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items: Paris is NOT recording
items: Re: Paris is NOT recording
items: Re: Paris is NOT recording ( Responding to Kerry's )
items: Re: Paris is NOT recording [ responding to "Rob_A"]
items: Re: Paris is NOT recording ( Kerry.. here's the SBS .. if you could see a thing )
items: Re: Paris is NOT recording PS UNIT ( Responding to Kerry's )
items: Re: Paris is NOT recording ...C-16 problem .. could it be it ?
items: Re: Paris is NOT recording ...C-16 problem .. could it be it ? ( RE: Kerry's )

Paris is NOT recording
type: item
description: d of the driver. The release build has a couple >of additional bugs fixed, and it's compiled in a way that is faster and uses >less RAM (because there is no debugging code). I don't want anyone who helped >make this happen to have to pay for the driver. > >Some may think I should just give the driver away. But, I'm a new teacher >living paycheque to paycheque,
creator: Yasser Shaaban
date: 2008-10-31T05:34:35-00:00

Re: Paris is NOT recording
type: item
description: ompatibility. > > Thanks > RodThis Cowon stuff looks real interesting, and I had no idea they existed down here in the deep south. Gracias for the lead! AA "Dan B" <daniel_burneNOSPAM@yahoo.com> wrote in message news:493d4d24$1@linux... > > I'd look a Cowon to begin with. Great audio quality and features. Highly > recommended. > Plays various formats (including wav, flac, ogg, etc), good eq options > (semi-parametic > multiband, etc), records, etc, etc. > > Possibly also worth considering: I-River, Creative Zen, Sony and Microsoft > Xune. Personally I'm not an I-Pod fan (for various reasons, including > audio > quality). > > I used to have an I-River IHP-140 (then a 320), which we
creator: kerryg
date: 2008-10-31T08:05:04-00:00

Re: Paris is NOT recording
type: item
description: g in >>>>>>>>>>>> between. >>>>>>>>>>>> >>>>>>>>>>>> It does not sound like a Strat, mind you; it doesn't have the je >>>>>>>>>>>> ne >>>>>>>>>>>> sais quoi - dare I call it "deadness" - of a real Strat but it >>>>>>>>>>>> does >>>>>>>>>>>> give sweet single coil sounds that fit really well in music on >>>&gt
creator: Robert
date: 2008-10-31T22:07:14-00:00

Re: Paris is NOT recording ( Responding to Kerry's )
type: item
description: llow for an > extra battery. My strat might be tight, but that's what sledge hammers are > for, right? > > > > W. Mark Wilson wrote: >> I think EMG prolly doesn't push the 2-batt thing because most guits >> aren't gonna be prep'd for two or have room for two even if prep'd for >> one battery. And they still work and sound good on 9V. Keep in mind and >> consider that even at 9V supply, even a single coil S or SA will output >> 3v pk to pk. I have mine setup to feed all 3 coils at once... voooom >> baby... lotsa meaty whumpass and the voltage to prove it. That's >> relatively freakin amazing consider how quiet they stay (single coils are >> notoriously noisy) even under dimmers and in front of CRT's. >> >> Give a try Bill.... that 89 will kick ass on 9V and reak gorgeous havoc >> on 18V. Please note however, you wanna be careful about plugging in your >> guitar last when you cable's output end is already feeding something >> because there will be a moment during guitar plugin that your receiving >> devide will see that 18v and the device may not hold up too many times >> under that transient. >> >> WMW >> >> "Aaron Allen" <know-spam@not_here.dude> wrote in message >> news:494e5922$1@linux... >>> Quite typically power rails for op amps run 18 and 24 volt rails to >>> operate. Most of the circuits I've built for myself in the past use + >>> and - rails at a minimum of 9v each (IE, 18 volts) to have proper >>> headroom. This is not a shock what Mark is saying, I'm just a little >>> surprised that EMG is using standard parts/op amps in a space saving >>> design. I gotta try this some time, but it totally makes sense to me. To >>> give you guys an idea, in the 80's I used to tinker inside an old Peavey >>> XR800 console using it as a test bed of sorts for learning and my >>> earlier designs. 4558 dual op amps all over the place. Hartley Peavey >>> used + and - rails on the design, at 15 volts each (IE, 30 volt total) >>> to
creator: kerryg
date: 2008-10-31T23:48:03-00:00

