news soon re: REAPER and PARIS. >>>>>>>>>> >>>>>>>>>> - Kerry >>>>>>>>>> >>>>>>>>>> On 2008-09-14 08:41:28 -0700, "Gantt Kushner" <ganttmann@comcast.net> >>>>>>>said: >>>>>>>>>> >&
gt;>>allegedly >>>>>>>>>> have the super groovy mic pres and firewire. Both seek to have >>line >>>>>>>outs. >>>>>>>>>> The Firestudio seems to have better S/N in the digi output. >>>>>>>>>> >>>>>>>>>> I dunno. I need to do this on the cheap! >>>>>>>>>> >>>>>>>>>> Gantt >>>>>>>>>> >>>>>>>>>> KerryGalloway <kg@kerrygalloway.com> wrote: >>>>>>>>>>> Heya Gantt - REAPER is definitely ready for prime time. For the >>>cost >>>>>>>> >>>>>>>>>>> involved (zero, and a painless install that does absolutely zero >>>> >>>>>>>>>>> invasive stuff on your HD) you can't go wrong t
rying it out. >>>>>>>>>>> >>>>>>>>>>> http://www.reaper.fm/ >>>>>>>>>>> >>>>>>>>>>> We use it for live recording all the time, and it's been solid >>as >>>>>a >>>>>>> >>>>>>>>>>> rock. It also contains a number of features that make it excelllent >>>>>>>for >>>>>>>>>> >>>>>>>>>>> live recording - for example, you can set it to save audio files >>>>on >>>>>>>the >>>>>>>>>> >>>>>>>>>>> fly when they reach a certain size, so you never wind up with >"poof, >>>>>>>> >>>>>>>>>>> it's all gone!" even when recording a full evening at a go. Even >>>>a >>>>>> >>>>>>>>>>> disaster like a kicked-out power bar can be fully recoverable, >>unlike >>>>>>>> >>>>>>>>>>> some apps that shrug and leave you nothing but a "whaddya?" (in >>>fact, >>>>>>>> >>>>>>>>>>> that feature right there is part of what prompted my partner's >>shift >>>>>>>>to >
t; >>>>>>>>>>> shareware (you get a five-second nag at boot after 30 days), then >>>>>$50 >>>>>>>> >>>>>>>>>>> for non-commercial use and $225 for full commercial license. There's >>>>>>>>no >>>>>>>>>> >>>>>>>>>>> difference between the functionality of "trial", "paid" and "paid >>>>> >>>>>>>>>>> commercial" though, it's honor system and it's upgradeable so >you >>>>>can >>>>>>>> >>>>>>>>>>> use it for free for as long as you like to see if you like it, >>pay >>>>>>$50 >>>>>>>> >>>>>>>>>>> for the initial license if you do, and then pay the $175 upgrade >>>>fee >>>>>>>> >>>>>>>>>>> when commercial remote recordings come in. >>>>>>>>>>> >>>>>>>>>>> Although it's PC native, it also runs on Mac OSX (it's in late >>beta); >>>>>>>> >>>>>>>>>>> Justin's goal (he's nearly there) is to have the two development >>>> >>>>>>>>>>> branches merged so PC and OSX upgrades stay neck-and-neck. But >>the >>>>>>beta >>>>>>>>>> >>>>>>>>>>> has been running like a champ for me here, and this opens the > >>>>>>>>>>> possibility of bringing your HD home and plugging it into your >>OSX >>>>>>rig >>>>>>>> >>>>>>>>>>> and being up and running. >>>>>>>>>>> >>&gt
;>>>>>>>> And there'll be more news soon re: REAPER and PARIS. >>>>>>>>>>> >>>>>>>>>>> - Kerry >>>>>>>>>>> >>>>>>>>>>> On 2008-09-14 08:41:28 -0700, "Gantt Kushner" <ganttmann@comcast.net> >>>>>>>>said: >>>>>>>>>>> >>>>>>>>>>>> Any Sonar users around? I'm looking for something to install >>on >>>>>my >>>>>>>>wife's >>>>>>>>>>>> HP laptop fpr rempoe gigs w/ a firewire interface. I am, as >the >>>>>saying >>>>>>>>>> goes, >>>>>>>>>>>> wide open to suggestion! >>>>>>>>>>>> >>>>>>>>>>>> Gantt >>>>>>>>>>> >>>>>>>>>> >>>>>>>> >>>>>>> >>>>>> >>>>> >>>> >>> >> >But I care so deeply Thad, I really do :-) Seems like a good deal to me, considering that you don't need the hand holding. I am totally onboard the whole 15000 virtual synths thing, but the other day I started just sticking a mono mic up in front of my piano, my amp and my face and it sounded good too, except for the face part. Chuck "TCB" <nobody@ishere.com> wrote: > >Hey all, > >Well, in case anyone here cares, I had a mobo fail on me a bit ago. Computer >no workee. I can build my own, of course, but I'm sick of doing that and >hate trou
