n, another great job by mr. Rod Lincoln on the drums... > and I think I nailed the mix right out of the gate on this one, > too. > > http://saqqararecords.com/MiscAudio/GiftO
Re: Nady RSM-4 Ribbon Studio Microphone???
fTheDesert-mp3.mp3 > > > I uploaded this one as a hi-rez mp3 file, so you could hear > every detail, so it's a little bigger (9megs), but it's worth > it, trust me - it's barely discernable from the full 35-meg wav > rendering. > > I really like this mix... listen to it on halfway-decent > monitors or phones & you're gonna feel like you're right in the > middle of it. > > And, of course, Rod does a killer job of interpreting my vision > on this one, as well. > > NeilSounds like you got off lucky this year "EK Sound" <ask_me@nospam.net> wrote in message news:47d5810a$<a href="
u gotta go on his = website, he's like Mr. Religious, Mr. Family Values. Well now a second = madam has come forward and told the Associated Press that he was also a = customer at her brothel. This guy was cheating on his hooker with = another hooker." --Jay Leno "And this madam says that Vitter was not only having sex with the = prostitutes -- this is unbelievable -- he would also pay them to dress = him up in a diaper. See, that's what you call a pampered politician. And = she also said today in an interview that he sometimes paid $300 an hour = just to have the hookers ta
he working girls of = Louisiana." --Jay Leno "Last night, down in Washington, DC, they had the all-night Senate = session. The senators were there all night. It was the DC madam's = slowest night ever." --David Letterman "The darling of the religious right, conservative Senator Davi
ose.net" target="_blank">noway@jose.net> wrote: >>This is unbelievably cool on one level and sorta' >>.........errrrrr.........I'm not really sure....scary maybe???.....on >>another level. It is however, very amazing and I will have to have it or > I >>will die. I believe this will be a part of the every mix engineer's >>toolkit, > >>since the impossible is now possible, and we will be required to fix >>entire > >>clambeds......at no extra charge of course. Is overdubbing now dead? >> >>"Steve Helm" <shelm@radford.edu> wrote in message news:47d7319a$1@linux... >>> >>> This is truly ama
f="mailto:uakdt3hd1hmrs9vqigm90cbsvuhobj26i1@4ax.com..." target="_blank">uakdt3hd1hmrs9vqigm90cbsvuhobj26i1@4ax.com... >> you amen"eheh"...sey >> >> On 11 Mar 2008 22:20:43 +1000, "John" <no@no.com> wrote: >> >>> >>>that's what I'm talking about ! hehe >> >is the possibilit
elieve this will be a part of the every mix engineer's >>>>>> toolkit, >>>>> >>>>>> since the impossible is now possible, and we will be required to >>>>>> fix entire >>>>> >>>>>> clambeds......at no extra charge of course. Is overdubbing now dead? >>>>>> >>>>>> "Steve Helm" <shelm@radford.edu> wrote in message >>>>>> news:47d7319a$1@linux... >>>>>> >>>>>>> This is truly amazing! >>>>>>> >>>>>>> http://www.celemony.com/cms/index.php?id=dna >>>>>>> >>>>>>> Direct Note Access is a technology that makes the impossible >>>>>>> possible: >>>>> >>>>> for >>>>> >>>>>>> the first time in audio recording history you can identify and edit >>>>>>> individual >>>>>>> notes within polyphonic audio material. The unique access that >>>>>>> Melodyne >>>>> >>>>>>> affords >>>>>>> to pitch, timing, note lengths and other parameters of
overdubbing now dead? >>>>> >>>>>"Steve Helm" <shelm@radford.edu> wrote in message news:47d7319a$1@linux... >>>>> >>>>>>This is truly amazing! >>>>>> >>>>>>http://www.celemony.com/cms/index.php?id=dna >>>>>> >>>>>>Direct Note Access is a technology that makes the impossible possible: >>>> >>>>for >>>> >>>>>>the first time in audio recording history you can identify an
me tune and slide and copy and paste their tracks these days? >They learn that they can screw up and I'll fix it. > >Remember the old Protools joke where the producer gets on the talkback and >says "It sucked! Come on in!" It's not so funny any more! > >Gantt > >"Steve Helm" <shelm@radford.edu> wrote: >> >>This is truly amazing! >> >>http://www.celemony.com/cms/index.php?id=dna >> >>Direct Note Access is a technology that makes the impossible possible: for >>the first time in audio recording history you can identify and edit individual >>notes within polyphonic audio material. The unique access that Melodyne >affords >>to pitch, timing, note lengths and other parameters of melodic notes will >>now also be afforded to individual notes within chords. >TC Electronic Announces Desktop Konnekt 6 Audio Interface http://messe.harmony-central.com/Musikmesse08/Content/TCElec tronic/PR/Desktop-Konnekt-6-Audio-Interface.html TC Electronic Introduces PowerCore X8 Sonnox Edition http://messe.harmony-central.com/Musikmesse08/Content/TCElec tronic/PR/PowerCore-X8-Sonnox-Edition.html <a href="http://www.sonicstate.com/news/shownews.cfm?newsid
/2uGMuZQxhi7kLAi6FsAC+2+hxLVsSeGehi9 [binary]
="mailto:1@linux..." target="_blank">1@linux... >> Most of the people I know around here in similar situations are all >> working at music stores... >> >> David. >> >> Gantt Kushner wrote: >>> That's why I've actually been looking for a day job. Problem is - I'm >>> not >>> qualified to do anything but record and play music! >>> >>> Gantt >>> >>> EK Sound <ask_me@nospam.net> wrote: >>> >>>>I get to work on *mostly* turd polishing. In fact, it has been several >>> >>> >>>>years since I actually had FUN on a session... AND I turn away a LOT of >>> >>> >>>>"undesireable sessions"... pretty sad. Most of the good stuff is being >>> >>> >>>>done at the musicians home studios, we never get to see it. >>>> >>>>David. >>>> > >2 things for sure. Computers and government jobs aren't going anywhere. If I could step backwards about 5 years, I'd have gone
years if I'd have. For sure touring and playing >offers no such long term benefits, and living on the road gets expensive. >Taxes on contract musicians can be devestating. Today's shelf life on bands >is so short that one can lose the game easily. I know there's not much >'cool' in the day gig, but it sure beats bein' cool and >hungry/broke/divorced/homeless/addicted, as so many of my peers and friends >have become. >Besides, working at a music store would only append debts for me :) >Gannt, take something you have learned along the way and apply it to another >field. Look through hotjobs.com and the such, look at the descriptions and >see what fits or is close to a fit. You are smart and capable, moreso than >you're giving yourself credit for here. > > >AA > > >"EK Sound" <ask_me@nospam.net> wrote in message news:47d819c7$<a href
; of >>>>> >>>>> >>>>>>"undesireable sessions"... pretty sad. Most of the good stuff is being >>>>> >>>>> >>>>>>done at the musicians home studios, we never get to see it. >>>>>> >>>>>>David. >>>>>> >>> >>> >> > >Damn, and I was gonna order seven or eight of 'em, too. lol "Dedric Terry" <dterry@keyofd.net> wrote: >It's $25k. Lamont was just abbreviating. ;-) > >"Aaron Allen" <know-spam@not_here.dude> wrote in message >news:47d8682e@linux... >>I doubt that is $25. >> >> >> "LaMOnt" <jjdpro@gmail.com> wrote in message news:47d81f9e$1@linux... >>> >>> Well, here is yet another attempt to bring DAW users a hybrid product, >>> that >>> has a nice foot-print.. >>> Thoughts??? >>> http://vintageking.com/SSL-Matrix-Console >>> >>> >> >> >more
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