Re: Paris is NOT recording ( Responding to Kerry's )
type: item
description: t;>>> sound had more texture than I'm used to. There is a percussive >>>>> dimension >>>>> that is missing or lesser on the other mic pres. >>>>> >>>>> The Presonus Tube Pre: Brighter than the m101 and not as full. All > that >>>>> texture/percussive quality of the m101 is missing with the Tube Pre. >>> It's >>>>> like a whole dimension of the sound is missing - because it is. It > >>>>> sounds >>>>> plastic, like a sock is muffling all the percussive content of the >>>>> sound. >>>>> >>>>> The ADA800: It's not as bright as the other two, but its fuller than >>> the >>>>> Presonus. As for the texture dimension, it's about half way between > the >>>>> Tube Pre and the m101. This surprised me because I expected it to >>>>> come >>> in >>>>> last. The Tube Pre was an upgrade to my ears above the Mackie XDR >>>>> preamps >>>>> that I used to have, and the mic pres in the ADA800 are significantly >>> >>>>> better >>>>> than the Tube Pre. >>>>> >>>>> I'd recommend the m101 to anyone. You can never eq back in what the > >>>>> Tube >>>>> Pre leaves out. Way cool. >>>>> >>>>> I hope this mini review is useful to someone. >>>>> >>>>> Mike >>>> >>>> >>> >> >> >Merry Happy to all! May 2009 be mighty fine. Cheers, -Jamie www.JamieKrutz.com John Macy wrote: > It's a pleasure to be a part of this fine community. > > All the best for a great 2009... > > > "James McCloskey" <excelsm@hotmail.com> wrote: >> "Aaron Allen" <know-spam@not_here.dude> wrote: >>> >> Merry Christmas to all! >In that same price range? A pair of dBX 1046's probably. Purty sure Mike said he was using a TubePre model. AA "James McCloskey" <excelsm@hotmail.com> wrote in message news:495479ee$<a href="mailto:1&#64
creator: Robert
date: 2008-10-31T23:56:08-00:00

Re: Paris is NOT recording ( Responding to Kerry's )
type: item
description: /> [binary]
creator: kerryg
date: 2008-10-31T23:57:10-00:00

Re: Paris is NOT recording ( Responding to Kerry's )
type: item
description: d >>>>>>>>>>> they still blow me and everybody else away. >>>>>>>>>>> >>>>>>>>>>> W. Mark Wilson >>>>>>>>>>> >>>>>>>>>>> "Bill L" <bill@billlorentzen.com> wrote in message >>>>>>>>>>> news:493fe8f0$1@linux... >>>>>>>>>>>> A few months ago I posted asking my friends to talk me out of >>>>>>>>>>>> adding >>>>>>>>>>>> a single coil pickup to my Ibanez Artist semi-hollow electric >>>>>>>>>>>> (335-style). I withdrew from that path of no return and >>>>>>>>>>>> installed >>>>>>>>>>>> EMG 89s. They are a humbucker case with both a complete >>>>>>>>>>>> humbucker >>>>>>>>>>>> and a complete single coil inside, side by side. >>>>>>>>>>>> >>>>>>>>>>>> While I lost the predomoinance of gritty high mids that worked >>>>>>>>>>>> for >>>>>>>>>>>> some sounds, but were a problem with others (and which I can get >>>>>>>>>>>> back easily with tone controls), I have gained a lot of new >>>>>>>>>>>> sounds >>>>>>>>>>>> which are hugely advantageous and make the guitar a true >>>>>>>>>>>> Gigmaster. >>>>>>>>>>>> I can use it for jazz, rock and spanking R&B and everythin
creator: Yasser Shaaban
date: 2008-11-01T00:20:17-00:00