bleshooting hardware at that level. At least give me a POST so I'm >not looking up beep codes, or worse yet remembering I never plugged in the >system sound so can't even hear the damn beep codes. > >I could have hired Morgan or Chris to do the job for me of course. But I'm >pretty savvy with computers after 15 years working on them and really just >didn't want to do the build myself, the config/research value-add that those >guys give don't do much for me. So instead I had an online custom builder >who does gamer boxes do it for me. Or at least I ordered it. Here's the config. > > >Asus P5Q Pro mobo, Intel P45 chipset >Core2 Quad Q6600 (4x 2.4 Ghz) >2GB DDR2 memory >ATI 3850 video card that will drive a 2560x1600 30" display >Intel certified liquid cooling system >Cheapest everything else (DVD RW, hard drive, etc and so forth, I have all >of those parts) > >That was $849 + shipping. > >I realize this isn't the absolute cheapest price possible for this rig but >I think I got a decent deal and there were a couple of things I liked about >these guys. They don't force me to buy a Windows license (I have about half >a dozen ways I can legitimately install XP and Vista on this thing), they >were good about helping me find a few of the components, and they didn't >try to upsell me on all kinds of stupid shit I don't need like $500 video >cards. > >We'll see. Pulsar users claim this chipset will play nice with my card but >I'll believe it when I see it, esp with the quad processor. The LSI firewire >chipset is something even MOTU will support, and one that LiquidMix users >have switched TO on the forums, so the small (x2) PCI slot count shouldn't >bite me on the ass. If those two things will work I can deal with pretty >much anything else. > >I'll keep the group posted on what I find, as usual this will be an SX/Live/Reason >machine with 15,000 plug-ins and synths on it. > >TCB > >P.S. In a diametrically opposed treat I also bought myself a Leica IIIf camera >from 1952. New tech does a lot more but the purely mechanical devices of >the past are pretty freaking cool. >Hi Thad, Heh Yes I don't think you need any hand holding form me. Well Ok if you wanna hold hands we can. We can spoon if you want. Liquid cooling? Are you over clocking it? Kinda over kill for such a low voltage low heat chip if you ain't over clocking it. Make sure want ever OS backup software you use actually works right when backing up and restoring. The ICH10 chip set doesn't have allot of support yet. Do not use AHCI as a a controller mode it will cause issue
uys. They don't force me to buy a Windows license (I have about half > a dozen ways I can legitimately install XP and Vista on this thing), they > were good about helping me find a few of the components, and they didn't > try to upsell me on all kinds of stupid shit I don't need like $500 video > cards. > > We'll see. Pulsar users claim this chipset will play nice with my card but > I'll believe it when I see it, esp with the quad processor. The LSI firewire > chipset is something even MOTU will support, and one that LiquidMix users > have switched TO on the forums, so the small (x2) PCI slot count shouldn't > bite me on the ass. If those two things will work I can deal with pretty > much anything else. > > I'll keep the group posted on what I find, as usual this will be an SX/Live/Reason > machine with 15,000 plug-ins and synths on it. > > TCB > > P.S. In a diametrically opposed treat I also bought myself a Leica IIIf camera > from 1952. New tech does a lot more but the purely mechanical devices of > the past are pretty freaking cool. >Very cool, I have a Yashica 124G that I keep Ilford FP4 in... it takes AMAZING pictures... David. > TCB > > P.S. In a diametrically opposed treat I also bought myself a Leica IIIf camera > from 1952. New tech does a lot more but the purely mechanical devices of > the past are pretty freaking cool. >Mike, All reverbs you have ported are exceptional! Plates