems thanks to Mike's reissue drivers 2) Win7 32 bit has a shorter track record but the results so far have been stellar, with user Philip reporting it runs very stable and solid using the XP drivers (you'll find the thread stickied) 3) Win7 64bit drivers: Mike's working on them. It's pretty cheeky to be trying to make stuff this astonishingly old work in a state-…
creator: Aaron Allen
date: 2008-11-23T05:03:54-00:00

Re: RIP "Si"
type: item
creator: Miguel Vigil [1]
date: 2008-12-21T01:12:02-00:00