Re: Paris is NOT recording [ responding to "Rob_A"]
type: item
description: ; that so you can use one battery if you need to? Could you 'splain me >>>>> how >>>>> that's wired? >>>>> >>>>> Damn, I love this N/G. We got some smart and talented folks here in >>>>> Casablanca. >>>>> >>>>> W. Mark Wilson wrote: >>>>>> This information came straight from Overlend Corp techs (who at that >>>>>> time >>>>>> was EMG). >>>>>> >>>>>> WMW >>>>>> >>>>>> "Bill L" <bill@billlorentzen.com> wrote in message >>>>>> news:494ae51f$1@linux... >>>>>>> Interesting. >>>>>>> >>>>>>> W. Mark Wilson wrote: >>>>>>>> By thrash, I mean, dynamic range. On a 9V supply (the minumum op >>>>>>>> voltage) they tend to output a narrower dynamic range (eg, >>>>>>>> compressoion). >>>>>>>> On 18V, the range opens. >>>>>>>> >>>>>>>> WMW >>>>>>>> >>>>>>>> >>>>>>>> "Bill L" <bill@billlorentzen.com> wrote in message >>>>>>>> news:4948f883$1@linux... >>>>>>>>> What do you mean "thrash"? Is that more clean gain? I do like the >>>>>>>>> idea >>>>>>>>> of the 3 individual switches. >>>>>>>>> >>>>>>>>> Actually I am running into a small problem with the 89s that they >>>>>>>>> overdrive the compressor in the Tonelab. Even at the lowest >>>>>>>>> setting, >>>>>>>>> there is too much click on the attack. I'm finding I get the best >>>>>>>>> tone >>>>>>>>> with the volume knobs down to 3 or 4, which bugs me because all my >>>>>>>>> life >>>>>>>>> I have just put vols at 10. I guess I can learn some new tricks if >>>>>>>>> I >>>>>>>>> have to. >>>>>>>>> >>>>>>>>> W. Mark Wilson wrote: >>>>>>>>>> I have that same pot on mine Bill... "RPC" as I recall (sooooo >>>>>>>>>> long >>>>>>>>>> ago now) and it does throw a rise on output that really drives >>>>>>>>>> any amp >>>>>>>>>> nicely, clean or dirty. Here's a tip on those SA's.... run >>>>>>>>>> them on >>>>>>>>>> 9V and they remain kinda compressed sounding. Put them on 18V >>>>>>>>>> and they >>>>>>>>>> thrash nicely. I simply cut my strat for 2 9V batts and added a >>>>>>>>>> series/parallel switch for 9V/18V. I also elected to have an on …
creator: Yasser Shaaban
date: 2008-11-01T01:14:27-00:00

Re: Paris is NOT recording ( Kerry.. here's the SBS .. if you could see a thing )
type: item
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creator: Yasser Shaaban
date: 2008-11-01T01:16:57-00:00

Re: Paris is NOT recording
type: item
description: ;linux..." target="_blank">1@linux... > > The Presonus FireStudio mic pres have gotten some good reviews compared to > other pres, by users. Of course this is second hand information, so, > ymmv. > I was wondering what Presonus mic pre Mike was using? > > I've used ACP88s in the past and I would say that the results were not > bad. > I can tell you that they source different parts on different runs of the > product, so this will effect the sound. Aaron, what compressors would you > use to get some drums pumpin for around the same price, if you needed 8 > channels? > > > http://www.presonus.com/products/Detail.aspx?ProductId=5 > > "Aaron Allen" <know-spam@not_here.dude> wrote: >>We didn't use the sub $200 crap at Tisway. It was the digimax, original > >>release model. Up against any of the other stuff there, it felt like a toy > >>and unfortunately held up about the same way. I had Mackie XDR, Millenia > and >>Demeter to hold it against and it wasn't even close on any aspect. I also > >>have a Blue Tube in my recording rack when I want nasty/grit. It does a > >>pretty good classic 60's/70's bass DI thing, but I understand it's a cheap > >>piece and I expect little from it in the way of prestine, of course. I've > >>also used the 8 channel comp/limit deal they have out currently, ACP88. > What >>a pile of crap that thing is, yikes... >>Have they improved the Digimax that much over the first release? >> >>AA >> >>"James McCloskey" <excelsm@hotmail.com> wrote in message >>news:49546d5c$1@linux... >>> >>> Presonus has made some good pres and some not so good pres. The M 80 was > >>> good, >>> and some of the newer ones are good. Which Presonus do you have? And > >>> keep >>> in mind the Grace is a $600.00 pre and some of the Presonus tube pres > are >>> $75 to 149.00, I would expect there to be a difference. >>> >>> "Aaron Allen" <know-spam@not_here.dude> wrote: >>>>For me, confirmation that the 2 ADA8000's I bought when they first came >>> out >>>>are still a good value…
creator: Yasser Shaaban
date: 2008-11-01T01:20:39-00:00