halls ALL ! We need though same great sounding room reverbs !!! Regards, DimitriosHi Mike, I agree with Dimitrios. Your Drum and Vocal Plates have become my go to ever since I bought them. The standard Paris Plate has been lost in the shuffle now. An equal quality room would be a nice addition if you find the time. Tom "Dimitrios" <musurgio@otenet.gr> wrote in message news:48d2786e$1@linux... > > Mike, > All reverbs you have ported are exceptional! > Plates halls ALL ! > We need though same great sounding room reverbs !!! > Regards, > DimitriosVery cool, I've only shot a handful of medium format cameras and they were all eons ago, back when I was in high school and men could talk to animals. If I keep on spending this much time messing around I might get a Fuji 690 for when I want a _real_ big ass negative. But that Yashica must be fun. The film world sure has changed a lot as well. I'm running through a bunch of negative options to see what I like. So far plain ol' Fujicolor is leading the way for color and the Ilford color process B&W just for kicks. I'm going to run some slllloooooowwww Tri-x through it soon to remind myself what diehard B&W looks like. I also have a Nikon D300 that is a mind blowing camera. Photography is a lot like audio to me, the digital stuff is incredible and I'm happy to exploit all of its wonderful goodness. But I also like the old school stuff because it has a real different flavor. TCB EK Sound <ask_me@nospam.net> wrote: >Very cool, > >I have a Yashica 124G tha
t I keep Ilford FP4 in... it takes AMAZING >pictures... > >David. > >> TCB >> >> P.S. In a diametrically opposed treat I also bought myself a Leica IIIf camera >> from 1952. New tech does a lot more but the purely mechanical devices of >> the past are pretty freaking cool. >>I'll take a look at what's there. I think there is a room and a small room. Can you tell I'm a plate a hall guy? I've literally spent the last 3 months doing nothing but work on the PSCL. I've been toying with rewriting using objects. We'll see. I'll take a look at the algos tonight. All the best, Mike "Tom Bruhl" <arpegio@comcast.net> wrote: >Hi Mike, > >I agree with Dimitrios. Your Drum and Vocal Plates have become my >go to ever since I bought them. The standard Paris Plate has been >lost in the shuffle now. An equal quality room would be a nice addition >if you find the time. > >Tom > > > >"Dimitrios" <musurgio@otenet.gr> wrote in message news:48d2786e$1@linux... >> >> Mike, >> All reverbs you have ported are exceptional! >> Plates halls ALL ! >> We need though same great sounding room reverbs !!! >> Regards, >> Dimitrios > >Chuck, I am trying to email you, keeps returning "undeliverable" Could you e-mail me? stevec 1 at charter dot net? Thanks!Hi All, Here is the latest/greatest PSCL. I am not aware of any problems with it. Cheers! MikeThis is a multi-part message in MIME format. ---=_linux48d2d46d Content-Type: text/plain Content-Transfer-Encoding: 7bit I guess actually posting it helps. :) ---=_linux48d2d46d Content-Type: application/octet-stream; name="PARIS_StudioControlLibrary.dll" Content-Transfer-Encoding: base64 Content-Disposition: attachment; filename="PARIS_StudioControlLibrary.dll" [binary] AAAAEAAQAAAAAgAABAAAAAAAAAAEAAAAAAAAAAAgAwAABAAAAAAAAAIAAAAA ABAAABAAAAAAEAAAEAAAAAAAABAAAABA/AEA9SsAAADwAgBkAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAADAGQXAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAABc8QIA+AAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAC50ZXh0AAAAdqcBAAAQAAAAqAEAAAQAAAAAAAAA AAAAAAAAACAAAGAucmRhdGEAADVoAAAAwAEAAGoAAACsAQAAAAAAAAAAAAAA AABAAABALmRhdGEAAACQswAAADACAABsAAAAFgIAAAAAAAAAAAAAAAAAQAAA wC5pZGF0YQAA9gUAAADwAgAABgAAAIICAAAAAAAAAAAAAAAAAEAAAMAucmVs b2MAAAQZAAAAAAMAABoAAACIAgAAAAAAAAAAAAAAAABAAABCAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA [binary]<b
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