Re: Paris is NOT recording PS UNIT ( Responding to Kerry's )
type: item
description: t;>>it's even remotely close to a 101, I'm thrilled man. I'm not shocked > >>>>about >>> >>>>the Presonus, most of their stuff I've tried has been less than stellar, >>> but >>>>I am a little surprised the Behr slapped it that badly. >>>>Very cool man, any chance you can put up some comparison files? >>>> >>>>AA >>>> >>>> >>>>"Mike Audet" <mike@...> wrote in message news:4951958b@linux... >>>>> >>>>> Hi Guys, >>>>> >>>>> I just spent my first couple of hours with a grace m101. It's >>>>> definitely >>>>> the best mic preamp I've ever owned. I learned a lot from comparing > it >>> to >>>>> my older ones, too. I recorded the same thing on acoustic guitar >>>>> through >>>>> all three mic pres with a 4050 pointed at the neck joint from about &g
creator: Yasser Shaaban
date: 2008-11-01T01:26:56-00:00

Re: Paris is NOT recording ...C-16 problem .. could it be it ?
type: item
description: y@jose.net" target="_blank">noway@jose.net> wrote: > >rick <parnell68athotmaildotcom> wrote: >>whatever happened to tracking them right...if the kit is good. i'm >>just bitter... >> >>On 25 Dec 2008 08:19:54 +1000, "John" <no@no.com> wrote: >> > >Nothing happened to doing it right. That's still the preferred method. Always >will be. > >;) >we're gonna be near 60 on saturday here. On 26 Dec 2008 05:40:47 +1000, "John" <no@no.com> wrote: > >We're on our way to the beach with the dogs. It's so hot we are in shorts. > Really miserable. :-) > >JohnLet me jump into this Late to the Party Line. Feliz Navidad y Prospero Nuevo Ano a todo... To allofyaallofyaall = "a todo"... Your silent ParisPal, El Miguel <b
creator: kerryg
date: 2008-11-01T01:32:23-00:00

Re: Paris is NOT recording ...C-16 problem .. could it be it ?
type: item
description: t; 10 >>> >>>>> inches >>>>> away. >>>>> >>>>> The m101: bright, full, but the biggest thing I noticed was how you > >>>>> could >>>>> hear every nuance of the pick hitting every single string. It was >>>>> like >>> >>>>> the >>>>> sound had more texture than I'm used to. There is a percussive >>>>> dimension >>>>> that is missing or lesser on the other mic pres. >>>>> >>>>> The Presonus Tube Pre: Brighter than the m101 and not as full. All > that >>>>> texture/percussive quality of the m101 is missing with the Tube Pre. >>> It's >>>>> like a whole dimension of the sound is missing - because it is. It > >>>>> sounds >>>>> plastic, like a sock is muffling all the percussive content of the >>>>> sound. >>>>> >>>>> The ADA800: It's not as bright as the other two, but its fuller than >>> the >>>>> Presonus. As for the texture dimension, it's about half way between > the >>>>> Tube Pre and the m101. This surprised me because I expected it to >>>>> come >>> in >>>>> last. The Tube Pre was an upgrade to my ears above the Mackie XDR >>>>> preamps >>>>> that I used to have, and the mic pres in the ADA800 are significantly >>> >>>>> better >>>>> than the Tube Pre. >>>>> >>>>> I'd recommend the m101 to anyone. You can never eq back in what the > >>>>> Tube >>>>> Pre leaves out. Way cool. >>>>> >>>>> I hope this mini review is useful to someone. >>>>> >>>>> Mike
creator: Yasser Shaaban
date: 2008-11-01T01:43:35-00:00

Re: Paris is NOT recording PS UNIT ( Responding to Kerry's )
type: item
description: uh? > > ;) >I know kung fu! El Matrixo "Aaron Allen" <know-spam@not_here.dude> wrote in message news:4952d868@linux... > Don't you mean wok an woll? > AA > > "John" <no@no.com> wrote in message news:4952ab9e$1@linux... >> >> http://ca.youtube.com/watch?v=Qxmi3VDkYkM >> >> WOW > >Kerry Galloway <kg@kerrygalloway.com> wrote: >Ror! Thanks, I just spit coffee on my qertyThis guys fronts a Christian band called downhere. Even the house worship band gives a notable performance... <a href="http://www.youtube.com/watch?v=wGcDpnxtqsc&featu
creator: kerryg
date: 2008-11-01T02:07:07-00:00

Re: Paris is NOT recording ...C-16 problem .. could it be it ? ( RE: Kerry's )
type: item
description: r /> "John Macy" <nospamjohn@johnmacy.com> wrote in message news:49547456$1@linux... > > It's a pleasure to be a part of this fine community. > > All the best for a great 2009... > > > "James McCloskey" <excelsm@hotmail.com> wrote: >> >>"Aaron Allen" <know-spam@not_here.dude> wrote: >>> >>> >>Merry Christmas to all! >ya know, they only work if you turn them on :) El Miguel "Deej" <noway@jose.net> wrote in message news:4953afe3$1@linux... > > "Aaron Allen" <know-spam@not_here.dude> wrote: >> >> > > Back at'cha amigo. Merry Christmas to everyone. Here's what we work up to > this morning......and yesterday morning......and probaly tomorrow morning > too. > > My Christmas present was a big snow blower. Good thing..h
creator: Yasser Shaaban
date: 2008-11-01T03:12:51-00:00

Re: Paris is NOT recording ...C-16 problem .. could it be it ?
type: item
description: ing software compability etc. already today, >> my only chance of opening a project as is with all >> settings and plugs in place it to actually maintain >> my win 98 machine from back then. and that just feels like >> a ticking bomb to me. >> >Based on the description at sonicstate, it seems like it uses a fairly simple subtractive synth architecture: From http://www.sonicstate.com/synth/akai_ax73.cfm "The Akai AX73 is practically a MX73 master keyboard (minus some controller features) added with 6 voice polyphonic analog synth. I believe VX90 has exactly the same sound generating circuitry, which is based on Curtis CEM3394 chips (the same as in Sequential's Six-Trak and Max). The voice is pretty basic, we have 1 VCO, VCF, 2 ADSR's 1 LFO and 1 VCA per voice. There are some interesting parts, though. The VCO's have triangle, sawtooth, variable pulse (with PWM) and a composite waveform of saw & triangle. The PWM actually works with any of the waveforms, not just pulse, which provides a little more sonic variability. The VCF is a 24dB/octave resonant lowpass and self- oscillates quite nicely. Keyboard tracking goes well beyond 100%. The VCO can modulate VCF which is great for ring-mod efects and suchlike. VCF cutoff can be modulated by bender and keyboard velocity, which is one of the best features in the synth. There's also a non-time-variable highpass filter in series with the lowpass filter, which is nice. The two envelopes can modulate VCF, VCA and/or VCO pitch. The lone global LFO is shared by all voices, but has plenty of waveforms, including triangle, up/down saw, pulse and random (sample&hold). There's also a built-in 2-position chorus effect, which is pretty noisy. Keyboard assing modes include poly, dual and unison, with 1, 3, and 6 oscillators per note, respectively. Adjustable portamento is available in any of these, but it's always monophonic." End quote So you could probably create a similar patch with any soft synths that include a suitable subtractive …
creator: Aaron Allen
date: 2008-11-01T16:56:07-00:00

Re: Paris is NOT recording ...C-16 problem .. could it be it ?
type: item
description: s like you. As far as the idea that the Paris summing/bounce "magic" is easily replicated in other systems and "proven" using phase cancelling tests, I'm not sure what you mean by this (this is what I think you're saying, if I'm misinterpreting, I apologize). Even if you could take the same mix and bounce it from both Paris and Nuendo, then take both bounces and line them up in either software and flip phase on one, and largely cancel the other out, phase cancellation speaks only to panning and frequency. But sonics and our perception of sound, to my mind, have more to them than frequency response alone (beating an old drum here
creator: kerryg
date: 2008-11-01T17:05:29-00:00

Re: Paris is NOT recording ...C-16 problem .. could it be it ?
type: item
description: ). How many companies are pushing their new audio components - mics, tape emulators, amp simulators - as exact replicas of the originals they are trying to replace (at much lower cost and greater convenience) by shoving EQ response curves in our faces? "See, our product has virtually the same curve as the product we are trying to unseat, therefore it must be as good" and then we listen to it, or use it, and find it doesn't sound nearly the same enough? For me, other things like 3 dimensionality (depth) and accurate time alignment - affects attack - are important (when digital first hit the scene everyone talked about it being cold, using EQ terms of reference, yet I knew as a piano technician that the piano concertos I was listening to on CD had much less problem with EQ - any piano can be "bright" - than they did with the attack of the hammers striking the strings, it was just plain "unrealistic"). The thing is, currently we have the technology to measure EQ, but we don't really have the means to measure depth and the psycho-acoustic effects of the more "intangible" items. > >>The second was the cost of making a significant change. ><
creator: kerryg
date: 2008-11-01T17:08:58-00:00

Re: Paris is NOT recording [ responding to "Rob_A"]
type: item
description: . List of all your latencies and names of plugs right there always. Takes one slot though. Tom "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message news:4962d5b0$1@linux... > > i would go even further and argue that even "ease of use" >>can make a difference in sound. in paris, how many times had i >>thought to myself "do i give myself the headache of >>a drum submix compression through the aux bus? or do i need >>it to be compressed by some other compressor, so do i do a s
creator: kerryg
date: 2008-11-01T18:32:37-00:00

Re: Paris is NOT recording [ responding to "Rob_A"]
type: item
description: br /> > >totally true: cant argue with the price point of a dead system. Yikes! Dead? Using this descriptor is prejudicial, "leading the witness" so to speak. A variety of dictionaries define "dead" with phrases like - lacking life, devoid of usefulness, unable to function. I understand in your paradigm, PARIS is dead (and I totally respect that, for most of the reasons you've cited), but PARIS is no more dead than any other piece of gear that's been discontinued by its manufacturer yet still serves the function for which it was intended. A friend recently mixed a semi-major-label disc (more than 400,000 copies sold) and one song needed a final, final, final tweak at a time when it was problematic to get back into the studio and use the gear the album had been mixed on. After A/B-ing to the label and artist, with their permission he was able to largely match the sonics of the rest of the CD, (summed in an SSL through Apogees DA16s to tape), by summing through an obsolete board (out of production for 18 - 20 years), with 8 year old DAs and a new Alan Smart C1 to tape. The current value of the gear in the other studio is $120K CDN. The current value of his own gear is $6K CDN (his ADDAs really need to be upgraded...). This little vignette illustrates in a nutshell why I'm happy to use PARIS - it's not dead, but it is effective and cheap. Take care and thanks for the dialog, I appreciate it. Ted >its why i would never sell my (pretty big) paris rig, it would go for ridiculously >low prices so id rather keep it. > >....Thank you very much for your answers..I am thinking about leavin Paris platform only because i really miss real Bus inserts... my dream is that Master Mixer have inserts above Submix strips....then you ad 'external 'and pach wires...wow..... .....at least i can say...I have dream....:-) Thanks.... "Goran Stojiljkovic" <goran.stojiljkovic@os.t-com.hr> wrote in message news:495df802@linux... >I have 3 eds system with one mec and 2 24bit Ins and 1 24bit out.…
creator: Tom Bruhl
date: 2008-11-01T19:31:19-00:00

Re: Paris is NOT recording [ responding to "Rob_A"]
type: item
description: ubmix >>now? am i ready for that to be submixed at all?" and then sometimes going >>through with it >>(taking a lot of time), sometimes not because of the amount >>of work involved. in a modern system, its a no brainer. >>you just do it when your engineer instinct demands it, >>and you choose the compressor with the characteristics you >>need on the spot, and if you then think that the compression >>stresses the basedrum a bit too much, you simply move >>that fader. all that results in good sound. > > I would have to agree with you on that one > >>or using UAD. come on, how often have you thought "am i really >>willing to go through this whole manual latency compensation >>business for just that one more UAD effect"? on a modern >>system, a no brainer. you just open the plugin you want to >>open. > > While I agree that auto latency compenstaion is a no brainer, for me the > manual thing is almost automatic anyway. for a UAD plug, 4 clicks on the > 100 button and click on my appropriate sample slide preset. Drum tracks > across > submixes, same thing, except I have a little note on my sample slide > preset > reminding me to move it 1 or 2 ms. I'm used to it, and never have the > thought > you mentioned. I know others use the faderworks and like that alot also.<br
creator: Tom Bruhl
date: 2008-11-02T05:34:36-00:00

Re: Paris is NOT recording [ responding to "Rob_A"]
type: item
description: here jump onto the new core i7 processor? I was about to take the plunge for an Intel quad core system, but now, it looks like the i7 is a better choice. Or is it??? There's a Dell system I can get (in Canada, at http://configure.dell.com/dellstore/con ... DSXPS_F_2E) which boils down to this: for CDN$1299 you get the i7-920, 6G of tri-channel memory, Vista premium 64 bit, 1TB of disk space, and a 23 in widescreen HD monitor. The questions are: - do I need to worry about the i7 risks (heat, memory voltage, whatever else)? - assuming my needs exclude gaming, and that I believe I can live without any future upgrades (other than perhaps more ram), is this a good system at a good price? I know there are a lot of folks here with experience building computers, so I thought I'd ask around. For the record, I don't have the time or the knowledge required to assemble my own from parts (I wouldn't know what compatibility issues to look out for). Opinions? Thanks. DanHey Kerry, How integrate the two systems? Gantt Kerry Galloway <kg@kerrygalloway.com> wrote: >I use both, myself. Logic Pro 8 and RME for the features and modernity, >PARIS for what I'm looking for sonically. > >- K > >On 1/5/09 8:54 PM, in article 4962d602$1@linux, "Neil" <OIOIU@oiu.com> >wrote: > >> >> Derek... I gotcha. BTW, FWIW, your recent posts look >> STAGGERINGLY familiar to some posts I made few years back when >> I bailed on paris for the Native world... welcome to the Dark >> Side, my Jedi friend. lol >> >> ;) >> >> Neil >> >> >> "derek" <a@b.com> wrote: >>> >> >>> "Neil" <OIUIOU@OUI.com> wrote: >>> heck, maybe this is what you're >>>> doing already, for all I know. :) >>> >>> >>> i tried that route for a while, until i realized >>> that within the time i take for all the routing, >>> troubleshooting and restarts be
creator: Aaron Allen
date: 2008-11-02T10:10:07-00:00

Re: Paris is NOT recording [ responding to "Rob_A"]
type: item
description: in >>> my win 98 machine from back then. and that just feels like >>> a ticking bomb to me. >>> >> >We have Nuendo, PTHD3 and Paris, all on separate computers. We integrate them with a DM2000, a word clock generator and timecode. David. Gantt Kushner wrote: > Hey Kerry, > > How integrate the two systems? > > Gantt > > Kerry Galloway <kg@kerrygalloway.com> wrote: >> I use both, myself. Logic Pro 8 and RME for the features and modernity, >> PARIS for what I'm looking for sonically. >> >> - K >> >> On 1/5/09 8:54 PM, in article 4962d602$1@linux, "Neil" <OIO
creator: kerryg
date: 2008-11-02T17:33:44-00:00

Re: Paris is NOT recording [ responding to "Rob_A"]
type: item
creator: AlexPlasko
date: 2008-11-03T01:34:05-00:00

Re: Paris is NOT recording
type: item
description: RcNnnn2qNbm0e410OTkH6in4BQAxhsdxxSilccvhGtgLgI4x0AHy0IfkYKRu 9OgqnG+pnGVtGT2UkT
creator: kerryg
date: 2008-11-03T02:13:29-00:00

Re: Paris is NOT recording
type: item
description: -breaks-size-and-price-barriers/ The price is right! http://www.sonicstate.com/news/2009/01/16/wnamm09-affordable -guitar-recording-set-up/ http://www.sonicstate.com/news/2009/01/16/wnamm09-line-6-ann ounces-pocket-pod-pack/ http://www.sonicstate.com/news/2009/01/16/wnamm09-vocal-and- ensemble-keyboard/ http://www.sonicstate.com/news/2009/01/15/wnamm09-ik-multime dia-announces-stealthpedal/ http://www.macmusic.org/news/view.php/lan
creator: PN
date: 2008-11-10T01:51:59-00:00